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**MEDIA ADVISORY: Tuesday, June 26, 2012** Cineplex Entertainment Announces July Front Row Centre Events
**MEDIA ADVISORY: Tuesday, June 26, 2012** Cineplex Entertainment announces July Front Row Centre Events Each month, Cineplex Entertainment brings great entertainment to theatres across Canada. With Front Row Centre Events, guests can watch the Met Opera, stage productions, movies and more – all on the big screen. Don’t miss this July’s exciting events: IN THE SPOTLIGHT THIS MONTH: Stage and Theatre Peter Gabriel Secret World Live – One Night Only When: Wednesday, July 11, 2012 – 7:30 p.m. local time One Night Only! Front Row Centre Events and Eagle Rock Entertainment present Peter Gabriel's Grammy Award winning film, Secret World Live. Now newly restored and remastered, from the original film, to be seen and heard in the best possible quality for the first time in HD, on the big screen. Filmed in Modena, Italy across two nights in November 1993 as part of Peter Gabriel's acclaimed Secret World Live tour in support of the Us album, the show is elaborately presented and choreographed with two stages joined by a narrow pier. The Secret World concept was created by Peter Gabriel and Robert Lepage and the concert was directed by François Girard. Performance includes: Come Talk To Me, Steam, Across The River, Slow Marimbas, Shaking The Tree, Blood Of Eden, San Jacinto, Kiss That Frog, Washing Of The Water, Solsbury Hill, Digging In The Dirt, Sledgehammer, Secret World, Don’t Give Up, In Your Eyes, and The Feeling Begins. Andre Rieu’s 2012 Hometown Concert When: Wednesday, July 25, 2012 – 7:00 p.m. local time Saturday, July 28, 2012 – 12:45 p.m. -
Peter Gabriel's Secret World - 4 Worlds Limited Edition Mp3, Flac, Wma
Peter Gabriel Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition Country: UK & Europe Released: 1994 Style: Pop Rock, Synth-pop MP3 version RAR size: 1565 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1958 mb Rating: 4.4 Votes: 716 Other Formats: TTA VOX MP3 VQF ADX MPC APE Tracklist Hide Credits Secret World Live (CD) CD1-1 Come Talk To Me 6:13 CD1-2 Steam 7:45 Across The River CD1-3 6:00 Written-By – David Rhodes, Shankar, Stewart Copeland CD1-4 Slow Marimbas 1:41 Shaking The Tree CD1-5 9:18 Written-By – Youssou N'Dour CD1-6 Red Rain 6:15 CD1-7 Blood Of Eden 6:58 CD1-8 Kiss That Frog 5:58 CD1-9 Washing Of The Water 4:07 CD1-10 Solsbury Hill 4:42 CD2-1 Digging In The Dirt 7:36 CD2-2 Sledgehammer 4:58 CD2-3 Secret World 9:10 CD2-4 Don't Give Up 7:35 CD2-5 In Your Eyes 11:32 Secret World Live (VHS) VHS1 Come Talk To Me VHS2 Steam Across The River VHS3 Written-By – David Rhodes, Shankar, Stewart Copeland VHS4 Slow Marimbas Shaking The Tree VHS5 Written-By – Youssou N'Dour VHS6 Blood Of Eden VHS7 San Jacinto VHS8 Kiss That Frog VHS9 Washing Of The Water VHS10 Solsbury Hill VHS11 Digging In The Dirt VHS12 Sledgehammer VHS13 Secret World VHS14 Don't Give Up VHS15 In Your Eyes Companies, etc. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Ready to Shout About 'Murmurations'
ISSUE 22 / MARCH 2013 / FREE FESTIVAL LINEUP S HOTTING FOALS F UP: OR READIN @omsmagazine THE HOR G, RORS FOR TRUCK THE EPSTEIN READY TO SHOUT ABOUT ‘MURMURATIONS’ INSIDE: BBC INTRO – RECORD COLLECTION, STORNOWAY AND FOALS NEW ALBUMS, GENERAL ROOTS NEWS SJM Concerts by arrangement with X-ray & Cruisin Music presents news ‘A GENUINE AURA OF DANGER AND COOL’ Better get your tent looked out – the first acts for this year’s festivals have been announced and Nightshift magazine’s The Punt, the it’s looking like another great year for the local music lover. Truck’s eco, family friendly, folky, unmissable, yearly, multi-venue offshoot Wood Festival returns to Braziers Park in South Oxfordshire over the weekend of showcase for new Oxford bands 17–19 May. In addition to the usual extensive programme of workshops and outdoor activities, returns on Wednesday 8 May. Mary Epworth headlines on Friday, while