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Jagadguru Sri Jayendra Saraswathi Swamiji an Offering
JAGADGURU SRI JAYENDRA SARASWATHI SWAMIJI AN OFFERING ॎश्रीगु셁भ्योनमः P.R.KANNAN,M.Tech. Navi Mumbai Released during the SAHASRADINA SATHABHISHEKAMCELEBRATIONS of Jagadguru Sri JAYENDRA SARASWATHI SWAMIJI Sankaracharya of Moolamnaya Kanchi Kamakoti Peetham Kanchipuram August 2016 Page 2 of 152 भक्तिर्ज्ञानंक्तिनीक्ततःशमदमसक्तितंमञनसंतुक्तियुिं प्रर्ज्ञक्तिेक्ततसिंशुभगुणक्तिभिञऐक्तिकञमुक्तममकञश्च। प्रञप्ञःश्रीकञमकोटीमठ-क्तिमलगुरोयास्यपञदञर्ानञन्मे तस्यश्रीपञदपेभितुकृक्ततररयंपुमपमञलञसमञनञ॥ May this garland of flowers adorn the lotus feet of the ever-pure Guru of Sri Kamakoti Matham, whose worship has bestowed on me devotion, supreme experience, humility, control of sense organs and thought, contented mind, awareness, knowledge and all glorious and auspicious qualities for life here and hereafter. Acknowledgements: This compilation derives information from many sources including, chiefly „Kanchi Kosh‟ published on 31st March 2004 by Kanchi Kamakoti Jagadguru Sri Jayendra Saraswati Swamiji Peetarohana Swarna Jayanti Mahotsav Trust, „Sri Jayendra Vijayam‟ (in Tamil) – parts 1 and 2 by Sri M.Jaya Senthilnathan, published by Sri Kanchi Kamakoti Peetham, and „Jayendra Vani‟ – Vol. I and II published in 2003 by Kanchi Kamakoti Jagadguru Sri Jayendra Saraswati Swamiji Peetarohana Swarna Jayanti Mahotsav Trust. The author expresses his gratitude for all the assistance obtained in putting together this compilation. Author: P.R. Kannan, M.Tech., Navi Mumbai. Mob: 9860750020; email: [email protected] Page 3 of 152 P.R.Kannan of Navi Mumbai, our Srimatham‟s very dear disciple, has been rendering valuable service by translating many books from Itihasas, Puranas and Smritis into Tamil and English as instructed by Sri Acharya Swamiji and publishing them in Internet and many spiritual magazines. -
The Journal the Music Academy
Golden Jubilee Special Number THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Voi. x lv iii 1977 31? TElfa TfM 3 I msife w*? ii ■“ I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada! ” Edited by T, S. PARTHASARATHY 1980 The Music Academy Madras 306, Mowbray’s Road, Madras - 600 014 Annual Subscription - Rs, 12; Foreign $ 3.00 Golden Jubilee Special Number THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XLVIII 1977 TOlfil 51 ^ I to qprfo to fogifa urc? u ** I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Snn; (ftK| fheiV my bhaktas sirig, there fa I, NaradS f ** Edited by TiS. PARTHASARATHY 1980 The Musitf Academy Madras 366, Mowbray’s Road, Madras - 600 014 Annual Subscription - Rs. 12; Foreign $ 3.00 From Vol. XLVII onwards, this Journal is being published as an Annual. All corresnojd?nc£ sh ^ l^ ^ addressed ^ri T. S. Partha- sarathy, Editor* journal of the Music Academy, Madras-600014. Articles on subjects o f music and dance are accepted for publioation on the understanding that they are contributed solely to *he |*Wf M&P' All manuscripts should be legibly written or preferably type written (double-spaced on one side o f the paper only) and should be |^gn|d by the y^iter (giving bis address jn fpll). The Editor of the Journal is not responsible for the views ^expressed by individual contributors. -
Introduction*
INTRODUCTION | 1 Introduction* Radhavallabh Tripathi IT is almost an impossible task for a single person to present a comprehensive view on the status and trends of Sanskrit studies in a vast country like India. What is being done here would just appear to be a sketchy account, containing snippets of information, that is to be further corroborated, properly analysed and explored. India is divided into 28 states, 7 union territories and 644 districts. There is hardly any district or region where Sanskrit is not studied in some form or the other. Sanskrit is mentioned in the list of 22 major languages, officially accepted in the Constitution of India, and it is also one of the three languages there, that have an all India character. Teaching, Education and Research In India there are 282 universities as per the records with the AIU, at least 112 of which have postgraduate and research departments of Sanskrit. The number of colleges teaching Sanskrit is around 10,000. “Modern methods” are adopted in these institutions for teaching programmes in Sanskrit. Apart from these universities and colleges, there are 16 Sanskrit universities and a number of Sanskrit pÀÇhaœÀlÀs or Sanskrit * This is an enlarged and revised version of my paper “Sanskrit Studies in India” published in the Bulletin of IASS, 2012. 