ARSC Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Romantic Listening Key
Name ______________________________ Romantic Listening Key Number: 7.1 CD 5/47 pg. 297 Title: Symphonie Fantastique, 4th mvmt Composer: Berlioz Genre: Program Symphony Characteristics Texture: ____________________________________________________ Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: timp start, high bsn solo Number: 7.2 CD 6/11 pg 339 Title: The Moldau Composer: Smetana Genre: symphonic poem Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: flute start Sections: two springs, the river, forest hunt, peasant wedding, moonlight dance of river nymphs, the river, the rapids, the river at its widest point, Vysehrad the ancient castle Name ______________________________ Number: 7.3 CD 5/51 pg 229 Title: Symphonie Fantastique, 5th mvmt (Dream of a Witch's Sabbath) Composer: Berlioz Genre: program symphony Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: funeral chimes, clarinet idee fix, trills & grace notes Number: 7.4 website Title: 1812 Overture Composer: Tchaikovsky Genre: concert overture Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: soft beginning, hunter motive, “Go Napoleon”, the battle Name ______________________________ Number: 7.5 website Title: The Sorcerer's Apprentice -
Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
The Blue Review Literature Drama Art Music
Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr. -
OC 463 Roman Trekel Schwanengesang Booklet V03.Indd
FRANZ SCHUBERT (1797–1828) SCHWANENGESANG [01] Schwanengesang op. 23 Nr. 3 .........................02:34 [02] An den Mond .....................................03:03 [03] Der Wanderer an den Mond . 02:48 [04] Totengräbers Heimweh . 06:04 [05] Meeres Stille ......................................02:17 [06] Das Fischermädchen ................................02:08 [07] Am Meer .........................................03:36 [08] Die Stadt .........................................02:57 [09] Der Doppelgänger ..................................04:20 [10] Ihr Bild ..........................................02:51 [11] Der Atlas .........................................02:05 [12] Liebesbotschaft ....................................03:21 [13] Kriegers Ahnung ...................................05:18 [14] Frühlingssehnsucht .................................03:24 [15] Ständchen ........................................04:04 [16] Aufenthalt ........................................02:58 [17] Herbst ...........................................03:12 [18] In der Ferne .......................................05:40 [19] Abschied .........................................04:27 [20] Die Taubenpost ....................................04:08 ROMAN TREKEL, BARITON OLIVER POHL, KLAVIER total 71:24 3 LETZTE LIEDER VON FRANZ SCHUBERT winternden, den Hals etwas aufrechter tragenden Singschwan (Cygnus cygnus), den der ein Jahr nach Es singt der Schwan im Weiher Schuberts Tod geborene Alfred Brehm in seinem Und rudert auf und ab, Tierleben deshalb auch „Cygnus musicus“ genannt -
Vocal Wisdom
CD 129015 -< /saom vcai nisaom Maxims of GIOVANNI BATTISTA LAMPERTI Master of MARCELLA SEMBRICH, STAGNO, HASTREITEK. and OTHER FAMOUS SINGERS Kfcorded and Explained by HIS PUPIL and ASSISTANT WILLIAM EARL BROWN Copyright, MCMXXXl by WILLIAM EARL BROWN New York Printed in the U. S. A. DEDICATION To the memory of my Master, Cavaliere Giovanni Battista Lamperti, the last great master of the old Italian manner of singing. WM. EARL BROWN. PREFACE our an- | strengthen own idea when we find other agreeing with us. Nevertheless, I consider it unwise, nay, even fatal, to be over-influenced by another's opinion, unless we are prepared to take it in understanding^ When it coincides with, or completes our own reason- ing, we have found a feather of truth. It is wise, however, to take note of things we do not agree with, without antagonism. To-morrow, or in two seconds, they may be just the ideas we have sought so long. Life is too brief to work out a problem of art alone. "We should profit through another's experience and research, avoiding his faults while emulating his virtues. All roads lead to Rome. A fact can be approached from all sides. Listen and learn, but trust yourself, for you must go your path and not another's. Select from the topics in the book any subject of interest to you personally. My deductions and explanations may help you to find your voice. W. E. B. INTRODUCTION HERE was a Golden of This | Age Song. period produced the greatest singers of all time, re- reflecting the art of the greatest masters of any period, These teachers made few rules, but in- sisted on obedience to natural laws, which were physi- cal, not anatomical. -
