Contents Raedwald Rhythms ...... 3 Bintin...... 4 Bolonba ...... 5 Djagbe ...... 6 Djolé ...... 10 Fanga ...... 11 Gahu ...... 12 Kakilambe 4 ...... 13 Kakilambe 3 ...... 14 Kanin ...... 16 Kassa ...... 17 Kongo Payet ...... 21 Kpanlogo ...... 22 Kuku ...... 24 M’Balax ...... 25 Macru...... 26 Meni ...... 27 Moribayassa ...... 28 Nuru ...... 29 Raedwald ...... 31 Raedwald ...... 32 Shiko ...... 33 Sofa ...... 34 Soko ...... 35 Sounou ...... 36 Timitingoo ...... 41 Tiriba ...... 42 Woliwoloo ...... 43 Yankadi 4...... 44 Yankadi 3...... 45 My rhythms...... 47 Bugayaa ...... 48 Hetsi ...... 49 Luuloo ...... 50 sslap ttone bbass Page 1 of 58
RAEDWALD RHYTHMS
Nanzula ...... 51 Nha Terra ...... 52 Other Rhythms ...... 53 Oterai ...... 54 RhythmName ...... 55 Performances ...... 56 Rendlesham Street Fair 2012 ...... 57 Rendlesham June 8th 2013 ...... 58 Timitingoo...... 58 Island in the Sun ...... 58 Kanin ...... 58 Yankadi / Macru ...... 58 Senegal Sabar ...... 58 Shiko ...... 58
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RAEDWALD RHYTHMS
Raedwald Rhythms
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BINTIN
Bintin
djembe 1 3btt3btt3btt3btt
djembe 2 3ttt3tt,3sss3s,,
3ttt3t,,3b,b3,b,
djembe 3 3s,b3st,3s,eb3st,
kenkeni 3x,,,3x,cc3x,,,3x,tt
Sangban 3x,,x,3xt,x,3x,,x,3xt,x, OR
3x,,x,3xt,x,3xt,xt3,xt,
doundounba 3xtxt,3x,x,,3xtxt,3x,x,,
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BOLONBA
Bolonba
call 4qt,tt4,t,t4t,t,4t,,,
djembe 1 4ttb,4b,b,4tt,s4ss,b
djembe 2 4s,,s4s,tt4s,,s4s,tt
djembe 3 4s,tt4s,b,4s,,s4s,b,
Variation 1 combined 4x,,x,,4x,,xS,4xd,xdxd4,x,xS, 4x,,xd,4xd,xS,4xd,xdxd4,x,xS,
Variation 2 combined 4xd,xSS4x,,xkk4x,,xdd4x,dxd,
log drum/bell 4cc,,4,o,,4o,,o4,,o,
bell 4oo,o4o,,,4oo,o4o,,,
4oo,o4oo,o4oo,o4o,,,
djembe 3 4s,tt4s,b,4s,,s4s,b,
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DJAGBE
Djagbe
Djagbé is the name of a Malinke-rhythm from Guinea that was originally played at the ending of the Ramadan. A rejoicing happening where men and women dance together in this circle-dance. Variations on Djagbé excist in the Kouroussa-region (Guinee) as Djagba and in Mali as Madan.
Call tT . T T . T . T T . S S S . . . Djembé 1 B . T T . b S . B . T T . b S . Djembé 2 S . . S S . T T S . b S S . T T Djembé 3 T T . B S S B . S S . B S S B . Djembé 4 S . S S . S T T S . S . S S T T Djembé 5 B . T T . S . . . . T T . S . . Kenkeni O . . . . . O . O . . . . . O . x . x x . x x . x . x x . x x . Sangban C . o O . O . o O . O . . C . . x . x x . x x . x . x x . x x . Dun Dun . . O O ...... O . . . . . x . x x . x . x x . x . x x . x Dun Dun variation . . O O ...... O . . O . . x . x x . x . x x . x . x x . x
O . . O ...... O . . . . . x . x x . x . x x . x . x x . x
Dun Dun starting the echauffement . . O O ...... O . O O . O x . x x . x . x x . x . x x . x Dun Dun echauffement O . O O . O . O O . O . O O . O x . x x . x . x x . x . x x . x sslap ttone bbass Page 6 of 58
DJAGBE
Dun Dun ending the echauffement O . O O . O . O O . O . . . . . x . x .x . x . x x . x . x x . x
Djembé solo accompaniment 1 . T T T . S S S . T T T . S S . . l r l . l r l . l r l . l r . Djembé solo accompaniment 2 T T S S . . S S B . S S . . S S r l l r . . r l r . r l . . r l for a really "Djagbe-sound" it's nice to pull the first two tones a little bit together in the solo accompaniment 2.
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DJAGBE
Solo 1 ; use these elements A S . . . B . . . . S T T S S . S r . . . r . . . . l r l r l . l
B S S T T S S S . . S T T S S . S r l r l r l r . . l r l r l . l
C . S . S . S . S . S . S . S . S . l . l . l . l . l . l . l . l
. S . S . S . T T T S S S . . . . l . l . l . 2 r l r l r . . .
D S S . . S S . . S S T . T T . . r l . . r l . . r l r . r l . .
E . S . S . S . T T T S S S . . . . f . f . f . 2 r l r l r . . .
F B . . T . S T T S . S . S . . . r . . l . l r l r . r . r . . .
G S S . . S S . . S S T . T T . . r l . . r l . . r l r . r l . .
B . . T . S T T S . S . S . . . r . . l . l r l r . r . r . . .
H S S T . S S T . S S T . S S T . r l f . r l f . r l f . r l f .
S . . . S . . . S . . . S . . . f . . . f . . . f . . . f . . .
I T . T . . S . . T . T . . S . . . l . l . . r . . l . l . . r . . .