2 | SIXTY YEARS OF SANSKRIT STUDIES: VOL. 1 colleges where traditional method also known as pÀÇhaœÀlÀ paddhati is practised. As per a recent state-wise survey conducted by the Rashtriya Sanskrit Sansthan (RSkS) the number of Sanskrit pÀÇhaœÀlÀs in Madhya Pradesh is 644, in Chhattisgarh 32, in Uttar Pradesh 1347, Uttarakhand 115, in Karnataka it is 290, in Orissa 433, Punjab 8, Rajasthan 1698, Sikkim 36, Tamil Nadu 55, and in Himachal Pradesh 129, Andhra Pradesh 509, Assam 83, Bihar 717, Goa 4, Gujarat 63, Haryana 74, Jammu & Kashmir 43, Jharkhand 3, Kerala 31, Maharashtra 63, Manipur 8. -
Concept and Features of North Indian and South Indian Temples with Special Reference to Temples in Kerala
International Journal of Scientific and Research Publications, Volume 10, Issue 4, April 2020 246 ISSN 2250-3153 Concept and Features of North Indian and South Indian Temples with Special Reference to Temples in Kerala Sumitha SS Research Scholar , Department of History , University of Kerala DOI: 10.29322/IJSRP.10.04.2020.p10029 http://dx.doi.org/10.29322/IJSRP.10.04.2020.p10029 Abstract- The paper tries to analyse the similarities and monuments to last for centuries and give us a fairly good idea what differences which are generally seen in North Indian and South the contemporary religious architecture built Stupas and Indian temples. It was visible in iconographs, design and Chaityas, which are in essence temples, in the Estern Andhra and architecture of temples. The influence of Buddhism and Jainism northern Karnataka regions, too have survived because of the in the construction temples are also discussed. The prevalence of adoption of stone for their protective casing and sculptured veneer Nagara and Versa architecture in the construction temples and its not to mention the stone railings which totally imitated timber expansion to differed parts of India is also analysed. The work in their journey and fixtures. These Stupas and Chaityas expansion of the temple architecture of the Pallavas, Pandyas and show their own distinct regional characters as against their Cholas to Kerala is another area of discussion in the paper. Kerala compeers in North an North –Western India. has great cultural legacy of temples and temple arts. Most of the Buddhism almost went into complete eclipse soon. The temples are constructed either in Pallava or Pandya style of Hindu temples to a greater extent and the Jain ones to a lesser architecture. -
Social Reform, and Hiv/Aids Among Devadasi Sex Workers in Rural Karnataka,India
A PAINFUL POWER: COMING OF AGE, SEXUALITY AND RELATIONSHIPS, SOCIAL REFORM, AND HIV/AIDS AMONG DEVADASI SEX WORKERS IN RURAL KARNATAKA,INDIA O Copyright by Treena Orchard 2004 A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of philosophy Department of Anthropology University of Manitoba THE TINTYERSITY OF MANTTOBA FACULTY OF' G*RÄDUATE STUDIES COPYRIGHT PERMISSION A PAINFUL POWER: COMING OF AGE, SEXUALITY AND RELATIONSHIPS, SOCIAL REFORM, AND HIV/AIDS AMONGDEVADASI SEX WORKERS IN RURAL KARNATAKA,INDIA BY Treena Orchard A ThesisÆracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree of DOCTOR OF PHrf ,OSOPEY Treena Orchard @2004 Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the filn, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced anO ópiea as permitted by copyright laws or with express written authorization from the copyright ownôr. ABSTRACT This dissertation examines coming of age, sexuality and relationships, social reform, and HIV/AIDS among a unique group of female sex workers, the Devadasis, in rural areas of the South Indian state of Karnataka. Former temple servants, religious functionaries, and courtesans in the medieval to early Colonial period 1c. -