A Survey and Guide to the Most Frequently Programmed Lieder In
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 A survey and guide to the most frequently programmed Lieder in the undergraduate studios of selected major music institutions in the United States Joseph Christopher Turner Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Turner, Joseph Christopher, "A survey and guide to the most frequently programmed Lieder in the undergraduate studios of selected major music institutions in the United States" (2010). LSU Doctoral Dissertations. 3319. https://digitalcommons.lsu.edu/gradschool_dissertations/3319 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SURVEY AND GUIDE TO THE MOST FREQUENTLY PROGRAMMED LIEDER IN THE UNDERGRADUATE STUDIOS OF SELECTED MAJOR MUSIC INSTITUTIONS IN THE UNITED STATES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts by Joseph Christopher Turner B.M., Mississippi College, 1994 M.M., Mississippi College, 1998 August 2010 i © Copyright 2010 Joseph Christopher Turner All rights reserved. ii DEDICATION To my parents iii ACKNOWLEDGEMENTS There are so many without whom this project would not have been possible. I wish to thank the following individuals for their support and encouragement: Prof. -
A Gender Analysis of the Countertenor Within Opera
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Undergraduate Honors Theses Student Research 5-8-2021 The Voice of Androgyny: A Gender Analysis of the Countertenor Within Opera Samuel Sherman [email protected] Follow this and additional works at: https://digscholarship.unco.edu/honors Recommended Citation Sherman, Samuel, "The Voice of Androgyny: A Gender Analysis of the Countertenor Within Opera" (2021). Undergraduate Honors Theses. 47. https://digscholarship.unco.edu/honors/47 This Article is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. University of Northern Colorado Greeley, Colorado The Voice of Androgyny: A Gender Analysis of the Countertenor Within Opera A Thesis Submitted in Partial Fulfillment for Graduation with Honors Distinction and the Degree of Bachelor of Music Samuel W. Sherman School of Music May 2021 Signature Page The Voice of Androgyny: A Gender Analysis of the Countertenor Within Opera PREPARED BY: Samuel Sherman APPROVED BY THESIS ADVISOR: _ Brian Luedloff HONORS DEPT LIAISON:_ Dr. Michael Oravitz HONORS DIRECTIOR: Loree Crow RECEIVED BY THE UNIVERSTIY THESIS/CAPSONTE PROJECT COMMITTEE ON: May 8th, 2021 1 Abstract Opera, as an art form and historical vocal practice, continues to be a field where self-expression and the representation of the human experience can be portrayed. However, in contrast to the current societal expansion of diversity and inclusion movements, vocal range classifications within vocal music and its use in opera are arguably exclusive in nature. -
Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music. -
Magazin Saison 2015 /2016 November ––– Dezember
MAGAZIN SAISON 2015/2016 NOVEMBER ––– DEZEMBER Premieren: Der fliegende Holländer Der Graf von Luxemburg Wiederaufnahmen: Don Carlo Lucia di Lammermoor Die diebische Elster 1 ERHABEN WOHNEN. AUCH ÜBER DEN ZEITGEIST. TROGERSTRASSE 19, MÜNCHEN Wo Bogenhausen und Haidhausen zusammen kommen, wenige Schritte von der Prinzregentenstraße entfernt, ent- stehen 26 Zwei- bis Vier-Zimmer-Wohnungen von ca. 77 m bis ca. 218 m. Der Entwurf von Landau + Kindelbacher setzt Maßstäbe: Während das Vor der- gebäude subtil mit der Jugendstilnachbarschaft harmonisiert, zeichnet sich das Rückgebäude durch radikale Modernität aus. Off en konzipierte Grundrisse und Details wie Naturstein in den Bädern oder transparente Brüstungen voll- en den die Ausnahme-Architektur. „Eines der schönsten Kauf- objekte 2015“ EnEV 2014 EA-B · HZG BHKW Beratung und provisionsfreier Verkauf: 089 415595-15 2Bj. (EA) 2016 www. bauwerk . de 45 kWh/(m²a) Energieeffi zienzklasse A Bauwerk Capital GmbH & Co . KG , Prinzregentenstraße 22 , 80538 München BWC_AZ_T19_EngelslBayStaatsoper_210x297_f39.indd 