S . . . S . . . S . . . S . . . f . . . f . . . f . . . f . . .
J T T . S S . T T . S S . S . . . . l r . r l . l r . r l . l . . . .
K . . . . B . . . B . T T S S . S . . . . r . . . r . 2 r l r . l
L . . T T S S . S . . T T S S . S . . 2 r l r . l . . 2 r l r . l sslap ttone bbass Page 8 of 58
DJAGBE
M S . S S . S S . T T S S S . . . r . r l . l r . 2 r l r l . . . Starting the echauffement: ...... T T S S S S S ...... l r l r l r l S T T S S S S S S T T S S S S S r l r l r l r l r l r l r l r l T S S S T S S S T S S S S . . . r l r l r l r l r l r l r . . . Look-a-like break for ending the echauffement (the rhythm continues) S S . S . S . S S . S . S . . . f r . r . r . l r . r . r . . . Solo 2; use these elements A S S S S S . . . T T . . S . . . 2 r l r l . . . r l . . r . . . B T T . S S S S S S S ...... 2 r . 2 r l r l r l ...... C . . . T T S S S . S T T S . S . . . . l r l r l . l r l r . r . D S S S S T T . . S S S S T T . . 2 r l r l r . . 2 r l r l r . . (also look-a-like break) E . . . T T . T T . T T S S S S S S . . . l r . r l . l r l 2 r l r l
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DJOLÉ
Djolé
Djolé (Jolé, Yolé), is a mask-dance from the Temine-people from Sierra Leone. In the tradition it is played on square drums in different sizes; the sicco´s (or sico´s). The mask is presenting a female although it is carried by a male during the dance. The song below from the Wassolon-CD is made by Mamady Keita himself and is a putting together some different Malinke and Susu sounds .
Laila i ko korobé, korobé, korobé, mami watoné, aya, sico leleleko aya
sico la i ko, sico la i ko, wa wango sico la i ko
call 4qt,tt4,ttt4,tt,4s,,,
djembe 1 4tttt4tt,t4t,s,4b,s,
djembe 2 4b,tt4b,ss4b,tt4b,ss
djembe 3 4t,,s4b,,t4t,s,4s,,t
djembe 4 4bt,t4b,s,4b,t,4b,s,
djembe 5 4t,ss4b,ss4ttss4b,ss
djembe 6 4ttt,4ssb,4ss,t4tttt
djembe 7 4s,ss4,stt4s,s,4sstt
djembe 8 4b,,t4t,,,4b,,,4tttt
kenkeni 4t,x,x,4t,x,x,4t,x,x,4t,x,x,
sangban 4x_t,x,,4xt,x,,4x_t,x,,4xt,x,,
doundounba 4xt,x,x,4,x,x,,4xt,xtx,4,x,x,,
combined 4xk,x,xk4,x,xS,4x,,xS,4xS,x,,
combined 4d,kk4S,kk4d,d,4S,KK sslap ttone bbass Page 10 of 58
FANGA
Fanga
Fanga is rhythm, from Liberia that has been thought by Babatunde Olatunji, a West African Percussion teacher who, with his lessons and personality, inspired many Djembe players in the United States. The transcriptions are from various email exchanges throught the Djembe-L mailinglist. The song he used to sing to accompanie the rhythm is in the Yoruba language.
Fanga Alafayia, ashé ashé (4x) Ashé, Ashé, ashé, ashé. Asé, Asé, Asé, Asé Ikabo A Lafiya Ashé Ashé (4x) Ashé, Ashé, ashé, ashé. Asé, Asé, Asé, Asé Eluga A Lafiya Ashé, Ashé, ashé, ashé. Asé, Asé, Asé, Asé
call/break :4ss,s4s,tt4ss,,4,,,,; 3 times
4:ss,s4s,tt4bb,,4ss,,;
djembe 1 4b,bb4,btt4b,,b4b,tt
djembe 2 4t,,s47ss,4t,t,4ss,,
djembe 3 4,,ss4,,ss4,,ss4ttss
djembe 4 4b,,t4,tt,4b,b,4tt,,
djembe 5 4b,tt4b,,b4,btt4b,b,
djembe 6 4b,tt4,,b,4bttb4,,b,
djembe 7 4ss,,4ss,,4ss,,4ss,,
sangban 1 4xcx,,,4x_cx,,,4x_cx,_c,_4xcx,,, OR sangban 2 4xc,x,,4x_c,x,,_4xc,_xc,_4xc,x,,
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GAHU
Gahu
call 4qt,tt4,t,t4t,ss4s,,,
djembe 1 4t,ss4t,s,
djembe 2 4tttt4,s,,4tttt4t,s,
djembe 3 4f,,,4f,,,4tt,t4t,,,
djembe 4 4,,ss4,,ss4,,ss4,,ss
Bell/krin 4t,,o4,,o,4,,o,4,,o,
shaker 4t,,t4o,t,4o,t,4o,t,
duns 4xSxS,xk4xk,xS,4xSxS,xk4xk,xS,
doundounba 4xbx,,x,4xxx4xb,xb,4xbx,,x,4xb,xb,
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KAKILAMBE 4
Kakilambe 4
Djembe 1 T T . T T . B . T . T . B . B .
Djembe 2 B . T T S . T T B . T T S . T T
Djembe 3 B . . T T . S . B . T . T . S .
Kenkeni ......
Sangban O ...... O ...... X . X X . X X . X . X . X . X .
Doundounba ...... O . . . . . O . O . X . X X . X X . X . X . X . X .
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KAKILAMBE 3
Kakilambe 3
Kakilambé is a mask-dance of the Baga-people that live in the coastal area (Boke-region) of Guinee. Origianally it was played on the Baga-drums that are simalar to the djembe.
