Book Commercial SS 2021 02 Golden Ref :1398 Chris Robe : Couverture Golden Ref :648Bidard Debardeur Tie Anddyealgae Ref :420Rica Short

Total Page：16

File Type：pdf, Size：1020Kb

Book Commercial SS 2021 02 Golden Ref :1398 Chris Robe : Couverture Golden Ref :648Bidard Debardeur Tie Anddyealgae Ref :420Rica Short

Book commercial SS 2021 Couverture : Robe Debardeur Short Robe 0 2 Ref : 1398 Chris Ref : 420 Rica 3 0 Ref : 648 Bidard Ref : 1398 Albo Golden Golden Tie and Dye Algae Spice Top Jupe 0 4 5 0 Ref : 108 Norvège Ref : 8912 Mink Rain Orange Tee shirt Jupe Sweat sans manches Short 0 6 7 0 Ref : 648 Taj ref : 108 Bruna Ref : 420 Bali Ref : 420 Rica Pouder Spice Tie and Dye Noir Tie and Dye Noir Chemise Tee shirt Jupe Chemise Tee shirt Jupe 0 8 Ref : 108 Labra Ref : TH Bora Ref : 108 Labra Ref : TH Bora 9 0 Ref : 165 Kane Ref : 165 Kane Algae Spice Tie and Dye Algae Algae Spice Tie and Dye Algae Tee shirt Jupe 10 Ref : 648 Plata Ref : 108 Bruna Plume Blue Robe Robe 13 12 Ref : 648 Manteca Ref : 648 Manteca Stripe Noir Stripe Noir Robe 15 14 Ref : 108 Bass Tie and Dye Dark Robe Tee shirt 17 16 Ref : 108 Bass Ref : 648 Oleron Tie and Dye Dark Stripe Blanc Top Jupe Chemise Jupe Ref : 108 Belt 19 18 Ref : 1398 Ticao Ref : 8912 Anda Ref : 648 Claudia Biche Orange Golden Lizar Valentine : Axelle : Tee shirt Jupe Debardeur Short Ref : 3047 Saline Ref : 3047 Maoon 420 Rica 21 20 Ref : TH Bora Print : La Vie - Noir Stripe blanc Print : La Vie - Off white Tie and dye noir Chemise Short 23 Ref : 108 Labra Ref : 420 Rica Limoges Tie and Dye Algae Tee shirt Jupe Debardeur 25 24 Ref : 648 Plata Ref : 8912 Anda Ref : 6822 Maroon Lizar Orange Dégradé 1 Robe Robe 27 26 Ref : 108 Bristol Ref : 108 Bristol Tie and Dye Noir Tie and Dye Noir Valentine : Axelle : Tee shirt Jupe Robe Robe Ref : 108 Malaga Ref : 648 Marge 29 28 Ref : 648 Bone Ref : 8729 Eddi Tie and Dye Noir 226 Tie and Dye Dark Tie and Dye Plume Axelle : Valentine : Top short Robe Robe Ref : 108 Oman Ref : 648 Manteca 31 30 420 Rica Ref : TH Sulu Hole Tie and dye Plume Plume Rain Valentine : Axelle : Tee shirt Jupe Robe Robe Ref : 108 Kara Ref : 648 Botie 33 32 Ref : 6822 Saline Ref : 648 Claudia Print : Simple Life - Blanc Tie and Dye Dark Algae Golden Chemise Jupe 35 34 Ref : 1398 Will Ref : 648 Claudia Tie and Dye Dark Tie and Dye Dark Valentine : Axelle : Top Jupe Robe Robe Ref : TH Sulu Ref : 1398 Albo 37 36 Ref : 108 Norvège Ref : 8912 Mink Rain Orange Rain Spice Valentine : Axelle : Chemise Short Sweat sans manches Short Tee shirt Jupe Ref : 420 Bali Ref : 420 Rica Ref : 6822 Tomini Ref : TH bora 39 38 Ref : 8912 Davis Ref : 420 Rica Orange Tie and Dye Noir Tie and Dye Dark Tie and Dye Dark Print : Simple Life - Blanc Blanc Valentine : Axelle : Robe Robe 41 40 Ref : 8912 Dion Ref : 648 Bafin Orange Tie and Dye Dark Valentine : Axelle : Robe Top short Debardeur Ref : 648 Manteca Ref : 108 Oman 43 42 420 Rica Ref : 6822 Maroon Plume Hole Tie and dye Plume Tie and Dye 1 Robe Robe 45 44 Ref : 648 Manteca Ref : 1398 Bass Limoges Tie and Dye Dark Valentine : Axelle : Top Jupe Robe Robe Ref : 108 Troy Ref : 108 Troy 47 46 Ref : 108 Norvège Ref : 8912 Mink Rain Orange Golden Biche Valentine : Axelle : Robe Robe Ref : 1398 Java Ref : 8912 Ceram 49 48 Rain Orange .

