The Mysterious Island by Jules Verne 1874 PART 1--DROPPED from the CLOUDS
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RBH Cocktail Menu 6 3 20.Indd
Crafted Cocktails Local Brews RBH MAI TAI 17 LONGBOARD 9 Bacardi Light Rum Lager, Kona Brew Orange Curacao HANALEI ISLAND IPA 9 Lemon Juice Kona Brewing Orgeat Syrup FIRE ROCK 9 ROSE ALL DAY 19 Pale Ale, Kona Brew Grandin Brut Rose BIG WAVE 9 Cîroc Vodka Golden Ale, Kona Brew Aperol Aperitivo WAILUA 9 Strawberry puree, mint Sweet n Sour Wheat Ale, Kona Brew CASTAWAY 9 SPIKED MANGO 18 IPA, Kona Brew Patron Reposado Mango BIKINI BLONDE 9 Fresh Lime Lager, Maui Brew BEACH HOUSE TONIC 19 Bombay Sapphire Gin Wine by the Glass St. Germain Cucumber mint juice BISOL CREDE PROSECCO SUPERIORE, 2017 15/60 Fresh lime juice Fever Tree Tonic Bouquet of wild flowers, followed by fresh apples, pears CHARLES HEIDSIECK BRUT RESERVE,NV,CHAMPAGNE 28/130 KIAWE HEAT 18 Deliciously balanced between the rich white fruits and Del Maguey Vida Mezcal good acidity Grapefruit GRANDIN BRUT ROSE, NV, LOIRE, FRANCE 17/68 Fresh lime juice Elegant, refreshing with hints of red berry fruit Housemade jalapeño syrup Pinch of Hawaiian sea salt CHATEAU GASSIER ESPRIT ROSE, 2017 16/64 Bright red stoned fruit, fresh and balanced Specialty Mocktails ANDRIAN, PINOT GRIGIO, 2017 18/72 Fruity bouquet, ripe honeydew melons and balanced finis LILIKOʻI MOJITO 8 LOVEBLOCK SAUVIGNON BLANC, 2018 17/68 Liliko‘i puree Complex/elegant bouquet of tropical fruits & grassy notes Fresh mint JEAN REVERDY SANCERRE, 2017 19/76 Fresh lime Sparkling water Estate grown for 10 generations in the finest district of the Loire valley NAʻĀLEHU FRUIT STAND 9 LES TOURELLES CHARDONNAY, PREMIER CRU 22/88 Mango -
The Foundations of US Air Doctrine
DISCLAIMER This study represents the views of the author and does not necessarily reflect the official opinion of the Air University Center for Aerospace Doctrine, Research, and Education (CADRE) or the Department of the Air Force. This manuscript has been reviewed and cleared for public release by security and policy review authorities. iii Library of Congress Cataloging-in-Publication Data Watts, Barry D. The Foundations ofUS Air Doctrine . "December 1984 ." Bibliography : p. Includes index. 1. United States. Air Force. 2. Aeronautics, Military-United States. 3. Air warfare . I. Title. 11. Title: Foundations of US air doctrine . III. Title: Friction in war. UG633.W34 1984 358.4'00973 84-72550 355' .0215-dc 19 ISBN 1-58566-007-8 First Printing December 1984 Second Printing September 1991 ThirdPrinting July 1993 Fourth Printing May 1996 Fifth Printing January 1997 Sixth Printing June 1998 Seventh Printing July 2000 Eighth Printing June 2001 Ninth Printing September 2001 iv THE AUTHOR s Lieutenant Colonel Barry D. Watts (MA philosophy, University of Pittsburgh; BA mathematics, US Air Force Academy) has been teaching and writing about military theory since he joined the Air Force Academy faculty in 1974 . During the Vietnam War he saw combat with the 8th Tactical Fighter Wing at Ubon, Thailand, completing 100 missions over North Vietnam in June 1968. Subsequently, Lieutenant Colonel Watts flew F-4s from Yokota AB, Japan, and Kadena AB, Okinawa. More recently, he has served as a military assistant to the Director of Net Assessment, Office of the Secretary of Defense, and with the Air Staff's Project CHECKMATE. -
Birth in Nantes of Jules Verne, to Pierre, a Lawyer, and Sophie, of Distant Scottish Descent
