DOCSLIB.ORG

Live and Local

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Live and Local Live in Studio A p. 4-5 Sights & Sounds of LIVE Richmond p. 7 AND LOCAL Cabrillo Festival 2017 p. 6 Kamau Right Now! p. 7 Summer 2017 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Bay Area Book Festival • Berkeleyside• Berkeley Symphony Orchestra • Burton High School • Cabrillo Festival • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • New America Media • Other Minds • outLoud Radio • Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Shereen Adel, Josiah-Luis Alderete, Dennis Aman, Dan Becker, David Boyer, Susie Britton, Sarah Cahill, Bob Campbell, Lisa Cantrell, Bonnie Chan, Julie Dewitt, Ethan Elkind, Chuck Finney, Richard Friedman, Janos Gereben, Nato Green, Sadie Gribbon, Nicole Grigg, Dawn Gross, Anne Harper, Meradith Hoddinott, Wendy Holcombe, Jeremy Jue, Dianne Keogh, Kendra Klang, Carol Kocivar, Justine Lee, Martin MacClain, JoAnn Mar, Holly J. McDede, Greer McVay, Rhian Miller, Sandy Miranda, Helena Murphy, Emmanuel Nado, Marty Nemko, Erik Neumann, Chris Nooney, Edwin Okong’o, Kevin Oliver, Steve O’Neill, David Onek, Joseph Pace, Colin Peden, Stephanie Porcell, Peter Robinson, Dana Rodriguez, Dean Schmidt, Raja Shah, Lezak Shallat, Steven Short, Kanwalroop Singh, Cari Spivack, Dore Stein, Claire Stremple, Devon Strolovitch, Niels Swinkels, Beatrice Thomas, Peter Thompson, Kevin Vance, Boawen Wang KALW VOLUNTEERS Daniel Aarons, Frank Adam, Bud Alderson, Jody Ames, Jean Amos, Judy Aune, Leon Bayer, Brenda Beebe, Nikki Bengal, Susan Bergman, Laura Bernabei, Christopher Boehm, Karl Bouldin, Robbie Brandwynne, Karen Brehm, Nathan Brennan, Diane Brett, Joshua Brody, Marie Camp, Ceinwen Carney, Jessica Chylik, Linda Clever, Susan Colowick, Peter Conheim, Keith Dabney, Carolyn Deacy, Roger Donaldson, Louis Dorsey, James Coy Driscoll, Laura Drossman, Nanette Duffy, Kai Dwyer, Linda Eby, Eleanor Eliott, Jim & Joy Esser, Peter Fortune, Nina Frankel, Stephen Gildersleeve, Helen Gilliland, Andrei Glase, Dave Gomberg, Jo Gray, Terence Groeper, Paula Groves, Ted Guggenheim, Daniel Gunning, Ian Hardcastle, Barbro Haves, Jeffrey Hayden, Eliza Hersh, Tom Herzfeld, Phil Heymann, Kent Howard, Clara Hsu, Susan Hughes, Judge Eugene Hyman, Didi Iseyama, Jenny Jens, Vicky Julian, Kathleen Kaplan, Brenda Kett, Lou Kipilman, Franzi Latko, Claire LaVaute, Joseph Lepera, Margaret Levitt, Fred Lipschultz, Toni Lozica, Diana Lum, William Maggs, Jennifer Mahoney, Jack Major, Ann Maley, Horace Marks, Tom Mason, John MacDevitt, Robert McCloud, Michael McGinley, Sylvie Merlin, Matt Miller, Susan Miller, Linda Morine, Reba Myall-Martin, John Navas, Brian Neilson, Antonio Nierras, Laura Niespolo,Tim Olson, Alice O’Sullivan, Art Persyko, Dale Pitman, Elise Phillips, Maria Politzer, Caterine Raye-Wong, Ronald Rohde, Marti Roush, John Roybal, Jaimie Sanford, Jean Schnall, Bill Schwalb, Ron Scudder, Marc Seidenfeld, Lezak Shallat, Steve Sherwood, Angelo Sphere, Kevin Stamm, Tim Sullivan, Flora Summers, Bian Tan, Howard Tharsing, Madelon Thompson, Sal Timpano, Rob Trelawney, Kathy Trewin, David Vartanoff, Charlie Wegerle, Harry Weller, Patrick Wheeler, Steve Wilcott OUR LICENSEE, THE SAN FRANCISCO UNIFIED SCHOOL DISTRICT Superintendent: Vincent Matthews • Board of Commissioners: Stevon Cook, Matt Haney, Hydra Mendoza-McDonell, Emily Murase, Rachel Norton, Mark Sanchez, Shamann Walton, Director, Office of Public Outreach and Communications: Gentle Blythe KALW PERSONNEL Matt Martin, General Manager Malihe Razazan, Sr. Producer W. Kamau Bell, Host William Helgeson, Sana Saleem, Producer Max Jacobs, Producer Operations Manager Ben Trefny, News Director Phil Surkis, Producer Phil Hartman, Engineering Jen Chien, Managing Editor Becca Hoekstra, Producer Annette Bistrup, Jeremy Dalmas, Producer