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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space). -
Co-Produced with the Black Film Institute of the University of the District of Columbia the Vision
Co-produced with the Black Film Institute of the University of the District of Columbia the vision. the voice. From LA to London and Martinique to Mali. We bring you the world ofBlack film. Ifyou're concerned about Black images in commercial film and tele vision, you already know that Hollywood does not reflect the multi- cultural nature 'ofcontemporary society. You know thatwhen Blacks are not absent they are confined to predictable, one-dimensional roles. You may argue that movies and television shape our reality or that they simply reflect that reality. In any case, no one can deny the need to take a closer look atwhat is COIning out of this powerful medium. Black Film Review is the forum you've been looking for. Four times a year, we bringyou film criticiSIn froIn a Black perspective. We look behind the surface and challenge ordinary assurnptiorls about the Black image. We feature actors all.d actresses th t go agaul.st the graill., all.d we fill you Ul. Oll. the rich history ofBlacks Ul. Arnericall. filrnrnakul.g - a history thatgoes back to 19101 And, Black Film Review is the only magazine that bringsyou news, reviews and in-deptll interviews frOtn tlle tnost vibrant tnovetnent in contelllporary film. You know about Spike Lee butwIlat about EuzIlan Palcy or lsaacJulien? Souletnayne Cisse or CIl.arles Burnette? Tllrougll out tIle African cliaspora, Black fi1rnInakers are giving us alternatives to tlle static itnages tIlat are proeluceel in Hollywood anel giving birtll to a wIlole new cinetna...be tIlere! Interview:- ----------- --- - - - - - - 4 VDL.G NO.2 by Pat Aufderheide Malian filmmaker Cheikh Oumar Sissoko discusses his latest film, Finzan, aself conscious experiment in storytelling 2 2 E e Street, NW as ing on, DC 20006 MO· BETTER BLUES 2 2 466-2753 The Music 6 o by Eugene Holley, Jr. -
Best Enjoyed As Property, Shoe and Hairdo Porn.”
”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin -
Camera Stylo Proof 2
SCREENING RACE ALEXANDRA MCCALLA The “hood” spaces of South Central in Los Angeles and — North Kensington in West London—known as Grove, Boyz n the Hood (1991) short for the area’s main road Ladbroke Grove—both Kidulthood (2006) experienced an influx of black migrant workers in the first half of the 20th century. The films Boyz n the Hood (1991) and Kidulthood (2006) explore the current problems of the South Central and Grove hoods respectively, while presenting the effects of the historical construction of these spaces. Both are written and directed by black men, set and shot in the areas in which they grew up, John Singleton’s Boyz n the Hood (Boyz) and Noel Clarke’s Kidulthood intimately reveal the nuances of their hoods. Through analysing the two hood films’ depiction of race and space, the socio-economic effects on race relations in London and LA can be examined. The “Great Migration” in the US, out of the South from 1910-1930, due to obtainable wealth in factory jobs, caused a shift in the African American identity; black people were not simply associated with the South’s con- 4 notations of slavery. Rheid-Pharr explains, “the black American was in some ways losing her ability to name Alexandra is currently in her third year completng herself properly, distinctly. Black identity could no lon- a double major in Economics and Cinema Studies. Within cinema studies, she has a particular ger be associated with a specific region, caste, economic interest in racial representation and identity of status, erotic affinity, or biology” (5). -
MALIK H. SAYEED Director of Photography
MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J. -
The Taming of the Shrew and Its Afterlives 1 Leaders: Coppélia Kahn, Brown University; Linda Woodbridge, Pennsylvania State University
2018 Seminar: The Taming of the Shrew and Its Afterlives 1 Leaders: Coppélia Kahn, Brown University; Linda Woodbridge, Pennsylvania State University Patricia Akhimie, Rutgers University, Newark, Travel for Marriage: The Newlywed’s Journey in The Taming of the Shrew This paper explores the role that travel plays in the making of marriages and the taming of shrews. The Taming of the Shrew draws upon a narrative tradition that accompanies a cultural commonplace: the episode in which a daughter leaves her father’s home and journeys to her husband’s home. Examining the legal, literary, and folkloric significance of travel for marriage in early modern England, this paper asks how Katherina’s travel reflects and disrupts ideas about the transformation (through transportation) of daughters into wives. David Bevington, University of Chicago Sometimes Crossing a Line The Taming of the Shrew in Chicago and London Adaptations of The Taming of the Shrew, often helpful, can do the play a disservice when the point of a given production seems to be that of discrediting Shakespeare's original as irredeemably flawed. This essay looks at recent productions in Chicago and Stratford that suggest a failure of critical responsibility. Clara Calvo, Universidad de Murcia Taming the Shrew Around Wartime: From Europe to New York This paper looks into the reception of productions of The Taming of the Shrew in the last years of the Edwardian period and the first years of the First World War to suggest that the inclusion of the induction and the choice of ‘original practices’ for the mise-en-scène minimised the play’s problematic notions of gender. -
Press Release for IMMEDIATE RELEASE: Monday, November 25, 2019 at Noon ET Headshot Available Here
Press Release FOR IMMEDIATE RELEASE: Monday, November 25, 2019 at Noon ET Headshot available here. America to Celebrate the Artistic Achievements of Earth, Wind & Fire, Sally Field, Linda Ronstadt, , and Michael Tilson Thomas on Sunday, December 8, 2019 (WASHINGTON)—Two-time Grammy Award® winner and 2017 Kennedy Center Honors recipient LL COOL J will host the 42nd annual Kennedy Center Honors on . The Honors Gala will be recorded for broadcast on the CBS Television Network for the 42nd year as a two-hour primetime special to air on Sunday, December 15 (8:00–10:00 p.m., ET/PT). This will be LL COOL J’s first time hosting the special. As previously announced, the recipients of the 2019 Kennedy Center Honors will be R&B collective , actress , singer , children’s television program , and conductor and musical visionary . The 42nd annual Kennedy Center Honors marks the first time a television program will receive the award. In a star-studded celebration on the Kennedy Center Opera House stage on Sunday, December 8, the 2019 Honorees will be saluted by today’s leading performers from New York, Hollywood, and the arts capitals of the world, accepting the recognition and gratitude of their peers through performances and tributes. The Honors recipients are recognized for their lifetime contributions to American culture through the performing arts— whether in dance, music, theater, opera, motion pictures, or television—and are confirmed by the executive committee of the Center’s board of trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; over the years, the selection process has produced a balance among the various arts and artistic disciplines. -
2.6.2 Journal Extract (Oct. 1743
THE JOURNAL THE REVEREND JOHN WESLEY, A.M., S O ilB T tM E F B L h O W OF LINCOLN COLLEOB» OXFORD. FROM DECEMBER 2, 1745, TO M A Y 5, 1760. JOUENAL FROM OCTOBER 27, 1743, TO NOVEMBER 17, 1746. (continued.) Mon. D ec em ber 2 .—The alarms still increased in London, on account of the nearer approach of the rebels. But how easy are all these things to them who can commit both soul and body to a merciful and faithful Creator ! About this time I received some farther accounts from the army; the substance of which was as follows ;— “ R e v . S ir , October 10, 1745. “ I SHALL acquaint you with the Lord’s dealings with us, since April last. We inarched from Ghent to Allost on the 14th, where I met with two or three of our brethren in the fields, and we sung and prayed together, and were comforted. On the 15th I met a small company about three miles from the town, and the Lord filled our hearts with love and peace. On the 17th we marched to the camp near Brussels. On the 18th I met a small congregation on the side of a hill, and spoke from those words, ‘ Let us go forth, therefore, to him without the camp, bearing his reproach.’ On the 28th I spoke from those words of Isaiah, ‘ Thus saith the Lord con cerning the house of Jacob, Jacob shall not now be ashamed, neither shall his face now wax pale.’ On the 29th we marched close to the enemy; and when I saw them in their camp, my bowels moved toward them in love and pity for their souls. -
A Most Talented Association
AL HIRSCHFELD AND SyraCUSE A Most Talented Association LUBIN HOUSE 11 East 61st Street FEBRUARY 17 THROUGH APRIL 10 , 2014 New York, NY 10065 Phone: (212) 826-0320 GALLERY Email: [email protected] SYRACUSE UNIVERSITY ART GALLERIES AL HIRSCHFELD American 1903-2003 “The passion of personal conviction belongs to the playwright; the physical interpretation of the character belongs to the actor; the delineation in line belongs to me. My contribution is to take the character -- created by the playwright and acted out by the actor -- and reinvent it for the reader.” Al Hirschfeld in The World of Hirschfeld, 1970 Al Hirschfeld was born in St. Louis in 1903 but his family moved to New York City in 1914 where he would remain for most of the next 90 years. Always the artist making drawings, prints and paintings, Hirschfeld completed artwork for more than twenty publications including The Herald Tribune, The New Yorker, The Los Angeles Times, Business Week, Playbill, TV Guide, Town & Country, Playboy, People, Collier’s, Life, Time, Look, Rolling Stone, and Reader’s Digest. In 1943 Hirschfeld married Dolly Haas who was a well-known European actress he met when on assignment to draw a sketch of a summer theater company. The two were married for just over 50 years and had one daughter, the famous Nina. Finding her name hidden in his drawings became an obsession for some of his fans. Less well known is that his wife Dolly occasionally appeared in the background of his drawings. Al Hirschfeld became the first artist in history to have his name on a U.S. -