Shared Global Experiences for Protection of Built Heritage
SHARED GLOBAL EXPERIENCES FOR PROTECTION OF BUILT HERITAGE IINTERCNATIONAL COMMITLTEE ON LEGAL ADMINISTRATIVE ANFD FINANCIAL ISISUES SCHOOL OF PLANNING AND ARCHITECTURE,BHOPAL SHARED GLOBAL EXPERIENCES FOR PROTECTION OF BUILT HERITAGE Editor Dr. Vishakha Kawathekar SPA PRESS BHOPAL Shared Global Experiences for Protection of Built Heritage Shared Global Experiences for Protection of Built Heritage is published by SPA Press, School of Planning and Architecture, Bhopal Editor: Dr. Vishakha Kawathekar Research Assistants: Ramesh Bhole, V. Balaji, Anjali C, Ankit Kumar Language Edit: Pratibha Singh Jena Layout: Versha Sinha, Shivani Sharma, Syed Tajudeen and Rajeshwari Nair Cover Design: Prakul Sardana Cover Page photo: Ankit Kumar ISBN 978-81-927981-4-1 All rights reserved. Printed: Friends Color Images Pvt. Ltd. Shared Global Experiences for Protection of Built Heritage Preface Today across the globe, the heritage is looked more as a product of culture, where its interpretations have become an integral part to its conservation. Hence emphasis is laid more on values and significance of this heritage and accordingly they become the heritage of universal, national, regional and local importance. With concepts of Smart / sustainable cities emerging and technology affecting every aspect of our life's, it is extremely critical to understand the meaning heritage has in present society as they are subjected to potential threats like rapid urban growth, large scale industries, growing land prices, encroachments and organizational apathy. This publication documents the legal provisions of protection of heritage across the globe. There has been considerable published resources which deliberate upon the various aspects of heritage protection including management and maintenance. However, a need of source book is always felt not only by heritage professionals but also by lawyers practicing heritage law, conservation educators etc. -
50 Golden Years of the C.P. Ramaswami Aiyar Foundation, Chennai
50 Years of The C.P. Ramaswami Aiyar Foundation of THE C.P. RAMASWAMI AIYAR FOUNDATION The Grove, 1 Eldams Road, Chennai 600018 www.cprafoundation.org 1 50 Years of The C.P. Ramaswami Aiyar Foundation © The C.P. Ramaswami Aiyar Foundation 2016 The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] Website: www.cprfoundation.org 2 50 Years of The C.P. Ramaswami Aiyar Foundation Contents 1. Sir C.P. Ramaswami Aiyar 7 2. The C.P. Ramaswami Aiyar Foundation 15 3. C.P. Art Centre 37 4. C.P.R. Institute of Indological Research 76 5. Saraswathi Kendra Learning Centre for Children 107 6. The Grove School 117 7. Rangammal Vidyalaya Nursery and Primary School, Kanchipuram 121 8. C.P. Ramaswami Aiyar Memorial Nursery and Primary School, Kumbakonam 122 9. Each One Teach One 123 10. Training Adolescent Girls in Traditional Drawing and Painting 127 11. Vocational Courses 129 12. Saraswathi Award and the Navaratri Festival of Music 131 13. Women’s Development 132 14. Shakunthala Jagannathan Museum of Kanchi, Kanchipuram 133 15. Temple of Varahishwara in Damal, Kanchipuram 139 16. Tribal Welfare 141 17. Inter-School Sanskrit Drama Competition 147 18. Revival of Folk Art Forms in Schools 148 19. Health and Nutrition 153 20. Tsunami Relief and Rehabilitation 154 21. C.P.R. Environmental Education Centre 157 22. National Environmental Awareness Campaign 176 23. Kindness Kids 178 24. Clean Chennai Green Chennai 180 3 50 Years of The C.P. -
Dances of India.Pdf