Danny & the Champions of the World, Flights of Venues for this year are Purple Helios, Trevor Moss and Hannah Lou and Dreaming Spires will also be appearing. Tickets from Turtle, The Cellar, The Wheatsheaf, www.woodfestival.com or in person from Truck Store. The Dukes Cut and the newly FEEL IT LIVE Wychwood is at Cheltenham Racecourse on 31 May–2 June this year. It’s the usual mix of opened White Rabbit. The night current and classic favourites – The Beat are to headline Friday, Kate Nash and the Human is the best way to keep up with plus guests League on Saturday and Ukulele Orchestra for Sunday… so far. -
Nietzsche and Amor Fati
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Essex Research Repository 1 [DRAFT: THIS VERSION MAY DIFFER IN MINOR WAYS FROM THE PUBLISHED VERSION (FORTHCOMING IN THE EUROPEAN JOURNAL OF PHILOSOPHY), IN WHICH CASE THE LATTER SHOULD BE CONSIDERED AS AUTHORITATIVE] Nietzsche and Amor Fati Béatrice Han-Pile To the Memory of Mark Sacks Abstract: This paper identifies two central paradoxes threatening the notion of amor fati [love of fate]: it requires us to love a potentially repellent object (as fate entails significant negativity for us) and this, in the knowledge that our love will not modify our fate. Thus such love may seem impossible or pointless. I analyse the distinction between two different sorts of love (eros and agape) and the type of valuation they involve (in the first case, the object is loved because we value it; in the second, we value the object because we love it). I use this as a lens to interpret Nietzsche’s cryptic pronouncements on amor fati and show that while an erotic reading is, up to a point, plausible, an agapic interpretation is preferable both for its own sake and because it allows for a resolution of the paradoxes initially identified. In doing so, I clarify the relation of amor fati to the eternal return on the one hand, and to Nietzsche’s autobiographical remarks about suffering on the other. Finally, I examine a set of objections pertaining both to the sustainability and limits of amor fati, and to its status as an ideal. There is no doubt that Nietzsche considered the theme of amor fati [love of fate] of essential importance: he referred to it in his later work as his ‘formula for greatness in a human being’ (EH: 258), ‘the highest state a philosopher can attain’ (WP 1041), or again his ‘inmost nature’ (EH: 325). -
Movie Store Collections- Includes Factory Download Service
Kaleidescape Movie Store Collections- Includes Factory Download Service. *Content Availability Subject to Change. Collection of 4K Ultra HD & 4K HDR Films Academy Award Winners- Best Picture Collection of Family Films Collection of Concerts Collection of Best Content from BBC Our Price $1,250* Our Price $1,450* Our Price $2,450* Our Price $625* Our Price $650* MSCOLL-UHD MSCOLL-BPW MSCOLL-FAM MSCOLL-CON MSCOLL-BBC 2001: A Space Odyssey 12 Years a Slave Abominable Adele: Live at the Royal Albert Hall Blue Planet II A Star Is Born A Beautiful Mind Aladdin Alicia Keys: VH1 Storytellers Doctor Who (Season 8) Alien A Man for All Seasons Alice in Wonderland Billy Joel: Live at Shea Stadium Doctor Who (Season 9) Apocalypse Now: Final Cut All About Eve April and the Extraordinary World Celine Dion: Taking Chances World Tour - The Concert Doctor Who (Season 10) Avengers: Endgame All Quiet on the Western Front Babe Eagles: Farewell 1 Tour — Live from Melbourne Doctor Who (Season 11) Avengers: Infinity War All the King's Men Back to the Future Elton John: The Million Dollar Piano Doctor Who Special 2012: The Snowmen Baby Driver Amadeus Back to the Future Part II Eric Clapton: Slowhand at 70 - Live at the Royal Albert Hall Doctor Who Special 2013: The Day of the Doctor Blade Runner 2049 American Beauty Back to the Future Part III Genesis: Three Sides Live Doctor Who Special 2013: The Time of the Doctor Blade Runner: The Final Cut An American in Paris Beauty and the Beast Hans Zimmer: Live in Prague Doctor Who Special 2014: Last Christmas Blue Planet II Annie Hall Cars INXS: Live Baby Live Doctor Who Special 2015: The Husbands of River Song Bohemian Rhapsody Argo Cars 2 Jackie Evancho: Dream with Me in Concert Doctor Who Special 2016: The Return of Doctor Mysterio Chinatown Around the World in 80 Days Cars 3 Jeff Beck: Performing This Week.. -
