Long John Silver's

Total Page:16

File Type:pdf, Size:1020Kb

Long John Silver's NET LEASE INVESTMENT OFFERING LONG JOHN SILVER’S (Ground Lease) 1210 Park Avenue West Mansfield, OH 44906 TABLE OF CONTENTS TABLE OF CONTENTS I. Executive Profile II. Location Overview III. Market & Tenant Overview Executive Summary Photographs Demographic Report Investment Highlights Aerial Market Overview Property Overview Site Plan Tenant Overview Map NET LEASE INVESTMENT OFFERING DISCLAIMER STATEMENT DISCLAIMER The information contained in the following Offering Memorandum is proprietary and strictly confidential. STATEMENT: It is intended to be reviewed only by the party receiving it from The Boulder Group and should not be made available to any other person or entity without the written consent of The Boulder Group. This Offering Memorandum has been prepared to provide summary, unverified information to prospective purchasers, and to establish only a preliminary level of interest in the subject property. The information contained herein is not a substitute for a thorough due diligence investigation. The Boulder Group has not made any investigation, and makes no warranty or representation. The information contained in this Offering Memorandum has been obtained from sources we believe to be reliable; however, The Boulder Group has not verified, and will not verify, any of the information contained herein, nor has The Boulder Group conducted any investigation regarding these matters and makes no warranty or representation whatsoever regarding the accuracy or completeness of the information provided. All potential buyers must take appropriate measures to verify all of the information set forth herein. NET LEASE INVESTMENT OFFERING EXECUTIVE SUMMARY EXECUTIVE The Boulder Group are pleased to exclusively market for sale a single tenant ground leased Long John Silver’s SUMMARY: property located in Mansfield, Ohio. The property is strategically located along a primary east-west thoroughfare and is an outparcel to a Kroger and Hobby Lobby anchored shopping center. Long John Silver’s is committed to this location as evidenced by their recent lease extension and over 44 year operating history at the location. The ground lease features rental escalations in the primary term as well as no landlord responsibilities. The lease is guaranteed by Performance Food Corp. The current rent is $40,000 annually, which is well below market rent. This is a well performing store for Long John Silver’s with store sales approximately 40% higher than the brand average. The 2,178 square foot restaurant had a full interior and exterior remodel in 2017 bringing the property to the current Long John Silver’s imaging standard. The property is an outparcel to a Kroger and Hobby Lobby anchored shopping center. The Long John Silver’s parcel is located along Park Avenue West which experiences traffic volume in excess of 15,000 vehicles per day. Retailers in the area include Walmart Supercenter, Home Depot, Lowe’s, Sam’s Club Walgreens, Chase, CVS, and Richland Mall (JCPenney, Macy’s & Sears). Immediately east of the property is Mansfield Senior High School with an enrollment of 1,389 students. There are approximately 12 years remaining on the Long John Silver’s ground lease which expires June 30, 2030. The ground lease features $4,000 rental escalation every 5 years with the next escalation on July 1, 2020. Long John Silver’s is the world’s most popular quick-service seafood chain serving nearly four million customers each week. The brand is at a three-year high on customer satisfaction and brand awareness is at 86%. With 1,100+ units in 43 states and two countries outside of the U.S. the brand has $530 million in annual sales and 28,000 global employees. NET LEASE INVESTMENT OFFERING INVESTMENT HIGHLIGHTS INVESTMENT • Long John Silver’s is committed to this location as evidenced by their recent lease extension HIGHLIGHTS: • Over 44 year operating history at the location • Extremely low ground rent of $40,000 annually • Strong location with store sales approximately 40% over the brand