"Kakilambé is a very important mask of the Baga people, that appears only once a year. The spirit of the Kakilambé is revered as the protector against evil entities. He appears to make important declarations about the present and the future. A priest of the Kakilambé is like a translator, since the mask doesn't talk directely to the people. It's a big day when the mask appears. Everybody comes to listen. Slowly the mask emerges from thge forest, together with the priests. The people have gathered and are waiting. When all of the people bow, the mask grows to a height of five meters! It holds a string for each individual family of the village, and the other end is held by a member of each family. When the rhythm gets fast, the priest and some of the older men dance around the mask. The priest receives the information. Then he gives the musicians a sign, they play a break, and then the rhythm is played slower and softer. Afterwards he passes on the information given to him by the mask." (Uschi Billmeier: Mamady Keïta, A life for the djembe).
"These days Kakilambé, the terrifying god of the Baga, is nothing more than a memory causing a few shivers in the minds of the elders. But for centuries he ruled the life of Bagatai; he was the lord of the waters, of rain, of wind and of fire. Every seven years he came out of the sacred forest, his arrival announced by thunder and the calls of the fetish priests, to appear to the terrified people and, speaking through the local soothsayer, addressed the assembled villagers. First, he showed his anger against those who had behaved contrary to morality and virtue, by making himself small. The people, lying prostrate on the ground to show their repentance, asked for his forgivenss and swore to obey him.
Kelyo! Kelyo! Kakilambé! Kelyo!" (Get up, Kakilambé, rise!)
Then Kakilambé, reassured that he was still lord of the children of the Bagatai, just as he had been of their fathers and their fathers' fathers, and swelling with joy, grew big again, and predicted seven years of happiness and prosperity. Then, accompanied by songs and dances of joy and gratitude, he disappeared for another seven years. So, "for seven years the land will be prosperous and the women fertile" Kakilambé has said so. But, whether the land would in fact be prosperous and the women fertile, depended on the primary power of the men, and of the SENGBE (sacred drums). The man dances, showing his strength, his virility, his confidence and his determination to work with respect for the customs of their people. And, as a start to the favours Kakilambé has promised his people, the goddess of fertility suddenly appears: Nimba with the enormous breasts. The men shout with joy, the women and the girls soon to be married bring offerings and sing:
"O Nimba ! The belly without child, is like a cinder in the desert wind, like a leaf in a bush-fire. O Nimba ! goddess of fertility, o Nimba ! you who make the sap rise in the dust Here are my breasts, let them be the same as yours Here is my belly, that the sap of the Baga may continue to rise"
And, in a vibrant frenzy, the men and the women of the Baga are united in complete communion, certain that they are protected by the gods."
"The Baga are only a very small etnic group and there are no more than about 32.000 Baga living in Guinea. Frederick Lamp, in his book, "The Art of the Baga"(1996), says that Kakilambé is called "a-Mantsho-`no-Pön" by the Baga and is "the supreme male spirit of the Sitemu subgroup" (of the Baga). Dr.Lamp says that the wordKakilambé is actual a word in the Susu-language meaning "Reaching as high as the copal tree". There are dozens of songs to the Kakilambé-rhythm; this one is the welcoming song: Welcome to the Kakilambé-mask!
Mai'm bo, mai'm bo mama, mai'm bo Kakilambé kekumbe
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KAKILAMBE 3
Call 1 T T T T T T T . T . . Call 2 S S S S S . T T T T T . sS ...... Kenkeni (DUNS-COMBINATION 1) O O . C . . O O . C . . O O . C . . O O . C . . x x . x x . x x . x x . x x . x x . x x . x x . Sangban C . . O O . C . . O O . C . . O O . C . . O O . x x . x x . x x . x x . x x . x x . x x . x x . Dun Dun O . O . O ...... O O ...... O x . x . x . x x . x . X x . x . x . x x . x . x Kenkeni (DUNS-COMBINATION 2) . . . O O . . . . O O . . . . O O . . . . O O . x x . x x . x x . x x . x x . x x . x x . x x . Sangban O . O . O . O O . . . . O . O . O . O O . . . . x . x . x . x x . x x . x . x . x . x x . x x . Dun Dun O ...... O . O . O ...... x . x . x . x x . x . X x . x . x . x x . x . x DUNS-COMBINATION 3 S . D . . . S S . D . D S . D . . . S S . . . D x . x . x . x x . x . X x . x . x . x x . x . x DUNS-COMBINATION 4 D . . . S . . S . S . D D . D . D . . S . S S . x . x . x . x x . x . X x . x . x . x x . x x . Djembé 1 B . . T S . B . . T S . B . . T S . B . . T S . Djembé 2 B . . T S . B T T T S . B . . T S . B T T T S . Djembé 3 B . T T S . B T . T S . B . T T S . B T . T S . Djembé 4 B . S . S . B T . T S . B . S . S . B T . T S . Djembé 5 B . . B S S B . . B S S B . . B S S B . . B S S Djembé solo accompagnement (fingertips) S S S S T T S S S S T T S S S S T T S S S S T T Break 1 sS . . . sS . . tT . T T . sS . . . S . S S . S . B sslap ttone bbass Page 15 of 58
KANIN
Kanin
Kanin is a Malinke-rhythm, that was made or adjusted by Mamady Keïta during the period that he was the artistic leader of the National Ballet de Guinea. This song is in the Sousou language.