VIVEKANANDA KENDRA PATRIKA DANCES OF INDIA DANCES OF INDIA CONTENTS 1. Acknowledgements 1 2. Editorial Dr.Padma Subrahmaniam 3 3. The Dance of Shiva Ananda K. Coomaraswamy 15 4. The Gift of Tradition K. S. Ramaswami Sastri 20 5. The Spiritual Background of Indian Dance Rukmini Devi 25 6. The Renaissance of Indian Dance and its Consequences Mohan Khokar 30 7. The Art of Dance Dr. C. P. Ramaswami Iyer 35 8. The Place of Language in Dance Prof. C. V. Chandrasekhar 40 9. Waiting in the Wing Usha Jha 47 10. The Ramayana in Indian Dance and Dance-Drama Mohan Khokar 54 11. The Art and The Artist K. S. Ramaswami Sastri 60 12. Kuchipudi Dance V. Patanjali 62 13. The Veedhi of Bhagavatam Andhra Dr. V. Raghavan 69 14. Bhagavata Mela - Dance-Drama S. Natarajan 72 15. Koodiyattom D. Appukuttan Nair 74 16. Origin and Development of Thullal P. K. Sivasankara Pillai 77 17. Kathakali-The Total Theatre M. K. K. Nayar 81 18. Mohiniaattam Dr. (Smt.) Kanak Rele 97 19. Bharatanatyam Smt.Chitra Visweswaran 102 VIVEKANANDA KENDRA PATRIKA DANCES OF INDIA 20. Dance can Play a Therapeutic Role Smt.Sudharani Raghupathy 105 21. Yakshagana Bayalata K. S. Upadhyaya 108 22. A Glimpse Into Odissi Dance Dr. Minati Mishra 115 23. Mayurabhanj Chhau Dr. (Mrs.) Kapila Vatsyayan 121 24. Kathak Dance as an Art -Form Dr. S. K. Saxena 132 25. Udayshankar Moni Bagchee 135 26. Temples as Patrons of Dance Dr. K. V. Raman 138 27. Therukkoothu-The Folk-Theatre of Tamilnad Smt. Shyamala Balakrishnan 140 28. -
Asoka, the Buddhist Emperor of India
Presented to the UNIVERSITY OF TORONTO LIBRARY by the ONTARIO LEGISLATIVE LIBRARY 1980 Digitized by the Internet Archive in 2013 http://archive.org/details/asokabuddhistemOOsmit THE BUDDHIST EMPEROR OF INDIA /R^j, VINCENT A. SMITH, M.A. I.C.S. (Retired) AUTHOR OF 'THE EARLY HISTORY OF INDIA,' ETC. SECOND EDITION, REVISED AND ENLARGED OXFORD AT THE CLARENDON PRESS MCMIX OXFORD PRINTED AT THK CLARENDON I'RF.SS UV HORACE HART, MA. rfflNTSR IU 1HK UNIVERSITY PREFACE TO SECOND EDITION Although the plan of the book i,3 maintained unchanged, and Chapters VI and VII, containing the legends, have been reprinted without material emendation, this edition is substantially a new work. The versions of the inscriptions, its most important part, have been repeatedly compared word by word with the texts and revised throughout, after careful consideration of all criticisms accessible to me. In this task I have been aided greatly by many valuable communications received from Mr. F. W. Thomas, Librarian of the India Office. It is a pleasure to me to be now able to agree with M. Senart in the view expressed by him in 1886, and adopted by Mr. Thomas, that Minor Kock Edict I is the earliest document in the collection, and that the mysterious figures at the end of it are not a date. Unfortunately, agreement with those two eminent scholars involves disagreement with others. The recent discovery of the Sarnath pillar not only adds a new edict to those previously known, but also clears up the interpreta- tion of the Sanchi and Kausambi edicts, which were misunderstood when the first edition of this book was published. -
Ancient Indian Art and Culture
ISSN 2394-9694 International Journal of Novel Research in Humanity and Social Sciences Vol. 3, Issue 1, pp: (24-26), Month: January-February 2016, Available at: www.noveltyjournals.com Ancient Indian Art and Culture Dr. Preeti Sharma Guest lecturer Delhi University Abstract: Most of the objects of Indian art are devotional in nature, they were created by craftsmen who steeped in tradition but still produced masterpieces. It has gone through many phases of change. India being country full of diversity created a number of imperial and regional styles of art and architectures. Harappans excelled in producing works of art of small compass. There most notable artistic achievement was perhaps in their seal engravings. While the Pillers and Stupas from the Mauryan age stand testimony to the enlightened vision of a glorious era. The most famous among the Ancient India Stupas were the Sanchi, Amaravati, and Sarnath. Rock temples and mural paintings of Ajanta and Ellora. The magnificent heritage of the Chola and Pallava kings. The art and architecture of ancient india touched new height during the rule of Gupta empire. South India too made remarkable contributions in art and architecture. These provide India with the spiritual joy of belonging, a reminder of a glorious heritage. Keywords: Excavations, Stupas, Figurines, Depicts, Artifacts, Shrine, Sculptures, Deities, Terracotta, Flourished, Monochromes, Exhibits, Conventional, Caves, Imperial, Carved. 1. HARAPPAN ART Many Harappan sites have been excavated. These excavations have revealed the artistic temperament of the Harappans. The harappan art can be seen in – Sculptures/Statues: The more famous sculptures are those of a Dancing Female and The Priest from Mohonjodaro. -