«Itos a I Page 6 Oictif 1*Mb Television `Simpsons' Again Denied Shot at Comedy Category
Daily News L.A.LIFEThursday. February 20. 1992 Ccpyrlghl .0 1992 New tune Any way you slice it, Popeil will sing about it Page 5 Fashion Women right in style with that menswear look «itos a I Page 6 OiCtif 1*Mb Television `Simpsons' again denied shot at comedy category Page 24 Hollywood Gerald() delves sh Belle in "Beauty and the Beast" into Natalie Wood's death Highlights box: Page 25 —Streisand snubbed — 'Secret," Singleton make history Music —Caregory-by-category analysis — Let of nominees John Mellencamp — Full coverage begins on page 29 performs blah set to adoring fans Page 26 Annette Bening and Warren Beatty In "Bugsy," which led all films with 10 Oscar nominations. '12. • •• •• DAILY NEWS THLFWAY TEESUARY 20, 1992 LA. 1.11111-3 PAGE 3 .01""'N .si' ,NortN."4'6%. err ".avroe144 Page 3 Talk Line Were mar Me Academy of Motion Who could can forget the Picture Aru and Sciences folks are heartwarming story of a conniving dims Jeeping in this morning after drifter and his ever so cute "I could Wednesdays !JO a.01. command have played Annie on Broadway, if I terfirmance. had a better agent father" in "Curly But Page 3 Talk Line callers can't be Sue." The only downside of the picture was that Brian Dennehy wasn't in it. 'aught 'Winne. — }Lamy Fleckman Yen acre risk an top of the academy, North Hollywood astigating voters for slighting Barbra ;treatise!. heaping praise on "Beauty "I FK" represents the foss of and the Beam ' 'VFW" and 'The Prince S1101106 innocence and the last of the great if Tides." the films. -
Hip Hop Matters
HIP HOP MATTERS HIP HOP MATTERS Politics, Pop Culture, and the Struggle for the Soul of a Movement S. Craig Watkins Beacon Press, Boston Beacon Press 25 Beacon Street Boston, Massachusetts 02108-2892 www.beacon.org Beacon Press books are published under the auspices of the Unitarian Universalist Association of Congregations. © 2005 by S. Craig Watkins All rights reserved Printed in the United States of America 09 08 07 06 8 7 6 5 4 3 2 1 This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. Text design by Patricia Duque Campos Composition by Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Watkins, S. Craig (Samuel Craig) Hip hop matters : politics, pop culture, and the struggle for the soul of a movement / S. Craig Watkins. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-8070-0986-5 (pbk. : acid-free paper) 1. Rap (Music)—History and criticism. 2. Hip-hop. I. Title. ML3531.W38 2005 782.421649—dc22 2004024187 FOR ANGELA HALL WATKINS, MY WIFE AND BEST FRIEND CONTENTS PROLOGUE Hip Hop Matters 1 INTRODUCTION Back in the Day 9 PART ONE Pop Culture and the Struggle for Hip Hop CHAPTER ONE Remixing American Pop 33 CHAPTER TWO A Great Year in Hip Hop 55 CHAPTER THREE Fear of a White Planet 85 CHAPTER FOUR The Digital Underground 111 PART TWO Politics and the Struggle for Hip Hop CHAPTER FIVE Move the Crowd 143 CHAPTER SIX Young Voices in the Hood 163 CHAPTER SEVEN “Our Future...Right Here, Right Now!” 187 CHAPTER EIGHT “We Love Hip Hop, But Does Hip Hop Love Us?” 207 CHAPTER NINE Artificial Intelligence? 229 EPILOGUE Bigger Than Hip Hop 249 ACKNOWLEDGMENTS 257 NOTES 261 BIBLIOGRAPHY 279 INDEX 283 PROLOGUE Hip Hop Matters Stakes is high. -
Portrayal of African American English in Mainstream Media
This is the published version of the bachelor thesis: Ruiz Garcia, Laura; Tubau, Susagna, dir. Portrayal of African American English in Mainstream Media. 2016. (997 Grau en Estudis d’Anglès i de Francès) This version is available at https://ddd.uab.cat/record/165489 under the terms of the license Portrayal of African American English in Mainstream Media TFG Estudis d’Anglès i Francès Supervisor: Dr Susagna Tubau Laura Ruiz Garcia June 2016 TABLE OF CONTENTS ABSTRACT 1 1. Introduction 2 1.1. Aim and scope of the paper 2 1.2. A linguistic description of African American English 3 2. Methodology 8 3. Results and discussion 10 3.1. Syntactic features 10 3.2. Phonological features 15 3.3. Discussion 18 4. Conclusions 22 5. Bibliography 24 6. Movies and TV Shows 24 i INDEX OF TABLES AND FIGURES Table 1. Syntactic features expected to be attested (Green, 2002) 3 Table 2. Syntactic features not expected to be attested (Green, 2002) 5 Table 3. Main phonological features of African American English (Green, 2002) 8 Table 4. Instances of multiple negation markers in one single clause 10 Table 5. Instances of yes/no questions without auxiliary verb 11 Table 6. Instances of lack of 3rd person singular –s in Present Simple 12 Table 7. Instances of elimination of present copula be 12 Table 8. Instances of elimination of auxiliary be in Present Progressive 12 Table 9. Instances of substitution of auxiliary were for was in all plural persons 13 Table 10. Instances of future be going to as gonna 14 Table 11.