Bayira yo Konko baa yirayo Bayira yo Konko baa yirayo Bayira yo Konko baa yirayo I fakhi nakhama ikhuna Imamkha gbi lenra Bayira yo Konko baa
But not that, Konko (name of a boy), but not that; Pick up that thing that you brought me and get out of here with it!
call 4qt,tt4,tt,4t,ss4s,,,
djembe 1 4ss,b4t,t,
djembe 2 4t,tt4,,f,4t,tt4,,f,
4f,tt4,,s,4f,tt4,,f,
kenkeni 4xccx,,4xccx,,4xccx,,4xccx,,
sangban 4x,,xcxc4,x,x_c,4x,,xcxc4,x,x_c,
doundounba 4xbx,,xb4xb,xb,4xbx,,x,4x,,x,,
4x,,x,x,4,x,x,,4x,,x,x,4,x,xb,
solo 1 4s,,s4s,s,4s,,,4,,s,
solo 2 4m,tt4,,m,4m,tt4,,,,
solo 3 4qt,tt4,,f,4f,ss4,,s,
4b,tt4,,s,4b,tt4,,qT,
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KASSA
Kassa
call 4qt,tt4,t,t4t,ss4s,,
,
djembe 1 4ttss4,,ss4ttss4b,sb
djembe 2 4s,bs4s,tt4s,bs4s,tt
djembe 3 4t,ss4,bss4b,ss4bbss
djembe 4 4b,bs4,s,b4b,b,4tt,b
djembe 5 4s,bs4,bs,4b,tt4t,,,
djembe 6 4tts,4,s,s4tts,4,sts
combined 4xk,x,xS4,x,xk,4xk,xd,4xd,xd,
kenkeni 4xcxc,x_c4,x,x_c,4xcxc,x_c4,x,x_c,
sangban :4x_c,x,xc4,x,x_c,4x_c,x,xc4,x,x_c,
doundounba 4xc,xcxc4,x,x,,4x,,xcxc4,xcxc,
OR doundounba 4xc,xcxc4,x,x,,4x,,xc,4xc,xc,
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KASSA
Kassa (Cassa) is a harvest-dance of the Malinke-people in East Guinea. The word means granary. During harvest-time the farmers go to the fields, that are sometimes far away from the village. A camp is made for as long as neaded. Some woman come to prepare the meals (and to sing). During the day the drummers play Kassa to support the workers in the field. When the harvest is completed there is a big party in the village, called Kassalodon. Another custom (according Famoudou Konaté) that is connected with this work is that a girl (the prettiest in the village) hangs her shawl on a stick at the end of the field. The worker who reached this shawl the first (while working) spends the night with the girl. This meeting is not supposed to have a sexual character, for if the girl would get pregnant, the man would be beaten in public.
Illawuli woo konko daba, kondon tilu barama Illawuli woo konko daba, Kolankoma sènekèlalu barama Wake up farmer, the meal has arrived, wake up farmer, the meal is here
E yahé, e koutountama hé, e yahé, e mandinkono e (2x) I ni war lé no kor solor, I ni war lé nama se néné mépélo The men of Hamana, the birds of Mandin My brother, I call you to work on the field It is my proffession; it's the best work!
Sangban echauffement C . . O . . O . . O . . O . . . x . x x . x x . x x . x x . x . Dundun echauffement . O . O . O . O O . O . O . O O . x . x . x . x x . x . x . x x
Djembe solo 1; phrases A,B,C and D. A sS . T T . sS . T T . sS . T T . . B S . . S . . S . . . T T B . . . S . . S . . S . T T T T B . . . C B T T B T T B T T B T T B . B . B . . . S . . . S S S . B . . . D sS . T T . sS . T T . sS . T T . . sS . T T . sS . T T ......
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KASSA
Djembe solo 2; phrases A, B, C, D, E and F. A B . . . S . B . B . S S S . . . B S T T . . T T B S T T . . T T B C S . . T T T . B S . . . . . T T D S . T T S . . B B . . B B . T T E S . T T S . . . T T S S S . S . r . r l r . . . 2 2 2 2 2 . f . sS . sS . T T S S S . sS . sS . sS . f . f . 2 2 2 2 2 . f . f . f . F S S T S T T S B S . S . S S . . r l r l r l r l r . r . r l . . Ending the solo : S S T S T T S B S . S . sS . . . Djembe solo 3; phrases A, B, C, D and E. A S S S S T T S S S ...... B B S S . B S . S . . S . B S . T T C T S . S . S . S T T S . S ...... T D T S . S . S . S T T S . S . S T T . T T . T T . T T . T T . . T E T T . B T T . B S S . B S S . B
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KASSA
Djembe solo 4; phrases A, to G. A T T S S . . S S T T S S B . S S B tT . T T . S T T S . S . S . . S TT T S S . S S ...... C S . S S . S T T S . S S . S T T D TT T T S TT T T S TT T T S T S . . E . S S S . S S S . S S S . S S S . S S S . S S S T . T . T T . . F . TT T S . TT T S . TT T S . S . S G B S T T S S . S T T S S . S T T S S . S . S ......
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KONGO PAYET
Kongo Payet
Haiti
call 4qt,tt4,t,t4t,ss4s,,,
djembe 1 4b,tt4s,tt4b,tt4s,tt
djembe 2 4b,,,4bx,,x,4b,x,,4b,,x,
djembe 3 4b,t,4ss,s4,ss,4tt,s
4b,t,4ss,s4tts,4s,,s
doundounba 4c,t,4_t,,,4t,t,4_t,,,
4tttt4tt,,4t,t,4_t,,,
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KPANLOGO
Kpanlogo
call/break 4b,ss4s,,,4b,ss4s,,,
4b,ss4s,ss4s,b,4b,,,
djembe 1 4t,t,4b,,,4tttt4b,,,
djembe 2 4b,,,4,,tt4b,,,4,,tt
4b,bb4b,tt4b,,,4,,tt
djembe 3 4tttt4b,,,4t,tt4b,,,
djembe 4 4b,tt4s,tt4b,tt4s,,,
kenkeni :4xccx,;
sangban :4,,,,;
doundounba :4,,,,;
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Break 1 B . S S S . . . B . S S S . . . B . S S S . S S S . B . B . . .
