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												Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. - 
												
												A New Year's Greetin
THE 8ID0HANTA DEEPIKA OR The Light of Truth. A Monthly Journal, Devoted to ReligioM, Philosophy^ Littrat%tt\ Scknu 6<. •n tlM qummn'u CoflUMmonUiaii Dkj, IMT, VolVn APRIL 1906 No I A NEW YEAR'S GREETIN This Agaval is by a minstrel, known to us as Kanyan or *'Singer' of the flowery hill, who was a court poet and friend of Ko Pferum Coran of Urraiyur—a little, it may be, before the data of the Kurral. See Purra Nannurru 67, 191, 192, 212. mekjuu^ tSpa-^ir €Uirjnr;^ QKirft£fiLti ^ea^^^ti ^eu^Qt^ir ^csr«r:—^ Si^O/fmr LuS^^jfuh SjtoQut;—Qp^Mr fill^DHAKTA DKKPTKA, euTssrii ^^a^Slaff? lu/r^^i sisoQuTQ^ Lpei>ei€0 Qu.iturfpjM li/rsuyS^u u(B^Ui i^dsasrQuir^ ^tsST (ipsnpsuij^u zjCFe-ii) gtcstu^ ^p(peo/r/r QuiPiQfUir^ff tSoj^^Sfiiii -r- THE SAGES. To lis all toAvns arc one, all men our kin. Life's gooi comes not from others' gift, nor ill Man s pains and pains' relief ?.re from within. Death s no new thing; nor do our bosoms thrill When joyous life seems like a luscious draught. AVhen grieved, y\c patient suffer; for, we deem This much-praised life of ours a fragile raft Borne dowii tiie waters of some mountain stream That o'er Jiuge bouldere roaring seeks the plain. Tho' storms Avith lightnings' ilash from darken d skica Descend, tho raft goes on as fates ordain. Thus have we seen in visions of the wsc!— We marvel Jiiot at greatness of tlie great; Still less despise we men of low estate. - 
												
												Campaign Setting
TM Campaign Setting Lead Designer Wolfgang Baur Chapter Design Cover Art Jeff Grubb, Brandon Hodge, Christina Stiles, and Dan Voyce Aaron Miller Additional Design Interior Art Ben Armitage, Michael Franke, Ed Greenwood,Josh Jarman, Darren Calvert, Nicole Cardiff, Richard Clark, Storn Cook, Michael Kortes, Chris Lozaga, Michael Matkin, Ben McFarland, Emile Denis, Rick Hershey, Michael Jaecks, Stephanie Law, Chad Middleton, Carlos Ovalle, Adam Roy, and Henry Wong Pat Loboyko, Malcolm McClinton, Aaron Miller, Marc Radle, Game Material Development Blanca Martinez de Rituerto, Mark Smylie, Hugo Solis, Sigfried Trent Christophe Swal, Stephen Wood, and Kieran Yanner AGE Appendix Cartography and Heraldry Josh Jarman, with additional design by Simon English, Jonathan Roberts, Sean Macdonald, Lucas Haley Emmet Byrne, Daniel Perez, Jesse Butler, and Wolfgang Baur Cover Graphic Design Editor Callie Winters Michele Carter Layout Proofreading Callie Winters Chris Harris, Ed Possing, and Joey Smith Indexer Lori Ann Curley Dedication: This book is dedicated to my parents, Werner and Renate Baur, who many years ago gave me a little blue box with a dragon on the cover. Thank you for always supporting my love of fantasy, gaming, and legends. Setting Champions Champion of Midgard: Steve Geddes Despot of the Ruby Sea: Carlos Ovalle Exarch of the Magocracy: Christopher Lozaga Druid of the Emerald Order: Shawn “Bran Ravensong” Nolan God-King of Nuria-Natal: Henry Wong Lord of Thunder Mountain: DJ Yoho Lord of Midgard: Sebastian Dietz River King of the Arbonesse: Chad Middleton Sultana of the Empire: Christina Stiles Midgard Campaign Setting is © 2012 Open Design LLC. All rights reserved. Midgard, Open Design, Kobold Press, Free City of Zobeck, and their associated logos are trademarks of Open Design LLC. - 
												