Cemetery Without Cro
VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO 1 ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO CEMETERY WITHOUT CROSSES (aka UNE CORDE UN COLT… / CIMITERO SENZA CROCI) MICHÈLE MERCIER ... Maria Caine Directed by ROBERT HOSSEIN ROBERT HOSSEINARROW ... Manuel Produced by JEAN-PIERRE LABATUT GUIDO LOLLOBRIGIDA (credited as LEE BURTON) ... Thomas Caine WrittenVIDEO by ROBERT HOSSEIN and CLAUDE DESAILLY DANIEL VARGAS ... Will Rogers (and DARIO ARGENTO [Italian version only]) VIDEO SERGE MARQUAND ... Larry Rogers Director of Photography HENRI PERSIN PIERRE HATET ... Frank Rogers Edited by MARIE-SOPHIE DUBUS PHILIPPE BARONNET ... Bud Rogers Music by ANDRÉ HOSSEIN PIERRE COLLET ... Sheriff Ben ARROW IVANO STACCIOLI ... Vallee ‘The RopeVIDEO and the Colt’ BÉATRICE ALTARIBA ... Saloon woman Music by ANDRÉ HOSSEIN VIDEOMICHEL LEMOINE ... Eli Caine Lyrics by HAL SHAPER ANNE-MARIE BALIN ... Johanna Sung by SCOTT WALKER ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO 2 3 ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW WESTERN WITHOUT AMERICANS (2015) VIDEO 4 THE MOVIEGOING SCOTT WALKER (2015) CONTENTS by Ginette Vincendeau ARROW CREDITS ABOUT THE RESTORATION VIDEO 2 by Rob Young 6 18 VIDEO 22 5 VIDEO VIDEO ARROW VIDEO Scott Walker: ‘The Rope and the Colt’ however was written, like the rest of the film’s WESTERN WITHOUT AMERICANS (2015) music, by Hossein’s father, the composer André Hossein. -
Pulp We Love Life Mp3, Flac, Wma
Pulp We Love Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: We Love Life Country: Mexico Released: 2001 Style: Pop Rock, Synth-pop, Indie Rock MP3 version RAR size: 1810 mb FLAC version RAR size: 1167 mb WMA version RAR size: 1623 mb Rating: 4.9 Votes: 918 Other Formats: XM AHX WMA APE AAC VOX DMF Tracklist Hide Credits Weeds 1 Lap Steel Guitar – Richard HawleyPercussion – Alasdair MalloyProgrammed By – Steve 3:41 Hilton* Weeds II (The Origin Of The Species) 2 4:00 Keyboards – Jeremy ShawPercussion – Luis JardimProgrammed By – Howie B. The Night That Minnie Timperley Died 3 4:41 Percussion – Danny Cummings The Trees 4 4:50 Keyboards [Additional], Effects [Tree Effects] – Scott Walker Wickerman 5 Arranged By [Strings] – Scott WalkerGlass Harmonica – Alasdair MalloyProgrammed By – 8:19 Steve Hilton* I Love Life 6 5:32 Arranged By [Ten Double Basses], Guitar [Baritone] – Scott Walker The Birds In Your Garden 7 Effects [Virtual Birdsong] – Timos PapadopoulosFlute, Ocarina – Andy Findon*Saw – 4:12 Caspar Cronk Bob Lind (The Only Way Is Down) 8 Arranged By [Ten Double Basses] – Brian Gascoigne, Scott WalkerTwelve-String Guitar – 4:15 Richard Hawley Bad Cover Version 9 Arranged By [Strings] – Scott WalkerBacking Vocals – Beverley Skeete, Claudia Fontaine, 4:19 Sylvia James*Percussion – Julian Poole Roadkill 10 4:15 Cello [Five String Electric] – Philip Sheppard Sunrise Arranged By [Choir] – Brian GascoigneEngineer [Choir, Additional] – Matt 11 5:52 LawrenceEngineer [Choir] – Clive Goddard, Peter WalshLap Steel Guitar – Richard HawleyPercussion – Julian PooleWritten-By – Mansell* Companies, etc. Phonographic Copyright (p) – Universal Island Records Ltd. Copyright (c) – Universal Island Records Ltd. -
University of California, San Diego