Djembe 1
T . T . B . . . T T T T B . . .
Djembe 2 B . . . . . T T B . . . . . T T B . B B B . T T B . . . . . T T
Djembe 3 T T T T B . . . T . T T B . . .
Djembe 4 B . T T S . T T B . T T S . . .
Kenkeni O O . . O O . . . . O O . . . . x . x . x . x . x . x x . x x .
High Sangban . . . . O ...... O . . . x . x . x . x . x . x . x . x .
Low Sangban O . O . . . . . O O ...... x . x . x . x . x x . x . x x .
Doundounba O . O . . . O . . . O . O . . . x . x . x . x . x . x . x . x .
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KUKU
Kuku
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M’BALAX
M’Balax
Type/Paste rhythm notes here
call 4qt,tt4,t,t4t,ss4s,,,
djembe 1 :3btt3bss3btt3bss;
djembe 2 :3,,,;
djembe 3 :3,,,;
kenkeni :3,,,;
sangban :3,,,;
doundounba :3,,,;
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MACRU
Macru
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MENI
Meni
Menie is a Malinke rhythm from Guinea that used to be played on the occasion of the birth of a child, or more specific: on the day that a name is given to the child (about one week after it´s been born). There is a song with this rhythm that tells about four masks. Probably this is why Meni is also known as a a Mask-dance.
(solo) Kamafie cerimbembe kamafie kamafie, (choir) Kamafie-e-a cerimbembe kamafie kamafie, a ya yalamba cerimbembe-a sama dundun kamafie (3x) (solo) a ye ke te, yenkeni sa-a samonie kindu (choir) samonie kindu samonie kindu e ya yenkeni yenkeni sa-a-e (solo) a ye ke te, yenkeni, yenkeni sa-a baoulen kinyama (choir) baoulen kinyama-a-e baoulen kinyama baoulen kinyama e baoulen kinyama e, yankady-e torrys (3x) (solo) ana dory yamba (choir) da da dory yamba-a-e
call 4qt,,,4qt,tt4,t,t4t,t,
4qt,,,4qt,,,4,,ss4ss,,
djembe 1 4b,t,4b,,,4bttt4b,,,
djembe 2 4,,,,4,,t,4b,,,4bt,t 4bsss4b,t,4b,,,4bt,t
4b,,,4b,t,4b,,,4bt,t
4bsss4b,t,4b,,,4bt,t
kenkeni 4x,,xbxb4,xbxb,
doundounba 4xbx,,xb4xb,xb,4xb,xk,4xb,xS,
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MORIBAYASSA
Moribayassa
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NURU
Nuru
Raedwald rhythm
call 4qt,tt4,t,t4t,ss4s,,,
djembe 1 3b,s3s,b3b,s3stt
djembe 2 3s,t3s,,3s,b3ts,
djembe 3 3sss3s,,3,,s3ss,
3sss3s,,3,,s3,s,
djembe 4 3b,s3,s,3b,s3ss,
kenkeni 3,,,3,,,3,,,3,,,
sangban 3,,,3,,,3,,,3,,,
doundounba 3xb,x,3x,,x,3x,,xb3xb,x,
log drum 3c,o3,oo3c,o3oo,
bell 3c,o3oo,3c,o3,oo
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NURU
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RAEDWALD
Raedwald
djembe 1 4b,bb4bbtt4b,t,4s,tt
4b,bb4bbtt4b,,,4,,,,
djembe 2 4s,ss4,ss,4ss,s4tttt
djembe 3 4ttss4ttss4ttss4,,,,
4ttss4ttss4b,,,4,,,,
djembe 4 4tttt4,s,,4tttt4,s,,
4tttt4,s,,4,s,s4,s,,
djembe 5 3btt3btt3btt 3btt3btt3btt
3btt3btt3b,,
kenkeni :4,,,,;
sangban :4,,,,;
doundounba :4,,,,;
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RAEDWALD
Raedwald
Djembe 1 B . B B B B T T B . T . S . T T B . B B B B T T B ......
Djembe 2 S . S S . S S . S S . S T T T T
Djembe 3 T T S S T T S S T T S S . . . . T T S S T T S S B ......
Djembe 4 T T T T . S . . T T T T . S . . T T T T . S . . . S . S . S . .
Kenkeni O O . . . O . . O O . . . O . . X X . X . X X . X X . X . X X .
Sangban C . . . . O O . C . . . . O O . X . X X . X X . X . X X . X X .
Doundounba O . . O O . . . O . . O O . . . X . X . X . X . X . X . X . X .
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SHIKO
Shiko
Shiko is a 4/4 rhythm from Nigeria
call (x4) :4t,t,4b,b,4t,t,4bb,,;
djembe 1 4t,t,4b,b,4t,t,4bb,,
djembe 2 4b,,,4b,t,4b,,,4b,t,
djembe 3 4b,ss4b,ss4b,ss4tt,,
djembe 4 4t,tt4,tt,4s,ss4,ss,
bell 4c,,c4,,c,4,,c,4c,,,
bell 4c,cc4,cc,4c,cc4,cc,
bells 4ccoo4ccoo4ccoo4ccoo
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SOFA
Sofa
Call tT . T T . T . T T . T . T . . .
Kenkeni - Interpretation by Mamady Keïta . . O O . . C . . . O O . . C . x . x x . x x . x . x x . x x . Sangban O O . . C . . . O . O . C . . . x x . x x . x . x . x . x . x . Dundun ...... O . O . O . O . O . x . x x . x x . x . x . x . x .
