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Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarde
Bio information: LIVING BY LANTERNS Title: NEW MYTH/OLD SCIENCE (Cuneiform Rune 345) Format: CD / LP Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / AVANT-JAZZ Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarded Sun Ra Rehearsal Tape Into Improvisational Gold with their group Living By Lanterns, An All-Star Nine-Piece Ensemble, Featuring a Mighty Cast of Young Chicago & New York Masters According to some versions of String Theory, ours is but one of an infinite number of universes. But you would need to dig deeply into the cosmological haystack before encountering a project as extraordinary and unlikely as New Myth/Old Science, which brings together an incandescent cast of Chicago and New York improvisers to explore music inspired by a previously unknown recording of Sun Ra. In the hands of drummer Mike Reed and vibraphonist Jason Adasiewicz, who are both invaluable and protean creative forces on Chicago’s vibrant new music scene, Ra’s informal musings serve as a portal for their cohesive but multi-dimensional combo, newly christened Living By Lanterns. Commissioned by Experimental Sound Studio (ESS), the music is one of several projects created in response to material contained in ESS’s vast Sun Ra/El Saturn Audio Archive. Rather than a Sun Ra tribute, Reed and Adasiewicz have crafted a melodically rich, harmonically expansive body of themes orchestrated from fragments extracted from a rehearsal tape marked “NY 1961,” featuring Ra on electric piano, John Gilmore on tenor sax and flute, and Ronnie Boykins on bass. -
The Bad Ass Pulse by Martin Longley
December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature). -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Georges Méliès: Impossible Voyager
Georges Méliès: Impossible Voyager Special Effects Epics, 1902 – 1912 Thursday, May 15, 2008 Northwest Film Forum, Seattle, WA Co-presented by The Sprocket Society and the Northwest Film Forum Curated and program notes prepared by Spencer Sundell. Special music presentations by Climax Golden Twins and Scott Colburn. Poster design by Brian Alter. Projection: Matthew Cunningham. Mr. Sundell’s valet: Mike Whybark. Narration for The Impossible Voyage translated by David Shepard. Used with permission. (Minor edits were made for this performance.) It can be heard with a fully restored version of the film on the Georges Méliès: First Wizard of Cinema (1896-1913) DVD box set (Flicker Alley, 2008). This evening’s program is dedicated to John and Carolyn Rader. The Sprocket Society …seeks to cultivate the love of the mechanical cinema, its arts and sciences, and to encourage film preservation by bringing film and its history to the public through screenings, educational activities, and our own archival efforts. www.sprocketsociety.org [email protected] The Northwest Film Forum Executive Director: Michael Seirwrath Managing Director: Susie Purves Programming Director: Adam Sekuler Associate Program Director: Peter Lucas Technical Director: Nora Weideman Assistant Technical Director: Matthew Cunningham Communications Director: Ryan Davis www.nwfilmforum.org nwfilmforum.wordpress.com THE STAR FILMS STUDIO, MONTREUIL, FRANCE The exterior of the glass-house studio Méliès built in his garden at Montreuil, France — the first movie The interior of the same studio. Méliès can be seen studio of its kind in the world. The short extension working at left (with the long stick). As you can with the sloping roof visible at far right is where the see, the studio was actually quite small. -
A Power Stronger Than Itself
A POWER STRONGER THAN ITSELF A POWER STRONGER GEORGE E. LEWIS THAN ITSELF The AACM and American Experimental Music The University of Chicago Press : : Chicago and London GEORGE E. LEWIS is the Edwin H. Case Professor of American Music at Columbia University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2008 by George E. Lewis All rights reserved. Published 2008 Printed in the United States of America 16 15 14 13 12 11 10 09 08 1 2 3 4 5 ISBN-13: 978-0-226-47695-7 (cloth) ISBN-10: 0-226-47695-2 (cloth) Library of Congress Cataloging-in-Publication Data Lewis, George, 1952– A power stronger than itself : the AACM and American experimental music / George E. Lewis. p. cm. Includes bibliographical references (p. ), discography (p. ), and index. ISBN-13: 978-0-226-47695-7 (cloth : alk. paper) ISBN-10: 0-226-47695-2 (cloth : alk. paper) 1. Association for the Advancement of Creative Musicians—History. 2. African American jazz musicians—Illinois—Chicago. 3. Avant-garde (Music) —United States— History—20th century. 4. Jazz—History and criticism. I. Title. ML3508.8.C5L48 2007 781.6506Ј077311—dc22 2007044600 o The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. contents Preface: The AACM and American Experimentalism ix Acknowledgments xv Introduction: An AACM Book: Origins, Antecedents, Objectives, Methods xxiii Chapter Summaries xxxv 1 FOUNDATIONS AND PREHISTORY -
Kenny Barron Fun Adventure
July 2012 | No. 123 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY BARRON FUN ADVENTURE VERYAN • WEASEL • ERNIE • MATCHLESS • EVENT WESTON WALTER ANDREWS RECORDINGS CALENDAR It was with great joy that the National Endowment for the Arts reversed a 2011 decision to end the Jazz Masters program after decades. Whatever brought them back to their senses (jazz needs more recognition, not less), all jazz fans should be New York@Night happy that legendary performers will still receive this accolade (and the 25,000 4 clams that goes with it). In 2010, alongside fellow pianists Muhal Richard Abrams and Cedar Walton, Philadelphia-born Kenny Barron was elevated. We could Interview: Veryan Weston devote our entire gazette just to printing his massive discography, starting with 6 by Ken Waxman his first recording in 1960 with Yusef Lateef (part of the same Jazz Master class), Artist Feature: Weasel Walter the many done with his older brother/saxophonist Bill, sessions with Dizzy Gillespie and almost everyone else in jazz as well as his over 40 albums as a leader. 7 by Martin Longley Barron brings a quintet to the Village Vanguard this month. On The Cover: Kenny Barron In the category of “And now for something completely different”, Interview (British pianist Veryan Weston) and Artist Feature (Chicagoan drummer Weasel by George Kanzler 9 Walter) subjects present two very different sides to modern improvising, the Encore: Lest We Forget: former often working in the insectile world of European free music with such chaps as Trevor Watts and Lol Coxhill, the latter leaving a trail of destruction in 10 Ernie Andrews Buster Bailey his wake with his defunct Flying Luttenbachers group or in any number of by Marcia Hillman by Donald Elfman aggressive local collaborations. -
Steinski and the Origins of Mashup
KTRU 91.7 FM THE THRESHER is NOT REspOnsiBLE FOR THE CONTENT OF THE riCE RADIO FOLIO. SPRING 2009 Various Artists Year in Review: African Scream Contest Analog Africa This new compilation of recordings from the 1970s in Benin and Togo present a broad and vibrant blend of traditional rhythms, Cuban and Brazilian drumming Best Albums of 2008 styles, psychedelic flares, and a healthy funk that draws equally from Fela Kuti and James Brown. Benin and its neighbor Togo Rap and folk, soul and post-punk—2008 brought albums for every taste, and with this round- are couched between social and musical powerhouse Nigeria up of our favorites, KTRU presents a musical smorgasbord with an emphasis on the local scene. (home to Fela and his Africa 70, the fountainhead of afrobeat) and Ghana (the home of highlife), two sounds that are very In no particular order, here’s some of the best the year had to offer. influential on the local music. But Benin also houses a large B L A C K I E Studemont Project population descended from the repatriated slaves of liberated Wilderness of North America Warmth of the Midnight Sun Brazil, who brought the musical styles and rhythms from their Self-Released Self-Released erstwhile home. And finally Benin is the place of origin of the B L A C K I E’s live set, framed by his cus- One of the hardest working acts in the Vodoun (or Voodoo) religion, where music holds a special trance- tom multi-kilowatt wall of sound, has quickly local scene, Studemont Project not only of- inducing power. -
Hal Russell Nrg Ensemble & Charles Tyler Title
CD REVIEW ARTIST: HAL RUSSELL NRG ENSEMBLE & CHARLES TYLER TITLE: GENERATION LABEL: NESSA 25 TUNES: SINUS UP* / POODLE CUT*+ / SPONGE*+ / TATWAS*+ / CASCADE*+ / GENERATION* / THIS FENCE IS A LOVING MACHINE / UNCONTROLLABLE RAGES. 