Copy Link

Recommended publications

The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
[Show full text]
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identiﬁ ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.
[Show full text]
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
[Show full text]
Final 2014-2018 Anuran and Marsh Bird
Beneficial Use Impairment Removal Project Niagara River Area of Concern Marsh Anuran and Avian Population Monitoring Work Plan: 2014-2018 Final: January 13, 2014 Beneficial Use Impairment Removal Project Niagara River Area of Concern Marsh Anuran and Avian Population Monitoring Work Plan: 2014-2018 FINAL – January 13, 2014 Prepared for: United States Fish and Wildlife Service (USFWS) New York Field Office (NYFO) 3817 Luker Road Cortland, NY 13045 New York State Department of Environmental Conservation (NYSDEC) 270 Michigan Avenue Buffalo, NY 14203 Prepared by: NewEarth Ecological Consulting, LLC 169 Watson Mill Road Saco, ME 04072 207.286.3259 TABLE OF CONTENTS Section Page 1.0 Introduction ......................................................................................................................... 1 1.1 Background ...................................................................................................................... 1 1.2 Study Area ........................................................................................................................ 1 2.0 Survey Information Sources ............................................................................................... 3 3.0 Methods............................................................................................................................... 3 3.1 Marsh Anuran Sampling Design ...................................................................................... 3 3.1.1 Survey Routes ..........................................................................................................
[Show full text]
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
[Show full text]
French AP2 Revision Booklet
French AP2 Revision booklet Name:____________________________________________ This booklet is to help you revise for your French AP2 assessment. You will have a reading and a writing paper. Reading paper revision For the reading paper, you will need to revise: ❖ Clothes and colours ❖ Present tense verbs ❖ Rooms in the house ❖ Countries ❖ Opinions and justifications about clothes Complete the following tasks without using your exercise book. Then, self-mark your answers with a green pen, using your exercise book to help you. Task 1: Write the English translations for the phrases below 1. Une jupe rose _________________________________________ 2. Des baskets bleues_________________________________________ 3. Une veste orange_________________________________________ 4. Un jogging violet_________________________________________ 5. Une robe jaune_________________________________________ 6. Un jean bleu_________________________________________ 7. Un pantalon rouge_________________________________________ 8. Une chemise blanche_________________________________________ 9. Un tee-shirt blanc_________________________________________ 10. Des chaussures noires_________________________________________ 11. Un pull orange_________________________________________ 1 French AP2 Revision booklet Task 2: Read the text below then answer the following questions in English Bonjour ! Je m’appelle Luc. J’habite En France, à Paris. J’habite dans une petite maison. Dans ma maison, au rez-de-chaussée, il y a un salon, une cuisine, une salle à manger mais il n’y pas de toilette. Au premier étage, il y a deux grandes chambres, il y a un bureau. Au deuxième, Il n’y pas de grenier. Au sous-sol, Il y a une cave. Dehors, Il y a grand jardin. Je déteste ma maison, je pense que ce n’est pas moderne et confortable. J’adore les vêtements ! Normalement, je porte un pantalon bleu avec un pull blanc, un tee-shirt vert, des chaussettes brunes et des baskets bleues.
[Show full text]
Shopping for Clothes [1 / 2] - Using Quel/Quelle/Quels/Quelles
