Pulp We Love Life Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Pulp We Love Life Mp3, Flac, Wma Pulp We Love Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: We Love Life Country: Mexico Released: 2001 Style: Pop Rock, Synth-pop, Indie Rock MP3 version RAR size: 1810 mb FLAC version RAR size: 1167 mb WMA version RAR size: 1623 mb Rating: 4.9 Votes: 918 Other Formats: XM AHX WMA APE AAC VOX DMF Tracklist Hide Credits Weeds 1 Lap Steel Guitar – Richard HawleyPercussion – Alasdair MalloyProgrammed By – Steve 3:41 Hilton* Weeds II (The Origin Of The Species) 2 4:00 Keyboards – Jeremy ShawPercussion – Luis JardimProgrammed By – Howie B. The Night That Minnie Timperley Died 3 4:41 Percussion – Danny Cummings The Trees 4 4:50 Keyboards [Additional], Effects [Tree Effects] – Scott Walker Wickerman 5 Arranged By [Strings] – Scott WalkerGlass Harmonica – Alasdair MalloyProgrammed By – 8:19 Steve Hilton* I Love Life 6 5:32 Arranged By [Ten Double Basses], Guitar [Baritone] – Scott Walker The Birds In Your Garden 7 Effects [Virtual Birdsong] – Timos PapadopoulosFlute, Ocarina – Andy Findon*Saw – 4:12 Caspar Cronk Bob Lind (The Only Way Is Down) 8 Arranged By [Ten Double Basses] – Brian Gascoigne, Scott WalkerTwelve-String Guitar – 4:15 Richard Hawley Bad Cover Version 9 Arranged By [Strings] – Scott WalkerBacking Vocals – Beverley Skeete, Claudia Fontaine, 4:19 Sylvia James*Percussion – Julian Poole Roadkill 10 4:15 Cello [Five String Electric] – Philip Sheppard Sunrise Arranged By [Choir] – Brian GascoigneEngineer [Choir, Additional] – Matt 11 5:52 LawrenceEngineer [Choir] – Clive Goddard, Peter WalshLap Steel Guitar – Richard HawleyPercussion – Julian PooleWritten-By – Mansell* Companies, etc. Phonographic Copyright (p) – Universal Island Records Ltd. Copyright (c) – Universal Island Records Ltd. Recorded At – Metropolis Studios Mixed At – Metropolis Studios Mastered At – Abbey Road Studios Recorded At – Air Lyndhurst Hall Recorded At – Angel Studios Credits Arranged By [Strings] – Brian Gascoigne (tracks: 1, 5, 9), Candida Doyle (tracks: 1, 5, 9) Arranged By [Swingle Singers], Conductor [Swingle Singers] – Joanna Forbes Art Direction – Peter Saville Artwork [Cartoon I Love Life] – John Glashan Backing Vocals – The Swingle Singers* (tracks: 1, 2, 5) Choir – Metro Voices Co-producer, Engineer, Mixed By – Peter Walsh Coordinator [Choir] – Jenny O'Grady Design – Howard Wakefield, Marcus Werner Hed Engineer [Assistant] – Matt Lawrence Illustration [The Birds In Your Garden] – Clip Art Illustration [Weeds Ii & The Trees] – Rory Crichton Leader [Strings] – Gavyn Wright Mastered By – Chris Blair Photography By [Bad Cover Version] – Tony Webber Photography By [Bob Lind] – George Parfitt Photography By [Roadkill], Art Direction – Jarvis Cocker Photography By [Sunrise] – Sarah Parris Photography By [The Night That Minnie Timperley Died] – Mat Collishaw Photography By [Weeds] – Peter Doig Photography By [Wickerman] – Tom Miller Producer, Mixed By – Scott Walker Recorded By [Choir] – Steve Price Recorded By [Strings] – Geoff Foster Written-By – Doyle* (tracks: 1 to 10), Cocker* (tracks: 1 to 10), Webber* (tracks: 1 to 10), Banks* (tracks: 1 to 10), Mackey* (tracks: 1 to 10) Notes Recorded and mixed at Metropolis, London. Mastered at Abbey Road. Strings recorded at Air Studios. Choir recorded at Angel Studios. Track 4: Samples Tell Her You Love Her