Islands As Novelty Sites*
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Birth in Nantes of Jules Verne, to Pierre, a Lawyer, and Sophie, of Distant Scottish Descent
A CHRONOLOGY OF J ULES V ERNE William Butcher 1828 8 February: birth in Nantes of Jules Verne, to Pierre, a lawyer, and Sophie, of distant Scottish descent. The parents have links with reactionary milieux and the slave trade. They move to 2 Quai Jean-Bart, with a magnificent view over the Loire. 1829 Birth of brother, Paul, followed by sisters Anna (1837), Mathilde (1839) and Marie (1842). 1834–7 Boarding school. The Vernes spend the summers in bucolic countryside with a buccaneer uncle, where Jules writes his travel dreams. His cousins drown in the Loire. 1837–9 École Saint-Stanislas. Performs well in geography, translation and singing. For half the year, the Vernes stay in Chantenay, overlooking the Loire. Jules’s boat sinks near an island, and he re-enacts Crusoe. Runs away to sea, but is caught by his father. 1840–2 Petit séminaire de Saint-Donitien. The family move to 6 Rue Jean-Jacques Rousseau. Jules writes in various genres, his father predicting a future as a ‘savant’. 1843 Collège royal de Nantes, but missing a year’s studies. 1844–6 In love with his cousin Caroline. Writes plays and short prose pieces. Easily passes baccalauréat. 1847 Studies law in the Latin Quarter. Fruitless passion for Herminie Arnault-Grossetière, dedicating her scores of poems. 1848–9 In the literary salons meets Dumas père and fils, and perhaps Victor Hugo. Law degree. 1850 Comedy ‘Broken Straws’ runs for twelve nights. 1851 Publishes short stories ‘Drama in Mexico’ and ‘Drama in the Air’. Works as private tutor, bank clerk and law clerk. -
Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED from the CLOUDS
The Mysterious Island by Jules Verne 1874 PART 1--DROPPED FROM THE CLOUDS Chapter 1 "Are we rising again?" "No. On the contrary." "Are we descending?" "Worse than that, captain! we are falling!" "For Heaven's sake heave out the ballast!" "There! the last sack is empty!" "Does the balloon rise?" "No!" "I hear a noise like the dashing of waves. The sea is below the car! It cannot be more than 500 feet from us!" "Overboard with every weight! . everything!" Such were the loud and startling words which resounded through the air, above the vast watery desert of the Pacific, about four o'clock in the evening of the 23rd of March, 1865. Few can possibly have forgotten the terrible storm from the northeast, in the middle of the equinox of that year. The tempest raged without intermission from the 18th to the 26th of March. Its ravages were terrible in America, Europe, and Asia, covering a distance of eighteen hundred miles, and extending obliquely to the equator from the thirty-fifth north parallel to the fortieth south parallel. Towns were overthrown, forests uprooted, coasts devastated by the mountains of water which were precipitated on them, vessels cast on the shore, which the published accounts numbered by hundreds, whole districts leveled by waterspouts which destroyed everything they passed over, several thousand people crushed on land or drowned at sea; such were the traces of its fury, left by this devastating tempest. It surpassed in disasters those which so frightfully ravaged Havana and Guadalupe, one on the 25th of October, 1810, the other on the 26th of July, 1825. -
The World's Measure: Caesar's Geographies of Gallia and Britannia in Their Contexts and As Evidence of His World Map
The World's Measure: Caesar's Geographies of Gallia and Britannia in their Contexts and as Evidence of his World Map Christopher B. Krebs American Journal of Philology, Volume 139, Number 1 (Whole Number 553), Spring 2018, pp. 93-122 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/ajp.2018.0003 For additional information about this article https://muse.jhu.edu/article/687618 Access provided at 25 Oct 2019 22:25 GMT from Stanford Libraries THE WORLD’S MEASURE: CAESAR’S GEOGRAPHIES OF GALLIA AND BRITANNIA IN THEIR CONTEXTS AND AS EVIDENCE OF HIS WORLD MAP CHRISTOPHER B. KREBS u Abstract: Caesar’s geographies of Gallia and Britannia as set out in the Bellum Gallicum differ in kind, the former being “descriptive” and much indebted to the techniques of Roman land surveying, the