Edward R. Murrow: in His Own Words
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Bibliography of Recent Books in Communications Law
BIBLIOGRAPHY OF RECENT BOOKS IN COMMUNICATIONS LAW Patrick J. Petit* The following is a selective bibliography of re- the United States, Germany, and the European cent books in communications law and related Convention on Human Rights. Chapter 1 dis- fields, published in late 1996 or 1997. Each work cusses the philosophical underpinnings of the is accompanied by an annotation describing con- right of privacy; Chapter 2 explores the history of tent and focus. Bibliographies and other useful the development of the right in each of the three information in appendices are also noted. systems. Subsequent chapters examine the struc- ture, coverage, protected scope, content, and who are the subjects of the right to secrecy in telecom- FREEDOM OF PRESS AND SPEECH munications. An extensive bibliography and table of cases is provided. KAHN, BRIAN AND CHARLES NEESONS, EDI- TORS. Borders in Cyberspace: Information Policy and the Global Information Infrastructure. Cambridge, . SAJo, ANDRAS AND MONROE E. PRICE, EDI- Mass.: MIT Press, 1997. 374 p. TORS. Rights of Access to the Media. Boston, Mass.: Borders in Cyberspace is a collection of essays pro- Kluwer Law International, 1996. 303 p. duced by the Center for Law and Information Technology at Harvard Law School. The first part Rights of Access to the Media is a collection of es- of the collection consists of six essays which ad- says which examine the theoretical and practical dress the "where" of cyberspace and the legal is- aspects of media access in the United States and Europe. Part I contains essays by Monroe Price sues which arise because of its lack of borders: ju- risdiction, conflict of laws, cultural sovereignty, and Jean Cohen which address the dominant models of access theory. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
Edward R. Murrow: Journalism at Its Best
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life .............................................................1 Freedom’s Watchdog: The Press in the U.S. ....................................4 Murrow: Founder of American Broadcast Journalism ....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy...........................................................................16 Bibliography ..................................................................................17 Photo Credits: 12: Joe Barrentine, AP/WWP. Front cover: © CBS News Archive 13: Digital Collections and Archives, Page 1: CBS, Inc., AP/WWP. Tufts University. 2: top left & right, Digital Collections and Archives, 14: top, Time Life Pictures/Getty Images; Tufts University; bottom, AP/WWP. bot tom, AP/ W WP. 4: Louis Lanzano, AP/WWP. Back cover: Edward Murrow © 1994 United States 5: left, North Wind Picture Archives; Postal Service. All Rights Reserved. right, Tim Roske, AP/WWP. Used with Permission. 7: Digital Collections and Archives, Tufts University. 8: top left, U.S. Information Agency, AP/WWP; right, AP/WWP; bottom left, Digital Collections Executive Editor: George Clack and Archives, Tufts University. Managing Editor: Mildred Solá Neely 10: Digital Collections and Archives, Tufts Art Director/Design: Min-Chih Yao University. Contributing editors: Chris Larson, 11: left, Library of American -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Murrow Gala Program 2016
PRESENTS THE Honoring Excellence in Journalism October 10th, 2016 | Gotham Hall | New York City @RTDNA | #Murrows AD SPACE TABLE OF CONTENTS Event Sponsors ........................................................5 Letter from the Chairman .......................................7 Presenters .................................................................8 Overall Excellence ..................................................14 Use of Video/Sound ................................................17 Investigative Reporting ..........................................18 Continuing Coverage ..............................................21 Writing ....................................................................23 Hard News ..............................................................24 Feature Reporting ..................................................25 News Documentary ................................................26 Newscast .................................................................28 Website ...................................................................29 Sports Reporting ....................................................30 News Series ............................................................31 Breaking News Coverage .......................................32 Student Murrow Awards ........................................33 #Murrows | RTDNA.ORG 3 In your rapidly evolving newsroom, you need bridges, not silos. You need tools A Reliable Bridge to Your that work seamlessly across all of your contribution, production and -
A Rhetorical/Interpretive Analysis of Edward R
A RHETORICAL/INTERPRETIVE ANALYSIS OF EDWARD R. MURROW’S CRITICISM OF BROADCAST JOURNALISM: IMPLICATIONS FOR BROADCAST JOURNALISM EDUCATORS A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Aaron Dale Quanbeck In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Major Department: Communication November 2012 Fargo, North Dakota North Dakota State University Graduate School Title A RHETORICAL/INTERPRETIVE ANALYSIS OF EDWARD R. MURROW’S CRITICISM OF BROADCAST JOURNALISM: IMPLICATIONS FOR BROADCAST JOURNALISM EDUCATORS By Aaron Dale Quanbeck The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF PHILOSOPHY SUPERVISORY COMMITTEE: Mark Meister, Ph.D. Chair Zoltan Majdik, Ph.D. Paul Nelson, Ph.D. Abby Gold, Ph.D. Kevin Brooks, Ph.D. Approved: Nov. 2, 2012 Mark Meister, Ph.D. Date Department Chair ABSTRACT Corporate influence has been an ongoing concern for working journalists. Even in the early days of television, Edward R. Murrow saw a bleak future for society if broadcasters succumbed to corporate greed and failed in their responsibility to inform the public. This rhetorical study of Murrow's 1958 speech to the Radio-Television News Directors Association, guided by Perelman's theory of the universal audience and presence, argues that Murrow’s speech prioritized broadcast journalism’s obligation to a democratic society and warned that commercial intrusion was impacting the profession’s moral obligations. At the same time, in appealing to a particular audience, Murrow deemphasized the role of individuals in the process, including both working journalists and the viewing audience. -
An Evening with Bob Edwards Bob Edwards
Sacred Heart University Review Volume 23 Issue 1 Sacred Heart University Review, Volume Article 6 XXIII, Numbers 1 & 2, Fall 2002/ Spring 2003 March 2010 An Evening with Bob Edwards Bob Edwards Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Edwards, Bob (2010) "An Evening with Bob Edwards," Sacred Heart University Review: Vol. 23 : Iss. 1 , Article 6. Available at: http://digitalcommons.sacredheart.edu/shureview/vol23/iss1/6 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected]. An Evening with Bob Edwards Cover Page Footnote Bob Edwards was the longtime host of National Public Radio's Morning Edition, and is now the host of a morning show on XM Satellite Radio. He spoke at Sacred Heart University on June 16, 2004, interviewed by Tom Kuser at an event sponsored by WSHU. The transcription published here is lightly-edited, and makes reference to but does not include the text of clips from various radio broadcasts played during the talk. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol23/iss1/6 Edwards: An Evening with Bob Edwards BOB EDWARDS ─────────── An Evening with Bob Edwards Introduction My name is Tony Cernera, and I have the wonderful privilege of being the president of Sacred Heart University. My job tonight is to welcome you to a very special event. -
“Edward R. Murrow and the Positive Power of Journalism”
“Edward R. Murrow and the Positive Power of Journalism” Abby Fennewald Leonard Steinhorn, SOC University Honors Spring 2013 Abstract: Can a journalist change society? In the case of Edward R. Murrow, the answer is yes, and this paper explores Murrow’s broadcasting career as a case study of the positive social impact that journalism can have. The paper will frame its examination with a discussion of how media influence the public at large and how the media's impact changed with the advent of broadcast journalism. Murrow drew national attention to previously underreported issues and parts of our society, and he pioneered broadcast journalism techniques and visual storytelling while doing so. Murrow drew large audiences because of his personal skill as a broadcaster as well as his willingness to challenge the status quo and speak truth to power. Today, the legacy of his work lives on as he, like other journalists whose stories influenced society, has been immortalized by Hollywood. Today, in a time when the role and style of journalism is constantly changing, and when resources for investigative journalism shrink, it is important to study and highlight practitioners who show that good reporting and afflicting the comfortable represent the best in American journalism. “He was the conscience of all of us.” — Daniel Schorr Edward R. Murrow has a unique place in the pantheon of television broadcasters. Not only was he one of the earliest — making a transition from radio to television early in the new medium’s history — he was one of the best. His level of dedication to his craft was unparalleled, and continues to be the gold standard. -
Historical Roundtable: ‘Stories We Tell’ in Broadcast News Michael Murray University of Missouri
John Carroll University Carroll Collected 2019 Faculty Bibliography Faculty Bibliographies Community Homepage 2019 Historical Roundtable: ‘Stories We Tell’ in Broadcast News Michael Murray University of Missouri Mary E. Beadle John Carroll University, [email protected] Jessica Ghilani University of Pittsburgh - Greensburg Reed Smith Georgia Southern University Follow this and additional works at: https://collected.jcu.edu/fac_bib_2019 Part of the Broadcast and Video Studies Commons Recommended Citation Murray, Michael; Beadle, Mary E.; Ghilani, Jessica; and Smith, Reed, "Historical Roundtable: ‘Stories We Tell’ in Broadcast News" (2019). 2019 Faculty Bibliography. 30. https://collected.jcu.edu/fac_bib_2019/30 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2019 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Historical Roundtable: ‘Stories We Tell’ in Broadcast News By Michael Murray, Mary Beadle, Jessica Ghilani, and Reed Smith © he study and teaching of the history of broad - cast news is a relatively recent enterprise — particularly with respect to the attention given to television news — which often parallels the lives of the academics who study and teach the subject. As a result, some of the research focused on broadcast news has been based upon the observations of in - dividuals and events observed firsthand on occa - Murray sion by those doing the reporting and the research. This close proximity to history has offered unique opportunities to stim - ulate interest, offer additional clarity or alternatively debunk some of the historic narrativTes from the field, including the many “moments” one might most readily recall with genuine concerns about authenticity and accuracy. -
Owen Johnson on World War II on the Air: Edward R
Mark Bernstein, Alex Lubertozzi. World War II on the Air: Edward R. Murrow and the Broadcasts That Riveted a Nation. Naperville, Ill.: Sourcebooks, 2003. xv + 284 pp. $29.95, cloth, ISBN 978-1-4022-0026-7. Reviewed by Owen V. Johnson Published on Jhistory (August, 2006) Just as the soldiers and sailors of "The Great‐ ing a "key Allied weapon" of the war whereas est Generation" who fought in World War II are more recent research has raised serious questions rapidly dying, so are the journalists who told their whether the bombing had any significant impact stories. Of the group of CBS reporters known as at all. In other words, the news of the day has "Murrow's Boys," after their leader, Edward R. been converted into unreliable history. Murrow, only Richard C. Hottelet, at 88, is still liv‐ Because so few broadcasts originated in the ing. While their real voices have been silenced, Pacific theater, Russia, North Africa, or even Italy, their recorded voices will stay with us forever. this book is really about World War II as fought in History buffs will therefore love this book, Great Britain, France, and Germany. which draws from an eclectic mix of books, popu‐ Among other things, it's the errors that make lar serials, and unpublished manuscripts, because me wary of this book. The late Joe McKerns is list‐ it recreates the atmosphere of World War II and ed in the bibliography as Joseph R. (it should be P.) the CBS news broadcasts led by Murrow. Included McKens [cq]. The book refers to Prague as the with the book is a CD narrated by former CBS Czech, rather than the Czechoslovak, capital (p. -
American University Library Special Collections Finding Aid to The
American University Library Special Collections Finding Aid to the Papers of Edward Bliss, Jr. Processed by: Sonia Spurlock February 2011 VOLUME: 72.5 linear feet ACCESS: This collection is open to the public upon request. COPYRIGHT: Please consult the archivist for information about duplication or publishing of any materials from this collection. RELATED COLLECTIONS: Drew Pearson Papers and Merry-Go-Round Collections Laszlo Dosa Voice of America Science and Medicine Scripts TABLE OF CONTENTS: Biographical Note Scope and Content Note Provenance Processing Note Series Descriptions & Box and Folder Listing Biographical Note Edward “Ed” Bliss, Jr. was born on July 30, 1912 to Edward Lydston and May Bortz Bliss in Fuzhou, China. His father was a medical missionary and his mother was a teacher. After graduating from college in 1935, he worked as a print journalist and a news editor for several small newspapers in Columbus, Ohio. Bliss married Lois Arnette on August 26, 1940 with whom he had two children. In 1943, Bliss was hired by CBS to work the night shift. He was a producer and editor for Edward Murrow from 1945 to 1955. Bliss also served as an assistant to the president of CBS News in 1962 before becoming editor of “CBS Evening News with Walter Cronkite” in 1963. Bliss left CBS News in 1968 to establish the broadcast journalism program at the School of Communication at American University in Washington, D.C. He taught at American University until 1977. After retiring as a full professor, Bliss remained active as a news consultant for stations across the United States.