A CHRONOLOGY OF J ULES V ERNE William Butcher 1828 8 February: birth in Nantes of Jules Verne, to Pierre, a lawyer, and Sophie, of distant Scottish descent. The parents have links with reactionary milieux and the slave trade. They move to 2 Quai Jean-Bart, with a magnificent view over the Loire. 1829 Birth of brother, Paul, followed by sisters Anna (1837), Mathilde (1839) and Marie (1842). 1834–7 Boarding school. The Vernes spend the summers in bucolic countryside with a buccaneer uncle, where Jules writes his travel dreams. His cousins drown in the Loire. 1837–9 École Saint-Stanislas. Performs well in geography, translation and singing. For half the year, the Vernes stay in Chantenay, overlooking the Loire. Jules’s boat sinks near an island, and he re-enacts Crusoe. Runs away to sea, but is caught by his father. 1840–2 Petit séminaire de Saint-Donitien. The family move to 6 Rue Jean-Jacques Rousseau. Jules writes in various genres, his father predicting a future as a ‘savant’. 1843 Collège royal de Nantes, but missing a year’s studies. 1844–6 In love with his cousin Caroline. Writes plays and short prose pieces. Easily passes baccalauréat. 1847 Studies law in the Latin Quarter. Fruitless passion for Herminie Arnault-Grossetière, dedicating her scores of poems. 1848–9 In the literary salons meets Dumas père and fils, and perhaps Victor Hugo. Law degree. 1850 Comedy ‘Broken Straws’ runs for twelve nights. 1851 Publishes short stories ‘Drama in Mexico’ and ‘Drama in the Air’. Works as private tutor, bank clerk and law clerk. -
Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
Privateering and the Revolt of the Netherlands: the Watergeuzen Or Sea Beggars in Portsmouth, Gosport and the Isle of Wight 1570-71
Proc. Hampsh. Field Club Archaeol. Soc. 47, 1991, 171-180 PRIVATEERING AND THE REVOLT OF THE NETHERLANDS: THE WATERGEUZEN OR SEA BEGGARS IN PORTSMOUTH, GOSPORT AND THE ISLE OF WIGHT 1570-71 ByM] FRENCH ABSTRACT Flanders from where it spread to most of the other provinces. As a result of the assault on The purpose of this study is to examine English relations with the churches the governing classes rallied the Dutch Watergeuzen or Sea Beggars by reference to a behind the government in Brussels, which survey of shipping in the ports of Hampshire dated 24 July gradually regained the initiative. 1570 and a letter from Sir Henry Radeclyjf, the Captain of By the early spring of 1567 the forces of the Portsmouth, to the Privy Council dated 21 May 1571, both in government had easily suppressed the last the Public Record Office, London. These documents tell of the pockets of Calvinist resistance. Large numbers Sea Beggars' presence on the Hampshire coast in the early of those implicated in the political and relig years of the tumults that became known as the Revolt of the Netherlands or the Eighty Years' War. The letter of 21 May ious disturbances fled abroad to Germany and 1571, which throws light on the close links formed by certain England. Foremost among those who left at Englishmen with the Sea Beggars, is significant since these this time was William of Nassau, Prince of privateers by their very nature did not tend to leave detailed Orange (1533-84), the leading nobleman in accounts of their activities. -
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Stephen Best, Chair Professor Kathleen Donegan Professor Nadia Ellis Professor Karl Britto Spring 2018 1 Abstract Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson Doctor of Philosophy in English University of California, Berkeley Professor Stephen Best, Chair My dissertation, “Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature,” foregrounds an archival pursuit in which recovery is deprioritized. Crucial to this study is an archival paradox: Maroons absented themselves from the printed record, eschewed the position of author, only to be figured and represented by others who, expectedly, struggled with the depiction of a practice they could not know firsthand. The intentional erasure of “traces” by maroons was necessary to the successful practice of marronage. The project is organized around four “maroon objects”—the portrait, the fetish, the epaulette, and the hatchet—that recur in historical representations concerning maroons. These maroon objects mediate maroon subject and text. My first chapter, “Maroon Portraits,” examines the circulating narratives of La Mulâtresse Solitude of Guadeloupe. Solitude sits for a portrait that is continuously painted, as artists insist on producing visual images in tension with the long textual record that precedes them. Chapter Two, “Maroon Fetishes,” reads the proliferation of fetishes in Le Macandal by Marie Augustin and other iterations of the story of Haitian Maroon leader François Macandal. -