												Langdon Warner at Dunhuang: What Really Happened? by Justin M
ISSN 2152-7237 (print) ISSN 2153-2060 (online) The Silk Road Volume 11 2013 Contents In Memoriam ........................................................................................................................................................... [iii] Langdon Warner at Dunhuang: What Really Happened? by Justin M. Jacobs ............................................................................................................................ 1 Metallurgy and Technology of the Hunnic Gold Hoard from Nagyszéksós, by Alessandra Giumlia-Mair ......................................................................................................... 12 New Discoveries of Rock Art in Afghanistan’s Wakhan Corridor and Pamir: A Preliminary Study, by John Mock .................................................................................................................................. 36 On the Interpretation of Certain Images on Deer Stones, by Sergei S. Miniaev ....................................................................................................................... 54 Tamgas, a Code of the Steppes. Identity Marks and Writing among the Ancient Iranians, by Niccolò Manassero .................................................................................................................... 60 Some Observations on Depictions of Early Turkic Costume, by Sergey A. Yatsenko .................................................................................................................... 70 The Relations between China and India - 
												
												Elements of South-Indian Palaeography, from the Fourth To
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com ELEMENTS SOUTH-INDIAN PALfi3&BAPBY FROM THE FOURTH TO THE SEVENTEENTH CENTURY A. D. BEIN1 AN INTRODUCTION TO ?TIK STUDY OF SOUTH-INDIAN INSCRIPTIONS AND MSS. BY A. C. BURNELL HON'. PH. O. OF TUE UNIVERSITY M. K. A, ri'VORE PIS I. A SOClfcTE MANGALORE \ BASEL MISSION BOOK & TRACT DEPOSITORY ft !<3 1874 19 Vi? TRUBNER & Co. 57 & 69 LUDOATE HILL' . ' \jj *£=ggs3|fg r DISTRIBUTION of S INDIAN alphabets up to 1550 a d. ELEMENTS OF SOUTH-INDIAN PALEOGRAPHY FROM THE FOURTH TO THE SEVENTEENTH CENTURY A. D. BEING AN INTRODUCTION TO THE STUDY OF SOUTH-INDIAN INSCRIPTIONS AND MSS. BY A. p. j^URNELL HON. PH. D. OF THE UNIVERSITY OF STRASSBUB.G; M. R. A. S.; MEMBKE DE LA S0CIETE ASIATIQUE, ETC. ETC. MANGALORE PRINTED BY STOLZ & HIRNER, BASEL MISSION PRESS 1874 LONDON TRtlBNER & Co. 57 & 59 LUDGATE HILL 3« w i d m « t als ^'ctdjcn kr §anltekcit fiir Mc i|jm bdic<jcnc JJoctorMvk ttcsc fetlings^kit auf rincm fejjcr mtfrckntcn Jfclk bet 1®4 INTRODUCTION. I trust that this elementary Sketch of South-Indian Palaeography may supply a want long felt by those who are desirous of investigating the real history of the peninsula of India. Trom the beginning of this century (when Buchanan executed the only archaeological survey that has ever been done in even a part of the South of India) up to the present time, a number of well meaning persons have gone about with much simplicity and faith collecting a mass of rubbish which they term traditions and accept as history. - 
												
												Pagan Beliefs in Ancient Russia. by Luceta Di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc
1 Pagan Beliefs in Ancient Russia. By Luceta di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc. [email protected] ©2006-2017 Slavic mythology is a difficult subject. The historical evidence is fragmented, with many conflicting sources and multiple later literary inventions. This is a brief reconstruction of ancient Russian mythology. The first archaeological findings that can be attributed to Slavs date to approximately 6th c. AD. The origins of Slavs are still debated. The pagan Slavic society was an oral society. Christianity, which introduced writing, was more concerned with eradication rather than preservation of pagan beliefs. No one really tried to preserve and record whatever remained, until late period. Then, there is some evidence recorded from the Germans who visited Russia in 18th c., but a lot of it is based on the written 15thc. sources, rather than eyewitness accounts. The 19th c. Europe saw renewed interest in folklore, and combined with rise of nationalism and need for developed mythos, a lot of what was left was recorded, but a lot was altered to make it more palatable, and questionable things (especially with fertility rituals) were edited out as not to besmirch the emerging national character. During the Soviet time, the study of any religion was problematic, due to mandatory atheism. Eventually, the study of the early Slavic traditions was permitted, and even encouraged, but, everything had to pass stringent censorship rules, and could not contradict Marxist-Leninist philosophy. So, people who had the material (in the USSR) could not publish, and people who actually could publish (in the West) did not have access to the materials. - 
												
												Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". - 
												
												ROBERTS-THESIS.Pdf (933.8Kb)
The Thesis Committee for Jason Edward Roberts Certifies that this is the approved version of the following thesis: Evidence of Shamanism in Russian Folklore APPROVED BY SUPERVISING COMMITTEE: Supervisor: Thomas Jesús Garza Bella Bychkova Jordan Evidence of Shamanism in Russian Folklore by Jason Edward Roberts, B. Music; M. Music Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2011 Acknowledgements I would like to gratefully acknowledge both Tom Garza and Bella Jordan for their support and encouragement. Their combined expertise has made this research much more fruitful than it might have been otherwise. I would also like to thank Michael Pesenson to whom I will forever be indebted for giving me the push to “study what I like” and who made time for my magicians and shamans even when he was up to his neck in sibyls. iii Abstract Evidence of Shamanism in Russian Folklore Jason Edward Roberts, MA The University of Texas at Austin, 2011 Supervisor: Thomas Jesús Garza A wealth of East Slavic folklore has been collected throughout Russia, Ukraine, and Belorussia over a period of more than a hundred years. Among the many examinations that have been conducted on the massive corpus of legends, fabulates, memorates, and charms is an attempt to gain some understanding of indigenous East Slavic religion. Unfortunately, such examination of these materials has been overwhelmingly guided by political agenda and cultural bias. As early as 1938, Yuri Sokolov suggested in his book, Russian Folklore, that some of Russia’s folk practices bore a remarkable resemblance to shamanic practices, commenting specifically on a trance like state which some women induced in themselves by means of an whirling dance. - 
												
												RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D
HUMANITIES INSTITUTE RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D. Introduction Mythology takes as its subject the significance of the objects that exist in the world, natural events, and the private matters and objects of social life from an emotional point of view. Mythology is the identification of humanity with nature, making the powers of nature one’s own in the imagination. In the face of natural events, the first humans were powerless, both before the events within themselves and those that came from outside. Therefore, it is directed at describing events and objects that were considered taboo, or embodying and personalizing events or objects that the mind could not grasp. Identifying itself with all living and non-living thing from the very beginning, the human mind tried to express them through various objects and symbols. The rustle of leaves, thunder, bird calls, and lightning striking – all these natural events were perceived by humans as a sign of good or evil, life or death. Mythological images are indirect expressions of humans’ internal worlds and emotions. Emotions override reason. Mythological images do not consist only of imaginary depictions. They also have the quality of making living in harmony with human desires and emotions, and acting together easier. In this context, The subject of Russian mythology consists of the belief of the Russian people, who planted fields, worked the land, and spent their lives together with animals such as eagles and wolves, that supernatural powers directed the fates of men, and the symbols and gods that before and after the coming of Christianity were passed down from generation to generation. - 
												
												A Guide to Byelorussian Mythology
68 THE JOURNAL OF BYELORUSSIAN STUDIES A Guide to Byelorussian Mythology BY Archim. LEŪ HOROŠKO Until comparatively recent times one branch of Byelorussian history, namely Church history, suffered from undeserved neglect, and little or no research had been done into the cults of the pre Christian era. The few treatises on the history of Byelorussia which have been published in the past and which deal with the pre-Christian beliefs of the Byelorussian tribes, give nothing more than a very general and vague outline. There are doubtless many reasons and difficulties which initially may have impelled historians to adopt this approach, but the subject is worthy of more attentive study, notwithstanding the obstacles; indeed, it is only through such study that the student will be able to comprehend the mentality of the early inhabitants of Byelorussia, and understand the origin and meaning of many of the ancient Byelorussian religious customs. The significance of the study of Byelorussian mythology cannot seriously be put in doubt. Nevertheless, political developments over the last two centuries have caused a thick blanket of obscurity to be drawn over the origins and traditions of the Byelorussian people. It should, of course, be mentioned that relatively numerous works have been compiled on the subject of Slav mythology. Authorities such as Anickov, Afanas'ev, Fomicyn, Scheppig, Bernhardi, Gorgo wicz, Hanuš, Machek, Jagic, Leger, Brückner, Niederle and others besides have published many works relating to various aspects of Slav mythology, but references to a specifically Byelorussian mytho logical complex are unfortunately rare1. This is perhaps the result of the extraordinary difficulties which the student of Byelorussian antiquities must invariably encounter. - 
												
