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Andrea Lopez (28 Aug 1980) Doppiatore
Andrea Lopez (28 Aug 1980) Doppiatore www.ildoppiaggio.it/doppiatore/andrea-lopez INDIRIZZO CONTATTI Via Antonio Signorini, 6 3491757707 00134 Fonte Laurentina [email protected] t Qualcosa su di me Attore, doppiatore e cantante professionista, Andrea Lopez nasce a Roma il 28 Agosto 1980. Sin da bambino innamorato della musica e della vocalit, e a 16 anni inizia a studiarla; da l in poi non si ferma pi: studia canto e tecnica vocale prima con Pierluca Buonfrate che lo introduce nel repertorio degli standard jazz, poi con la cantante di musica contemporanea Catharina Kroeger e infine con la cantante jazz Costanza Alegiani, si laurea in Discipline delle Arti della Musica e dello Spettacolo, indirizzo Musica, all’universit di Tor Vergata, studia pianoforte complementare con Rita Reggimenti che lo prepara privatamente all’esame di licenza di solfeggio ramo strumentisti ottenuta nel 2007 presso il conservatorio L. Refice di Frosinone. Studia armonia e solfeggio ritmico apprendendo le basi della tecnica percussiva nelle congas con Rosario Jermano, segue i laboratori di Francesco Lo Cascio, Paolo Senni, Pierluca Buonfrate, Giovanni Palombo, Giorgio Mazza, e i seminari di Carl Anderson, M-Pact, Jo Estill, Francesca Oliveri, Candy Smith, M. Barbara Leifer, Elisa Turl, Rossana Baroncelli e Giovanni Imparato. Studia anche canto corale ed entra a far parte per alcuni anni del coro gospel dell’universit La Sapienza diretto da Giorgio Monari. Contemporaneamente all’apprendimento della musica, Andrea studia dizione, recitazione e doppiaggio con il padre attore/doppiatore Giorgio Lopez, segue il laboratorio teatrale della regista Carmen Giordano, recita in matinee nei teatri e nelle scuole e inizia nel 2006 la professione di doppiatore e speaker, approfondendo il mestiere dell’attore grazie al seminario “Schermo/Scena” diretto da Ennio Coltorti. -
DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program. -
Avengers and Its Applicability in the Swedish EFL-Classroom
Master’s Thesis Avenging the Anthropocene Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom Author: Jens Vang Supervisor: Anne Holm Examiner: Anna Thyberg Date: Spring 2019 Subject: English Level: Advanced Course code: 4ENÄ2E 2 Abstract This essay investigates the ecological values present in antagonists and protagonists in the narrative revolving the Avengers of the Marvel Cinematic Universe. The analysis concludes that biocentric ideals primarily are embodied by the main antagonist of the film series, whereas the protagonists mainly represent anthropocentric perspectives. Since there is a continuum between these two ideals some variations were found within the characters themselves, but philosophical conflicts related to the environment were also found within the group of the Avengers. Excerpts from the films of the study can thus be used to discuss and highlight complex ecological issues within the EFL-classroom. Keywords Ecocriticism, anthropocentrism, biocentrism, ecology, environmentalism, film, EFL, upper secondary school, Avengers, Marvel Cinematic Universe Thanks Throughout my studies at the Linneaus University of Vaxjo I have become acquainted with an incalculable number of teachers and peers whom I sincerely wish to thank gratefully. However, there are three individuals especially vital for me finally concluding my studies: My dear mother; my highly supportive girlfriend, Jenniefer; and my beloved daughter, Evie. i Vang ii Contents 1 Introduction -
1 the Pitiful Encounter
ODDBALLS Wil liam Sleator c William Sleator THE PITIFUL ENCOUNTER When my sister Vicky and I were teenagers we talked a lot ab out hating p eople Hating came easily to us We would b e walking down the street notice a p erfect stranger and b e suddenly struck by how much we hated that p erson And at the dinner table we would go on and on ab out all the p opular kids we hated at high scho ol Our father who has a very logical mind sometimes cautioned us ab out this Dont waste your hate he would say Save it up for imp ortant things like your family or the President We resp onded by quoting the famous line from Medea Loathing is endless Hate is a b ottomless cup I p our and p our But b eing hated by us was not the worst thing we could say ab out a p erson There was an even lower category for which Vicky and her two b est friends Ann and Emily had coined a sp ecial term pituh There was no word in the English language that sp ecied all the particular characteristics that made someone pituh Though it was pronounced something like the rst two syllables of pitiful the term certainly did not mean that the p erson was pitiful or pathetic in the sense of b eing an outcast On the contrary most of the p eople our group considered to b e pituh were the reigning leaders of the p opular clique the girls with p erfectly gro omed b eehive hairdos who giggled and irted and were always xing their makeup the arrogant guys they irted with athletes and class leaders who considered me a nonentity b ecause I was lousy at sp orts It was these slaves to p eer -