Bulletin De La Société Jules Verne Table Des Matières Des Bulletins
Bulletin de la Société Jules Verne Table des matières des bulletins Numéros des Bulletins épuisés - Ancienne série: Publié de 1935 à 1939: Aucun numéro disponible. Numéros des Bulletins épuisés Nouvelle série: De 1967 à nos jours: 01 - 02 - 03 - 05 à 22 - 28 - 29 - 30 - 85 - 86. Bulletin no 201 (Novembre 2020) • La rédaction : Éditorial (p. 1) • R.RICHERT : Une lithographie douteuse, enfin identifiée (p. 2) • ERRATA NU N° 200 ( p. 3) • J. DEMERLIAC : Rue Jules Verne(p. 4) • Ph. BURGAUD: À propos de la goélette Jules Verne Phénix (p. 21) • V. DEHS : « 26oct. 90, assis sur crocodile » - Extraits des notes de travail de Jules Verne en quatorze étapes (p. 24) • J. C. BOLLINGER : Jules Verne et la science d’aujourd’hui. - Du Snaeffels au Stromboli, de la géologie à la géocritique (p. 38) • V. DEHS : Vénération et contestation. Poe lu et présenté par Verne (p. 41) • J. VERNE : Edgar Poë et ses œuvres (p.57) • V. DEHS : Les éditions de Jule Verne (p.102) • J. VERNE : Deux lettres à Arvède Barine(p. 105) • J. C. BOLLINGER : Note de lecture (et billet d’humeur) : Une édition désorganisée d’un voyage organisé par L’Agense Tompson ans Co … (p. 110) • H. LEVANNEUR : Humbug et balivernes. Une bibliothèque modèle des Voyages extraordinaires (p. 115) • Table des illustrations (p. 118) Bulletin no 200 (Mai 2020) • La rédaction : Éditorial (p. 1) • J.-L. MONGIN : 6èmes Rencontres Jules Verne, novembre 2019 – Nantes, ou Le Robinson dans tous ses états (p. 2) • V. DEHS : À propos d’une photographie de Jules Verne( p. 4) • G. CARPENTIER : Mariage et filiation chez maître Antifer (p. -
The World's Measure: Caesar's Geographies of Gallia and Britannia in Their Contexts and As Evidence of His World Map
The World's Measure: Caesar's Geographies of Gallia and Britannia in their Contexts and as Evidence of his World Map Christopher B. Krebs American Journal of Philology, Volume 139, Number 1 (Whole Number 553), Spring 2018, pp. 93-122 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/ajp.2018.0003 For additional information about this article https://muse.jhu.edu/article/687618 Access provided at 25 Oct 2019 22:25 GMT from Stanford Libraries THE WORLD’S MEASURE: CAESAR’S GEOGRAPHIES OF GALLIA AND BRITANNIA IN THEIR CONTEXTS AND AS EVIDENCE OF HIS WORLD MAP CHRISTOPHER B. KREBS u Abstract: Caesar’s geographies of Gallia and Britannia as set out in the Bellum Gallicum differ in kind, the former being “descriptive” and much indebted to the techniques of Roman land surveying, the latter being “scientific” and informed by the methods of Greek geographers. This difference results from their different contexts: here imperialist, there “cartographic.” The geography of Britannia is ultimately part of Caesar’s (only passingly and late) attested great cartographic endeavor to measure “the world,” the beginning of which coincided with his second British expedition. To Tony Woodman, on the occasion of his retirement as Basil L. Gildersleeve Professor of Classics at the University of Virginia, in gratitude. IN ALEXANDRIA AT DINNER with Cleopatra, Caesar felt the sting of curiosity. He inquired of “the linen-wearing Acoreus” (linigerum . Acorea, Luc. 10.175), a learned priest of Isis, whether he would illuminate him on the lands and peoples, gods and customs of Egypt. Surely, Lucan has him add, there had never been “a visitor more capable of the world” than he (mundique capacior hospes, 10.183). -
Castaway Webelos Adventure Workbook