written by Stanley Myers & Hal Shaper. Taken from the film OTLEY. Track 5: Samples Willow's Song composed by Paul Giovanni, from the British Lion film The Wicker Man. Track 7: Virtual birdsong generated at the Institute of Sound & Vibration Research, University of Southampton under the supervision of Professor Phil Nelson. Title photo of "Weeds": Canoe Island . Title photo of "The Night That Minnie Timperley Died": Flesheater 4 . Published by Universal/Island Music Ltd. All lyrics reproduced by the kind permission of the publisher. ℗ 2001 Universal Island Records Ltd. © 2001 Universal Island Records Ltd. A Universal Music Company. Hecho en México Barcode and Other Identifiers Barcode: 7 31458 65412 4 Matrix / Runout: #011025MAA 5885412 CINRAM Mastering SID Code: L381 Mould SID Code: IFPI 2Q00 Other versions Category Artist Title (Format) Label Category Country Year CIDX 8110, 586 We Love Life (CD, Island Records, CIDX 8110, 586 Pulp UK 2001 541-2 Album) Island Records 541-2 We Love Life (CD, UICI-1014 Pulp Island Records UICI-1014 Japan 2001 Album) We Love Life (Cass, 586541-4 Pulp Island Records 586541-4 Malaysia 2001 Album) We Love Life (CDr, Island Records, none Pulp none Germany 2001 Album, Promo) Mercury We Love Life (CD, Universal Island 586 541-2 Pulp 586 541-2 Australia 2001 Album) Records Ltd. Related Music albums to We Love Life by Pulp Scott Walker + Sunn O))) - Soused Scott Walker - Scott 2 Scott Walker - The Drift Scott Walker - Tilt Men From Earth - Wildwood Echoes Scott Roman - Carved In Grey Matter Sunday Blue - Breathe Richard Scott's Lightning Ensemble - Richard Scott's Lightning Ensemble.
Recommended publications
  • Pulp Intro the Gift Recordings Mp3, Flac, Wma
    Pulp Intro The Gift Recordings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Intro The Gift Recordings Country: UK Released: 1993 Style: Synth-pop, Indie Rock MP3 version RAR size: 1273 mb FLAC version RAR size: 1963 mb WMA version RAR size: 1418 mb Rating: 4.7 Votes: 791 Other Formats: MOD MPC MP4 ASF AAC AU RA Tracklist Hide Credits Space 1 5:11 Engineer – Alan Fish*Producer – Mike Timm, Simon Hinkler O.U. (12" Mix) 2 Engineer – Alan Fish*Producer – Mike Timm, Pulp, Simon HinklerRemix – Ed 3:44 Buller Babies 3 4:05 Engineer – Santiago Mixed By – Ed BullerProducer – Ed Buller Styloroc (Nites Of Suburbia) 4 3:10 Engineer – Santiago Mixed By – Ed BullerProducer – Ed Buller Razzmatazz 5 Engineer – John Smith , Luke GordonProducer, Recorded By – Ed BullerRemix, 3:40 Producer [Additonal] – Phil Vinall Sheffield: Sex City 6 Engineer – Santiago Mixed By – Jarvis Cocker, Steve Mackey, ZebeeProducer – 8:30 Ed Buller Inside Susan: A Story In 3 Songs Stacks 7 2:42 Producer – PulpStylophone [Additional] – Mark Webber Inside Susan 8 5:35 Producer – Pulp 59 Lyndhurst Grove 9 3:33 Producer – Pulp Companies, etc. Phonographic Copyright (p) – Island Records Ltd. Copyright (c) – Island Records Ltd. Made By – PDO, UK – 10255741 Published By – Island Music Ltd. Credits Artwork – The Designers Republic Bass – Steve Mackey Drums – Nick Banks Guitar – Russell Senior Lyrics By – Jarvis Cocker Music By – Pulp Organ – Candida Doyle Photography By – Kevin Westerberg* Stylophone – Candida Doyle Synthesizer – Candida Doyle Violin – Russell Senior Vocals – Jarvis Cocker Notes This release is similar to Intro. The Gift Recordings but with "Promo Only Not For Sale" printed on the CD.
