DOCSLIB.ORG

Octobre 2018 Festival Cineast Spike Lee Jeff Wall : Frames of Reference Université Populaire Du Cinéma : New Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Octobre 2018 Festival Cineast Spike Lee Jeff Wall : Frames of Reference Université Populaire Du Cinéma : New Season 10 Festival CinEast Spike Lee Jeff Wall : Frames of Reference Université Populaire du Cinéma : New Season Octobre 2018 Informations pratiques 3 Sommaire Tableau synoptique 4 Cinéma 17, place du Théâtre Abonnement gratuit L-2613 Luxembourg au programme mensuel Université Populaire du Cinéma 6 Tél. : 4796 2644 Le Monde en doc 10 Tickets online [email protected] Kino mat Häerz 12 sur www.cinematheque.lu www.luxembourg-ticket.lu Festival CinEast 14 Ocean’s trilogy 30 Rétrospective Spike Lee 34 Jeff Wall : Frames of Reference 42 Bd. Royal R. Willy Goergen Cinema Paradiso 52 R. des Bains Côte d’Eich L’affiche du mois 59 R. Beaumont Baeckerei R. du Fossé R. Aldringen R. R. des Capucins des R. Av. de la Porte-Neuve la de Av. Grand-Rue Bd. Royal Bd. Salle de la Cinémathèque Accès par bus : Glossaire P Parking Place du Théâtre Lignes 9, 10, 11, 12, 14, 19, 20 vo version originale non sous-titrée vostf version originale sous-titrée en français Arrêt : Badanstalt (rue des Bains) vostang version originale sous-titrée en anglais Place d’Arme R. du Curé vostf+all version originale sous-titrée Caisse Vente des billets ½ heure Administration / en français et en allemand vf version française avant les séances Archives / Bibliothèque vl version luxembourgeoise 10, rue Eugène Ruppert La Cinémathèque de la Ville de Luxembourg est un € musée du cinéma ayant pour mission la préservation vofr version originale française Plein Tarif Billet : 3,70 vall version allemande L-2453 Luxembourg et valorisation du patrimoine cinématographique inter- Carnet 10 billets : 25,00 € vostall version originale sous-titrée en allemand R. Louvigny Tél. : (+352) 4796 2644 national. Membre de la Fédération Internationale voang version originale anglaise Fax : (+352) 40 75 19 des Archives du Film depuis 1983. voangstf version originale anglaise Tarifs réduits * Billet : 2,40 € Capucins des R. [email protected] sous-titrée en français Carnet 10 billets : 17,00 €R. Notre-Dame Conception graphique Vidale-Gloesener Consultation des archives voangstall version originale anglaise * jusqu’à 18 ans, étudiants et Impression Imprimerie Centrale, Luxembourg sous-titrée en allemand titulaires carte jeunes, à partir de 65 ans sur rendez-vous Tirage 7.400 accompagnement live au piano Photo couverture Do the Right Thing ( p. 37) c couleurs 4 Programme du 01 au 31 octobre 2018 Programme du 01 au 31 octobre 2018 5 18h30 20h30 18h30 20h30 Lu 01 | 10 She’s Gotta Have It Le Monde en doc : Abacus : Small Enough Ma 16 | 10 Take It or Leave It Estonie 2018 | Liina The Ancient Woods Lituanie 2017 | Mindaugas USA 1986 | Spike Lee | vostf | 84’ | p. 36 to Jail USA 2016 | Steve James | voang stang | Trishkina-Vanhatalo | vostang | 102’ | p. 26 Survila | vostang | 85’ | p. 26 88’ | p. 10 Me 17 | 10 Winter Flies République tchèque-Slovénie Alice T. Roumanie-France 2018 | Radu Muntean | Ma 02 | 10 Do the Right Thing 20h45 ! Ocean’s Eleven 2018 | Olmo Omerzu | vostang | 85’ | p. 26 vostang | 105’ | p. 27 USA 1989 | Spike Lee | vostf | 120’ | p. 37 USA 2001 | Steven Soderbergh | vostf | 116’ | p. 31 Je 18 | 10 14h30 Schwaarze Mann 18h30 Silent Night 20h30 One Day Me 03 | 10 Mo’Better Blues 20h45 ! Ocean’s Twelve Luxembourg 2018 | Fränz Pologne 2017 | Piotr Domalewski | Hongrie 2018 | Zsófia Szilágyi | USA 1990 | Spike Lee | vostf | 128’ | p. 38 USA 2004 | Steven Soderbergh | vostf | 125’ | p. 32 Hausemer | vluxstf | 56’ | p. 12 vostang | 100’ | p. 16 vostang | 99’ | p. 27 Je 04 | 10 19h00 ! Ve 19 | 10 Granny Project Royaume-Uni-Hongrie 2017 | Cérémonie de remise des prix CinEast 2018 Malcolm X USA 1992 | Spike Lee | vostf | 200’ | p. 40 Bálint Révész | vostang | 89’ | p. 27 p. 28 Ve 05 | 10 Silent Night Pologne 2017 | Piotr Domalewski | The Load Serbie-France 2018 | Ognjen Sa 20 | 10 18h00 ! When the Trees Fall 20h30 ! The Manslayer / The Virgin / The vostang | 100’ | p. 16 Glavonic’ | vostang | 98’ | p. 16 Ukraine-Pologne-Macédoine 2018 | Marysia Shadow Estonie-Lituanie 2017 | Sulev Keedus | Sa 06 | 10 18h00 ! Marathon de courts métrages 20h30 ! Another Day of Life Nikitiuk | vostang | 88’ | p. 28 vostang | 140’ | p. 28 d’animation Europe centrale et orientale 2017- Pologne-Espagne 2018 | Raúl de la Fuente, Di 21 | 10 15h00 Voyage dans 17h00 The Ancient 18h30 Ruben 20h30 Répétition du 2018 I vostang I 120’ | p. 17 Damian Nenow | vostang | 85’ | p. 17 la préhistoire Tchéco- Woods Lituanie Brandt, Collector film ayant remporté Di 07 | 10 15h00 Where the 17h00 Lada 18h30 Putin’s 20h30 “I Do Not slovaquie 1955 | Zeman | 2017 | M. Survila | Hongrie 2018 | M. Krstic’ | le Grand Prix Wild Things Are Kamenski Croatie Witnesses Lettonie- Care If We Go vostf | 93’ | p. 56 vostang | 85’ | p. 26 voangstfr | 96’ | p. 29 CinEast 2018 p. 29 USA 2009 | Spike 2018 | Sara Hribar, Suisse-Rép. tch. Down In History Lu 22 | 10 Jonze | vostf | 102’ | Marko Šantic’ | 2018 | Vitaly Mansky | As Barbarians” 19h00 ! Université Populaire du Cinéma p. 54 vostang | 71’ | p. 17 vostang | 102’ | p. 18 Roumanie.-Rép. tch. Leçon 0 : « Tous les films ne se valent pas » – L’art d’aimer, d’apprécier, d’évaluer les films | p. 8 2018 | Radu Jude | Ma 23 | 10 Jungle Fever 20h45 ! L’Enfant Belgique-France 2005 | vostang | 139’ | p. 18 USA 1991 | Spike Lee | vostf | 131’ | p. 39 Jean-Pierre et Luc Dardenne | vostang | 95’ | p. 44 Lu 08 | 10 The Marriage Foam at the Mouth Lettonie-Pologne 2017 | Me 24 | 10 Fat City She’s Gotta Have It Kosovo 2017 | Blerta Zeqiri | vostang | 97’ | p. 19 Jãnis Nords | vostang | 110’ | p. 19 USA 1972 | John Huston | vostf | 96’ | p. 45 USA 1986 | Spike Lee | vostf | 84’ | p. 36 Ma 09 | 10 Ága Bulgarie-Allemagne 2018 | Milko Lazarov | Short Cut République tchèque 2018 | Jakub Je 25 | 10 Crooklyn Le Ruban blanc Allemagne-Autriche-France vostang | 96’ | p. 19 Šmíd | vostang | 104’ | p. 20 USA 1994 | Spike Lee | vostf | 115’ | p. 41 2009 | Michael Haneke | vostf | 145’ | p. 46 Me 10 | 10 Bridges of Time Lettonie-Lituanie 2018 | Audrius 235 000 000 URSS 1967 | Uldis Brauns | sans Ve 26 | 10 Paper Moon Ocean’s Thirteen USA 2007 | Steven Stonys, Kristi˜ne Briede | vostang | 78’ | p. 20 paroles | 108’ | p. 21 USA 1973 | Peter Bogdanovich | vostf | 100’ | p. 47 Soderbergh | vostf | 122’ | p. 33 Je 11 | 10 Breathing into Marble Lituanie-Lettonie 2018 | Ciné-concert : Le Cuirassé Potemkine Sa 27 | 10 Giedre˙ Beinoriu˜te˙ | vostang | 97’ | p. 21 URSS 1925 | Sergei Einsenstein | vostf | 69’ | p. 22 19h00 Jungle Fever 21h30 Accattone Italie 1961 | Pier Paolo USA 1991 | Spike Lee | vostf | 131’ | p. 39 Pasolini | vostf | 111’ | p. 48 Ve 12 | 10 Fugue Pologne-République tchèque 2018 | Marathon de courts métrages de fiction Di 28 | 10 Agnieszka Smoczyn’ska | vostang | 100’ | p. 23 (sud) 2017-2018 I vostang I 150’ | p. 23 15h00 Das Sandmännchen 17h00 La Maman et la putain 20h45 ! Do the Right Thing – Abenteuer im Traumland France 1973 | Jean Eustache | USA 1989 | Spike Lee | vostf | Sa 13 | 10 18h00 ! Wild Roses Pologne 2017 | Anna 20h30 ! Ivan Slovénie-Croatie 2017 | Janez All.-France 2010 | J. Møller, vo | 215’ | p. 49 120’ | p. 37 Jadowska | vostang | 89’ | p. 23 Burger | vostang | 95’ | p. 24 S. Sakaoglu | voall | 83’ | p. 57 Di 14 | 10 15h00 Sametka, la 16h30 Lemonade 18h30 History of 20h30 Volcano Lu 29 | 10 19h00 ! Université Populaire du Cinéma chenille qui danse Joe | Tchécoslovaquie Love Slovénie-Italie- Ukraine-Allemagne Leçon 1 : « Beauté » – Un bon film exalte les sens | p. 9 courts-métrages | 1964 | Oldrˇich Norvège 2018 | Sonja 2018 | Roman Ma 30 | 10 sans paroles | 40’ | Lipský | vostang | Prosenc | vostang | Bondarchuk | The Misfits Mo’Better Blues p. 55 95’ | p. 24 100’ | p. 25 vostang | 103’ | p. 25 USA 1961 | John Huston | vostf | 119’ | p. 50 USA 1990 | Spike Lee | vostf | 128’ | p. 38 Me 31 | 10 Crooklyn Mouchette Lu 15 | 10 Mug Pologne 2018 | Małgorzata Szumowska | Ága Bulgarie-Allemagne-France 2018 | Milko USA 1994 | Spike Lee | vostf | 115’ | p. 41 France 1967 | Robert Bresson | vostang | 82’ | p. 51 vostang | 91’ | p. 25 Lazarov | vostang | 96’ | p. 20 6 7 « Tout le monde a deux métiers : le sien et critique de cinéma », En collaboration disait François Truffaut pour exprimer la propension de tout un chacun avec l’Université du Luxembourg à évaluer un film. Mais sommes-nous pour autant conscients des critères que nous employons pour une telle critique ? Et, par ailleurs, tous les critères sont-ils recevables ? Car, si la cinéphilie a souvent des raisons que la raison ignore, tous les films ne naissent pas pour autant égaux en qualités et ne passent pas tous à la postérité. C’est entendu, il y a de bons et de mauvais films, des classiques et des chefs-d’œuvre, des canons et aussi des oubliés. Mais alors, comment pouvons-nous tous être en mesure de les repérer en dehors des vérités établies par des manuels et des histoires du cinéma ? Pour cette nouvelle saison, l’Université Populaire du Cinéma propose 10 leçons d’évaluation des films, où l’on découvrira qu’un chef-d’œuvre de l’engagement n’est pas forcément un parangon de l’invention ou de la beauté, qu’un bon film peut remuer le spectateur ou lui donner à penser, que le grand cinéma sait prêter la voix à son époque ou la dépasser pour parler à tout le monde. Les frontières sont poreuses, certes, et aucune typologie ne saurait être irréfutable ; mais on essayera d’allumer ensemble quelques lumières pour briller en société et pour que, dans la nuit cinémato- graphique, tous les films ne soient pas gris. Infos supplémen- taires et formules D’octobre 2018 à juillet 2019, pour sa neuvième édition, l’Unipop « libre pass » vous invite à séparer le bon grain de l’ivraie cinématographique [email protected] www.cinematheque.lu pour une nouvelle saison à la fois instructive, ludique et conviviale.
