“Edward R. Murrow and the Positive Power of Journalism”

Total Page:16

File Type:pdf, Size:1020Kb

“Edward R. Murrow and the Positive Power of Journalism” “Edward R. Murrow and the Positive Power of Journalism” Abby Fennewald Leonard Steinhorn, SOC University Honors Spring 2013 Abstract: Can a journalist change society? In the case of Edward R. Murrow, the answer is yes, and this paper explores Murrow’s broadcasting career as a case study of the positive social impact that journalism can have. The paper will frame its examination with a discussion of how media influence the public at large and how the media's impact changed with the advent of broadcast journalism. Murrow drew national attention to previously underreported issues and parts of our society, and he pioneered broadcast journalism techniques and visual storytelling while doing so. Murrow drew large audiences because of his personal skill as a broadcaster as well as his willingness to challenge the status quo and speak truth to power. Today, the legacy of his work lives on as he, like other journalists whose stories influenced society, has been immortalized by Hollywood. Today, in a time when the role and style of journalism is constantly changing, and when resources for investigative journalism shrink, it is important to study and highlight practitioners who show that good reporting and afflicting the comfortable represent the best in American journalism. “He was the conscience of all of us.” — Daniel Schorr Edward R. Murrow has a unique place in the pantheon of television broadcasters. Not only was he one of the earliest — making a transition from radio to television early in the new medium’s history — he was one of the best. His level of dedication to his craft was unparalleled, and continues to be the gold standard. As Daniel Schorr put it, “He made you feel important. He made you feel that journalism was important.”1 Today, there is no equivalent for Murrow. “I don’t see anybody” doing what Murrow did, Marvin Kalb, the last man Murrow hired at CBS, said.2 Kalb said of Murrow’s work, “Some of it was investigative, some was trailblazing, some was courageous.” Although Kalb says no one is like Murrow in today’s media landscape, he says that today’s television news does try to do some investigative work. One of the inhibiting factors, he says, is the money it takes to separate a team from the regular staff to go and do the investigation, as well as the lack of easy access to the funding.3 Still, he says, “I don’t think there can be another Murrow,” because everyone operates in the wake of what he did. One of the things that stood out to Kalb most about Murrow was his curiosity. The two met because Kalb was a PhD student writing about the Soviet Union, and Murrow called him to find out more. They were supposed to meet for only 30 minutes, but the meeting lasted for three hours. To Kalb, that suggested that here was a man who was extremely curious, and he says that curiosity and interest carried over into just about everything Murrow did.4 Perhaps most importantly, that curiosity coincided with what Murrow thought the American people needed to know.5 Additionally, Kalb says that, “If Murrow did anything it was to think long and hard before he went on the air,” while today’s live broadcasting with a 24-hour news cycle doesn’t allow time for a lot of thinking.6 Additionally, Kalb thinks investigative reporting could help save newspapers from their economic problems. A reader can “get the main stories from any gadget,” he said. What newspapers should do is focus on investigative work.7 Because of Murrow’s unique place in broadcast history, this paper uses him as a case study for the potential positive social impact of journalism in the hands of a good journalist, as well as for a discussion about what influences help set the news agenda. Even Murrow operated under influences from a variety of sources, including advertisers, whose role has only increased since his time. He, however, didn’t allow those pressures to prevent him from showing the truth that was going uncovered in the rest of the media. Murrow used his air time to show the stories he 1 The Murrow Boys. The Newseum, 2008. 2 Kalb, Marvin. Personal Interview. 9 April 2013. 3 Ibid. 4 Ibid. 5 Ibid. 6 Ibid. 7 Ibid. thought were important, like those of Milo Radulovich, unfairly discharged from the Air Force reserves in the 1950s because of supposed Communist sympathies, and Annie Lee Moss, a communications clerk at the Pentagon who McCarthy questioned intensively. There were countless other stories like theirs, of groups and individuals who were being mistreated or ignored by society, and Murrow covered them, even when it meant standing up to the heads of his network. Murrow was a natural in front of the camera, but more importantly he had a deep commitment to the news in a way that was unprecedented. Today’s journalists, who work in a post-Murrow era, should strive to match his commitment to the truth and to showing all sides of society, something that while difficult should be achievable. Even in the opening broadcast of See It Now, featuring a simultaneous viewing of both coasts of the United States, Murrow was able to stand apart from others. As Jack Gould wrote in his New York Times review of the program, “In less knowing hands than Mr. Murrow’s, the simultaneous pick-ups on the two coasts might have been only an amazing stunt, but he also pointed the meaningful moral: television is a medium to be approached in humility.”8 Perhaps this lesson, which Murrow demonstrated throughout his tenure on the air, is what sets him apart and is what journalists today should attempt to emulate. 