Maia Harris, Producer Development Director Ninna Gaensler-Debs, Producer Eric Jansen, Announcer Truc Nguyen, Membership Angela Johnston, Producer Debi Kennedy, Announcer Chris Hambrick, Membership Judy Silber, Producer Damien Minor, Announcer Olga Volodina, Membership Lisa Morehouse, Editor Colin Peden, Announcer Shipra Shukla, Program Andrew Stelzer, Editor Bob Sommer, Announcer Information James Rowlands, News Engineer Kevin Vance, Announcer Ashleyanne Krigbaum, Hana Baba, Host/Reporter Eric Wayne, Announcer Announcer Hannah Kingsley-Ma, Producer Jeanne Marie Acceturo, David Latulippe, Announcer Liza Veale, Producer Announcer JoAnn Mar, Announcer Holly McDede, Reporter Rose Aguilar, Host Eli Wirtschafter, Reporter ABOUT KALW KALW is a pioneer educational station licensed to the San Francisco Unified School District, broadcasting since September 1, 1941 — the oldest FM signal west of the Mississippi. Mailing address: KALW Radio Offices: (415) 841-4121 500 Mansell Street Fax: (415) 841-4125 San Francisco, CA 94134 Studio Line: (415) 841-4134 KALW program guide edited by Matt Martin, David Latulippe and Shipra Shukla, designed by Georgette Petropoulos. © Contents KALW ON THE COVER: Clockwise, from upper left: Yvette Cornelia Holzwarth, performing in KALW’s Studio A (credit: Dore Stein); Ladia Yates, dancer performing at Sights & Sounds of Richmond (credit: Dance Mogul Magazine); W. Kamau Bell and audience (credit: John Orvis); Evelyn Glennie, featured artist at this year’s Cabrillo Festival (credit: Caroline Purday). 2 Manager’s Notes KALW is a creative community en- Healthy Communities. terprise. Publicly-owned and powered We’re also growing our effort to by listeners, we strive to continuously develop journalism behind the walls of develop new programming and new California’s state prisons. San Quentin talents. And we work with a spirit of Radio is going strong, bringing stories enterprise, thriving on partnership and of life inside California’s oldest prison to exchange. the public airwaves. This summer, the We’re now formaliz- station is in high gear, ing our training pro- collaborating with gram at San Quentin diverse partners to and will soon begin expand the range of work with prison- voices and perspec- ers at Solano State tives at KALW and in Prison in Vacaville. public media. KALW’s 2017 SFUSD Interns: Susanna Luo, In 2016, listener KALW’s Audio Kasey Che, Eloisa Herbert, and Allison support made it Academy recently Ajpop-Perez. possible for us to graduated its fourth class. The Audio undertake a significant renovation of our Academy is an intensive, nine-month studios, with a focus on making them training program in audio journalism more welcoming for musical perfor- that is supported by the Association for mance. The result is more live music Continuing Education. Its alumni have than ever in Studio A, bringing artists gone on to work at Snap Judgment, AJ+, from across the community and around The Washington Post – and KALW. the world directly to you. And it means The enthusiasm and diverse per- JoAnn Mar, Kevin Vance, and Peter spectives the Academy fellows bring to Thompson can once again host KALW’s KALW make a huge contribution to the On-Air Folk Festival (see p.4). life of the station – as do our summer We are also very pleased to renew news interns from San Francisco’s public our partnership with the Cabrillo Fes- schools. This summer, we’ve expanded tival of Contemporary Music. One of our cohort of SFUSD interns, and begin- the world’s great music festivals takes ning in the fall, we’ll be going in to class- place just down the road every August, rooms to do focused trainings at Galileo and you’ll be able to hear its complete and Burton High Schools. orchestra concerts on KALW (see p. 6). That training is supported by the Cali- This is only a sampling of the exciting fornia Arts Council, as is an ambitious things happening at KALW right now. new project we’ve embarked on in East In our next program guide, you’ll read Oakland, a part of the Bay Area that has about the award-winning work of our been poorly served by the news media. Spiritual Edge reporting project and the KALW News’ Hey Area project will give reinvention of Inflection Point Lauren people who live in East Oakland the op- Schiller has undertaken in partnership portunity to identify key questions about with PRX. their neighborhood and participate in Stay tuned, and thank you for being the reporting that answers them. part of the community that powers Local To engage East Oakland’s diverse Public Radio. communities, we’re collaborating with Sincerely, partners who have strong roots there: Oakland Voices, the East Oakland Youth Development Center, the Oakland Pub- Matt Martin lic Library, and East Oakland Building [email protected] 3 Live from Studio A Studio A is KALW’s main broad- cast studio. It’s where our announc- ers keep the station on the air, and where our local music hosts do their work. It’s also where most live musical performance at the station hap- pens. For the past 20 years, that meant musicians crowding into Zeb Early & Will Magid on Fog City Blues narrow spaces behind the micro- phones, or our hosts craning their necks to speak with their perform- ing guests. Now, thanks to renovations that have upgraded our equipment and reorganized the space, Studio A is far more welcoming for live musical performance. The result is more live music at KALW than ever. With the advent of our refur- bished studios, we are also reviv- ing a Saturday afternoon tradition: KALW’s On-Air Folk
Load more

Recommended publications
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Peter Gabriel Non Scherzate Con Le Scimmie... Anselmo Patacchini
    Peter Gabriel Non scherzate con le scimmie... Anselmo Patacchini Peter preferisce plasmare lentamente le proprie creazioni, magari coinvolgendo alcuni amici di vecchia data (Collins, Rutherford e il redivivo Phillips) per ricreare un ambiente familiare nel quale provare la bontà del nuovo materiale e registrare demo casalinghi. Ospite fisso di queste prove è anche il poeta inglese Martin Hall. Ora, Gabriel tenta di mettere in piedi una coppia creativa, alla maniera di Elton John e Bernie Taupin, con una rigida suddivisione dei ruoli fra gli autori della musica e delle parole. All’inizio la joint-venture sembra funzionare, con più di venti canzoni composte dal duo. Una di queste, You Never Know, interpretata da Charlie Drake e pubblicata su singolo nel 1975, appartiene alla stessa vena ludica di Willow Farm, tanto più che la stridula voce dell’anziano comico inglese è sorprendentemente simile a quella del Gabriel più caricato e teatrale. Il disco passa inosservato nonostante la presenza di un certo Robert Fripp alla chitarra e di Keith “... Inganna la volpe, tradisci il topo, puoi Il celebre New Musical Express nel Tippet alle tastiere. luglio 1975 cominciò a diffondere Passa un anno, e mentre i Genesis scimmiottare la scimmia...” sospetti sul distacco del frontman spopolano con il rassicurante dei Genesis, prontamente rintuzzati progressive di A Trick Of The Tail, Peter Gabriel dalla casa discografica Charisma fino l’unico segnale di vita proveniente all’agosto dello stesso anno, quando dal pianeta-Gabriel è la tremolante Shock The Monkey i componenti del gruppo rivelarono rivisitazione di un classico, l’avvenuta fuoriuscita. Decisione Strawberry Fields Forever dei confermata dallo stesso Gabriel in Beatles, gonfiata di archi fino una lunga lettera inviata alla stampa, all’inverosimile ed edita dove il cantante descrive le ragioni sull’antologia All This And World dell’abbandono, con l’ormai War II nel 1976.
    [Show full text]
  • Download Europe Full Album the Final Countdown (Expanded Edition) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
    download europe full album The Final Countdown (Expanded Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £10.49. One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection. This is the story; this is the legend told by Teutonic guitars and predictable keyboards ringing pure and hurtling through each and every convention perfectly. The quintet's big-boy Epic inaugural, The Final Countdown deftly combines the Valhalla victory of Europe's heroic debut with the American poodle pomposity that devoured the band. You could live without The Final Countdown, but why? © Doug Stone /TiVo. Europe (2) Hair / Glam Metal (Heavy Metal) band from Upplands Väsby, Stockholm, (Sweden). Europe formed in 1979. The band rose to international fame in the 1980s with its third album, 1986's The Final Countdown, which sold over three million copies in the United States.
    [Show full text]
  • Peter Gabriel Plays Live Vol. 2 Mp3, Flac, Wma
    Peter Gabriel Plays Live Vol. 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Plays Live Vol. 2 Country: France Released: 1985 Style: Art Rock, Prog Rock MP3 version RAR size: 1910 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1426 mb Rating: 4.7 Votes: 523 Other Formats: MP1 AIFF APE MMF MIDI WAV MOD Tracklist A1 San Jacinto A2 Solsbury Hill A3 No Self Control A4 I Don't Remember B1 Shock The Monkey B2 Humdrum B3 On The Air B4 Biko Companies, etc. Distributed By – Virgin France S.A. Credits Chapman Stick, Bass, Backing Vocals, Photography By [Inner Bag] – Tony Levin Drums, Percussion, Backing Vocals – Jerry Marotta Engineer [Live Recording] – Neil Kernon Engineer, Producer – Peter Walsh Guitar, Backing Vocals – David Rhodes Mastered By – Peter Wolliscroft* Photography By [Front Cover, Inner Bag] – Armando Gallo Photography By [The Back, Inner Bag] – Margaret Maxwell Producer, Synthesizer, Piano – Peter Gabriel Synthesizer, Piano – Larry Fast Notes Recorded by Le Mobile on Autumn 1982 Tour of the United States and Canada. Fix 'n' Mix at Shabbey Road Studios, Bath, Spring 1983. Mastered at the Townhouse, London and Artisan Sound Recorders, Los Angeles. Other versions Category Artist Title (Format) Label Category Country Year Plays Live (2xLP, PGDL 1 Peter Gabriel Charisma PGDL 1 UK 1983 Album) Plays Live - 5310501292 Peter Gabriel Highlights (CD, Real World 5310501292 Australia 2011 Album, RE, RM) 812 445-1, 812 Charisma, 812 445-1, 812 Plays Live (2xLP, 446 - 1, 812 447 Peter Gabriel Charisma, 446 - 1, 812 447 Spain 1983 Album) - 1 Charisma - 1 Plays Live (Cass, Geffen 2G5 4012 Peter Gabriel 2G5 4012 US 1983 Album, Dol) Records Peter Gabriel = ピー Peter Gabriel = ター・ガブリエル* - Plays Charisma, VJCP-3011~2 VJCP-3011~2 Japan 1990 ピーター・ガブリエル* Live = プレイズ・ライブ Virgin Japan (2xCD, Album, RE) Related Music albums to Plays Live Vol.
    [Show full text]
  • The Cd Central Staff
    CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place.
    [Show full text]
  • Peter Gabriel Plays Live Mp3, Flac, Wma
    Peter Gabriel Plays Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Plays Live Country: US Released: 1983 MP3 version RAR size: 1938 mb FLAC version RAR size: 1777 mb WMA version RAR size: 1564 mb Rating: 4.7 Votes: 574 Other Formats: VQF TTA MP4 APE ASF AA MPC Tracklist A1 The Rhythm Of The Heat 6:23 A2 I Have The Touch 4:37 A3 Not One Of Us 5:00 A4 Family Snapshot 4:00 B1 D.I.Y. 3:59 B2 The Family And The Fishing Net 7:14 B3 Intruder 4:34 B4 I Go Swimming 4:29 C1 San Jacinto 8:15 C2 Solsbury Hill 4:31 C3 No Self Control 5:03 C4 I Don't Remember 4:03 D1 Shock The Monkey 7:10 D2 Humdrum 3:54 D3 On The Air 5:14 D4 Biko 6:30 Companies, etc. Record Company – Fonogram, S.A. Phonographic Copyright (p) – Charisma Records Ltd. Distributed By – Fonogram, S.A. Pressed By – COFASA Printed By – Gráficas Foco, S.A. Mixed At – Shabbey Road Studios Mastered At – The Town House Mastered At – Artisan Sound Recorders Credits Chapman Stick [Stick], Bass, Backing Vocals – Tony Levin Drums, Percussion, Backing Vocals – Jerry Marotta Engineer – Peter Walsh Engineer [Live Recording] – Neil Kernon Guitar, Backing Vocals – David Rhodes Mastered By – Peter Wolliscroft* Photography By [Back Cover] – Margaret Maxwell Photography By [Front Cover] – Armando Gallo Photography By [Inner Bag] – Armando Gallo, Margaret Maxwell, Tony Levin Producer – Peter Gabriel, Peter Walsh Synthesizer, Piano – Larry Fast (Synergy)* Synthesizer, Piano, Written-By – Peter Gabriel Notes First catalog number on back cover and spine, second on inner bag 1 and LP1 labels, and third one on inner bag 2 and LP2 labels.
    [Show full text]
  • Molding a Contemporary Soul: the Empty-Full of Lygia Clark Suely Rolnik
    1 Molding a Contemporary Soul: The Empty-Full of Lygia Clark Suely Rolnik “Literature (cf. art) thus appears as an undertaking of health: not that the writer (cf. the artist) necessarily has a strong constitution (…), but he enjoys a fragile irresistible health, which comes from the fact of having seen and heard things that are too big for him, too strong, unbreathable, whose passing exhausts him, but nevertheless permits him becomings that fat, dominating health would make impossible. (…) What kind of health would be enough to free life wherever it is imprisoned by man and in man?” Gilles Deleuze1 Lygia Clark is the name of an existence convulsed by the eruption of an idea that gradually took shape throughout the totality of a unique oeuvre. Being elaborated step by step from the 1950s to the 1980s, this idea situated itself on the horizon of one of the most insistent issues facing modern art–that of reconnecting art and life–as an original answer with the power to carry this project toward its very limit. This is probably why Brazilian and international culture of that time did not assimilate the artist’s work, not even half of it, especially during the period beginning with Caminhando (Walking, 1963). Some eleven years after her death this assimilation is only starting to take shape. From this seminal work emerged a path in which the idea that propelled Clark presented itself in all its radicality and took on a vitality that would remain indefatigable until her final work, Estruturação do self, (Structuring the Self) produced through her Objetos Relacionais (Relational Objects, 1976-88).
    [Show full text]
  • B a R R E J A
    PRESENT B a r r e j a Artwork Performer: Boris Ribas Artistic Direction: Tortell Poltrona Production: Circo Los Duration: 45 minuts Music: Aquarela do Brasil, Com Que Roupa de Noel Rosa, Rumba de Víctor Amman, Tem Gato na Tuba de Joao de Barro, Cannon del Cangrejo, J.S. Bach, O Ovo de Hermeto Pascoal i Sing and laugh with us de Henry Purcell. SyNOPSIS Barreja is a fun show, a fusion of multidisciplinary art. Aimed at children, youth and family audiences. From the hand of the artist BORIS RIBAS we will travel to a world where balances, acrobatics, magic, visual poetry, a refined sense of humor and music with a strong Brazilian accent will float Short description Barreja is a solo show of circus and music, the artist plays live instruments and shows different circus techniques. It begins with an arrangement of "Aquarela do Brasil" with Gralla, percussion and kisses, assisted by a Loop pedal. He makes with Guitarra i voice a Samba de Noel Rosa of 1930 and a Rumba of the Austrian composer Víctor Amman. Then presents the Tuba audience, will make a classic of the Brazilian Carnival "Tem Gato na Tuba" sung in Portuguese while teaching the audience to make an Origami cat (papiroflexia), while illustrating the cultural mix of Brazil. He mixes the baroque music of J. Bach with the Berimbau, an instrument of Brazil, with acrobatics and balances of Capoeira. We will follow with a known music a music like the "Canon of the Crab" that is a palindrome, as much can be touched of the right, as of the reverse, as of the right and the reverse at the same time.
    [Show full text]
  • N E W S L E T T E R Vol
    Harvard University Department of M usic MUSICn e w s l e t t e r Vol. 8, No. 1/Winter 2008 Revuluri on Empire and Modern Musical Thought Music Building North Yard in fin de siècle France Harvard University Cambridge, MA 02138 617-495-2791 www.music.fas.harvard.edu INSIDE INSIDE3 Faculty News 3 Ethiopian Conference in 2 April: Cultural Creativity 3 4 Graduate Student News 4 Photo: Library of Congress Professor Sindhu Revuluri joined the Harvard 5 Library News played out in music after the international influx faculty in 2007. She received her PhD in musi- 6 Ambrosiana at Harvard forefronted by World’s Fairs. cology from Princeton University, where she also Revuluri began studying 19th-century 7 Lachenmann Named taught for one year. Her research interests include World’s Fairs, particularly the 1889 and 1900 Fromm Professor exoticism and modernism in fin-de-siècle France, Expositions Universelles in Paris, as a way to contemporary Indian music and film, trends in 7 Bach Mozart to be released begin looking at how people heard musics from global pop music, and post-colonial approaches in April 2008 other places, and what they understood them to to music history. She is currently working on a be. The 1889 fair was the first where actual -mu 8 Save the date: Crosscurrents book about the relationship between empire and sicians--African, Middle Eastern, and southeast Conference, Oct. 2008 modernist musical thought in France. Asian—were brought to France to perform. “They 8 Alumnae News Four years ago Sindhu Revuluri was conducting built housing structures, based on the style of 9 Mekonnen’s African Roots research in France when a highly charged debate homes in Asia, or the Middle East, for example, 9 Inside Beethoven erupted about whether or not young Muslim girls and imported people to live in them for the six 10 Kraft’s Film Music 101 should be allowed to wear veils in school.
    [Show full text]
  • November 1996
    "Hey, man, did you hear that Lars' second bass drum got ripped off on the way to the studio, so he just decided to bag the whole blazin' thing?" "Yeah, and the new album, Load, is like this massive groove thing!" "Awesome! But what's up with the hair?" by Matt Peiken 38 Tribal Tech was already the hottest con- Amazingly,Rage Against The Machine's long-await- temporary fusion band on the scene, but a ed second album, Evil Empire, is even heavier than new jamming-based aesthetic is taking the band's self-titled barnstormer. Despite the heavy- these sonic explorers into even farther ness, though, Brad Wilk says he's managed to infuse galaxies. And you thought Kirk Covington more delicacy into the thunder. was throwing some stuff at you before! by Ken Micallef by Bill Milkowski 76 58 photo by Jay Blakesberg Volume 2O, Number 11 Cover photo by Mark Leialoha / Terri Berg Photographic education equipment 88 IN THE STUDIO 24 NEW AND NOTABLE The Reinvention Of Neil Peart by William F. Miller 28 PRODUCT CLOSE-UP Bison Snare Drum 100 HEAD TALK by Rick Mattingly Head Games: A "Good Time" Had By All 29 Vic Firth Accessories by Luther Rix by Rick Mattingly 112 ROCK 'N' JAZZ CLINIC 33 Engineered Percussion A New Look At An Old Idea Axis X Bass Drum And Hi-Hat Pedals by David Garibaldi by Chap Ostrander 114 ROCK PERSPECTIVES Stewart Copeland: news Style & Analysis, Part 1 12 UPDATE by John Xepoleas Jason Cooper of the Cure, Goldfinger's Darrin Pfeiffer, Bernie Dresel 116 STRICTLY TECHNIQUE of the Brian Setzer Orchestra, and Al Webster, plus News Groupings,
    [Show full text]
  • Jazzlike Riffs
    Ken Thomson www.ktonline.net “The hardest-working saxophonist in new-music show business.” - Time Out NY “Mr. Thomson's compositions are intricately wrought and incident- steeped, even when they move in snowlike drifts. The gutsy precision of the playing calls for hearing this music in a performance setting.” - Nate Chinen, The New York Times, on It Would Be Easier If CD Naomi White 2013 “a virtuoso piece… a texture laced with power chords, screaming clarinet lines and cluster-laden piano writing. In the end it is sheer madness, in a good, thrillingly visceral way.” - Allan Kozinn, The New York Times, on “seasonal.disorder” for Bang on a Can All-Stars “Thomson's ‘Wait Your Turn’ is as visceral as music can be: While some composers struggle to give an orchestra rhythmic life, Thomson gave the orchestra jazzlike riffs. He also knows how to create tension with escalating chromatic lines, or to give himself and his punk/jazz group, named Gutbucket, a forum for its own showcase moments.” - David Patrick Stearns, Philadelphia Inquirer, on “Wait Your Turn” “Thomson’s original compositions are as complex as a beehive, filled with amber-hued nooks and crannies that bear traces of jazz, world music, and classical, without succumbing to any of them.” - Silke Tudor, San Francisco Weekly “a delightful affirmation that counterpoint is still very much with us and can still be powerfully relevant to musical expression.” - Stephen Smoliar, San Francisco Examiner, on “Deafening Irrelevance” "...an impressive amalgam of influences, ideas and inventiveness.... exciting and at times mesmerizing." - Bruce Lindsay, All About Jazz on It Would Be Easier If CD “Thomsonʼs intuition and compositional prowess comes to the fore—his uncanny sense of musical architecture, pacing, and interestingly, portion size.
    [Show full text]
  • Creep No More D) and Live Field Jazz Thurxlqy
    S 231 SW F^AN 248 flnk8ny4579 Wtdntidov. Ha.. 21 Creep No More D) and Live field Jazz ThurxlQY. Mgr. II WITH ITS NEW RECORD, Dan Zanes Headland THE BENDS, RADIOHEAD Friday. Mar. 23 GUARANTEES THAT IT Strangers & Quests Saturday. Mar. 24 WONT BE A ONE-HIT Jack Mormons with Jerry Joseph WONDER MUCH LONGER Sunday. Mgr. i? Players Ball By Tim Case beer 70's Funk DJ Tuesday. Mar. 27 Leroy Vinnegar Quartet on't make the mistake of overlook- ing Radiohead's latest offering. The Bends, just because none of its cuts have exploded onto radio and MTV Dwith the ferocity of "Creep." That single, from the band's 1993 debut. Pablo Honey, was a charming bit of self-loathing, but rather lonely MITCH for company on a so-so album. The Bends is ten times the record, an exhilarating blast of WOODS noise and melody from start to finish. The band's versatility is staggering, encompassing everything from noisy rage-guitar chaos to am- bient soundscapes and poignant acoustic guitar strummings. Throughout, singer Thorn Yorke takes musical and emotional chances galore. "You can force it but it will not come/You can taste it but it will not form/You can crush it but it's always here/You can crush it but it's al- ways near/Chasing you home/Saying every- thing is broken," he wails, in the album-open- ing rocker "Planet Telex." More alienated role- playing, you say? Yes. but the ferocity of the band and Yorke's melodic derring-do put to rest all questions of sincerity.
    [Show full text]