Vedic River Sarasvati Hindu Civilization
Vedic River Sarasvati and Hindu Civilization Edited by S. Kalyanaraman Aryan Books International New Delhi Sarasvati Research and Education Trust Chennai Foreword The hoary and sacred River Sarasvati played a great role in the simple lives of the Vedic people of India of the recent centuries. It was indelibly associated with the collective consciousness of the community, the precursor of the later Hindu civilization. The achievements of the people of the Sarasvati region were extraordinary. The great Vedas, the Vedic Sanskrit language and the cultural symbols, practices and achievements have formed a continuum over thousands of years. It is in the fitness of things that erudite scholars from diverse fields of scientific knowledge came together in a Conference recently to exchange their knowledge and insights on different aspects of what is rightly known as Sarasvati River Civilization. The papers read and the discussions in the Conference should remove any lingering doubt on the reality of the great River Sarasvati. I do hope that those who have been propagating that Sarasvati was only a mythological river, and persisting with the colonial myth of ìAryan invasionî, which has now turned into ìAryan migrationî, will turn a new leaf. It is a matter of great satisfaction that thanks to the efforts in the State of Haryana, Sarasvati stands rejuvenated above the ground right into Rajasthan. Those who take pride in their civilizational identity will indeed be happy when the river finally joins the sea waters on the west of our country, after traversing through Gujarat. The ancient symbol will then once again acquire renewed significance in the memory and rituals of the people of the country. -
Reminiscences Swami Vivekananda
Home Reminiscences of Swami Vivekananda Publisher's Note to First Edition Preface to Second Edition Preface to Third Edition Nagendra Nath Gupta B. G. Tilak Haripada Mitra G. S. Bhate Swami Vivekananda K. Sundarama Iyer The entire text of the book, "Reminiscences of Swami Vivekananda" - 3rd edition published in 1983 by Advaita Ashrama is available here. K. Sundarama Iyer K. S. Ramaswami Sastri A. Srinivasa Pai S. E. Waldo Sister Devamata Cornelia Conger Martha Browne Fincke Henry J. Van Haagen Sister Chrisitne Josephine MacLeod Constance Towne Mary C. Funke Madam E. Calvé Maud Stumm Sister Nivedita Eric Hammond E. T. Sturdy T. J. Desai Swami Bodhananda Swami Vimalananda Swami Suddhananda Kamakhya Nath Mitra Manmatha Nath Ganguli Mrs. S. K. Blodgett Ida Ansell Christina Albers Isabel Margesson Viraja Devi Reeves Calkins Swami Sadashivananda Appendix Reminiscences not from this book Brajendranath Seal Alice M. Hansbrough Annie Besant Swami Turiyananda J. Ransome Bransby Vaikunthanath Sanyal Goswami Brij Lal H. R. Haweis Ella Wilcox Chandrasekhar Chattopadhyaya For searching, please try a site specific Google search Home / Reminiscences of Swami Vivekananda / REMINISCENCES OF SWAMI VIVEKANANDA PUBLISHER'S NOTE TO THE FIRST EDITION MOST of these reminiscences appeared in periodicals from time to time. They are reproduced with due permission and thanks. The memories of Sister Christine are copyrighted by Shri Boshishwar Sen of Almora. In the absence of a most comprehensive term for the contributors, we have styled them as "His Eastern and Western Admirers", though some of them are disciples, some friends, and some others admirers. The last writer is rather prejudiced. His article, however, deserved inclusion as depicting a picture not generally known.