Castaway Webelos Adventure Workbook No one may add or subtract from the official requirements found in the Cub Scout Webelos Handbook Requirements were revised in September 2018. This workbook was updated in September, 2018. http://www.USScouts.Org • http://www.MeritBadge.Org Please submit errors, omissions, comments or suggestions about this checklist to: [email protected] Comments or suggestions for changes to the requirements should be sent to: [email protected] Webelos Scout’s Name: __________________________________ Pack No. : ______________________________________ Source for requirements Cub Scout Webelos Handbook (#34754 - SKU 646430) This adventure is an elective adventure which can be used to earn the Webelos and Arrow of Light Badges. Complete the following Requirements. 1. Complete a. and your choice of b. or c. a. On a campout or outdoor activity with your den or family, cook two different recipes that do not require pots and pans. What did you cook? ___________________________________________________ ___________________________________________________ b. With the help of an adult, demonstrate one way to light a fire without using matches. What method did you use? _____________________________________________ When did you do this? _________________________________________________ c. Using tree limbs or branches that have already fallen or been cut, build a shelter that will protect you overnight. When did you do this? _________________________________________________ Workbook © Copyright 2018 - U.S. Scouting Service Project, Inc. - All Rights Reserved Requirements © Copyright, Boy Scouts of America (Used with permission.) This workbook may be reproduced and used locally by Scouts and Scouters for purposes consistent with the programs of the Boy Scouts of America (BSA), the World Organization of the Scout Movement (WOSM) or other Scouting and Guiding Organizations. -
Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143. -
Long John Silver's
Representative Photo Offering Memorandum Long John Silver’s 3550 Isleta Boulevard SW | Albuquerque, NM 87105 Confidential Disclaimer This Confidential Memorandum has been prepared by Stan Johnson Company (“SJC”) and is being furnished to you solely for the purpose of your review of the commercial property located at 3550 Isleta Boulevard, SW, Albuquerque, NM 87105 (the “Property”). The material contained in this Offering Memorandum shall be used for the purposes of evaluating the Property for acquisition and shall not be used for any purpose or made available to any other person without the express written consent of Stan Johnson Company (“Broker”). Offered Exclusively by By accepting the Confidential Memorandum, you acknowledge and agree that: (1) all of the information contained herein and any other information you will be receiving in connection with this transaction, whether oral, written or in any other form (collectively, the “Materials”), is confidential; (2) you will not reproduce the Confidential Amar Goli Memorandum in whole or in part; (3) if you do not wish to pursue this matter, you will return this Confidential Associate Director Memorandum to SJC as soon as practicable together with all other materials relating to the Property which you [email protected] may have received from SJC; and (4) any proposed actions by you which are inconsistent in any manner with the P: +1 213.417.9378 foregoing agreements will require the prior written consent of SJC. This Confidential Memorandum has been prepared by SJC, based upon certain information pertaining to the Sam Alison Property and any information obtained from SJC to assist interested parties in making their own evaluation of Regional Director - West the Property is offered on a no representation or warranty provision other than customary warranties of title [email protected] and is sold on an “as-is, where-is” basis and with all faults. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular.