Unitel and Classica present

Eugen d’Albert TIEFLAND

Matthias Goerne Peter Seiffert Petra Maria Schnitzer László Polgár

Franz Welser-Möst

Opernhaus Zürich All rights reserved · credits not contractual · Different territories

TIEFLAND Raffelsberger Ernst Master Chorus Breisach Felix Director Video production House A Zurich Welser-Möst Franz Conductor Goerne Matthias Sebastiano House Opera Zurich the of Orchestra Orchestra Hartmann Matthias by Staged Murga Valeriy Moruccio T Polgár László ommaso Chuchrova Liuba Antonia House Opera Zurich the of Chorus Chorus 142’ Length 1080 HDTV in Shot Pessati Kismara Rosalia N Eugen d’Albert Schnitzer Maria Petra Marta Seiffert Peter Pedro Kohl Christiane Pepa Schasching Rudolf ando N Cat. no. A90500923 no. Cat. Mrosek Michael Boy Liebau Eva uri references to nature also set a magical, impressionistic mood. impressionistic amagical, set also nature to references “Tiefland”,which in was in premiered especially 1903.works, The his score’s in atmospheric emerges also opera Italian in verismo of admiration d’Albert’s Moreover, technique. leitmotif master’s Wagner’s “Parsifal”. Wagner’s is influence toeasy whichintrace pick uphis the Bayreuth works, attended Richard d’Albert of 18 premiere of age world the the At on. early very ambitions – and compositional Brahms and Johannes Liszt Franz Richter the composers Hans conductor the – time the of musicians great in several with Europe friendships his to thanks throughout developed years, early virtuoso his piano celebrated a D’Albert, commitment”. absolute and luminousness exemplary with sang all Sebastiano as Goerne Matthias and Schnitzer, to Marta, who lent her expansive Petra Pedro, of role demanding the in Seiffert two the of “Peter wrote: Zeitung, Allgemeine of hands Frankfurter The press. by the the hailed charge also in were achievements is vocal in The work interpreters. sensitive played Hartmann rarely the Matthias production, director stage and Opernorchester Zürcher the leading Welser-Möst Franz With music. charged emotionally rousing, d’Albert’s and symbols strong through impact theatrical a unfolds powerful that psycho-thriller of kind a is opera industrialized The “Tiefland”. – the lowlands of corruption the with nature, to connected unspoiled life high in the where Pyrenees, people the are still contrasts play intimately The Guimerà. Angel dramatist Catalan bythe He his based work on the play moving deeply stage “Terra baixa” E [email protected] +49-(0)3030306464 WORLD SALES:CMajorEntertainment

“Tiefland”, his most widely known opera, which has has which years. opera, past the over known renaissance remarkable a widely undergone most his “Tiefland”, opera his for subject unusual most a chose d’Albert ugen

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