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Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Residential Property Owners As Of: 2/10/2021 Two and Three Family
Residential Property Owners as of: 2/10/2021 Two and Three Family Sect Taxkey Property Address Owner Name Secondary Owner Owner Address Owner CityState,Zip Property Use 32 415-0006-000 10006 W Bungalow Pkwy Aaron S. Jacobson Glenn Barber 671 S 100 St West Allis, WI 53214 940 Residential Duplex 32 415-0013-000 10202 W Bungalow Pkwy Ronald C. Shikora Doris J. Shikora 4085 Brook Ln Brookfield, WI 53005 940 Residential Duplex 32 416-0019-000 651 S 93 St Reddie Living Trust 651 S 93 St West Allis, WI 53214 940 Residential Duplex 32 416-0023-001 681 S 93 St Corry S. Eifert Sandra S. Eifert 2745 S 132 St New Berlin, WI 53151 940 Residential Duplex 32 416-9981-001 9732 W Schlinger Ave Shirley Kewan 9732 W Schlinger Ave West Allis, WI 53214 940 Residential Duplex 33 417-0009-000 9116 W Conrad Ln Jeffrey J. Raab N3430 County Rd K Jefferson, WI 53549 940 Residential Duplex 35 438-0001-000 705 S 57 St Gary J. Karabelas Carol A. Karabelas 6009 W Mitchell St West Allis, WI 53214 940 Residential Duplex 35 438-0009-000 804 S 58 St Santiago Rodriguez Iraviregen Rodriguez 804 S 58 St West Allis, WI 53214 940 Residential Duplex 35 438-0024-000 810 S 57 St Christopher J. Lake Rebecca T. Long-Lake PO Box 204 Big Bend, WI 53103 940 Residential Duplex 35 438-0029-004 702 S 57 St Jeffrey T. Anderson 125 N 70 St Milwaukee, WI 53213 940 Residential Duplex 35 438-0038-000 1000 S 58 St Gary L. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
John Mayall Performs at the Broward Center on May 12
May 6, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 THE GODFATHER OF BRITISH BLUES JOHN MAYALL PERFORMS AT THE BROWARD CENTER ON MAY 12 FORT LAUDERDALE – Legendary blues master John Mayall will perform on Tuesday, May 12 at 7:30 p.m. in the Amaturo Theater at the Broward Center for the Performing Arts. With a career spanning 50 years, the "Godfather of British Blues” has more than 60 albums to his credit, including the all-time classic Bluesbreakers with Eric Clapton, the Grammy-nominated Wake Up Call and Stories, which debuted on the Billboard blues charts at #1. In the early ‘60s, Mayall began putting musicians together in London under the banner of The Bluesbreakers that, over the years, featured a succession of rock greats including Eric Clapton, Mick Taylor of the Rolling Stones and Fleetwood Mac’s Peter Green, John McVie and Mick Fleetwood. In 1969, with his popularity blossoming in the U.S., Mayall released an acoustic live album entitled The Turning Point, from which his song "Room to Move" was destined to become a rock classic and for which he received a Gold record. Attracted by the West Coast climate and culture, he moved to Los Angeles and began forming bands with American musicians. Throughout the ‘70s, John became further revered for his many jazz/rock/blues innovations featuring such notable performers as Blue Mitchell, Red Holloway, Larry Taylor and Harvey Mandel. Throughout the ‘80s and ‘90s, Mayall's released a succession of dynamic albums such as Behind The Iron Curtain, Chicago Line, A Sense of Place and the Wake Up Call that featured guest artists Buddy Guy, Mavis Staples, Albert Collins and Mick Taylor. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Tom's Wild Year: the Story of Swordfishtrombones
Tom's Wild Year: The Story of Swordfishtrombones Classic Rock, June 2013 HAVE I GOT NEWS FOR YOU it was not. Tom Waits did, however, have news for fellow guest Ian Hislop, rounding on the latter after he suggested that Waits promote his new album more audibly, and snarling that he would "promote it in my own damn way". The year was 1983, the album Swordfishtrombones, and the programme was the October 18th edition of Channel 4's dismal yoof-oriented chatshow Loose Talk. Waits had already sidestepped the trap set when host Steve Taylor asked whether the singer was familiar with "the seedier parts" of his native Los Angeles, replying, "You mean like a farming community?" The squirm-inducing interrogation staggered on until Waits lost it with Hislop. In those pre-reality-TV days it was almost shocking. For any Waits fan who'd made the transition to Swordfishtrombones from, say, Small