A Rhetorical/Interpretive Analysis of Edward R

Total Page:16

File Type:pdf, Size:1020Kb

A Rhetorical/Interpretive Analysis of Edward R A RHETORICAL/INTERPRETIVE ANALYSIS OF EDWARD R. MURROW’S CRITICISM OF BROADCAST JOURNALISM: IMPLICATIONS FOR BROADCAST JOURNALISM EDUCATORS A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Aaron Dale Quanbeck In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Major Department: Communication November 2012 Fargo, North Dakota North Dakota State University Graduate School Title A RHETORICAL/INTERPRETIVE ANALYSIS OF EDWARD R. MURROW’S CRITICISM OF BROADCAST JOURNALISM: IMPLICATIONS FOR BROADCAST JOURNALISM EDUCATORS By Aaron Dale Quanbeck The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF PHILOSOPHY SUPERVISORY COMMITTEE: Mark Meister, Ph.D. Chair Zoltan Majdik, Ph.D. Paul Nelson, Ph.D. Abby Gold, Ph.D. Kevin Brooks, Ph.D. Approved: Nov. 2, 2012 Mark Meister, Ph.D. Date Department Chair ABSTRACT Corporate influence has been an ongoing concern for working journalists. Even in the early days of television, Edward R. Murrow saw a bleak future for society if broadcasters succumbed to corporate greed and failed in their responsibility to inform the public. This rhetorical study of Murrow's 1958 speech to the Radio-Television News Directors Association, guided by Perelman's theory of the universal audience and presence, argues that Murrow’s speech prioritized broadcast journalism’s obligation to a democratic society and warned that commercial intrusion was impacting the profession’s moral obligations. At the same time, in appealing to a particular audience, Murrow deemphasized the role of individuals in the process, including both working journalists and the viewing audience. I apply the findings of my rhetorical analysis to a qualitative case study analysis of three collegiate broadcasting textbooks to examine how closely Murrow’s vision for the industry is being passed on to the next generation of broadcast journalists. My findings suggest that tensions exist between the two, including Murrow advocating a more proactive rather than a reactive approach to broadcast journalism. I conclude by offering recommendations to broadcast educators in helping young journalists balance the obligations Murrow envisioned for the industry and the corporate realities of broadcasting. iii ACKNOWLEDGEMENTS I want to thank my wonderful wife and children, who showed unending patience and support throughout my graduate studies. I never would have made it without your love, encouragement, and understanding. I also want to thank my advisor, Mark Meister, whose guidance and advice every step of the way made this possible. Lastly, I want to thank the Mass Communications Department at Minnesota State University Moorhead for its ongoing support. The faculty members there were always encouraging, gave me great advice, and did whatever they could to help me along the way. I’m so glad to be working with such a great group of dedicated professors who were so supportive of me completing my degree. iv TABLE OF CONTENTS ABSTRACT .................................................................................................................................. iii ACKNOWLEDGMENTS .............................................................................................................. iv CHAPTER ONE: INTRODUCTION AND RATIONALE ............................................................ 1 Previous Murrow Research ......................................................................................................... 8 Rhetorical Criticism as Research Perspective ........................................................................... 12 CHAPTER TWO: TEXT AND CONTEXT ................................................................................. 15 Introduction ............................................................................................................................... 15 Murrow’s Early Years ............................................................................................................... 16 Advent of Broadcast Journalism ................................................................................................ 19 Murrow’s Radio Broadcasts ...................................................................................................... 25 The Birth of Television News ................................................................................................... 35 See It Now and Murrow vs. McCarthy ...................................................................................... 37 The “Lower Murrow” and Person to Person ............................................................................ 52 Murrow's Fall at CBS ................................................................................................................ 57 Murrow's RTNDA Speech ........................................................................................................ 64 CHAPTER THREE: RHETORICAL ANALYSIS OF MURROW'S RTNDA ADDRESS ........ 69 Introduction ............................................................................................................................... 69 Rhetorical Criticism of Murrow's RTNDA Speech ................................................................... 73 Descriptive Analysis .................................................................................................................. 74 Perelman's Universal and Particular Audience .......................................................................... 79 Perelman and Olbrechts-Tyteca’s Theory of Presence .............................................................. 84 v Murrow's Appeal to the Universal ............................................................................................. 88 Distraction is dangerous ........................................................................................................ 88 Controversy can be constructive ............................................................................................ 93 Greed should not supersede societal responsibility ............................................................... 97 Murrow's Appeal to the Particular Using Presence ................................................................. 106 Broadcasting is a moral endeavor ........................................................................................ 107 The moral struggle lies at the top ........................................................................................ 115 Viewing audience responsibility is diminished ................................................................... 121 The struggle of the individual broadcaster is diminished .................................................... 126 CHAPTER FOUR: CASE STUDY OF BROADCASTING TEXTBOOKS ............................. 132 Introduction ............................................................................................................................. 132 Modern Implications ................................................................................................................ 133 Applied Communication Research .......................................................................................... 134 Qualitative Case Study ............................................................................................................ 138 Artifacts ................................................................................................................................... 141 Procedure ................................................................................................................................. 143 Analysis ................................................................................................................................... 144 Findings ................................................................................................................................... 146 Television Field Production and Reporting: A Guide to Visual Storytelling ...................... 146 Broadcast News Handbook: Writing, Reporting and Producing in a Converging Media World ................................................................................................................................... 155 Advancing the Story: Broadcast Journalism in a Multimedia World ................................. 163 Summary .................................................................................................................................. 172 CHAPTER FIVE: IMPLICATIONS AND CONCLUSIONS .................................................... 177 vi Introduction ............................................................................................................................. 177 Implications ............................................................................................................................. 178 Proactive versus reactive journalism ................................................................................... 178 Cogs versus catalysts ........................................................................................................... 182 Recommendations ................................................................................................................... 185 Be bold in teaching balance ................................................................................................
Recommended publications
  • Broadcasting Jul 1
    The Fifth Estate Broadcasting Jul 1 You'll find more women watching Good Company than all other programs combined: Company 'Monday - Friday 3 -4 PM 60% Women 18 -49 55% Total Women Nielsen, DMA, May, 1985 Subject to limitations of survey KSTP -TV Minneapoliso St. Paul [u nunc m' h5 TP t 5 c e! (612) 646 -5555, or your nearest Petry office Z119£ 1V ll3MXVW SO4ii 9016 ZZI W00b svs-lnv SS/ADN >IMP 49£71 ZI19£ It's hours past dinner and a young child hasn't been seen since he left the playground around noon. Because this nightmare is a very real problem .. When a child is missing, it is the most emotionally exhausting experience a family may ever face. To help parents take action if this tragedy should ever occur, WKJF -AM and WKJF -FM organized a program to provide the most precise child identification possible. These Fetzer radio stations contacted a local video movie dealer and the Cadillac area Jaycees to create video prints of each participating child as the youngster talked and moved. Afterwards, area law enforce- ment agencies were given the video tape for their permanent files. WKJF -AM/FM organized and publicized the program, the Jaycees donated man- power, and the video movie dealer donated the taping services-all absolutely free to the families. The child video print program enjoyed area -wide participation and is scheduled for an update. Providing records that give parents a fighting chance in the search for missing youngsters is all a part of the Fetzer tradition of total community involvement.
    [Show full text]
  • Joan Didion and the New Journalism
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1986 Joan Didion and the new journalism Jean Gillingwators Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Gillingwators, Jean, "Joan Didion and the new journalism" (1986). Theses Digitization Project. 417. https://scholarworks.lib.csusb.edu/etd-project/417 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. JOAN DIDION AND THE NEW JOURNALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Jean Gillingwators June 1986 JOAN DIDION AND THE NEW JOURNALISM ■ ■ A Thesis Presented to the Faculty of California State University, San Bernardino by Jean ^i^ingwators June 1986 Approved by: Jw IT m Chair Date Abstract Most texts designed to teach writing include primarily non-fiction models. Most teachers, though, have been trained in the belles lettres tradition, and their competence usually lies with fiction Or poetry. Cultural preference has traditionally held that fiction is the most important form of literature. Analyzing a selection of twentieth century non-fiction prose is difficult; there are too few resources, and conventional analytical methods too often do not fit modern non-fiction. The new journalism, a recent literary genre, is especially difficult to "teach" because it blends fictive and journalistic techniques.
    [Show full text]
  • Edward R. Murrow Awards
    TW MAIN 10-06-08 A 13 TVWEEK 10/2/2008 5:49 PM Page 1 TELEVISIONWEEK October 6, 2008 13 INSIDE SPECIAL SECTION NewsproTHE STATE OF TV NEWS All About ABC The network’s news division will take home half the awards in national/syndie categories. Page 14 Engrossing Stories NBC News’ Bob Dotson gets fourth Murrow for stories that make viewers “late for the bus.” Page 14 Eyeing CBS’ Efforts CBS News, CBSnews.com are honored for excellence in real and virtual worlds. Page 16 ‘Sports Center’ a Winner for ESPN Saga of former tennis champ Andrea Jaeger offers perspective on her unique journey. Page 17 EDWARD R. Murrows Laud Excellence at Network, Local Levels MURROW By Debra Kaufman AWARDS Special to TelevisionWeek Honoring: The Radio-Television News Directors Association gathers Oct. 13 Survival Saga ESPN Deportes’ “Sobrevivientes” Excellence in at the Grand Hyatt Hotel in New York to present the 2008 Edward R. electronic tracks survivors of a rugby team’s plane crash in the Andes. Page 18 journalism Murrow Awards. Where: Grand In addition to recipients of the 38th Murrow Awards, winners Personal Touch Hyatt, New York of the RTNDA/Unity Awards—which acknowledge news organi- Seattle’s KOMO-TV takes large- When: Monday, market laurel for its “Problem Oct. 13 zations’ commitment to covering issues of diversity in their com- Solvers” franchise. Page 18 Presenters: munities—will be honored. Out of an initial pool of 3,459 entries, Lester Holt, Community Service Soledad O’Brien, 54 news organizations are being honored with 77 awards. In the small-market race, WJAR-TV Maggie “Everyone is proud of receiving an Edward R.
    [Show full text]
  • “Authentic” News: Voices, Forms, and Strategies in Presenting Television News
    International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation.
    [Show full text]
  • Broadcast Journalism Course Descriptions and Career Recommendations
    Broadcast Journalism Course Descriptions and Career Recommendations JOUR 402 Broadcast Reporting The class will focus on writing and reporting well-balanced, comprehensive and visually compelling stories. Undergraduate and graduate students research, report, write, shoot and edit stories. During TV day-of-air shifts in the Annenberg Media Center, students learn how to meet the same deadlines that professional reporters handle in small, medium and large markets. They also put together feature packages and could get the chance to do live shots for the nightly newscasts. This class is a MUST for any student who wants to be a TV reporter in news, sports or entertainment. It is also strongly recommended for students who want to learn how to field produce packages. JOUR 403 Television News Production Students sharpen news judgment and leadership skills by producing live day-of-air television newscasts, creating digital content, and using social media. They make decisions about news coverage, stories and presentation while managing reporters, anchors, writers, editors and many others under deadline pressure. JOUR 403 producers will write, copy edit and supervise live shots. Students have used skills learned in JOUR 403 to excel in jobs including local news producing, news reporting, sports producing and network segment producing. This class is a MUST for any student who wants to be the producer of a TV newscast or other type of live program. It is STRONGLY recommended for students who want to be TV news producers and reporters, sports producers or local/network segment producers. JOUR 405 Non-Fiction Television This class introduces students to the process of producing a documentary for digital and broadcast platforms.
    [Show full text]
  • The Producing Process 3
    03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast.
    [Show full text]
  • Bibliography of Recent Books in Communications Law
    BIBLIOGRAPHY OF RECENT BOOKS IN COMMUNICATIONS LAW Patrick J. Petit* The following is a selective bibliography of re- the United States, Germany, and the European cent books in communications law and related Convention on Human Rights. Chapter 1 dis- fields, published in late 1996 or 1997. Each work cusses the philosophical underpinnings of the is accompanied by an annotation describing con- right of privacy; Chapter 2 explores the history of tent and focus. Bibliographies and other useful the development of the right in each of the three information in appendices are also noted. systems. Subsequent chapters examine the struc- ture, coverage, protected scope, content, and who are the subjects of the right to secrecy in telecom- FREEDOM OF PRESS AND SPEECH munications. An extensive bibliography and table of cases is provided. KAHN, BRIAN AND CHARLES NEESONS, EDI- TORS. Borders in Cyberspace: Information Policy and the Global Information Infrastructure. Cambridge, . SAJo, ANDRAS AND MONROE E. PRICE, EDI- Mass.: MIT Press, 1997. 374 p. TORS. Rights of Access to the Media. Boston, Mass.: Borders in Cyberspace is a collection of essays pro- Kluwer Law International, 1996. 303 p. duced by the Center for Law and Information Technology at Harvard Law School. The first part Rights of Access to the Media is a collection of es- of the collection consists of six essays which ad- says which examine the theoretical and practical dress the "where" of cyberspace and the legal is- aspects of media access in the United States and Europe. Part I contains essays by Monroe Price sues which arise because of its lack of borders: ju- risdiction, conflict of laws, cultural sovereignty, and Jean Cohen which address the dominant models of access theory.
    [Show full text]
  • Edward R. Murrow
    ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II.
    [Show full text]
  • Edward R. Murrow
    Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow.
    [Show full text]
  • Literary War Journalism: Framing and the Creation of Meaning J
    Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S.
    [Show full text]
  • The Book Thief
    Ryde Library Service Community Book Club Collection Becoming By Michelle Obama First published in 2018 Genre & subject Biography Michelle Obama President’s spouses Synopsis An intimate, powerful, and inspiring memoir by the former First Lady of the United States In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America- the first African-American to serve in that role-she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare. In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her-from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world's most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it-in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations-and whose story inspires us to do the same.
    [Show full text]
  • TV Journalism & Programme Formats
    Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats TV Journalism & Programme Formats SEMESTER 3 Study Material for Students 1 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. It functions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman, producer, director, etc. Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats INTRODUCTION The book deals with Television for journalism and Writing for visuals. Student will understand the medium f r o m Piece to Camera. The book will tell students about Presentation, Reporting, Interview, Reportage, Live Shows and Anchoring a Show.
    [Show full text]