Djembé 1 T T S S . . S . T T . S B . S . Djembé 2 B . . S . . T . B . T S T T S . Djembé 3 B . . S . . S T T . T S T T S . Djembé 4 S . S S T T . B S . . S
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SOKO
Soko
Kenkeni . . . O O . . . . O O . . . . O O . . . . O O . X X . X X . X X . X X . X X . X X . X X . X X .
Sangban C C O O O O C C C O O X X . X X . X X . X X . X X . X X . X X . X X .
Dundun O O O O O O O O O O X . X X . X X . X X . X X . X X . X X . X X . X
Djembé 1 S . T S . . S . T S . . S . T S . . S . T S . .
Djembé 2 S . S S T T S . S S T T S . S S T T S . S S T T
Djembé 3 S T T S . S S T T S . S S T T S . S S T T S . S
Solo Accompaniment 1 B T T . S . B S . B S . B T T . S . B S . B S .
Solo Accompaniment 2 S S S . T T S S S B T T S S S . T T S S S B T T
Solo Accompaniment 3 S . S . S . . S . . S . S . S . S . . S . . S .
Solo Accompaniment 4 B S S . S S . S . T T . B S S . S S . S . T T .
Solo Accompaniment 5 . T T . S S . T T . S S . T T . S S . T T . S S
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SOUNOU
Sounou Sounou (Sunu, Sunun) is a rhythm from the Kassouke-people from the Kayes-region in Mali. "It is played as competition-dance-rhythm for young men" (Mamady Keïta). "It 's a popular rhythm dating from the pre colonial era. In that period once lived a pretty girl called Sounou Mamady in the village Sagabari. She was know for her dancing qualities and participated on any dancefestival that was organized. The rhythm is made by the Djembéfola from her village honoring this girl Sounou Mamady. The dance is presented after a good harvest. The girls can practise their grace, beauty and sometimes seduction. For the young men (especially Kaarta) a opportunity to show their strenght and vitality while making all sorts of acrobatic jumps" (Serge Blanc). Now Sounou is a rhythm often played all over West Africa. No wonder there are many interpretations and variations. Some people speak of the "Guinea-Sounou"and the "Mali-Sounou". The difference could involve the placing of a bass-drum-hit on the 7th (Guinea) or 8th (Mali) pulse. Although patterns for the duns can be found for different bassdrums, the melody of these bassdrums together characterize the Sounou melody . In Mali usually only two drums are in used, so the Kenkeni is often added (by the Malinke, who in some areas play with three drums) and in different patterns possible to play.
Call (not standard)
T . T T . T . T T . T . T . . .
f . r l . l . l r . r . r . . .
Source 1: Ushi Billmeyer: "Mamady Keïta, A life for the Djembé" Kenkeni
O . . . O . . . O . . . O . . .
x . x . x . x . x . x . x . x .
Sangban
O . . . . . O . O . . . . . O .
x . x x. . x x . x . x x . x x .
Dundun
O . O O . . C . . . C . C . . O
x . x x. . x x . x . x . x . x x
Djembé 1
T . S S . . S T T . S S B . S T
r . r l . . r l r . r l r . r l
Djembé 2
S . . S S . T T S . . S S . O O
r . . l r . r l r . . l r . r l
Source 2: Jaco Benders / Martin Bernhard during Fankani workshops in '95 (for a group of starting dundun players) Kenkeni 1 (high)
O . . . O . . . O . . . O . . .
x . x . x . x . x . x . x . x .
Kenkeni 2 (low)
O . . . . . O . O . . . . . O .
x . x x. . x x . x . x x . x x .
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SOUNOU
...... O . . . O . O . . .
x . x x . x. x . x . x . x x . x
Dun Dun
O . O O ...... O
x . x x . x x . x . x . x x . x
Source 3: Serge Blanc in the "Le Tambour Djembé" Kenkeni
. . . . O . O . . . . . O . O .
Sangban / Dundun combination
S ...... O . . O . O . . .
D O . o O ...... O
x . x x . x . x. . x. x . x x . x
Djembé 1
T . S S . B S T T . S S b B S T
r . r l . l r l r . r l r l r l
Djembé 2
. . T T . . S S . . T T . . S S
. . r l . . r l . . r l . . r l
Source 4: Mamadou Konte on CD "Drums of Mali" Sangban
O . o O . O . O O . O . O . . O
x . x x . x . x x . x . x x . x
O . . O . . C . . . C . C . . O
x . x x . x x . x . x . x x . x
Source 5: Personal Analysis of CD "Bamakofoli" from Rainer Polak
S O ...... O . . C . C . . O
D . O . O . O ......
x x . x . x . x . x x . x x . x
Source 6: Age Delbance in "Traditional West Africa Rhythms" (from Fred Simpson) Kenkeni
O . . . O . . . O . . . O . . .
x . x .. x . x . x . x . x . x .
Sangban
O . . C . . . O O . . C . . . O
x . x x . x . x x . x x . x . x
Dun Dun (bels a little adjusted)
C . . O O . O . O . O . O . . O
x x . x x . x . x . x . x x . x
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SOUNOU
x . x x . x . x x . x . x . x .
Djembé 1
T . S S B . S T B . S S B . S T
r . r l r . r l r . r l r . r l
Djembé 2
S . . S S . T T S . . S S . O O
r . . l r . r l r . . l r . r l
Source 7: Michael Wall in internet discussion through Dlembe-l mailinglist High Dun
C . . O . O . O . . . . O . O .
x . x x . x . x x . x . x . x .
Low Dun
O . O O . O . O . . C . C . . O
x . x x . x . x x . x . x x . x
Source 8: Michael Wall's analysis of the CD "Donkili, Festival Music Mali (no bells!) Sangban
O . . . O . . . O . . O . . . O
Dundun
O . O O . O . O O . C . C . . O
Source 9: Stephan Rigert: "Djembe Rhythmen aus Mali" Kenkeni
O . . . O . . . O . . O . . . O
Sangban
O . O O . . . C . . C . C . . O
x . x x . x . x x . x . x x . x
Doundoun
. . . O . O . O ......