French Shopping for clothes [1 / 2] - Using quel/quelle/quels/quelles Mademoiselle Martin Phonétique [ qu ] ? question [ qu ] quatre manquer [to miss, be missing] musique [ ou ] nous [ ou ] trouver toujours [always; still] jouer Vocabulaire je voudrais I would like les vêtements clothes la taille size la pointure shoe size les cabines d’essayage changing rooms essayer to try un pantalon trousers une jupe a skirt des chaussettes (f) socks des chaussures (f) shoes Grammaire - Using quel/quelle/quels/quelles Interrogative adjectives Interrogative adjectives are how we say ‘what’ or ‘which’. In French they change depending on whether we are describing a masculine, feminine, singular or plural noun. Quel pull ? = Which jumper? Quelle jupe? = Which skirt? Quels gants? = Which gloves? Quelles robes ? = Which dresses? Interrogative adjectives Remember - we change the interrogative adjective based on whether the noun we are describing is masculine, feminine, singular or plural. Whether you are masculine or feminine doesn’t matter. Quel pull? = Which jumper? Quels gants? = Which gloves? Quelle jupe? = Which skirt? Quelles robes ? = Which dresses? Interrogative adjectives Interrogative adjectives are how we say ‘what’ or ‘which’. In French they change depending on whether we are describing a masculine, feminine, singular or plural noun. Singular Plural Masculine Quel Quels Feminine Quelle Quelles Interrogative adjectives replace the article (le,la,les or un,une,des) Shopping for clothes [1 /2] 1. What are the four words for what/which Quel, quelle, quels, quelles in French? 5 2. The word you need depends on whether Masculine, feminine, 4 you are describing a ………. noun singular or plural 3 3. I would like = Je voudrais 2 4.
[Show full text]
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
[Show full text]
Supernatural Folklore of Rhode Island
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1956 Supernatural Folklore of Rhode Island Eidola Jean Bourgaize University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Bourgaize, Eidola Jean, "Supernatural Folklore of Rhode Island" (1956). Open Access Master's Theses. Paper 909. https://digitalcommons.uri.edu/theses/909 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. ·. r1 t0IS COLl. SUPERNATURAL FOLKLORE OF RHODE ISL... l\ND BY EIDOLA J EAN BOURGAIZE A THES IS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH I t J, ) II/, I l'I \' I, r I •I ,1 1 11 I I ( UNIVERSITY OF RHODE ISLAND 1956 ~L\S TER OF ARTS THESIS OF EI DOLA J EAN BOURGAIZE Approved: Ma j or Professor _.....,C::__._..a""""""".... d~""""""jfr.:.....-....;;;G,:-.+-~~~'-='· """""""""'"------ Head of Department ~ ~~c::~ UNIVERSITY OF RHODE ISL.AND 1956 ABSTRACT Although folklore has attra cted nati on-wide atten tion in the past forty years, the task of coll ecting folk material peculia r to Rho de Island has been neglected. Several recently-published volumes have included small portions of Rhode Island folklore, but this amount has been very limited. In the past one hundred years a number of individuals have s hown interest in one particular town or section of the sta te and have gat hered material p erti nent t o their cause.
[Show full text]
Fashion, Fiction, and Femininity in Second Empire France
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Designing Women: Fashion, Fiction, and Femininity in Second Empire France Sara Frances Phenix University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Other Languages, Societies, and Cultures Commons, and the Women's Studies Commons Recommended Citation Phenix, Sara Frances, "Designing Women: Fashion, Fiction, and Femininity in Second Empire France" (2013). Publicly Accessible Penn Dissertations. 