    [Show full text]
  • Nietzsche and Amor Fati
    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Essex Research Repository 1 [DRAFT: THIS VERSION MAY DIFFER IN MINOR WAYS FROM THE PUBLISHED VERSION (FORTHCOMING IN THE EUROPEAN JOURNAL OF PHILOSOPHY), IN WHICH CASE THE LATTER SHOULD BE CONSIDERED AS AUTHORITATIVE] Nietzsche and Amor Fati Béatrice Han-Pile To the Memory of Mark Sacks Abstract: This paper identifies two central paradoxes threatening the notion of amor fati [love of fate]: it requires us to love a potentially repellent object (as fate entails significant negativity for us) and this, in the knowledge that our love will not modify our fate. Thus such love may seem impossible or pointless. I analyse the distinction between two different sorts of love (eros and agape) and the type of valuation they involve (in the first case, the object is loved because we value it; in the second, we value the object because we love it). I use this as a lens to interpret Nietzsche’s cryptic pronouncements on amor fati and show that while an erotic reading is, up to a point, plausible, an agapic interpretation is preferable both for its own sake and because it allows for a resolution of the paradoxes initially identified. In doing so, I clarify the relation of amor fati to the eternal return on the one hand, and to Nietzsche’s autobiographical remarks about suffering on the other. Finally, I examine a set of objections pertaining both to the sustainability and limits of amor fati, and to its status as an ideal. There is no doubt that Nietzsche considered the theme of amor fati [love of fate] of essential importance: he referred to it in his later work as his ‘formula for greatness in a human being’ (EH: 258), ‘the highest state a philosopher can attain’ (WP 1041), or again his ‘inmost nature’ (EH: 325).
    [Show full text]
  • Nick Cave Anthology Free
    FREE NICK CAVE ANTHOLOGY PDF Nick Cave | 128 pages | 24 Aug 2001 | Music Sales Ltd | 9780711986817 | English | London, United Kingdom Read Download Nick Cave Anthology PDF – PDF Download Goodreads helps you keep track of books you want Nick Cave Anthology read. Want to Read saving…. Want to Read Currently Reading Read. Nick Cave Anthology editions. Enlarge cover. Error rating book. Refresh and try Nick Cave Anthology. Open Preview See a Problem? Details Nick Cave Anthology other :. Thanks for telling us about the problem. Return Nick Cave Anthology Book Page. Preview — Anthology by Nick Cave. Anthology by Nick Cave. Since the late seventies, Nick Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and Nick Cave Anthology of all time. This terrific anthology represents some of his his best moments including his time with the Bad Seeds as well as solo collaborations. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic Since the late seventies, Nick Cave Anthology Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and authors of all time. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic songs by Nick Cave, with full lyrics. Get A Copy. Paperbackpages. More Details Original Title. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Anthologyplease sign up. Lists with This Book. This book is not Nick Cave Anthology featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. All Languages. More filters.
    [Show full text]
  • Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.
    [Show full text]
  • Wiseman-Trowse20134950
    This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Book Section Title: The singer and the song: Nick Cave and the archetypal function of the cover version Creators: Wiseman-Trowse, N. J. B. R Example citation: Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function oAf the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84. T Version: Final draft C NhttEp://nectar.northampton.ac.uk/4950/ The singer and the song: Nick Cave and the archetypal function of the cover version Nathan Wiseman-Trowse The University of Northampton A small proscenium arch of red light bulbs framing draped crimson curtains fills the screen. It is hard to tell whether the ramshackle stage is inside or outside but it appears to be set up against a wall made of corrugated metal. All else is black. The camera cuts to a close-up of the curtains, which are parted to reveal a pale young man with crow’s nest hair wearing a sequined tuxedo and a skewed bow tie. The man holds a lit cigarette and behind him, overseeing proceedings, is a large statue of the Virgin Mary. As the man with the crow’s nest hair walks fully through the arch he opens his mouth and sings the words ‘As the snow flies, on a cold and grey Chicago morn another little baby child is born…’. The song continues with the singer alternately shuffling as if embarrassed by the attention of the camera and then holding his arms aloft in declamation or fixing the viewer with a steely gaze.