Sangban variation 1
O . O O . O . O . . C . C . . O
x . x x . x . x x . x . x x . x
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SOUNOU
O . . O . . . C . . C . C . . O
x . x x . x . x x . x . x x . x
Sangban variation 3
O . O O . . . C . . O . O O . O
x . x x . x . x x . x . x x . x
Some more found Djembé patterns: Djembé 1
T . S S . B S T T . S S B . S T
r . r l . l r l r . r l r . r l
Djembé 2
T . S S . B S T T . S S . B S T
r . r l . l r l r . r l . r l r
Break 1
...... B S T T S B
...... r l r l r l
3x
B . B B . T T T S . . S S T . B
r r l . 2 r l r . . l r l . l
B . B B . T T T S . . . B S S S
r r l . 2 r l r . . . l 2 r l
S S S . T T S T T S . . S T T S
r l r . r l r l r l . . r l r f
. S . S . S . S S . . S T T S .
. f . f . f . f f . . r l r f .
T T S T T S T T S . T S T T S .
r l r l r l r l r . r l r l r .
Djembé solo 1; use frases A - D
A ...... B S S S S
...... l 2 r l r
S S . T T S T T S . T S T T S B
l r . l r l r l r . r l r l r l
B . S S . . . . S . T . S . . B
r . r l . . . . d . r . d . . l
B . S S . . T T S . T S T T S B
r . r l . . r l r . r l r l r l
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SOUNOU
B B . S S . . S S T T S . S . . B
r . r l . . r l 2 r l . r . . l
C T S S S S S S S S S S S S S S T
r l r l r l r l r l r l r l r l
D T T S T T S T T S . T S T T S . S
r l r l r l r l r . r l r l r . f
Break (with Duns)
T . T T . T . T T . T . T . . .
f . r l . l . l r . r . r . . .
D ...... O
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TIMITINGOO
Timitingoo
djembe 1 4t,st4tts,4t,st4tts,
djembe 2 4b,b,4tts,4b,tt4s,tt
djembe 3 4b,b,4tts,4b,tt4s,tt
djembe 3 4bbtt4bbtt4b,ss4,,,,
djembe 4 4ssss4ss,s4b,f,4b,f,
log drum 4ttt,4oo,,4t,oo4,,,,
doundounba 4xtx,,_xt4x,,x,,x4tx,,x_tx4,,x,,
sangban 4xt,x,xt4,xtx,,4xt,x,xt4,xtx,,
kenkeni 4xtxt,,4xtxt,,4x,x,,xt4,xt,,
Break (all) 4qt,,qt4,,,,4,,,,4s,,, q4t,,qt4,,,,4,,,,4s,,, 4qt,,qt4,,,,4qt,,qt4,,,, 4qt,tt4,t,t4t,tt4t,,,
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TIRIBA
Tiriba
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WOLIWOLOO
Woliwoloo
djembe 1 4s,s,4,s,s4s,s,4tttt
djembe 2 4b,st4s,bt4b,st4s,bt
duns 4dd,S4,dd,4dd,S4S,,,
bell 4c,c,4oo,,4,,c,4c,oo
log drum 4cc,o4o,o,4cc,o4o,,,
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Y A N K A D I 4
Yankadi 4
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Y A N K A D I 3
Yankadi 3 A Sousou dance of seduction. It is danced during village-festivals, marriages, etc. Yankadi is a slow dance whit boys and girls starting the dance in rows, facing each other. (According to Michael Wall: "In the dance 4 couples at a time dance with each other (and briefly with other partners) and the essential elements are eye contact, flirtatious movements and touching your hand to your partner's heart.") After a break or a whistle the dance can transform into the Macru-dance, which is fast a where the couples dance individually. The dance alternates between the slow Yankadi and the fast Macru. There is a ternary and a binary-version of Yankadi. The word means : "Here things are fine!"
Aaaaay woyahllah, woyallah, wonawally-oh muxu wuhai guma, groupo de mai wufawn ma ma, wonawally-oh
or (same song in another language?) ee waia-la,waia la, wonowalio moe oe che chumba, Kankan nje fonié wofa mama, wonowalio This is a song of welcome and celebration
Tela fa n´ma dugui donkhè ra tela E tela yanfa dununyama mayo tela awa yire Tela dugui donke donfe mufan tela E tela yanfa dununyama mayo tela awa yire
Tailor, give me back the rest of my cloth, It´s not right for you to use the rest of other peoples´s cloth!
Call 1 T . T S . T T . S T . T S . . S . b S S S S . . Call 2 tT . . T . T . . T . . T T . . S . S S . . . . .
Djembé 1 B . . S . S B . T T . . B . . S . . B . T T . . Djembé 2 B . . . . B B . T T . B B . . . . B B . T T . B Djembé 3 S . S T . T S . S . . B S . S T . T S . S . . B
Kenkeni ...... O . O ...... O . . O . . . . . x . x x . x x . x x . x x . x x . x x . x x . x Sangban O . . O . O ...... o . . x . x x . x x . x x . x x . x x . x x . x x . x Dundun O . . . . O O . . . . O O . . . . O O . . . . O x . x x . x x . x x . x x . x x . x x . x x . x
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Y A N K A D I 3
Combination Duns 1 K ...... O . O ...... O . O . . . S . . . O . O ...... O ...... D O ...... O O ...... O x . x x . x x . x x . x x . x x . x x . x x . x Combination Duns 2 K . . . O . O ...... O . . O . . . . . S ...... O O ...... O O . . D O ...... O O ...... O x . x x . x x . x x . x x . x x . x x . x x . x
Djembé solo accompaniment 1 S . B T . T ...... tT . . tT . . S . S . . B Djembé solo 1: phrase 1 (you can alternate these phrases with solo acc. 2) S . T . S . T . S . T . S . T . S . T . S . . T phrase 2 T . S . T . S . T . S . T S S S S S S S S S . T phrase 3 T T T . S S S . T . T T S S S S S S S S S S . T phrase 4 T T T . S S S . T T T . S S S . T T T . S S . T
Djembé solo accompaniment 2 T . T . . S B . T T . . B . . S . . B . T T . . Djembé solo 2: phrase 1 S . S T . S T . T T . T T . . S . . T T T S . S phrase 2 S . . T . . S . . . . S S . S T . T T . S . . . phrase 3 S . . T . . S . . . . S S . S . T T T . S . . B phrase 4 S . S T . S S . S . . B S . S T T T T T T S . .