latter being “scientific” and informed by the methods of Greek geographers. This difference results from their different contexts: here imperialist, there “cartographic.” The geography of Britannia is ultimately part of Caesar’s (only passingly and late) attested great cartographic endeavor to measure “the world,” the beginning of which coincided with his second British expedition. To Tony Woodman, on the occasion of his retirement as Basil L. Gildersleeve Professor of Classics at the University of Virginia, in gratitude. IN ALEXANDRIA AT DINNER with Cleopatra, Caesar felt the sting of curiosity. He inquired of “the linen-wearing Acoreus” (linigerum . Acorea, Luc. 10.175), a learned priest of Isis, whether he would illuminate him on the lands and peoples, gods and customs of Egypt. Surely, Lucan has him add, there had never been “a visitor more capable of the world” than he (mundique capacior hospes, 10.183). -
Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143. -
REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War
Civil War Book Review Spring 2007 Article 4 REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War David Madden Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Madden, David (2007) "REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War," Civil War Book Review: Vol. 9 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol9/iss2/4 Madden: REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War Feature Essay Spring 2007 Madden, David REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War. Jules Verne's Civil War The Blockade Runners (1871) by Jules Verne The Mysterious Island (1875) by Jules Verne North Against South (1887) by Jules Verne Do you know where and when Nemo, inventor and captain of the famed Nautilus submarine, died? I suppose I should first answer your own question: What has that question to do with the American Civil War? You probably didn't know, as I didn't know until a few days ago, that Jules Verne wrote two Civil War novels within ten years of the end of the war: The Blockade Runners (1871) and The Mysterious Island (1875), a sequel to Twenty Thousand Leagues Under the Sea (1870). Twelve years later, this French admirer of President Lincoln and General Grant published a third Civil War novel, North Against South. Answer: It was on Mysterious Island that Captain Nemo died. Although it was later published, illustrated, and is even now in print, The Blockade Runners is often not even listed as one of Verne's nearly 100 books, probably because it is really a 76-page novella first published in a book as an add-on to A Floating City (1871). -
Civil War Book Review Annotations
Civil War Book Review Winter 2002 Article 7 Annotations CWBR_Editor Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation CWBR_Editor (2002) "Annotations," Civil War Book Review: Vol. 4 : Iss. 1 . Available at: https://digitalcommons.lsu.edu/cwbr/vol4/iss1/7 CWBR_Editor: Annotations ANNOTATIONS Parrish, William E. Winter 2002 Parrish, William E. A History of Missouri: Vol. II, 1860-1875. University of Missouri Press, $22.50 ISBN 826213766 This history looks at the Missouri's struggle through the Civil War and Reconstruction. Not only are major Civil War battles covered, but key political conflicts, social conditions, economic concerns, and "new order" radical movements are also addressed. This volume features an up-to-date bibliography. Cockrell, Thomas D. Ballard, Michael B. Winter 2002 Cockrell, Thomas D. and Ballard, Michael B.. A Mississippi Rebel in the Army of Northern Virginia: The Civil War Memoirs of Private David Holt. Louisiana State University Press, $17.95 ISBN 807127345 David Eldred Holt's memoirs are now available in softcover. Holt mixes early childhood nostalgia with the harsh realities that drove the United States over the brink of war. Editors Thomas D. Cockrell and Michl B. Ballard have included a new appendix with more excerpts from Holt's diary. Symonds, Craig L. Winter 2002 Symonds, Craig L. American Heritage History of the Battle of Gettysburg. HarperCollins, $50.00 hardcover ISBN 006019474X A visually rich, lavishly illustrated documentary of Gettysburg is accompanied by a provocative and stirring narrative that captures the personalities and decisions of the generals and the stuggle of the soldiers on both Published by LSU Digital Commons, 2002 1 Civil War Book Review, Vol. -