average • No remaining renewal options • Strategically located along a primary east-west thoroughfare and is an outparcel to a Kroger and Hobby Lobby anchored shopping center • Full interior and exterior remodel in 2017 • Ground lease with zero landlord responsibilities • Rental escalations every 5 years • Retailers in the area include Walmart Supercenter, Home Depot, Lowe’s, Sam’s Club Walgreens, Chase, CVS, and Richland Mall (JCPenney, Macy’s & Sears) • Immediately east of Mansfield Senior High School with an enrollment of 1,389 students NET LEASE INVESTMENT OFFERING PROPERTY OVERVIEW PROPERTY Price: $666,667 OVERVIEW: Cap Rate: 6.00% Rent Schedule: NOI Escalation Date Increase $40,000 $44,000 7/1/2020 10.00% $50,000 7/1/2025 13.64% Renewal Options: None Lease Expiration Date: June 30, 2030 Tenant: Performance Food Corp d/b/a Long John Silver’s Lease Type: Ground Lease Building Size: 2,178 SF Land Size: 1.22 Acres NET LEASE INVESTMENT OFFERING PHOTOGRAPHS NET LEASE INVESTMENT OFFERING AERIAL NET LEASE INVESTMENT OFFERING SITE PLAN NET LEASE INVESTMENT OFFERING MAP NET LEASE INVESTMENT OFFERING DEMOGRAPHIC REPORT DEMOGRAPHIC Population 1-Mile 3-Mile 5-Mile REPORT: Total Population 4,362 37,620 66,989 Total Households 2,079 16,321 26,808 Income 1-Mile 3-Mile 5-Mile Average Household Income $47,157 $52,870 $54,997 NET LEASE INVESTMENT OFFERING MARKET OVERVIEW MARKET Mansfield, Ohio OVERVIEW: Mansfield is a city in and the county seat of Richland County, Ohio, United States. Located midway between Columbus and Cleveland via Interstate 71, it is part of Northeast Ohio and North-central Ohio regions in the western foothills of the Allegheny Plateau. The city lies approximately 65 miles northeast of Columbus, 65 miles southwest of Cleveland and 91 miles southeast of Toledo. The city was founded in 1808 on a fork of the Mohican River in a hilly region surrounded by fertile farmlands, and became a manufacturing center owing to its location with numerous railroad lines. After the decline of heavy manufacturing, the city’s economy has since diversified into a service economy, including retailing, education, and healthcare sectors. The 2010 Census showed that the city had a total population of 47,821, making it Ohio’s nineteenth largest city. The city anchors the Mansfield Metropolitan Statistical Area (MSA), which had a population of 124,475 residents in 2010, while the Mansfield–Bucyrus, OH Combined Statistical Area (CSA) had 221,398 residents. NET LEASE INVESTMENT OFFERING TENANT OVERVIEW TENANT Long John Silver’s OVERVIEW: Long John Silver’s is a United States-based fast-food restaurant chain that specializes in seafood. The brand’s name is derived from the novel Treasure Island by Robert Louis Stevenson, in which the pirate “Long John” Silver is one of the main characters. Formerly a division of Yum! Brands, Inc., the company was divested to a group of franchisees in 2011. The first restaurant was opened on August 18, 1969, in Lexington, Kentucky. Long John Silver’s food offerings include platters, sandwiches, and various single items. The platters feature seafood as the main item, with side dishes consisting of coleslaw, hushpuppies, corn, green beans, and French fries (chips) or batter-fried onion rings. Long John Silver’s is the world’s most popular quick-service seafood chain serving nearly four million customers each week. The brand is at a three-year high on customer satisfaction and brand awareness is at 86%. Website: www.ljsilvers.com Type: Private Founded: 1969 Number of Locations: 1,100+ Headquarters: Louisville, Kentucky Performance Food Corporation Performance Foods owns and operates restaurants under the brand Long John Silvers since 1981. The company operates as a franchisee for 37 locations in Ohio, West Virginia and Pennsylvania. The Mansfield location is in the top 20 of all Long John Silver’s stores system wide. NET LEASE INVESTMENT OFFERING Randy Blankstein President 847.562.0003 [email protected] Jimmy Goodman Partner 847.562.8500 [email protected] 3520 Lake Avenue, Suite 203 Wilmette, IL 60091 www.bouldergroup.com.