Load more

Recommended publications
  • Co-Produced with the Black Film Institute of the University of the District of Columbia the Vision
    Co-produced with the Black Film Institute of the University of the District of Columbia the vision. the voice. From LA to London and Martinique to Mali. We bring you the world ofBlack film. Ifyou're concerned about Black images in commercial film and tele­ vision, you already know that Hollywood does not reflect the multi- cultural nature 'ofcontemporary society. You know thatwhen Blacks are not absent they are confined to predictable, one-dimensional roles. You may argue that movies and television shape our reality or that they simply reflect that reality. In any case, no one can deny the need to take a closer look atwhat is COIning out of this powerful medium. Black Film Review is the forum you've been looking for. Four times a year, we bringyou film criticiSIn froIn a Black perspective. We look behind the surface and challenge ordinary assurnptiorls about the Black image. We feature actors all.d actresses th t go agaul.st the graill., all.d we fill you Ul. Oll. the rich history ofBlacks Ul. Arnericall. filrnrnakul.g - a history thatgoes back to 19101 And, Black Film Review is the only magazine that bringsyou news, reviews and in-deptll interviews frOtn tlle tnost vibrant tnovetnent in contelllporary film. You know about Spike Lee butwIlat about EuzIlan Palcy or lsaacJulien? Souletnayne Cisse or CIl.arles Burnette? Tllrougll­ out tIle African cliaspora, Black fi1rnInakers are giving us alternatives to tlle static itnages tIlat are proeluceel in Hollywood anel giving birtll to a wIlole new cinetna...be tIlere! Interview:- ----------- --- - - - - - - 4 VDL.G NO.2 by Pat Aufderheide Malian filmmaker Cheikh Oumar Sissoko discusses his latest film, Finzan, aself­ conscious experiment in storytelling 2 2 E e Street, NW as ing on, DC 20006 MO· BETTER BLUES 2 2 466-2753 The Music 6 o by Eugene Holley, Jr.
    [Show full text]
  • Media Culture: Cultural Studies, Identity and Politics Between The
    Media Culture Media Culture develops methods and analyses of contemporary film, television, music, and other artifacts to discern their nature and effects. The book argues that media culture is now the dominant form of culture which socializes us and provides materials for identity in terms of both social reproduction and change. Through studies of Reagan and Rambo, horror films and youth films, rap music and African- American culture, Madonna, fashion, television news and entertainment, MTV, Beavis and Butt-Head, the Gulf War as cultural text, cyberpunk fiction and postmodern theory, Kellner provides a series of lively studies that both illuminate contemporary culture and provide methods of analysis and critique. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Criticizing social context, political struggle, and the system of cultural production, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book. Kellner argues that we are in a state of transition between the modern era and a new postmodern era and that media culture offers a privileged field of study and one that is vital if we are to grasp the full import of the changes currently shaking us.