911. https://repository.upenn.edu/edissertations/911 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/911 For more information, please contact [email protected]. Designing Women: Fashion, Fiction, and Femininity in Second Empire France Abstract This dissertation explores the role of fashion and fashion journal discourse in some of the most widely read French novels of the nineteenth century: Gustave Flaubert's Madame Bovary (1857), Ã?mile Zola's La CurÃ©e (1871), and Edmond de Goncourt's ChÃ©rie (1884). As access to popular styles and fashion magazines became increasingly democratized over the course of the nineteenth century, Second Empire Paris, with its new public parks, cafÃ©s, and amusements, became the locus of an unprecedentedly visual culture. Though fashion has often been considered a feminine frivolity in scholarly circles, I argue for its importance in the Second Empire as economic engine, powerful political tool, and visual signifier of social status. The rising significance of fashion in nineteenth-century French cultural life is paralleled by an increased interest in la mode in male-authored realist and naturalist texts. In the decline and dissolution of their respective heroines, I explore how Flaubert, Zola, and Goncourt thematize and problematize the kind of gaze that fashion elicits.
[Show full text]
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Undressed: Undergarments as Cultural Limina in Eighteenth-Century France Permalink https://escholarship.org/uc/item/64d1d4r3 Author Pfiefer, Emily Catherine Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Undressed: Undergarments as Cultural Limina in Eighteenth-Century France A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Emily Catherine Pfiefer December 2014 Dissertation Committee: Dr. Randolph Head, Chairperson Dr. Heidi Brevik-Zender Dr. Thomas Cogswell Dr. Dana Simmons Copyright by Emily Catherine Pfiefer 2014 The Dissertation of Emily Catherine Pfiefer is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would not have been able to complete this doctoral dissertation without the help and support of the generous people around me. I would like to express my deepest gratitude to my advisor, Dr. Randy Head, for his excellent guidance, caring, and wisdom. His support and enthusiasm for my study was a continual source of motivation. The advice and insights of my dissertation committee members, Dr. Heidi Brevik-Zender, Dr. Tom Cogswell, and Dr. Dana Simmons, have been invaluable on both an academic and a personal level, for which I am extremely grateful. A special thanks to Heidi for her friendship and for including me in her museum visits and dinner parties in Paris. Many thanks to all of my fellow graduate students and friends—those who have moved on as well as those who continue to persevere in their studies.
[Show full text]
& Royal Ceremonies
court pomp & royal ceremonies Court dress in Europe 1650 - 1800 31 march to 28 june 2009 2 Contents Foreword by Jean-Jacques Aillagon 3 A word from Karl Lagerfeld 5 A word from the commissioners 6 Press release 9 Tour of the exhibition 10 exhibition floor plan 11 French royal costume 12 The coronation and the royal orders 14 weddings and State ceremonies 16 the “grand habit” 18 religious pomp 20 The king’s day 21 fashion and court costume 23 scenography 25 exhibition catalogue 28 annexes 31 Glossary 32 Around the exhibition 37 Practical information 39 List of visuals available for the press 40 exhibition’s partners 42 43 44 3 Foreword by Jean-Jacques Aillagon Versailles remains the most dazzling witness to court life in Europe in the 17th and 18th century. It was here between the walls of this palace that the life of the monarch, his family and his court was concentrated, bringing together almost all of what Saint-Simon called “la France”, its government and administration, and creating a model that was to impose its style on all of Europe. While this model derived many of its rules from older traditions, notably those of the court of Bourgogne exalted by the court of Spain, it was under Louis XIV, “the greatest king on earth”, in Versailles, that the court and hence the codes of court life acquired that singular sumptuousness designed to impress ordinary mortals with the fact that the life lived around their monarch was of a higher essence than that of other mortals, however powerful, noble and rich they might be.
[Show full text]