71:39. PERSONNEL: Russell, ts, cnt, shenai, vib, d; Chuck Burdelik, as, ts, cl; Brian Sandstrom*, b, el g, tpt; Curt Bley, b, el b; Steve Hunt, d, vib; Charles Tyler+, bari s; as, cl. 9/9/82, 1/10/81, Chicago, IL. Hal Russell was a Chicago iconoclast who left far too few recordings behind and (3) revives one of the rare documents of his NRG Ensemble. Like Frank Zappa, Spike Jones and the ICP Orchestra, Russell believed that humor had a place in music and in his case, that resulted in slapstick zigzags of free jazz wailing over madly unpredictable rhythms. “Sinus Up” sounds like a Raymond Scott novelty piece stuck in a locked groove with saxes and vibes chugging away frantically under maddened bass, guitar and vibes solos. The saxophones of Russell, Chuck Burdelik and guest Charles Tyler roar and bellow at length over crashing bass and drums on “Poodle Cut”. “Sponge” starts with a heavy melodic bellow from the horns before Brian Sandstrom’s trumpet sputters over clockwork bass and the band resolves into a driving melody with the three sax players all soloing over slapstick drums and rubbery bass. “Tatwas” is multi-tracked clarinets and trumpets impersonating a swarm of bees and “Generation” is Russell’s attempt at a Gang Of Four-like modern rock song that has not aged well. The CD’s big epic is “Cascade” which begins with a set of ominous fanfares before breaking into a series of solos that includes sweaty tenor from Burdelik, tipsy vibes from Steve Hunt, searing electric guitar by Sandstrom, a demented drum duet from Russell and Hunt, Curt Bley making squawking electrified sounds on his bass and Tyler soaring madly on alto. -
New Vinyl 0916-0117
Artist Title Units Media Genre Release A PLACE TO BURY STRANGERS A PLACE TO BURY STRANGERS 1 LP ROC 17.11.2016 A PROJECTION FRAMEWORK -LP+CD- 2 LP POP 16.12.2016 A SUN TRAVERSE A SUN TRAVERSE 1 LP HM. 13.01.2017 A TRIBE CALLED QUEST WE GOT IT FROM HERE..... 2 LP HIP 23.12.2016 A VISION OF PANORAMA AQUAFUSION 1 LP DAN 11.11.2016 A.B. ORIGINAL RECLAIM AUSTRALIA 1 LP HIP 25.11.2016 A.I.Z. CHAOS PRIMAIRE 1 LP IND 06.10.2016 A.I.Z. CHAOS PRIMAIRE -RED- 1 LP IND 06.10.2016 A+P A+P -REISSUE- 1 LP PUN 04.11.2016 AA ZEBRAA 1 LP ROC 09.12.2016 ABBA ARRIVAL -HQ- 2 LP POP 06.10.2016 ABBA GOLD -DOWNLOAD/HQ- 2 LP POP 10.10.2016 ABDUL-MALIK, AHMED SPELLBOUND -LTD- 1 LP JAZ 28.11.2016 ABERCROMBIE, JOHN TIMELESS 1 LP JAZ 06.10.2016 ABERNATHY, AARON MONOLOGUE 2 LP SOU 03.11.2016 ABIGOR QUINTESSENCE -LP+7"- 3 LP BLM 24.11.2016 ABLEBODY ADULT CONTEMPORARIES 1 LP ALT 17.11.2016 ABORYM GENERATOR -LTD- 1 LP BLM 04.11.2016 ABORYM SHIFTING.NEGATIVE -LTD- 1 LP BLM 25.01.2017 ABSTRAXION SHE THOUGHT SHE WOULD.. 2 LP DAN 02.12.2016 ABSTRAXION SHE THOUGHT SHE WOULD.. 2 LP DAN 02.12.2016 ABYSSUS INTO THE ABYSS 1 LP HM. 28.10.2016 AC ANGRY APPETITE FOR.. -LP+CD- 2 LP HM. 24.11.2016 ACCEPT RESTLESS & LIVE 8 LP HM. -
Downloadable In
DOWNBEAT Best CDs of 2012 The Bad Plus /// Pete Christlieb JOHN MCLAUGH JOHN L IN /// T HE BA D P L US /// PETE PETE Gerald C HRIST Clayton Blindfolded L IE B Reflects on Mahavishnu, /// BEST Shakti and The 4th C SPECIAL SECTION DS OF 2012 Dimension /// JAZZ SCHOOL JAZZ JAZZ S CHOO Pat Metheny’s L Jazz Camp John Patitucci’s Online Bass School Manhattan School of Music 30 Years of Jazz JANUARY 2013 U.K. £3.50 J ANUAR Y 2013 Y DOWNBEAT.COM JANUARY 2013 VOLUme 80 – NUMBER 1 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Maggie Glovatski Cuprisin 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
John Scofield
NOVEMBER 2018 VOLUME 85 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
WXYC Newsletter 1999
Signal to Noise The printed word from WXYC Chapel Hill, 89.3 FM 1999-2000 Edition Hello and welcome to the new issue of Signal to Noise, WXYC’s semi-annual newsletter. Hopefully this publication will soon become a more frequently Signal to recurring event, as long as our DJs continue to volunteer their time and ideas to the project. So for those who are at all unfamiliar with WXYC and what the station is all about, I’ll do my best to provide some ideas (although one of the key features to Noise WXYC is in fact its inability to be circumscribed, limited, or pigeonholed by any absolute definition). Our station adheres to a loose philosophy of 1999-2000 relativism concerning musical expression — i.e. no one particular genre or form of music is inherently superior to another — while attempting to maintain a high standard of quality within the wide range of editionmusic that we do play. This is (hopefully) achieved by allowing our DJs a good deal of freedom with the selection of music on their shows, some of which WXYC-FM must come from a playbox consisting of recent additions to our music library. We encourage our DJs to be as eclectic as possible with their selections, to 89.3mhz represent and reflect the vast amount of music one might encounter in any single part of the world, at any moment in time, over the course of the 20th Chapel Hill (soon 21st) century. Although our first priority is to broadcast consistently diverse, high quality and entertaining music, we also take a role in promoting Carrboro campus, community, and non-profit organization events, concerts, and musical performances across the triangle area.