												“History of Ukrainian Culture”. Part One
МІНІСТЕРСТВО ОХОРОНИ ЗДОРОВ’Я УКРАЇНИ Харківський національний медичний університет N. M. Martynenko, H.L. Demochko Н. М. Мартиненко, Г.Л. Демочко History of Ukrainian Culture Історія української культури Workbook for English-speaking students Робочий зошит для англомовних студентів Kharkiv 2015 УДК 316.722(091)477(076.6)=111 ББК 63.3 М 29 Затверджено вченою радою ХНМУ. Протокол № 3 від 19 березня 2015 р. Martynenko N. M., Demochko H.L. History of Ukrainian Culture : Workbook for English- speaking students / N. M. Martynenko, G.L. Demochko. – Kharkiv : KNMU, 2015. - 97 p. Мартиненко Н.М., Демочко Г.Л. Історія української культури: Робочий зошит для англомов. студентів / Н.М. Мартиненко, Г.Л. Демочко – Харків : ХНМУ, 2015.- 97 с. © Харківський національний медичний університет, 2015 © Мартиненко Н.М., Демочко Г.Л., 2015 C O N T E N T Unit 1 Part Introduction to “History of Ukrainian culture” 4 one Part Archaic cultures at the territory of Ukraine. 11 two Sources of Ukrainian culture Unit 2 Part Culture of Kyivan Rus‟ (9-12th centuries) 25 one Part Culture of Galiсia-Volhynia Principality 31 two Unit 3 Part Ukrainian Culture of Lithuanian Period (14th-16th c.) 38 one Part Ukrainian Culture of Polish Period 41 two (16th-the first half of 17th centuries) Part Ukraine and West-European cultural influences 45 three (late 17th - 18th centuries). Enlightenment Unit 4 Part Ukrainian cultural revival (late 18th –early 20th c.). 51 one First period Part Ukrainian cultural revival (late 18th –early 20th c.). 59 two Second period Part Ukrainian cultural revival (late 18th –early 20th c.). 69 three Third period Unit 5 Part Ukrainian cultural development of the newest period 75 one (20th –early 21st centuries) Part Social and political processes after disintegration 88 two of the USSR and their influence on the development of culture in Ukraine References 96 Unit 1.Introduction to “History of Ukrainian culture”. - 
												
												Appendix 5: Multilingual Dictionary for Multifaith and Multicultural Mediation and Education
APPENDIX 5: MULTILINGUAL DICTIONARY FOR MULTIFAITH AND MULTICULTURAL MEDIATION AND EDUCATION © Thomas Clough Daffern This appendix consists of a work in progress: the attempt to compile an exhaustive dictionary of world languages, focusing on words that are of direct interest to the work of the multifaith and multicultural mediation: such terms include those on the one hand, relating to peace, non-violence, conflict, violence, war, justice, mediation, reparation, as well as terms relating to belief, values, ideas, identity, faith, deity, God, ultimate truth etc. The work presented here is very much a work in progress, as the accompanying table of languages makes clear; some languages have received more attention than others, some are absent, some are under-represented; this is due largely to the ways in which the dictionary has been compiled thus far, the limitations of resources at the editors disposal, and the scattering of volunteer helpers who have aided the research thus far. The editor owes a considerable debt of gratitude to various colleagues for assistance in bringing the project this far, including: Gordana Netkovska, Mary Napper, Sarah Kennedy, Agatha Haun, Surjit Singh, to name but a few. It is hoped in time to further complete this work, which is proving of use in the work of multifaith and multicultural mediation, for which purpose it is intended. It is included here as an appendix to the editor’s thesis, as a way of indicating something of the scope of one of the projects inspired by the work of the MMMS, and transpersonal historiography in action, applied to the study of comparative linguistics and the history of words and their meanings.