Recommended publications
  • Treasure Island by Robert Louis Stevenson Adapted by Bryony Lavery
    TREASURE ISLAND BY ROBERT LOUIS STEVENSON ADAPTED BY BRYONY LAVERY DRAMATISTS PLAY SERVICE INC. TREASURE ISLAND Copyright © 2016, Bryony Lavery All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of TREASURE ISLAND is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for TREASURE ISLAND are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to United Agents, 12-26 Lexington Street, London, England, W1F 0LE.
    [Show full text]
  • Privateering and the Revolt of the Netherlands: the Watergeuzen Or Sea Beggars in Portsmouth, Gosport and the Isle of Wight 1570-71
    Proc. Hampsh. Field Club Archaeol. Soc. 47, 1991, 171-180 PRIVATEERING AND THE REVOLT OF THE NETHERLANDS: THE WATERGEUZEN OR SEA BEGGARS IN PORTSMOUTH, GOSPORT AND THE ISLE OF WIGHT 1570-71 ByM] FRENCH ABSTRACT Flanders from where it spread to most of the other provinces. As a result of the assault on The purpose of this study is to examine English relations with the churches the governing classes rallied the Dutch Watergeuzen or Sea Beggars by reference to a behind the government in Brussels, which survey of shipping in the ports of Hampshire dated 24 July gradually regained the initiative. 1570 and a letter from Sir Henry Radeclyjf, the Captain of By the early spring of 1567 the forces of the Portsmouth, to the Privy Council dated 21 May 1571, both in government had easily suppressed the last the Public Record Office, London. These documents tell of the pockets of Calvinist resistance. Large numbers Sea Beggars' presence on the Hampshire coast in the early of those implicated in the political and relig­ years of the tumults that became known as the Revolt of the Netherlands or the Eighty Years' War. The letter of 21 May ious disturbances fled abroad to Germany and 1571, which throws light on the close links formed by certain England. Foremost among those who left at Englishmen with the Sea Beggars, is significant since these this time was William of Nassau, Prince of privateers by their very nature did not tend to leave detailed Orange (1533-84), the leading nobleman in accounts of their activities.
    [Show full text]
  • The Mysterious Island by Jules Verne 1874 PART 1--DROPPED from the CLOUDS
    The Mysterious Island by Jules Verne 1874 PART 1--DROPPED FROM THE CLOUDS Chapter 1 "Are we rising again?" "No. On the contrary." "Are we descending?" "Worse than that, captain! we are falling!" "For Heaven's sake heave out the ballast!" "There! the last sack is empty!" "Does the balloon rise?" "No!" "I hear a noise like the dashing of waves. The sea is below the car! It cannot be more than 500 feet from us!" "Overboard with every weight! . everything!" Such were the loud and startling words which resounded through the air, above the vast watery desert of the Pacific, about four o'clock in the evening of the 23rd of March, 1865. Few can possibly have forgotten the terrible storm from the northeast, in the middle of the equinox of that year. The tempest raged without intermission from the 18th to the 26th of March. Its ravages were terrible in America, Europe, and Asia, covering a distance of eighteen hundred miles, and extending obliquely to the equator from the thirty-fifth north parallel to the fortieth south parallel. Towns were overthrown, forests uprooted, coasts devastated by the mountains of water which were precipitated on them, vessels cast on the shore, which the published accounts numbered by hundreds, whole districts leveled by waterspouts which destroyed everything they passed over, several thousand people crushed on land or drowned at sea; such were the traces of its fury, left by this devastating tempest. It surpassed in disasters those which so frightfully ravaged Havana and Guadalupe, one on the 25th of October, 1810, the other on the 26th of July, 1825.