    [Show full text]
  • CUNNINGHAM-DISSERTATION.Pdf
    Copyright by Mark Douglas Cunningham 2010 The Dissertation Committee for Mark Douglas Cunningham Certifies that this is the approved version of the following dissertation: ONCE UPON A TIME IN SOUTH CENTRAL LOS ANGELES: RACE, GENDER AND NARRATIVE IN JOHN SINGLETON’S HOOD TRILOGY Committee: S. Craig Watkins, Supervisor Mark Anthony Neal Charles Ramirez-Berg Karin G. Wilkins Helena Woodard ONCE UPON A TIME IN SOUTH CENTRAL LOS ANGELES: RACE, GENDER AND NARRATIVE IN JOHN SINGLETON’S HOOD TRILOGY by Mark Douglas Cunningham, B.S., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2010 Dedication To My Papa, Louis Douglas Cunningham, Sr. (1927-1997), who must have seen into the future when he called me Professor as a boy, and my first cousin and little sister, Heather Nicole Mitchell (1975-2010), who left us far too soon. I love and miss you. ACKNOWLEDGMENTS As I write these acknowledgements, I am reminded of something singer/actress Vanessa Williams wrote in the liner notes to her album The Sweetest Days: “I would like to be witty and clever…But I am way too tired.” That said, what the following sentiments lack in poetry, they more than make up for in sincere gratitude and reverence. I was blessed to have a most wonderful and supportive committee made up of a group of erudite and invaluable scholars that have nurtured and looked after me throughout my undergraduate and graduate years.
    [Show full text]
  • An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr.
    [Show full text]
  • Movies That Will Get You in the Holiday Spirit
    Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb.
    [Show full text]
  • DO the RIGHT THING (1989) 120 Min
    November 28, 2006 XIII: 13 DO THE RIGHT THING (1989) 120 min Produced, Written and Directed by Spike Lee Cinematography by Ernest R. Dickerson Film Editing by Barry Alexander Brown Bill Lee...conductor: The Natural Spiritual Orchestra Branford Marsalis... tenor and soprano saxophone, The Natural Spiritual Orchestra Rosie Perez...choreographer Ossie Davis...Da Mayor Danny Aiello...Sal Giancarlo Esposito...Buggin Out Richard Edson...Vito Spike Lee...Mookie Ruby Dee...Mother Sister Bill Nunn...Radio Raheem John Turturro...Pino Paul Benjamin...ML Rosie Perez...Tina Robin Harris...Sweet Dick Willie Frankie Faison...Coconut Sid SPIKE LEE (20 March 1957, Atlanta, Georgia) has directed Steve White...Ahmad 42 theatrical and tv films, the most recent of which is the Leonard L. Thomas...Punchy HBO documentary on the New Orleans Katrina disaster, Samuel L. Jackson...Mister Señor Love Daddy "When the Levees Broke: A Requiem in Four Acts" Joie Lee...Jade (2006). Some of the others are “Sucker Free City” (2004), Miguel Sandoval...Officer Ponte She Hate Me (2004), 25th Hour (2002), Come Rain or Rick Aiello...Officer Long Come Shine (2001), Bamboozled (2000), The Original Martin Lawrence...Cee Kings of Comedy (2000), Summer of Sam (1999), He Got Roger Guenveur Smith...Smiley Game (1998), 4 Little Girls (1997), Get on the Bus (1996), John Savage...Clifton Clockers (1995), Crooklyn (1994), Malcolm X (1992), Christa Rivers...Ella Jungle Fever (1991), Mo' Better Blues (1990), Do the Frank Vincent...Charlie Right Thing (1989), School Daze (1988), She's Gotta Have Luis Ramos...Stevie It (1986) Richard Habersham...Eddie Joe's Bed-Stuy Barbershop: We Cut Heads (1983), Sarah Gwen McGee...Louise (1981), The Answer (1980) and Last Hustle in Brooklyn (1977).
    [Show full text]
  • Curso 2017-2018 Spike
    UNIVERSIDAD DE VALLADOLID FACULTAD DE CIENCIAS SOCIALES JURÍDICAS Y DE LA COMUNICACIÓN GRADO EN PUBLICIDAD Y RELACIONES PÚBLICAS CURSO 2017-2018 SPIKE LEE: UNA MIRADA CRÍTICA AL RACISMO EN ESTADOS UNIDOS. UN PRIMER ANÁLISIS. (Historia Contemporánea) Alumno: Ricardo Virseda dos Santos Tutor: Mariano González Clavero Segovia, a 2 de julio de 2018 RESUMEN Las siguientes páginas del presente trabajo, configuran una investigación sobre la transcendencia del director cinematográfico Spike Lee, como hábil comunicador, de uno de los problemas más graves que atañan a la sociedad estadounidense, y por ende, al resto de la población mundial: el racismo. A través del repaso biográfico del director, el contexto histórico, tanto de sus obras como de su vida y las características de sus producciones cinematográficas, se realiza un profundo análisis de algunas de sus películas más transcendentes, haciendo hincapié en los perfiles de sus personajes, las tramas y estereotipos que desarrollan, entre otros puntos de interés y comparando con la situación histórica actual, para lograr los objetivos expuestos en este trabajo: dar una visión de la evolución del problema racial a través de la obra de este autor. Palabras clave: Spike lee, racismo, Estados Unidos, cine, películas, historia, contemporánea. ABSTRACT The following pages of the present work, form an in vestigation on the transcendence of the cinematographic director Spike Lee, as a skilled communicator, of one of the most serious problems that concern the American society, and therefore, to the rest
    [Show full text]
  • Vimeo Link for ALL of Bruce Jackson's and Diane Christian's Film
    April 13, 2021 (42:11) Spike Lee: DO THE RIGHT THING (1989,120 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to Do the Right Thing Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Produced, Written and Directed by Spike Lee Cinematography by Ernest R. Dickerson Film Editing by Barry Alexander Brown Music by The Natural Spiritual Orchestra (Bill Lee, conductor; Branford Marsalis, tenor and soprano saxophone) Choreography by Rosie Perez Though widely seen as one of the most important films of 1989, the film was memorably snubbed in the 1990 Spike Lee...Mookie Academy Awards, only garnering nominations for Best Ruby Dee...Mother Sister Actor in a Supporting Role and Best Writing, Screenplay Bill Nunn...Radio Raheem Written Directly for the Screen. It was recognized as a John Turturro...Pino contender for the Palme d’Or at the 1989 Cannes Film Paul Benjamin...ML Festival, however. Selected by the National Film Rosie Perez...Tina Preservation Board for the National Film Registry, 1999 Robin Harris...Sweet Dick Willie Frankie Faison...Coconut Sid Cast Steve White...Ahmad Ossie Davis...Da Mayor Leonard L. Thomas...Punchy Danny Aiello...Sal Samuel L. Jackson...Mister Señor Love Daddy Giancarlo Esposito...Buggin Out Joie Lee...Jade Richard Edson...Vito Miguel Sandoval...Officer Ponte Rick Aiello...Officer Long Lee: DO THE RIGHT THING—2 Martin Lawrence...Cee two Emmy Awards, two Peabody Awards, and the Cannes Roger Guenveur Smith...Smiley Grand Prix.
    [Show full text]
  • FOR IMMEDIATE RELEASE ENZIAN THEATER ANNOUNCES SPIKE LEE WEEK and the RENTAL JULY 24 – 30 Orlando, FL – (July 21, 2020) –
    Media Contact: Valerie Cisneros [email protected] 407-629-1088 x302 FOR IMMEDIATE RELEASE ENZIAN THEATER ANNOUNCES SPIKE LEE WEEK AND THE RENTAL JULY 24 – 30 Orlando, FL – (July 21, 2020) – Enzian is proud to present Spike Lee Week, a special week of some of the most notable films from the acclaimed filmmaker. Spike Lee is an icon of American cinema. Born and raised in Brooklyn, he was educated at the historic Morehouse College. Transferring to NYU film school, he received a MFA, found a lifelong friendship with his professor Martin Scorsese, and won the Student Academy Award. Since 1983, he has produced over 35 films, received 2 more Oscars®, won the Grand Prix at the Cannes Film Festival, and took home a pair of Emmys, as well as dozens of other awards. He also had four films selected for the National Film Registry at the Library of Congress. His filmography is a chronicle of the Black experience in America and a continual exploration of race relations, poverty, family, and politics. Enzian is proud to present a collection of nearly 30 years of Lee’s exemplary work, beginning with his 1989 game-changer Do the Right Thing all the way to his Oscar-winning 2018 film BlacKkKlansman. In addition to Spike Lee Week, we are thrilled to bring in The Rental, a new horror film by Dave Franco, starring Alison Brie, Dan Stevens, and Jeremy Allen White. Enzian is also excited to be able to reschedule special programming that was postponed due to the pandemic. This includes our Cult Classic series, which returns next Tuesday with V for Vendetta.
    [Show full text]
  • EL CINE DE SPIKE LEE: ANÁLISIS DE LA VIOLENCIA SOCIAL EN LA PELÍCULA DO the RIGHT THING Humberto Saldarriaga Pérez
    EL CINE DE SPIKE LEE: ANÁLISIS DE LA VIOLENCIA SOCIAL EN LA PELÍCULA DO THE RIGHT THING Humberto Saldarriaga Pérez Piura, octubre de 2008 FACULTAD DE COMUNICACIÓN Departamento de Comunicación Saldarriaga, H. (2008). El cine de Spike Lee: análisis de la violencia social en la película Do the right thing. Tesis de grado no publicada de Comunicación. Universidad de Piura. Facultad de Comunicación. Piura, Perú. EL CINE DE SPIKE LEE: ANÁLISIS DE LA VIOLENCIA SOCIAL EN LA PELÍCULA DO THE RIGHT THING Esta obra está bajo una licencia Creative Commons Atribución- NoComercial-SinDerivadas 2.5 Perú Repositorio institucional PIRHUA – Universidad de Piura 2 UNIVERSIDAD DE PIURA FACULTAD DE COMUNICACIÓN “El cine de Spike Lee: análisis de la violencia social en la película Do the Right Thing” Tesis que presenta el bachiller HUMBERTO JOSÉ SALDARRIAGA PÉREZ Para optar el Título de LICENCIADO EN COMUNICACIÓN PIURA - PERÚ OCTUBRE – 2008 Al Todopoderoso, a todas las personas que colaboraron con este proyecto y a mi abuela por su confianza y aliento. ÍNDICE ÍNDICE Pág. INTRODUCCIÓN CAPITULO I: EVOLUCIÓN DEL CINE AFROAMERICANO (1) 1- BREVE RECORRIDO HISTÓRICO POR EL CINE AFROAMERICANO (1) 1.1- EL CINE INDEPENDIENTE AFROAMERICANO (2) 1.1.1- DE LA DÉCADA DE 1910 A 1940: EL CINE DE RAZAS (2) 1.1.1.1- OSCAR MICHEAUX (3) 1.1.1.2- PAUL ROBESON (4) 1.1.1.3- SPENCER WILLIAMS JR (5) 1.1.2- DE LA DÉCADA DE 1970 A LA ACTUALIDAD (6) 1.1.2.1- CHARLES BURNNET (6) 1.1.2.2- STANLEY NELSON (7) 1.1.2.3- MARLON RIGGS (8) 1.2- EL CINE COMERCIAL AFROAMERICANO (8) 1.2.1- EL CINE
    [Show full text]