1 07.10.15 11:00 Wir bedanken uns herzlich für die Die Oper Frankfurt ist »Opernhaus des Jahres« 2015 großzügige finanzielle Unterstützung Internationale Kritikerumfrage der Fachzeitschrift Opernwelt bei unseren Partnern. Bestes Theater-Gesamtprogramm der Saison 2014 / 2015 Hauptförderer Überzeugende Gesamtleistung des Opernhauses und Würdigung von Ur- und Erstaufführungen Bernd Loebe als herausragendem Opernmanager. Autorenumfrage des Theatermagazins Die Deutsche Bühne Damit nimmt die Oper Frankfurt seit der Intendanz von Bernd Loebe ERHABEN WOHNEN. erstmals den Spitzenplatz bei beiden Kritikerumfragen ein. AUCH ÜBER DEN ZEITGEIST. Hauptförderer Opernstudio TROGERSTRASSE 19, MÜNCHEN Wo Bogenhausen und Haidhausen zusammen kommen, wenige Schritte von der Prinzregentenstraße entfernt, ent- Inhalt stehen 26 Zwei- bis Vier-Zimmer-Wohnungen von ca. -
January – February 2018 Concert Diary
JAN/ FEB 2017/18 SEASON www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person Stalls C – M Highest price 7 days a week: 10am – 8.30pm. Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. Balcony A – D 2nd highest price No advance booking in the half hour prior to Stalls BB, CC, Q – S 3rd highest price a concert. Stalls AA, T – V 4th highest price Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts. -
TAUNO HANNIKAISEN ÄÄNITEARKISTO Ryhmä 1
TAUNO HANNIKAISEN ÄÄNITEARKISTO Ryhmä 1. Järjestetty kelanauhaan merkityn numeron mukaan Ryhmä 1.a) nauhat nro 1-341, 167 kpl * Chicago symphony orchestra johtajanaan Tauno Hannikainen nauhan numero sisältö muita tietoja signum reel no, subject, date 1,1 Bruckner: Sinfonia V Leo Funtek - Kaupungin a000001 orkesteri 16.1.1953 2, BR HAN, 10.49 Prokofiev: "Ala ja Lolly" -sarja a000002 Respighi: Pini di Roma Sibelius: Aallottaret Satu (HKO) 3, BR HAN, 10.49 Dohnanyi: Ruralia Hungarica a000003 (Dohnanyi) Bruckner: Symphony no 9 D-minor (Hausegger - München) 1,2 and 3 movement 4, BR HAN, 10.49 Luigini: Egyptiläinen baletti, III osan Chicago symphony a000004 loppu ja IV osa orchestra J.Strauss: Waltz, "Doreschwalben aus oestterreich" J.Strauss: Tick-tack polka, op. 365 Schubert: Serenade Tschaikowsky: Finale: Allegro con fuoco, from symphony no. 4, F minor, opus 36 5, BR HAN, 11.49 Smetana: Mein Vaterland a000005 6, 1958 Aarre Merikanto: Sinfonia III 21.9.58 a000006 Vivaldi - Dalla Piccola: Sonaatti T.H. Helsinki alttoviululle (Primrose) 7, BR HAN, 11.49 Nielsen: Sinfonia II, Die vier a000007 Temperamente Ringbom: Sinfonia III 8, BR HAN, 11.49 * Mendelssohn-Bartholdy: War Priests a000008 March, opus 74 Weber: Invitation to the Dance Offenbach: Overture, "Orpheus in the Underworld" Delibes: Waltz and Czardas "Coppelia" Tschaikowsky: Overture-Fantasia "Romeo and Juliet" 9, BR HAN, 11.49 Mendelssohn: Sinfonia IV, 11/49 a000009 viimeinen osa Respighi: Roman Festivals Merikanto: Ukri 10, BR HAN, 11.49 *Bach-Abert: Prelude, Chorale 12/49 a000010 and Fugue *Massanet: Scenes Pittoresques *Glinka: Overture to "Russian and Ludmilla" R.Strauss: Der Rosenkavalier Waltzes, ar: Doebber 11, BR HAN, 12.49 *Rossini: Overture to "The Barber 12/49 a000011 of Seville" *R. -
A Senior Recital
Senior Recitals Recitals 12-1-2007 A Senior Recital Lohol Gonzales University of Nevada, Las Vegas Kanako Yamazaki University of Nevada, Las Vegas Mika Brunson University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/music_senior_recitals Part of the Music Performance Commons Repository Citation Gonzales, L., Yamazaki, K., Brunson, M. (2007). A Senior Recital. 1-2. Available at: https://digitalscholarship.unlv.edu/music_senior_recitals/34 This Music Program is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Music Program in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Music Program has been accepted for inclusion in Senior Recitals by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. The University of Nevada, Las Vegas College of Fine Arts Department of Music Presents A Senior Recital Loh61 Gonzales soprano with Kanako Yamazaki, piano Mika Brunson, oboe Saturday, 1 December 2007 4:30P.M. Doc Rando Recital Hall Beam Music Center Program "Seufzer, Tranen, Kummer, Not." 1ohann Sebastian Bach from lch hatte vie! Bekiimmernis. BWV 21 (1685-1750) Mika Brunson, Oboe An die Musik, Op. 88, No. 4 Franz Schubert Lied der Mignon, Op. 62, No.4 (1797-1828) Gretchen am Spinnrade, Op.