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M Y R H Y T H M S
My rhythms
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BUGAYAA
Bugayaa
djembe 1 :4bbbb4tttt4bs,,4s,,,;
djembe 2 :4,s,s4s,tt4bs,s4s,t,;
djembe 3 :4__s,,,4_s,,,4ttt,4sss,;
dun duns :4ddd,4S,S,4d,d,4kkk,;
bells :4,o,o4,cc,4,oo,4c,c,;
shaker :4,s,s4s,s,4,s,s4s,s,;
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HETSI
Hetsi
djembe 1 4ttt,4ttt,4t,,,4f,,,
4t,tt4t,tt4t,,,4f,,,
djembe 2 4bt,t4b,t,4f,,,4,,,,
djembe 3 4b,,,4f,,,4b,tt4t,,,
4b,tt4t,b,4t,b,4ttt,
djembe 4 4,s,s4s,s,4,s,s4s,xs,
4,s,s4s,s,4bs,s4b,,,
bells 4c,,c4,,o,4,c,,4c,o,
sangban 1 4x_t,,x,4xt,xt,4x_t,,x,4xt,xt,
sangban 2 4xc,,xc4x,,x_c,4x,c,x,4xc,x_C,
doundounba 4xtxt,x,4x,,,,4xtxt,x,4x,,,,
4xtxt,x,4x,,,,4xt,xt,4xt,x,,
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LUULOO
Luuloo
djembe 1 :5bs,bs5,b,s,;
djembe 2 :5tttts5s,ss,;
djembe 3 :5ss,ss5,tttt;
djembe 4 :5s,bs,5,s,,t;
doundounba :5xt,,x,xt5,xtx,,,;
hand clap :5,s,ss5,s,s,;
bells :5c,c,c5,,o,o;
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NANZULA
Nanzula
djembe 1 :4ttss4,,ss4ttss4,,ss
4ttss4,,ss4bs,s4b,,,;
djembe 2 :4tttt4b,b,4tttt4b,b,
4tttt4b,b,4bs,s4b,,,;
djembe 3 :4,,ss4,ss,4,,ss4,ss,
4,,ss4,ss,4bs,s4b,,,;
dun duns :4dk,k4S,S,4dk,k4S,S,
4dk,k4S,S,4dk,k4_D,kk;
bell :4*s,ss4sss,4*s,ss4s,ss;
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N H A T E R R A
Nha Terra
djembe 1 :3b,,3t,t3b,,3,,,
3b,,3t,t3b,t3,t,;
djembe 2 :3b,,3s,s3b,s3,s,
3b,s3,s,3b,,3s,s;
djembe 3 :3,tt3tt,;
bells :3,o,3oo,3,o,3oo,
3,o,3oo,3c,o3,o,;
dun duns :3d,,3k,S3,,d3k,S
3d,,3k,S3,,d3k,S;
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OTHER RHYTHMS
Other Rhythms
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OTERAI
Oterai
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RHYTHMNAME
RhythmName
Type/Paste rhythm notes here
call 4qt,tt4,t,t4t,ss4s,,,
djembe 1 :4,,,,;
djembe 2 :4,,,,;
djembe 3 :4,,,,;
djembe 4 :4,,,,;
kenkeni :4,,,,;
sangban :4,,,,;
doundounba :4,,,,;
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Performances
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RENDLESHAM STREET FA I R 2 0 1 2
Rendlesham Street Fair 2012
Sofa (me to start) S S K S S K X X . X X . X . X . X . X . X .
Jabber Jabber Djembe - Kpanlogo Jabber-Jabber Djembe D . . . D . . . S . S . K K K .
Kpanlogo D . K K S . K K D . D . S . K K
Djole K K S S S X . X X . X X . X . X . X . X .
M’Balax K . . S . . K . . . S S
Raedwald
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RENDLESHAM JUNE 8TH 2013
Rendlesham June 8th 2013
Timitingoo
Island in the Sun
Kanin doundounba 4xbx,,xb4xb,xb,4xbx,,x,4x,,xb,
Yankadi / Macru doundounba 4xbx,xx,xb4xbx,x,xb4xbx,x,xb4xbx,x,xb
doundounba 4xbxb,xb4xb,x,,4xb,xb,4xb,x,, Senegal Sabar doundounba 3xb,x,3,x,,3xb,x,3,x,, 3xb,x,3,x,,3xb,xb3bxb, kenkeni 3x,,xt3tx,,3x,,xt3tx,,
Shiko djembe 1 4t,t,4b,b,4t,t,4bb,, djembe 2 4b,,,4b,t,4b,,,4b,t, djembe 3 4b,ss4b,ss4b,ss4tt,, djembe 4 4t,tt4,tt,4s,ss4,ss, bell 4c,,c4,,c,4,,c,4c,,,
bell 4c,cc4,cc,4c,cc4,cc,
bells 4ccoo4ccoo4ccoo4ccoo
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