    [Show full text]
  • Marxman Mary Jane Girls Mary Mary Carolyne Mas
    Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You)
    [Show full text]
  • Media® JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5
    Music Media® JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5 THE MUCH ANTICIPATED NEW ALBUM 10-06-02 INCLUDES THE SINGLE 'HERE TO STAY' Avukr,m',L,[1] www.korntv.com wwwamymusweumpecun IMMORTam. AmericanRadioHistory.Com System Of A Down AerialscontainsThe forthcoming previously single unreleased released and July exclusive 1 Iostprophetscontent.Soldwww.systemofadown.com out AtEuropean radio now. tour. theFollowing lostprophets massive are thefakesoundofprogressnow success on tour in thethroughout UK and Europe.the US, featuredCatch on huge the new O'Neill single sportwear on"thefakesoundofprogress", MTVwww.lostprophets.com competitionEurope during running May. CreedOne Last Breath TheCommercialwww.creednet.com new single release from fromAmerica's June 17.biggest band. AmericanRadioHistory.Com TearMTVDrowning Europe Away Network Pool Priority! Incubuswww.drowningpool.comCommercialOn tour in Europe release now from with June Ozzfest 10. and own headlining shows. CommercialEuropean release festivals fromAre in JuneAugust.You 17.In? www.sonymusiceurope.cornSONY MUSIC EUROPE www.enjoyincubus.com Music Mediae JUNE 1, 2002 / VOLUME 20 / ISSUE 23 / £3.95 / EUROS 6.5 AmericanRadioHistory.Com T p nTA T_C ROCK Fpn"' THE SINGLE THE ALBUM A label owned by Poko Rekords Oy 71e um!010111, e -e- Number 1in Finland for 4 weeks Number 1in Finland Certified gold Certified gold, soon to become platinum Poko Rekords Oy, P.O. Box 483, FIN -33101 Tampere, Finland I Tel: +358 3 2136 800 I Fax: +358 3 2133 732 I Email: [email protected] I Website: www.poko.fi I www.pariskills.com Two rriot girls and a boy present: Album A label owned by Poko Rekords Oy \member of 7lit' EMI Cji0//p "..rriot" AmericanRadioHistory.Com UPFRONT Rock'snolonger by Emmanuel Legrand, Music & Media editor -in -chief Welcome to Music & Media's firstspecial inahard place issue of the year-an issue that should rock The fact that Ozzy your socks off.
    [Show full text]
  • To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok
    SENTIREASCOLTARE online music magazine APRILE N. 30 post-wall music To Rococo Rot Tarwater Mapstation Music A.M. Robert Lippok Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low Stars Of The Lid Smog I Nipoti del Capitano Cristina Zavalloni sBilly e n t i r e aNichollss c o l t a r e sommario 4 News 8 The Lights On Hans Appelqvist, King Kong, Laura Veirs, Valet 2 Speciali Keren Ann, Feist, Low, Stars Of The Lid, Smog, Post-Wall Music 7 Recensioni Humcrush, Lindstrom, Blonde Redhead, 8 Bill Callahan, Hetero Skeleton, John Cale, Maximo Park, Arctic Monkeys... 8 Rubriche (Gi)Ant Steps Wayne Shorter We Are Demo: Improponibili, Morvida, Damien... Classic Billy Nicholls, i Nipoti del Capitano, The Associates, Fabrizio De Andrè Cinema 28 Cult: l’infernale Quinlan Visioni Diario di uno scandalo, L’albero della vita, Saturno contro... I cosiddetti contemporanei: Intervista a Cristina Zavalloni 75 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Roberto Canella, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Federico Romagnoli, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Tarwater SentireAscoltare online music magazine Copyright © 2007 Edoardo Bridda. Tutti i Registrazione Trib.BO N° 7590 diritti riservati. del 28/10/05 La riproduzione totale o parziale, in qualsiasi s e n t i r e a s c o l t a r e Editore Edoardo Bridda forma, su qualsiasi supporto e con qualsiasi Direttore responsabile Antonello Comunale mezzo, è proibita senza autorizzazione 98 Provider NGI S.p.A.
    [Show full text]
  • Hester, Diarmuid.Pdf
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Passionate Destruction, Passionate Creation: Art and Anarchy in the Work of Dennis Cooper Diarmuid Hester PhD in English University of Sussex June 2015 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. Signature UNIVERSITY OF SUSSEX DIARMUID EOIN HESTER PHD IN MODERN AND CONTEMPORARY LITERATURE CULTURE AND THOUGHT PASSIONATE DESTRUCTION, PASSIONATE CREATION: ART AND ANARCHY IN THE WORK OF DENNIS COOPER SUMMARY The subject of this thesis is the life and work of the American writer Dennis Cooper. It is the first book-length appraisal of his career, which regards his poetry, prose, and innovative employment of new media from the perspective of his avowed anarchism. Situating his work within the context of American and French literary history and traditions of anarchist thought, I identify and pursue a dialectic that recurs in his work between, on the one hand, a commitment to subjective experience and individuality and, on the other, a desire for community and communion with others.