Change, the subtext of the Loose Talk conversation was all too clearly the 33-year-old singer's annoyance at being typecast as a beatnik bum who'd lived in LA's Tropicana Motel and made boozy faux-jazz albums about… well, living in LA's Tropicana Motor Hotel. For Swordfishtrombones was nothing if not a radical rewrite of Waits' nighthawk persona, dispensing not only with the Tropicana but with the many crutches he'd used since making his first album for David Geffen's Asylum label a decade earlier: manager Herb Cohen, producer "Bones" Howe, and (Elektra- )Asylum Records itself. To this day I can recall the mild shock we felt on the NME staff when Swordfishtrombones followed abruptly on the heels of Waits' lush, Howe-helmed soundtrack for Francis Ford Coppola's big-budget film One from the Heart. -
THE ENTERPRISE March 11
Stude~t council Shreve faculty elects elections March 76-77 Who's Who Deadline for signing up/ changing office. Teddy Casten, Kathy Elmore, Business Leaders of America Melissa Kirkikis, Twyla Lee , member, and a National Honor 14 Date to confirm intention Sandra Phillips, Scott Sinclair, Society member. to run for office. and Anita Whitaker were recent Melissa Kirkikis is Captain ly selected as 1976-77 CS Who's of the CS Pep Squad, Z Club I March 30-April6 Campaigns Who. service chairman, an Interact j for Student Co unci I office. Teddy Casten is Sergeant sponsor, National Honor Society of Honor in Key Club, a Fellow secretary, and a Student Council April ship of Christian Athletes representative . 4 Student candidates give member, a National Honor Twyla Lee is a member of speeches to student body Society member and a member FBLA, Z Club, and National in an assembly. of Science Club. Honor Society. Twyla is also a Kathy Elmore is a member cheerleader and a Football Ad 6 Elections will ' be held. of Drama Club and is vice Staff manager. Polls open 8:00 and close president of Octagon Club, Sandra Phillips is vice presi 2:30. president of Black Studies, dent of Student Council and a 4-H program chairman, a Future member of National Honor ~-:*-~---· ' Society, FBLA, and COE. ..--. .. Scott Sinclair was an attorne;• Pupils chosen for rally general at Louisiana Boy's State, and is presently president The following students have French Ill: Marie Achee, Cyndi of Debate Club, vice president of been chosen to represent CS at Williams National Honor Society, - an the Academic Rally at North Spanish I: Rosalyn Brown, Interact board member, and '~l~ western State University in Lisa Cireno, Douglas Holland cha;Jter president of the National At> Natchitoches on March 26. -
Press Contacts: Rebecca Brighenti
Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Please Embargo until: Thursday, October 22, 2015 Berkshire Theatre Group Presents “The Godfather of British Blues,” John Mayall Pittsfield, MA– Berkshire Theatre Group presents “The Godfather of British Blues,” John Mayall at The Colonial Theatre on Thursday, March 24 at 8pm. Tickets to John Mayall are $60, $50 and $35. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444, or online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. John Mayall was born on the 29th of November 1933 and grew up in a village not too far from Manchester, England. It was here as a teenager that he first became attracted to the jazz and blues 78s in his father's record collection. Initially it was all about guitarists such as Eddie Lang, Lonnie Johnson, Brownie McGhee, Josh White and Leadbelly. However once he heard the sounds of boogie woogie giants Albert Ammons, Pete Johnson and Meade Lux Lewis, his desire to play was all he could think of. At the age of 14 when he went to Manchester's Junior School of Art, he had access to a piano for the first time and he began to learn the basics of this exciting music. He also found time to continue learning the guitar and a couple of years later, the harmonica, inspired by Sonny Terry, Sonny Boy Williamson and Little Walter. -
The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year