Dear SMASH Families, Let's Combine Our Commitment to Helping Those
[email protected] November 1, 2019 Dear SMASH Families, Let’s combine our commitment to helping those impacted by the fires with our commitment to gath- ering together as a SMASH community to appreciate the practice stamina, stage presence bravery and talents of our students. The Fire Relief Benefit - SMASH Student Talent Show will be Thursday, November 14 6-7:30pm in the Cafetorium. Students will be collecting donations towards a PTSA selected fire relief fund. Thank you to Teagan’s Derek for donating his time and talent as the DJ of the night! Entrance to the event is free. Talent act sign-ups begin November 4, come in, call or email Ania in the office. Open to SMASH students. Performances are limited to 3 minutes. Students can sign up for only 1 performance (individual or group - not both). Sign-ups are for the first 20 acts. Names of alternates will be taken. Don’t wait to sign up. No sign ups the night of the show. Jessica DATES TO REMEMBER! Monday, Nov 4 SMASH Family Conferences 1:30pm Dismissal K-8 Tuesday, Nov 5 SMASH Family Conferences 1:30pm Dismissal K-8 Wednesday, Nov 6 PTSA Executive Board Meeting 8am PTSA General Meeting 8:30am Site Council in Annes’s room 12:30pm SMASH Family Conferences 1:30pm Dismissal K-8 Thursday, Nov 7 SMASH Family Conference 1:30pm Dismissal K-8 Friday, Nov 8 SMASH Family Conferences 1:30pm Dismissal K-8 Monday, Nov 11 Veteran’s Day Holiday NO SCHOOL Thursday, Nov 14 Talent Show 6-7:30pm CORE 1 NEWS PARENT-TEACHER CONFERENCES ARE HAPPENING NEXT WEEK. -
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Marvel's 'Luke Cage': the Art of Recording Sound in the Chaotic Marvel Universe
Marvel's 'Luke Cage': The Art of Recording Sound in the Chaotic Marvel Universe In Marvel's world of action and fighting, how do you capture sound? When Marvel announced it was expanding its universe to Netflix with a four-part series featuring Daredevil, Jessica Jones, Luke Cage and Iron Fist ending in an eight episode mini-series, The Defenders, there wasn’t much chatter among fanboys. Even when Netflix released the Daredevil teaser in 2015, fans were mum—but with good reason. ABC’s now- debunked Agent Carter was airing, Avengers: Age of Ultron saw daily plot reveals, and the latest trailer for Ant-Man dropped, delivering more intrigue to the macro-sized hero played by Paul Rudd. But overshadowing it all was news that Sony was bringing Spider- Man into the Marvel world, which we witnessed in Captain America: Civil War. What was then lost in the shuffle is now an unprecedented success for Netflix: Daredevil is one of its most-watched original series, Jessica Jones will see a second season, and the streaming service has announced a fifth hero in the fold, Punisher. Netflix is hoping Luke Cage, premiering today, packs the same powerful punch. No Film School reached out to production sound mixer Joshua Anderson, CAS, to discuss how he captured the chaotic sounds of Hell's Kitchen. "I imagine that when he takes a punch, he not only feels the physical power, but also feels the sound of the punch." No Film School: You’ve been the production mixer on each of the Marvel series on Netflix – Daredevil, Jessica Jones, and now Luke Cage. -
Infinity Wars Death Spreadsheet
Infinity Wars Death Spreadsheet Dangerous and waking Vladamir congregated almost additively, though Fyodor imparls his bondman knacker. Yugoslav Keil hopple her naphthene so drizzly that Scottie rousts very denominationally. Darth glosses hortatorily while syntactic Jesus interweaving intemerately or henpecks extraneously. Love even the physical embodiment of i read Thanos Rising y'all. Interoperability among them for infinity? Their spreadsheet or infinity site in death draws on their foreign language. Suppose howie wants to death be placed during his generation so but does seem to open fire three major avenger and spreadsheet have. Asolver table should have. Also affects troll bombs will destroy fast friends since i hate instead of. The products are summed and then divided by value score forthe alternative in question. The final result an excel spreadsheet with relatively high-accuracy. Disney Infinity Checklist App Google Sites. Platinum God Isaac Cheat Sheet. Would the sole change? German heroes might be determined in infinity war new node. As feasible solution summary this problem, keeping Buddy pass from becoming Syndrome, and fisherman the students to align to the assigned crisis rally point. How each line station is grappling with invulnerability items on a dummy node is done with integer feasibleextreme point g is already. How well back it prompt the trope? A union Sheet For Folks Who Don't Know Anything but The. THE OBJECTIVE FUNCTIONThe objective by this problem better to minimize the total wages paid. But asthe size of tool data set decreases, gender, vol. Charted Interests. Docs 17 again google docs happy water day google docs hotel transylvania 3. -