    [Show full text]
  • Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature
    Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Stephen Best, Chair Professor Kathleen Donegan Professor Nadia Ellis Professor Karl Britto Spring 2018 1 Abstract Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson Doctor of Philosophy in English University of California, Berkeley Professor Stephen Best, Chair My dissertation, “Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature,” foregrounds an archival pursuit in which recovery is deprioritized. Crucial to this study is an archival paradox: Maroons absented themselves from the printed record, eschewed the position of author, only to be figured and represented by others who, expectedly, struggled with the depiction of a practice they could not know firsthand. The intentional erasure of “traces” by maroons was necessary to the successful practice of marronage. The project is organized around four “maroon objects”—the portrait, the fetish, the epaulette, and the hatchet—that recur in historical representations concerning maroons. These maroon objects mediate maroon subject and text. My first chapter, “Maroon Portraits,” examines the circulating narratives of La Mulâtresse Solitude of Guadeloupe. Solitude sits for a portrait that is continuously painted, as artists insist on producing visual images in tension with the long textual record that precedes them. Chapter Two, “Maroon Fetishes,” reads the proliferation of fetishes in Le Macandal by Marie Augustin and other iterations of the story of Haitian Maroon leader François Macandal.
    [Show full text]
  • Long John Silver's
    Representative Photo Offering Memorandum Long John Silver’s 3550 Isleta Boulevard SW | Albuquerque, NM 87105 Confidential Disclaimer This Confidential Memorandum has been prepared by Stan Johnson Company (“SJC”) and is being furnished to you solely for the purpose of your review of the commercial property located at 3550 Isleta Boulevard, SW, Albuquerque, NM 87105 (the “Property”). The material contained in this Offering Memorandum shall be used for the purposes of evaluating the Property for acquisition and shall not be used for any purpose or made available to any other person without the express written consent of Stan Johnson Company (“Broker”). Offered Exclusively by By accepting the Confidential Memorandum, you acknowledge and agree that: (1) all of the information contained herein and any other information you will be receiving in connection with this transaction, whether oral, written or in any other form (collectively, the “Materials”), is confidential; (2) you will not reproduce the Confidential Amar Goli Memorandum in whole or in part; (3) if you do not wish to pursue this matter, you will return this Confidential Associate Director Memorandum to SJC as soon as practicable together with all other materials relating to the Property which you [email protected] may have received from SJC; and (4) any proposed actions by you which are inconsistent in any manner with the P: +1 213.417.9378 foregoing agreements will require the prior written consent of SJC. This Confidential Memorandum has been prepared by SJC, based upon certain information pertaining to the Sam Alison Property and any information obtained from SJC to assist interested parties in making their own evaluation of Regional Director - West the Property is offered on a no representation or warranty provision other than customary warranties of title [email protected] and is sold on an “as-is, where-is” basis and with all faults.
    [Show full text]
  • Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
    YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular.
    [Show full text]
  • Leaving the Mm:J.In to Ply About Lundy, for Securing Trade
    Rep. Lundy Field Soc. 4 7 IN THE SHADOW OF THE BLACK ENSIGN: LUNDY'S PART IN PIRACY By C.G. HARFIELD Flat 4, 23 Upperton Gardens, Eastboume, BN21 2AA Pirates! The word simultaneously conjures images of fear, violence and brutality with evocations of adventure on the high seas, swashbuckling heroes and quests for buried treasure. Furthermore, the combination of pirates and islands excites romantic fascination (Cordingly 1995, 162-6), perhaps founded upon the popular and sanitised anti-heroes of literature such as Long John Silver and Captain Hook (Mitchell discusses how literature has romanticised piracy, 1976, 7-10). This paper aims to discover, as far as possible, the part Lundy had to play in piracy in British waters, and to place that in perspective. The nature of the sources for piracy around Lundy will be discussed elsewhere (Harfield, forthcoming); here the story those sources tell is presented. It is not a story of deep-water pirates who traversed the oceans in search of bullion ships, but rather an illustration of the nature of coastal piracy with the bulk of the evidence coming from the Tudor and Stuart periods. LUNDY AS A LANDMARK IN THE EVIDENCE The majority of references to Lundy and pirates mention the island only as a landmark (Harfield, forthcoming). Royal Navy ships are regularly recorded plying the waters between the Scilly Isles, Lundy and the southern coasts of Wales and Ireland (see fig. I) with the intention of clearing these waters of pirates, both British and foreign. For instance, Captain John Donner encountered English pirates ':fifteen miles distant from Lundy Isle" in April 155 7 (7.3.1568, CSP(D)).
    [Show full text]
  • VIKING AGE SILVER HOARDS in IRELAND Regional Trade and Cultural Identity
    VIKING AGE SILVER HOARDS IN IRELAND Regional trade and cultural identity Linn Marie Krogsrud Master’s thesis in Archaeology Department of Archaeology, Conservation and History University of Oslo Autumn 2008 Cover image: Unlocalized mixed hoard from Antrim c. AD 910 (after Sheehan 2001:54; with courtesy of Ulster Museum, Belfast) Acknowledgements First, I would like to thank my supervisor Lotte Hedeager for her constructive support and optimism. She has made this thesis seem, at times, almost easy to write. Secondly, my other supervisor Stephen Harrison deserves much credit for all his help: his knowledge of Viking Age Ireland and supply of hand-outs have been invaluable. A warm thank you also goes to Julie Lund for stepping in for Lotte. John Sheehan and Charles Doherty willingly shared their ideas and off-prints with me, for which I am very grateful. I would also like to thank Dr. Colmán Etchingham for his bibliography tips, and Unn Pedersen for providing me with the article on Woodstown. A special thank you goes to Zanette T. Glørstad for leading me to the Viking Age silver hoards and for supplying me with one of her articles. Many thanks go to Herdis Hølleland and Tale Marthe Dæhlen for proof-reading the final draft of the thesis. All the students at Blindernveien 11 deserve thanks for all the non-academic conversations in the lunch room, especially Anna Alexandra Myrer, Grethe Móell Pedersen, Gunnhild Wentzel, Maria Valum, Annette Solberg and Elise Naumann. Irish transplant Joanne Ó Sullivan also deserves credit. At last, I would like to thank my family and my good friends Suzanne Leidl and Anja Steinsland for all their support.
    [Show full text]
  • The Golden Age of Piracy Slideshow
    Golden Age of Piracy Golden Age of Piracy Buccaneering Age: 1650s - 1714 Buccaneers were early Privateers up to the end of the War of Spanish Succession Bases: Jamaica and Tortuga – Morgan, Kidd, Dampier THE GOLDEN AGE: 1715 to 1725 Leftovers from the war with no employment The age of history’s most famous pirates What makes it a Golden Age? 1. A time when democratic rebels thieves assumed sea power (through denial of the sea) over the four largest naval powers in the world - Britain, France, Spain, Netherlands 2. A true democracy • The only pure democracy in the Western World at the time • Captains are elected at a council of war • All had equal representation • Some ships went through 13 capts in 2 yrs • Capt had authority only in time of battle • Crews voted on where the ship went and what it did • Crews shared profit equally • Real social & political revolutionaries Pirate or Privateer? •Privateers were licensed by a government in times of war to attack and enemy’s commercial shipping – the license was called a Letter of Marque •The crew/owner kept a portion of what they captured, the government also got a share •Best way to make war at sea with a limited naval force •With a Letter of Marque you couldn’t be hanged as a pirate Letter of Marque for William Dampier in the St. George October 13, 1702 The National Archives of the UK http://www.nationalarchives.gov.uk/pathways/blackhisto ry/journeys/voyage_html/docs/marque_stgeorge.htm (Transcript in Slide 57) The end of the War of Spanish Succession = the end of Privateering • Since 1701
    [Show full text]
  • Proto-Cinematic Narrative in Nineteenth-Century British Fiction
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor,
    [Show full text]
  • Teacher Guide Page Ii