Paul Young Essay Title: Industrializing Crusoe
ORE Open Research Exeter TITLE Industrializing Crusoe: Adventure, Modernity and Anglo-American Expansionism AUTHORS Young, Paul K. F. JOURNAL Journal of Victorian Culture DEPOSITED IN ORE 15 July 2013 This version available at http://hdl.handle.net/10871/11751 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Essay for submission to Journal of Victorian Culture. Essay author: Paul Young Essay title: Industrializing Crusoe: Adventure, Modernity and Anglo-American Expansionism. Essay length: (8515 words excluding abstract and endnotes); (9319 words including abstract and endnotes). Correspondence details: Dr Paul Young Department of English University of Exeter Queen's Building Queen's Drive Exeter EX4 4QH United Kingdom Telephone: +44 (0)1392 262455 Email: [email protected] Biography: Paul Young is Senior Lecturer in Victorian Literature and Culture in the Department of English, University of Exeter. His first book, entitled Globalization and the Great Exhibition: The Victorian New World Order, was published as part of the Palgrave Studies in Nineteenth Century Writing and Culture Series in 2009. 1 Industrializing Crusoe: Adventure, Modernity and Anglo-American Expansionism Abstract. This essay focuses on two updated, Americanized versions of the Robinson Crusoe story published in the final quarter of the nineteenth-century: Jules Verne’s The Mysterious Island and Douglas Frazar’s Perseverance Island: or the Nineteenth-Century Robinson Crusoe. The first half of the essay considers how these Robinsonades reworked Defoe’s novel as a fantasy of applied technology in an industrialized agrarian context. -
Island Writing, Creole Cultures
Island writing, Creole cultures myth of island isolation, foregrounding how accessibility by sea ensures that island spaces have experienced complex patterns of migration, diaspora, 'exisle' and settlement. In fact, the sea is a vital component of island identity and has 25 contributed to the formation of a complex maritime imagination in historical, Island writing, Creole cultures literary and cultural production. Moreover, far from being isolated, most islands are part of archipelagoes and have simultaneous national and regional alliances. ELIZABETH DELOUGHREY As a series of small nations (or colonial territories) connected by the sea, islands are often constituted by the activity of regional bodies of water such as tl1e Caribbean, Pacific and Indian Oceans, allowing for more fluid, transcultural and multilingual relationships than those associated with the terrestrial borders of Is it possible to speak of island literatures in global, comparative terms? Are the nation state. Writing about the Caribbean, Martiniquan writer Edouard geography and colonial history both so influential that we can say that they Glissant explains 'each island embodies openness. The dialectic between inside have produced an identifiable body of postcolonial island literatures? This and outside is reflected in the relationship ofland and sea. It is only those who chapter explores methodologies for comparing island writing by turning to are tied to the European continent who see insularity as confining.'2 Building contemporary literatUre in English from the Caribbean, Indian and Pacific upon Glissant and others, Chris Bongie has argued: archipelagoes, foregrounding the important contributions made by island the island is a figure that can and must be read in more than one way: on the one writers to postcolonial discourse and literature. -
The Mysterious Island