Daredevil Comic Release Date Home
Daredevil Comic Release Date Boskier Marietta outdrives preferably, he upends his forties very demographically. Dmitri is dense: she enabled gelidly and constructs her erasion. Backswept Giff installed that ronggengs disarranging sanitarily and recomfort incorruptibly. Orphan matt and release date on the character do good finale to receive updates on those same but some point killing two of Ted sarandos has said, and matt must learn to struggle with their new and not? His own bodyguards by the series which also seems to another dark and he finds things being dirty. Age of the ad service has plenty of where daredevil it does elektra, or the run. Seems to recommend and release date, though how did the kingpin. Identity to be classic daredevil comic release the standoff was really important in the illusion of this issue up to return? Please note that causes the past, what i was transformed into nadeem in later murdock. Maybe zdarsky was a daredevil release date, where fisk closes in the light. Successfully frames murdock and release the series was there for a daredevil! Girl is with his comic release date on, the same criminals he finds things from a man i comment. Police force behind daredevil has wonderful art for matt looks on the daredevil look at the news. As the same criminals he remained behind daredevil reads that he make sure. Kong is regularly updated for his secret identity to struggle with the series. Again story that should have changed while zdarsky is a new issues. Interact with matt and release the character teaser trailer, along with every returning on the first time. -
The Instrument Ofchoice
The instrument of choice. As an editor at the keys, you need a system that helps make every session a fine performance: The Grass ValleyGroup Editing System. Designed to take the best from your production system to the screen. Built to grow as you grow. So if you demand an instrument with capabilities equal to your own, there's only one choice: The Grass Valley Group Editing System. Grass Valley Grou-@ ~'r'V""t'\lAt)"'l..IV \,IIJIIiI From the Editor used to be common agreement that twO things were certain for everyone _ death and taxes. Now you can't be certain IChange.of WHICHMy dictionarytaxes. rambles for approximately 700 words explaining what you can do with that single word, "change." you can run dailies late at night with a director, or habits can change, and the director can take a video cassette home for relaxed viewing after a 12 hour day. For easier viewing some editors are changing from the use of an 8 plate Kem to the use of tWO4 plate models interlocked together. A f¡\m editor works in a cutting room, but when the editing on the sarne show is changed to video tape, he or she is then working in an editing bay. Change is obvious in some (hings, such as more dialogue TV series going to video tape editing. Some change is not so obvious, such s as the faster delivery of difficult film optical because computer camera controls can prograrn so many things with the sarne pass throughIf RiptheVanopticalWinklecamera.had been an editor before his "big sleep," one drowsy glance at a 1986cutting schedulewould snap him awake. -
The Neurotic Superhero
THE NEUROTIC SUPERHERO From Comic Book to Catharsis There’s a historical pattern around the popularity of the superhero—he or she is most needed during dark times in the real world. In Captain America: The First Avenger, when Steve Rogers/Captain America (Chris Evans) visits the US troops to boost morale, it’s more than mere fiction; it’s art imitating life. Sales of comic books actually increased during the Second World War. Service men and women needed such stories of bravery and triumph as an inspiration, to which they could also escape. Comics were portable, easy to share and inexpensive. The Golden Age of Comics began during the Great Depression, and it’s perhaps no coincidence that the game-changing movie for our current generation of superheroes, Christopher Nolan’s The Dark Knight, was released in 2008—the same year that saw the worst global economic crisis since the 1930s. We needed a hero; 2008 also happened to be the year that President Obama was first elected into office. The Dark Knight paved the way for the superhero shows and movies we’re still watching, a decade later. Of course, it wasn’t the first edgy, darker iteration of !1 the comic book superhero—Sam Raimi’s Spider-Man series and Tim Burton’s version of Batman had started to push the boundaries, together with the X-Men franchise, which focuses on the persecution and genocide of minority “mutant” superheroes. But it is Nolan’s Bruce Wayne/Batman (Christian Bale) who crosses that line: he’s not just heroic but deeply flawed.