UC San Diego UC San Diego Electronic Theses and Dissertations Title Ventanas : windows to new cultures in Spanish Class Permalink https://escholarship.org/uc/item/0rz7p546 Author Collins, Karina Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Ventanas: Windows to New Cultures in Spanish Class A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Teaching and Learning (Curriculum Design) by Karina Collins Committee in charge: Luz Chung, Chair Alison Wishard Guerra Marcia Sewall 2009 Copyright Karina Collins, 2009 All rights reserved. The thesis of Karina Collins is approved and it is acceptable in quality and form for publication on microfilm and electronically: ___________________________________________ ___________________________________________ ____________________________________________ Chair University of California, San Diego 2009 iii DEDICATION This work is dedicated to my husband, Michael. iv TABLE OF CONTENTS Signature Page……………………………………………………………………………iii Dedication…………………………………...……………………………………………iv Table of Contents…………………………………………………………………………v List of Figures…………………………………………………………………………….vi List of Tables……………………...……………………………………………………..vii Acknowledgements…………..…………………………………………………………viii Abstract…………………..………………………………………………………….….ix-x Chapter I. Introduction………………………………………………………...…………..1 Chapter II. Needs Assessment…………………………………………………...………..5 Chapter III. -
Peter Gabriel Non Scherzate Con Le Scimmie... Anselmo Patacchini
Peter Gabriel Non scherzate con le scimmie... Anselmo Patacchini Peter preferisce plasmare lentamente le proprie creazioni, magari coinvolgendo alcuni amici di vecchia data (Collins, Rutherford e il redivivo Phillips) per ricreare un ambiente familiare nel quale provare la bontà del nuovo materiale e registrare demo casalinghi. Ospite fisso di queste prove è anche il poeta inglese Martin Hall. Ora, Gabriel tenta di mettere in piedi una coppia creativa, alla maniera di Elton John e Bernie Taupin, con una rigida suddivisione dei ruoli fra gli autori della musica e delle parole. All’inizio la joint-venture sembra funzionare, con più di venti canzoni composte dal duo. Una di queste, You Never Know, interpretata da Charlie Drake e pubblicata su singolo nel 1975, appartiene alla stessa vena ludica di Willow Farm, tanto più che la stridula voce dell’anziano comico inglese è sorprendentemente simile a quella del Gabriel più caricato e teatrale. Il disco passa inosservato nonostante la presenza di un certo Robert Fripp alla chitarra e di Keith “... Inganna la volpe, tradisci il topo, puoi Il celebre New Musical Express nel Tippet alle tastiere. luglio 1975 cominciò a diffondere Passa un anno, e mentre i Genesis scimmiottare la scimmia...” sospetti sul distacco del frontman spopolano con il rassicurante dei Genesis, prontamente rintuzzati progressive di A Trick Of The Tail, Peter Gabriel dalla casa discografica Charisma fino l’unico segnale di vita proveniente all’agosto dello stesso anno, quando dal pianeta-Gabriel è la tremolante Shock The Monkey i componenti del gruppo rivelarono rivisitazione di un classico, l’avvenuta fuoriuscita. Decisione Strawberry Fields Forever dei confermata dallo stesso Gabriel in Beatles, gonfiata di archi fino una lunga lettera inviata alla stampa, all’inverosimile ed edita dove il cantante descrive le ragioni sull’antologia All This And World dell’abbandono, con l’ormai War II nel 1976. -
Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1. -
Download Europe Full Album the Final Countdown (Expanded Edition) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
download europe full album The Final Countdown (Expanded Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £10.49. One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection. This is the story; this is the legend told by Teutonic guitars and predictable keyboards ringing pure and hurtling through each and every convention perfectly. The quintet's big-boy Epic inaugural, The Final Countdown deftly combines the Valhalla victory of Europe's heroic debut with the American poodle pomposity that devoured the band. You could live without The Final Countdown, but why? © Doug Stone /TiVo. Europe (2) Hair / Glam Metal (Heavy Metal) band from Upplands Väsby, Stockholm, (Sweden). Europe formed in 1979. The band rose to international fame in the 1980s with its third album, 1986's The Final Countdown, which sold over three million copies in the United States.