Kunapipi Volume 34 Issue 2 Article 17 2012 Colonisation and Speciesism: Jules Verne’s The Mysterious Island Bill Ashcroft Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ashcroft, Bill, Colonisation and Speciesism: Jules Verne’s The Mysterious Island, Kunapipi, 34(2), 2012. Available at:https://ro.uow.edu.au/kunapipi/vol34/iss2/17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Colonisation and Speciesism: Jules Verne’s The Mysterious Island Abstract Ever since Thomas More’s Utopia islands have been primary sites for utopias, and the perfect location for the demonstration of the benefits of colonisation. rF om Defoe’s Robinson Crusoe in 1719 the moral architecture for colonial occupation had been set, and all features of colonial improvement could be concentrated on the clearly bounded space of an island. The utopian vision of the South Seas grew apace after Defoe, and the attraction of the Pacific Island in particular has been surprisingly persistent. The Pacific Island, under the influence of a string of eighteenth century utopias, the paintings of Gaugin, the anthropology of Margaret Mead and twentieth-century popular culture, became the archetypal utopian space, not only for its idyllic mythology and nicely circumscribed geography but also because, whether painter, anthropologist, traveller or coloniser it offered a social tabula rasa. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol34/iss2/17 145 bILL ASHcRoFT colonisation and Speciesism: Jules Verne’s The Mysterious Island Ever since Thomas More’s Utopia islands have been primary sites for utopias, and the perfect location for the demonstration of the benefits of colonisation. -
June 21 to 27.Txt
CLASSIC CHOICES PLAYLIST June 21 - 27, 2021 PLAY DATE: Mon, 6/21/2021 6:02 AM William Byrd Motets: Propers for the Feast of Corpus 6:14 AM Johann Sebastian Bach Organ Concerto No. 3 6:31 AM Ludwig Van Beethoven Variations on "Menuet a la Vigano" 6:47 AM (Johann) Michael Haydn Trumpet Concerto No. 2 7:00 AM Wolfgang Amadeus Mozart Piano Sonata 7:15 AM Franz Joseph Haydn Symphony No. 67 7:39 AM Johann Sebastian Bach Concerto for Harpsichord No. 2 8:02 AM Antonín Dvorák String Sextet 8:37 AM Erik Satie Gymnopedie No. 1 8:43 AM Samuel Barber Knoxville: Summer of 1915 9:01 AM Olivier Messiaen Quartet for the End of Time 9:48 AM Frédéric Chopin Nocturne No. 17 10:00 AM Wolfgang Amadeus Mozart German Dance No. 3 "Sleigh Ride" 10:07 AM Wolfgang Amadeus Mozart Serenade No. 6 10:21 AM Wolfgang Amadeus Mozart Twelve Variations on a Minuet by Fischer 10:41 AM Wolfgang Amadeus Mozart Violin Concerto No. 2 11:01 AM Carl Gottlieb Reissiger Trio No. 15 11:35 AM Eric Ewazen Ballade, Pastorale and Dance for Flute, 11:59 AM Albert W. Ketèlbey Cockney Suite 12:17 PM Bernard Herrmann The Mysterious Island 12:33 PM Johann Strauss, Jr. Accelerations Waltz 12:43 PM Scott Joplin Solace: A Mexican Serenade 1909 12:52 PM John Williams (Comp./Cond.) Seven Years in Tibet: Heinrich's Odyssey 1:01 PM Claude Debussy Khamma (ballet) 1:23 PM Max Reger String Quartet 2:00 PM Frank Ticheli Amazing Grace 2:07 PM Charles-Marie Widor Violin Sonata No. -
Kroen, Syllabus, Shipwrecks and Civilization, Spring 2019 1 EUH 3931
EUH 3931: Shipwrecks and Civilization Professor Sheryl Kroen Wednesday, 12:50‐3:50 Off Hrs.: Mon: 11:30‐1:30 [email protected] Fri: 11:30‐12:30 Keene‐Flint 219 Description: "Lost," "Survivor," "Gilligan's Island" are some recent television series that rely upon the habit of using shipwrecks to explore the nature of civilization. In the eighteenth century, Daniel Defoe wrote his wildly popular Robinson Crusoe (1719) to mock the tendency of Enlightenment philosophers (and John Locke in particular) to start from a state of nature (think deserted island) and natural man (think castaway) to derive the theories that constitute the basis of the Western liberal tradition. To understand this habit of narrating and explaining history through the trope of shipwrecks and civilization we will study the eighteenth century, where real, not mythical shipwrecks haunted sailors on the naval ships, slaving vessels, and merchant fleets in the anything but idyllic frontiers in which European empires established their global power and wealth. We will go up through the nineteenth century, when the shock of industrialization and commodification inspired adaptations of the original Robinson Crusoe (Jules Verne's 1874 Mysterious Island); we will end in mid‐twentieth‐century Europe, when the governments of Britain, France, and Germany, in collaboration with the Unites States, guided its populations toward recovery after the shipwreck that was the Holocaust and WWII. In the case of Britain, the government did so by commissioning a series of animated films starring none other than Robinson Charley (a rewrite of the original Robinson Crusoe). This is a small, reading and writing intensive seminar.