  • Acorde! O Cinema De Spike Lee, Que Reúne Produções Do Diretor, Ator E Escritor Que Se Destacou Ao Contar Histórias De Personagens Negros Para O Público Negro
    REALIZAÇÃO O CINEMA ACORDE! DE PRODUÇÃO SAC 0800 7290722 | Ouvidoria BB 0800 7295678 | Deficiente Auditivo ou de Fala 0800 7290088 Auditivo ou de Fala 0800 7295678 | Deficiente 7290722 | Ouvidoria BB 0800 SAC 0800 REALIZAÇÃO CCBB Rio: Rua Primeiro de Março 66, Centro, RJ, CEP 20010-000 | tel. 21 3808 2020 | bb.com.br/cultura – twitter/ccbb_rj – facebook/ccbb.rj – instagram/ccbbrj 3808 20010-000 | tel. 21 CCBB Rio: Rua Primeiro de Março 66, Centro, RJ, CEP Realização ”Nos termos da Portaria 3.083, de 25.09.2013, do Ministério da Justiça, informamos que o Alvará de Funcionamento deste CCBB tem número 489095, de 03.01.2001, sem vencimento.” ”Nos termos da Portaria 3.083, de 25.09.2013, do Ministério da Justiça, informamos que o Produção PRODUÇÃO SAC 0800 7290722 | Ouvidoria BB 0800 7295678 | Deficiente Auditivo ou de Fala 0800 7290088 Auditivo ou de Fala 0800 7295678 | Deficiente 7290722 | Ouvidoria BB 0800 SAC 0800 CCBB Rio: Rua Primeiro de Março 66, Centro, RJ, CEP 20010-000 | tel. 21 3808 2020 | bb.com.br/cultura – twitter/ccbb_rj – facebook/ccbb.rj – instagram/ccbbrj 3808 20010-000 | tel. 21 CCBB Rio: Rua Primeiro de Março 66, Centro, RJ, CEP ”Nos termos da Portaria 3.083, de 25.09.2013, do Ministério da Justiça, informamos que o Alvará de Funcionamento deste CCBB tem número 489095, de 03.01.2001, sem vencimento.” ”Nos termos da Portaria 3.083, de 25.09.2013, do Ministério da Justiça, informamos que o Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina O Ministério da Cultura e o Banco do Brasil apresentam a mostra Acorde! O Cinema de Spike Lee, que reúne produções do diretor, ator e escritor que se destacou ao contar histórias de personagens negros para o público negro.
    [Show full text]
  • Le Livre Noir Du Cinéma Américain Livret Pédagogique Festival Des 3 Continents 2019
    1 LE LIVRE NOIR DU CINÉMA AMÉRICAIN LIVRET PÉDAGOGIQUE FESTIVAL DES 3 CONTINENTS 2019 LE LIVRE NOIR DU CINÉMA AMÉRICAIN Le livre NOIR du cinéma américain Le livret pédagogique a été réalisé 5 ÉDITO avec le soutien de l’Ambassade Jérôme Baron des États-Unis d’Amérique. 8 CHRONOLOGIE AFRO-AMÉRICAINE Repères historiques 14 I AM NOT YOU NEGRO de Raoul Peck par Jérôme Baron conseillé à partir de la 4e 20 KILLER OF SHEEP de Charles Burnett par Jérôme Baron conseillé à partir de la 2nde 28 DO THE RIGHT THING de Spike Lee par Joanne Bazin conseillé à partir de la 3e 38 SIDEWALK STORIES de Charles Lanes par Lucille Asloun conseillé à partir de la 6e Le livret pédagogique a pour fonction d'accompagner la programmation 46 BOYZ’N THE HOOD de John Singleton thématique « Le livre NOIR du cinéma par Hélène Loiseleux américain » et de proposer sur une sélection conseillé à partir de la 4e de films du 41e Festival des 3 Continents, pistes de travail, documents iconographiques, 56 MENACE II SOCIETY de Albert et Allen Hugues entretiens, rebonds vers d'autres champs par Louise Ferron artistiques... Il constitue un support conseillé à partir de la 3e accompagnant les enseignants dans leur travail avec les élèves. 65 GET OUT de Jordan Peele Le livret pédagogique est à destination par Jérôme Baron des enseignants et des partenaires conseillé à partir de la 4e pédagogiques, une version électronique est téléchargeable sur le site 72 THE HATE U GIVE de Georges Tillman Jr www.3continents.com (code d'accès par Hélène Loiseleux à demander à [email protected]).
    [Show full text]