Ann Rutledge in American Memory: Social Change and the Erosion of a Romantic Drama
Ann Rutledge in American Memory: Social Change and the Erosion of a Romantic Drama BARRY SCHWARTZ A legend of a shining, deathless, holy and pure passion arose, spread, grew by some inherent vital sheen of its own or of the need of those who wanted it, of Ann Rutledge. Carl Sandburg, The Prairie Years Among the many love stories that poetry, biography, film, and drama told during the first half of the twentieth century, that of Abraham Lincoln and Ann Rutledge occupies a special place. Although scholars have argued for decades about the role Ann Rutledge played in Abra- ham Lincoln’s life,1 this essay says nothing about that question; rather, it speaks about the diminished relevance of the question itself. Moving back and forth between images of tragic romance and the changing ethos of American culture, the essay reviews the emergence and diffu- sion of the Ann Rutledge story. It explains why the story evoked strong public interest during the Progressive and New Deal eras, remained popular until the 1950s, then faded as a postindustrial society intensified demands for diversity, inclusion, racial justice, and gender equality. Diminishing popular interest in Ann Rutledge accompanied by rising academic interest raises important questions for scholars of collective memory. A second-cousin of “public opinion,” “collective memory” refers to the distribution throughout society of beliefs, knowledge, feelings, and moral judgements about the past. Only in- dividuals possess the capacity to contemplate the past, but beliefs do not originate in the individual alone, nor can they be explained on the basis of personal experience.
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