8 Gould, Lewis L., ed. The New York Times Reviews by Jack Gould. Austin: University of Texas Press, 2002, 77. “Edward R. Murrow was the king, for heaven’s sake. I wasn’t even a pretender.” – Walter Cronkite9 Edward R. Murrow understood perhaps better than anyone else at the time the possible implications of his work and its potential power. “The instrument can teach, it can illuminate; yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to these ends. Otherwise it is merely lights and wires in a box,” he said.10 The difference comes down to who is using those lights and wires. The journalists behind the camera and in front of it get to decide what the story will be and how to tell it. And Murrow, clearly, was a natural. With no formal training in broadcasting, he managed to become a trusted voice on the radio during World War II,11 and was able to translate that into a successful television broadcasting career at a time when few even believed television would have the same power as newspapers or radio. When See It Now began on CBS in 1951, Murrow and his producer, Fred Friendly, referred to themselves as “an old team trying to learn a new trade.”12 By the time the program officially ended its run in 1958, however, they had shown just how powerful television could be when used to illuminate issues previously outside the public’s eye. For some, See It Now, “represented TV’s arrival as a news medium and indicated potential for better things to come. Critics raved … Finally, educated people would admit without shame that they owned a TV set.”13 Murrow was one of the first veteran correspondents to take his talents to television. He kept his radio news show, which is where the money and audience were at that time,14 but in the end Murrow’s success showed just how powerful television could be. “The initial stars of radio and TV had been vaudeville entertainers. Murrow, no less a star, gave broadcasting some class and a mission of public service beyond entertainment,” wrote legendary NPR broadcaster Bob Edwards.15 Murrow’s work was especially important because of the precedent it set for subsequent television reporting. Never before had television effectively taken on public issues in this way. As Richard Kaplan, a television producer for CBS as well as many other networks, wrote, “Despite its growing public power, the medium had not yet established its authority to report on public affairs. Television news was a mere 15 minutes a day of headlines, while more serious reporting was reserved for radio and the daily papers. Television thus lacked the authority and prestige to 9 Cronkite, Walter and Don Carleton. Conversations with Cronkite. Austin: The University of Texas at Austin, 2010, 135. 10 Burns, Eric. Invasion of the Mind Snatchers: Television’s Conquest of America in the Fifties. Philadelphia: Temple University Press, 2010, 16. 11 Christians, Clifford G., Mark Fackler and John P. Ferre. Ethics for Public Communication: Defining Moments in Media History. New York: Oxford University Press, 2012, 4. 12 Murrow, Edward R. and Fred Friendly. See It Now. New York: Simon and Schuster, 1955, xi. 13 Edwards, Bob. Edward R. Murrow and the Birth of Broadcast Journalism. Hoboken: John Wiley and Sons, 2004, 107. 14 Ibid, 100. 15 Ibid, 4. stand up to the might of an angry governmental agency.”16 See It Now, however, had the power television had lacked. Murrow was a trusted news voice, and CBS allowed him to broadcast in a way few others could. One of the things that sets Murrow apart from the others is his own recognition of the power of the medium and the respect and integrity he used in preparing his broadcasts.
Recommended publications
  • The Future of Investigative Journalism: Global, Networked and Collaborative
    The Future of Investigative Journalism: Global, Networked and Collaborative Ellen Hume and Susan Abbott March 2017 Note: This report is extracted from our recent evaluation of the Global Investigative Journalism Network (GIJN) for the Adessium Foundation. Ellen Hume would like to thank especially David Kaplan, Susan Abbott, Anya Schiffrin, Ethan Zuckerman, James Hamilton, Tom Rosenstiel, Bruce Shapiro, Marina Guevara Walker and Brant Houston for their insights. 2 1. Overview: The Investigative Media Landscape The internet and DIY communication tools have weakened the commercial mainstream media, and authoritarian political actors in many once-promising democratic regions are compromising public media independence. Fewer journalists were murdered in 2016 than the previous year, but the number of attacks on journalists around the world is “unprecedented,” according to the Index on Censorship.1 Even the United States, once considered the gold standard for press freedom, has a president who maligns the mainstream news media as “enemies of the people.” An unexpectedly bright spot in this media landscape is the growth of local and cross-border investigative journalism, including the emergence of scores of local nonprofit investigative journalism organizations, often populated by veterans seeking honest work after their old organizations have imploded or been captured by political partisans. These journalism “special forces,” who struggle to maintain their independence, are working in dangerous environments, with few stable resources to support them. Despite the dangers and uncertainties, it is an exciting time to be an investigative journalist, thanks to new collaborations and digital tools. These nonprofits are inventing a potent form of massive, cross-border investigative reporting, supported by philanthropy.
    [Show full text]
  • National Press Club Luncheon with Newt Gingrich, Former Speaker of the House of Representatives
    NATIONAL PRESS CLUB LUNCHEON WITH NEWT GINGRICH, FORMER SPEAKER OF THE HOUSE OF REPRESENTATIVES MODERATOR: JERRY ZREMSKI LOCATION: NATIONAL PRESS CLUB BALLROOM, WASHINGTON, D.C. TIME: 1:00 P.M. EDT DATE: TUESDAY, AUGUST 7, 2007 (C) COPYRIGHT 2005, FEDERAL NEWS SERVICE, INC., 1000 VERMONT AVE. NW; 5TH FLOOR; WASHINGTON, DC - 20005, USA. ALL RIGHTS RESERVED. ANY REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION IS EXPRESSLY PROHIBITED. UNAUTHORIZED REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION CONSTITUTES A MISAPPROPRIATION UNDER APPLICABLE UNFAIR COMPETITION LAW, AND FEDERAL NEWS SERVICE, INC. RESERVES THE RIGHT TO PURSUE ALL REMEDIES AVAILABLE TO IT IN RESPECT TO SUCH MISAPPROPRIATION. FEDERAL NEWS SERVICE, INC. IS A PRIVATE FIRM AND IS NOT AFFILIATED WITH THE FEDERAL GOVERNMENT. NO COPYRIGHT IS CLAIMED AS TO ANY PART OF THE ORIGINAL WORK PREPARED BY A UNITED STATES GOVERNMENT OFFICER OR EMPLOYEE AS PART OF THAT PERSON'S OFFICIAL DUTIES. FOR INFORMATION ON SUBSCRIBING TO FNS, PLEASE CALL JACK GRAEME AT 202-347-1400. ------------------------- MR. ZREMSKI: (Sounds gavel.) Good afternoon, and welcome to the National Press Club. My name is Jerry Zremski, and I'm the Washington bureau chief for the Buffalo News and president of the Press Club. I'd like to welcome our club members and their guests who are with this today, as well as those of you who are watching on C-SPAN. We're looking forward to today's speech, and afterwards, I'll ask as many questions as time permits. Please hold your applause during the speech so that we have as much time for questions as possible. For our broadcast audience, I'd like to explain that if you hear applause during the speech, it may be from the guests and members of the general public who attend our luncheons and not necessarily from the working press.
    [Show full text]
  • Broadcast Journalism Course Descriptions and Career Recommendations
    Broadcast Journalism Course Descriptions and Career Recommendations JOUR 402 Broadcast Reporting The class will focus on writing and reporting well-balanced, comprehensive and visually compelling stories. Undergraduate and graduate students research, report, write, shoot and edit stories. During TV day-of-air shifts in the Annenberg Media Center, students learn how to meet the same deadlines that professional reporters handle in small, medium and large markets. They also put together feature packages and could get the chance to do live shots for the nightly newscasts. This class is a MUST for any student who wants to be a TV reporter in news, sports or entertainment. It is also strongly recommended for students who want to learn how to field produce packages. JOUR 403 Television News Production Students sharpen news judgment and leadership skills by producing live day-of-air television newscasts, creating digital content, and using social media. They make decisions about news coverage, stories and presentation while managing reporters, anchors, writers, editors and many others under deadline pressure. JOUR 403 producers will write, copy edit and supervise live shots. Students have used skills learned in JOUR 403 to excel in jobs including local news producing, news reporting, sports producing and network segment producing. This class is a MUST for any student who wants to be the producer of a TV newscast or other type of live program. It is STRONGLY recommended for students who want to be TV news producers and reporters, sports producers or local/network segment producers. JOUR 405 Non-Fiction Television This class introduces students to the process of producing a documentary for digital and broadcast platforms.
    [Show full text]
  • Assignment Russia’ Review: Murrow’S Man in Moscow Khrushchev Called the 6-Foot-3 Marvin Kalb ‘Peter the Great’—And in Paris Shared Croissants with the CBS Reporter
    DOW JONES, A NEWS CORP COMPANY About WSJ DJIA 32627.97 0.71% ▼ S&P 500 3913.10 0.06% ▼ Nasdaq 13215.24 0.76% ▲ U.S. 10 Yr 0/32 Yield 1.726% ▼ Crude Oil 61.44 0.03% ▲ Euro 1.1906 0.09% ▼ The Wall Street Journal John Kosner GET MARKETS ALERTS English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search BEST OF GUIDE TO THE OSCAR NOMINATIONS WEEKEND READS BEST BOOKS OF FEBRUARY FRESH EYES ON THE FRICK COLLECTION LATEST MOVIE REVIEWS BEST SPY NOVELS Arts & Review BEST BOOKS OF 2020 BOOKS | BOOKSHELF SHARE ‘Assignment Russia’ Review: Murrow’s Man in Moscow Khrushchev called the 6-foot-3 Marvin Kalb ‘Peter the Great’—and in Paris shared croissants with the CBS reporter. By Edward Kosner March 18, 2021 7:04 pm ET SAVE PRINT TEXT Listen to this article 6 minutes Roger Mudd ascended to Network News Heaven at 93 last week. There he was reunited with Walter Cronkite, John Chancellor, Douglas Edwards, Howard K. Smith, Edward R. Murrow and other luminaries. Still with us are old hands Dan Rather, Diane Sawyer, Bernard Shaw, and the Kalb brothers, Marvin and Bernard—living witnesses to the days when TV news was more serious business and less partisan gasbaggery. Now Marvin Kalb, himself 90 but acute as ever, has written a memoir of his early career, especially his years as Moscow correspondent for CBS News in the direst period of the Cold War.
    [Show full text]
  • How to Fund Investigative Journalism Insights from the Field and Its Key Donors Imprint
    EDITION DW AKADEMIE | 2019 How to fund investigative journalism Insights from the field and its key donors Imprint PUBLISHER RESPONSIBLE PUBLISHED Deutsche Welle Jan Lublinski September 2019 53110 Bonn Carsten von Nahmen Germany © DW Akademie EDITORS AUTHOR Petra Aldenrath Sameer Padania Nadine Jurrat How to fund investigative journalism Insights from the field and its key donors Sameer Padania ABOUT THE REPORT About the report This report is designed to give funders a succinct and accessible introduction to the practice of funding investigative journalism around the world, via major contemporary debates, trends and challenges in the field. It is part of a series from DW Akademie looking at practices, challenges and futures of investigative journalism (IJ) around the world. The paper is intended as a stepping stone, or a springboard, for those who know little about investigative journalism, but who would like to know more. It is not a defense, a mapping or a history of the field, either globally or regionally; nor is it a description of or guide to how to conduct investigations or an examination of investigative techniques. These are widely available in other areas and (to some extent) in other languages already. Rooted in 17 in-depth expert interviews and wide-ranging desk research, this report sets out big-picture challenges and oppor- tunities facing the IJ field both in general, and in specific regions of the world. It provides donors with an overview of the main ways this often precarious field is financed in newsrooms and units large and small. Finally it provides high-level practical ad- vice — from experienced donors and the IJ field — to help new, prospective or curious donors to the field to find out how to get started, and what is important to do, and not to do.
    [Show full text]
  • Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J
    STRATEGIC PERSPECTIVES 11 Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J. Lamb Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, Center for Technology and National Security Policy, Center for Transatlantic Security Studies, and Conflict Records Research Center. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the Unified Combatant Commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Kathleen Bailey presents evidence of forgeries to the press corps. Credit: The Washington Times Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference By Fletcher Schoen and Christopher J. Lamb Institute for National Strategic Studies Strategic Perspectives, No. 11 Series Editor: Nicholas Rostow National Defense University Press Washington, D.C. June 2012 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government.