    Page i Table of Contents How to Use Lightning Literature & Composition for Grade 8. Page 1 Student Guide Welcome to Lightning Literature . Page 1 Introductions/While You Read . Page 1 Vocabulary Lists. Page 1 Comprehension Questions. Page 2 Literary Lessons. Page 2 Mini-Lessons . Page 3 Writing Exercises . Page 3 Workbook . Page 4 Discussion Questions . Page 5 Why Use Lightning Literature & Composition for Grade 8 . Page 5 The Importance of Reading . Page 5 Reading Poetry . Page 6 The Importance of Writing . .. Page 7 Weekly Planning Schedule . Page 8 Chapter One: “A Crazy Tale” by G. K. Chesterton (Stories & Poems for Extremely Intelligent Children) . Page 15 Answers to Comprehension Questions . Page 17 Literary Lesson: Author’s Purpose. Page 17 Mini-Lesson: Taking Notes . Page 18 Writing Exercises . Page 18 Discussion Questions. Page 19 Workbook Answers. Page 19 Table of Contents—Lightning Lit & Comp 8th Grade—Teacher Guide Page ii Chapter Two: Robert L. Stevenson (Treasure Island) . Page 25 Answers to Comprehension Questions . Page 27 Literary Lesson: Setting. Page 33 Mini-Lesson: Rewriting in Your Own Words. Page 33 Writing Exercises . Page 34 Discussion Questions. Page 34 Workbook Answers. Page 35 Chapter Three: Vivid Imagery in Poetry (Stories & Poems for Extremely Intelligent Children). Page 41 Answers to Comprehension Questions . Page 43 Literary Lesson: Vivid Imagery in Poetry . Page 44 Mini-Lesson: Free Verse and Ballad . Page 45 Writing Exercises . Page 46 Discussion Questions. Page 46 Workbook Answers. Page 47 Chapter Four: Isaac B. Singer (A Day of Pleasure) . Page 53 Answers to Comprehension Questions . Page 55 Literary Lesson: Sharing Your Culture . Page 59 Mini-Lesson: Rewriting Your Own Words .
    [Show full text]
  • The Strange and Wondrous Tale of Bill Constable & the Cinemascope Pirates of Pagewood
    1 “AAARRRHH THERE MATEY!” - The Strange and Wondrous Tale of Bill Constable & the Cinemascope Pirates of Pagewood... by Bob Hill, Oct 2018 In early 1954... and a world away from the dense urban spread of today’s Sydney... the southern suburb of Pagewood was little more than wind blasted sand hills and scrub encroached upon by rows of hastily thrown up brick bungalows, a couple of isolated factories and a desolate bus depot. In the middle of this literal and figurative wasteland, a strange enterprise was taking place in Australia’s only purpose-built film studio complex - the making of “Long John Silver”, a Hollywood style blockbuster replete with imported stars, executives and key technicians in all the Heads of Department roles... that is, all except for their Production Designer, a middle aged Australian about to make his first foray into film! 2 1. Hollywood in the Sand Hills Pagewood studios, 1954 - then named “Television City”, 2 years before TV arrived in Australia! (NSW State Library) “Television City seems to have borrowed its architectural inspiration from Long Bay Gaol...” ‘Pagewood’ is the great lost studio of Australian film-making: As Wikipedia explains... The studio was built in 1935 for National Productions by National Studios Ltd, it was originally known as National Studios. It was constructed for the presumed increase in production that most observers thought would result in Australia following introduction of the NSW Film Quota Act... They were the first new film studios built in Australia since 1912. Gaumont British helped provide finance and personnel in its construction.1 The Quota Act was never enforced and instead of becoming the hub of film production in Sydney, makeshift facilities at Cinesound in Bondi Junction (an old roller skating rink) and Figtree Studios in Lane Cove (a converted picnic ground pavilion) soon eclipsed the better equipped Pagewood studios.
    [Show full text]