ALASTAIR GREENE The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today ALASTAIR GREENE Click THE NEW WORLD BLUES Here! H NEW ALBUM H Produced by Tab Benoit for WHISKEY BAYOU RECORDS Available October 23, 2020 “Fronting a power blues-rock trio, guitarist Alastair Greene breathes in sulfuric fumes and exhales blazing fire.” - Frank John Hadley, Downbeat Magazine “Greene is a no frills rock vocalist. His fiery solos prove him a premier shredder who will appeal to fans of Walter Trout, Joe Bonamassa, and Albert Castiglia.” - Thomas J Cullen III, Blues Music Magazine “On THE NEW WORLD BLUES, Alastair makes it clear why he is a ‘guitar player’s guitar player,’ and this recording will surely leave the Alastair Greene stamp on the Blues Rock World.” - Rueben Williams, Thunderbird Management, Whiskey Bayou Records alastairgreene.com whiskeybayourecords.com BLUES MUSIC ONLINE November 11, 2020 - Issue 21 Table Of Contents 06 - ALASTAIR GREENE The New World Blues By Art Tipaldi & Jack Sullivan 18 - FIVE NEW CD REVIEWS By Various Writers 28 - FIVE BOOK REVIEWS 39 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 PHOTOGRAPHY © LAURA CARBONE COVER PHOTOGRAPHY © COURTESY ALASTAIR GREENE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! -
081412 Bluesletter
festival at sunset. The set included "Going Up the Country" which became the title track in the documentar y, even though the band's All shows begin at 6:30 performance was not shown. The song was In case of inclement weather, Tuesday Night Blues included in the first (triple) Woodstock album; while be held at the House of Rock, 422 Water Street. the second album, Woodstock 2, contained *August 7 will be held at Phoenix Park. "Woodstock Boogie". The expanded 25th Anniversary Collection added "Leaving This Town" to May 29 The Sue Orfield Band the band’s collection of Woodstock performances SueOrfield.com June 5 Revolver and "A Change Is Gonna Come" was included on August 14, 2012 at Owen Park RevolverBand.net the director's cut of the documentary film; leaving June 12 Howard ‘Guitar’ Luedtke & Blue Max only "Let's Work Together" to be released. HowardLuedtke.com Canned Heat has continued to morph through June 19 Rhythm Posse dozens of different players. The band has toured facebook.com/RhythmPosse and collaborated with many other musicians such June 26 Code Blue with Catya & Sue Catya.net as John Lee Hooker, Mayall, Memphis Slim, Albert July 3 Mojo Lemon Collins, Sunnyland Slim and Clarence “Gatemouth” MojoLemon.com Brown, to name a few. They have continued to The July 10 Pete Neuman and the Real Deal produce albums and have great popularity in parts PeteNeuman.com of the world like Belgium and Australia. Canned Pumps July 17 The Jones Tones AMBlues.com Heat’s recent studio albums include Boogie 2000 July 24 Steve Meyer with the True Heat Band (1999), and Friends In The Can (2003), which (featuring Ben Harder & Bill Weiss) features various guests including John Lee Hooker, July 31 Ross William Perry Taj Mahal, Walter Trout, Corey Stevens, Roy Rogers, RossWilliamPerry.com Harvey Mandel, Larry Taylor and Henry Vestine. -
50-02 Tom Waits Musik
Swend’s Bluesband celebrating Musik Swend’s Bluesband celebrating Discography Closing Time (Marts, 1973) 1. Ol' '55 2. I Hope That I Don't Fall In Love With You 3. Virginia Avenue 4. Old Shoes (& Picture Postcards) 5. Midnight Lullaby 6. Martha 7. Rosie 8. Lonely 9. Ice Cream Man 10. Little Trip To Heaven (On the Wings Of Your Love) 11. Grapefruit Moon 12. Closing Time (instrumental) The Heart Of Saturday Night (Oktober, 1974) 1. New Coat Of Paint 2. San Diego Serenade 3. Semi Suite 4. Shiver Me Timbers 5. Diamonds On My Windshield 6. (Looking For) The Heart Of Saturday Night 7. Fumblin' With The Blues 8. Please Call Me Baby 9. Depot Depot 10. Drunk On The Moon 11. The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House) Nighthawks At The Diner (October, 1975) 1. Opening Intro 2. Emotional Weather Report 3. Intro 4. On A Foggy Night 5. Intro 6. Eggs And Sausage (In A Cadillac With Susan Michelson) 7. Intro 8. Better Off Without A Wife 9. Nighthawk Postcards (From Easy Street) 10. Intro 11. Warm Beer And Cold Women 12. Intro 13. Putnam County 14. Spare Parts 1 (A Nocturnal Emission) 15. Nobody 16. Intro 17. Big Joe And Phantom 309 18. Spare Parts 2 And Closing (spoken word) Swend’s Bluesband celebrating Discography Small Change (September, 1976) 1. Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) 2. Step Right Up 3. Jitterbug Boy 4. I Wish I Was In New Orleans 5. The Piano Has Been Drinking Not Me 6.