    [Show full text]
  • 2017 07 31 Leslie Wilson Dissertation Past Black And
    THE UNIVERSITY OF CHICAGO PAST BLACK AND WHITE: THE COLOR OF PHOTOGRAPHY IN SOUTH AFRICA, 1994-2004 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ART HISTORY BY LESLIE MEREDITH WILSON CHICAGO, ILLINOIS AUGUST 2017 PAST BLACK AND WHITE: THE COLOR OF PHOTOGRAPHY IN SOUTH AFRICA, 1994-2004 * * * LIST OF FIGURES iii ACKNOWLEDGMENTS xv ABSTRACT xx PREFACE “Colour Photography” 1 INTRODUCTION Fixing the Rainbow: 8 The Development of Color Photography in South Africa CHAPTER 1 Seeking Spirits in Low Light: 40 Santu Mofokeng’s Chasing Shadows CHAPTER 2 Dignity in Crisis: 62 Gideon Mendel’s A Broken Landscape CHAPTER 3 In the Time of Color: 100 David Goldblatt’s Intersections CHAPTER 4 A Waking City: 140 Guy Tillim’s Jo’burg CONCLUSION Beyond the Pale 182 BIBLIOGRAPHY 189 ii LIST OF FIGURES All figures have been removed for copyright reasons. Preface i. Cover of The Reflex, November 1935 ii. E. K. Jones, Die Voorloper, 1939 iii. E. B. King, The Reaper, c. 1935 iv. Will Till, Outa, 1946 v. Broomberg and Chanarin, Kodak Ektachrome 34 1978 frame 4, 2012 vi. Broomberg and Chanarin, Shirley 2, 2012 vii. Broomberg and Chanarin, Ceramic Polaroid Sculpture, 2012. viii. Installation view of Broomberg and Chanarin, The Polaroid Revolutionary Workers Movement at Goodman Gallery, 2013. ix. “Focusing on Black South Africa: Returning After 8 Years, Kodak Runs into White Anger” illustration, by Donald G. McNeil, Jr., The New York Times x. Gisèle Wulfsohn, Domestic worker, Ilovo, Johannesburg, 1986. Introduction 0.1 South African Airways Advertisement, 1973.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Izvajalec in Skladba 340 CALVIN HARRIS & RAG'n
    št. Izvajalec in skladba 1 340 CALVIN HARRIS & RAG'N'BOONE MAN - GIANT 2 323 SAM SMITH & NORMANI - DANCING WITH A STRANGER 3 283 MARK RONSON & MILEY CYRUS - NOTHING BREAKES LIKE A HEART 4 284 HOZIER - ALMOST SWEET MUSIC 5 281 TOM WALKER - JUST YOU AND I 6 274 MATIC MARENTI Č - LEN DAN 7 274 AVA MAX - SWEET BUT PSYCHO 8 268 LEWIS CAPALDI - SOMEONE YOU LOVED 9 240 FED HORSES - TI NE POZNAŠ KONJEV 10 242 PINK - WALK ME HOME 11 227 BIG FOOT MAMA - VABILO V MAJ 12 227 CALVIN HARRIS & DUA LIPA - ONE KISS 13 222 LEA SIRK - PO SVOJE 14 213 ED SHEERAN & JUSTIN BIEBER - I DON'T CARE 15 215 EROS RAMAZOTTI - VITA CE N'E 16 209 SHAWN MENDES & CAMILA CABELLO - SENORITA 17 207 RUDIMENTAL - THESE DAYS 18 208 BRYAN ADAMS - SHINE A LIGHT 19 205 TOM WALKER - LEAVE A LIGHT ON 20 198 JONAS BLUE & JACK & JACK - RISE 21 197 SHAWN MENDES - IF I CAN'T HAVE YOU 22 192 ZALA KRALJ & GAŠPER ŠANTL - SEBI 23 185 AVICII & ALOE BLAC - SOS 24 182 SAM SMITH & CALVIN HARRIS - PROMISES 25 178 LADY GAGA & BRADLEY COOPER - ALWAYS REMEMBER US THIS WAY 26 177 MILA - JAZ BI ŠLA NAPREJ 27 170 NINNAY - SRCE ZAGORI 28 169 MARSHMELLO & BASTILLE - HAPPIER 29 169 LOST FREQUENCIES & ZONDERLING - CRAZY 30 162 BQL - PERU 31 162 LAUREN JAUREGUI - EXPECTATIONS 32 163 TOM WALKER - ANGELS 33 162 NINA PUŠLAR - ZA NAJU 34 164 ANNE-MARIE & JAMES ARTHUR - REWRITE THE STARS 35 160 NINA PUŠLAR - SVET NA DLANI 36 154 SAN DI EGO - OSAMLJENO DEKLE 37 157 IMAGINE DRAGONS - NATURAL 38 154 SIDDHARTA - MEDREVESA 39 156 LEA SIRK - MOJ PROFIL 40 150 JAY BOLK - NE ZAPUŠ ČAJ ME 41 149 FED HORSES - SPREMEMBE
    [Show full text]