    [Show full text]
  • Bibliography of Recent Books in Communications Law
    BIBLIOGRAPHY OF RECENT BOOKS IN COMMUNICATIONS LAW Patrick J. Petit* The following is a selective bibliography of re- the United States, Germany, and the European cent books in communications law and related Convention on Human Rights. Chapter 1 dis- fields, published in late 1996 or 1997. Each work cusses the philosophical underpinnings of the is accompanied by an annotation describing con- right of privacy; Chapter 2 explores the history of tent and focus. Bibliographies and other useful the development of the right in each of the three information in appendices are also noted. systems. Subsequent chapters examine the struc- ture, coverage, protected scope, content, and who are the subjects of the right to secrecy in telecom- FREEDOM OF PRESS AND SPEECH munications. An extensive bibliography and table of cases is provided. KAHN, BRIAN AND CHARLES NEESONS, EDI- TORS. Borders in Cyberspace: Information Policy and the Global Information Infrastructure. Cambridge, . SAJo, ANDRAS AND MONROE E. PRICE, EDI- Mass.: MIT Press, 1997. 374 p. TORS. Rights of Access to the Media. Boston, Mass.: Borders in Cyberspace is a collection of essays pro- Kluwer Law International, 1996. 303 p. duced by the Center for Law and Information Technology at Harvard Law School. The first part Rights of Access to the Media is a collection of es- of the collection consists of six essays which ad- says which examine the theoretical and practical dress the "where" of cyberspace and the legal is- aspects of media access in the United States and Europe. Part I contains essays by Monroe Price sues which arise because of its lack of borders: ju- risdiction, conflict of laws, cultural sovereignty, and Jean Cohen which address the dominant models of access theory.
    [Show full text]
  • Beyond Objectivity and Relativism: a View Of
    BEYOND OBJECTIVITY AND RELATIVISM: A VIEW OF JOURNALISM FROM A RHETORICAL PERSPECTIVE A Dissertation Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Catherine Meienberg Gynn, B.A., M.A. The Ohio State University 1995 Dissertation Committee Approved by Josina M. Makau Susan L. Kline Adviser Paul V. Peterson Department of Communication Joseph M. Foley UMI Number: 9533982 UMI Microform 9533982 Copyright 1995, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 DEDICATION To my husband, Jack D. Gynn, and my son, Matthew M. Gynn. With thanks to my parents, Alyce W. Meienberg and the late John T. Meienberg. This dissertation is in respectful memory of Lauren Rudolph Michael James Nole Celina Shribbs Riley Detwiler young victims of the events described herein. ACKNOWLEDGMENTS I express sincere appreciation to Professor Josina M. Makau, Academic Planner, California State University at Monterey Bay, whose faith in this project was unwavering and who continually inspired me throughout my graduate studies, and to Professor Susan Kline, Department of Communication, The Ohio State University, whose guidance, friendship and encouragement made the final steps of this particular journey enjoyable. I wish to thank Professor Emeritus Paul V. Peterson, School of Journalism, The Ohio State University, for guidance that I have relied on since my undergraduate and master's programs, and whose distinguished participation in this project is meaningful to me beyond its significant academic merit.
    [Show full text]
  • Edward R. Murrow
    ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II.
    [Show full text]
  • Edward R. Murrow
    Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow.
    [Show full text]
  • The Edward R. Murrow of Docudramas and Documentary
    Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history.
    [Show full text]
  • Adios Amor: the Search for Maria Moreno
    Latino Public Broadcasting | VOCES Season 5 Outreach Guide for Adios Amor: The Search for Maria Moreno Thank you for taking the extra step to encourage viewers of Adios Amor: The Search for Maria Moreno to think critically about the film and its themes, and to share their thoughts with others in their community. According to U.S. Census projections, it is anticipated that the U.S. Latino population will grow by 167% between 2010 and 2050. As Latino Americans expand their impact economically, culturally and politically, they will contribute more and more to our ongoing national conversations about identity and empowerment. As the demographic landscape continues to shift, public media can play a significant role in building bridges of understanding by presenting audiences with trustworthy content and neutral spaces for meaningful dialogue. Community conversations hold tremendous potential to enrich our understanding of our unique and varied stories, as well as our shared values, forging a future as a nation whose strength lies in its diversity. This outreach guide offers themes to inspire conversation, as well as tips for planning events, suggestions for community partners and speakers, social media strategies and discussion questions, supplemental readings and free resources to accompany the film. Film Summary: Set in 1950s and 60s California, Adios Amor recaptures the forgotten yet epic struggle of Maria Moreno, a determined migrant mother who became an early outspoken leader in the movement for farmworker rights years before Dolores
    [Show full text]