A Power Stronger Than Itself
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Booker Little
1 The TRUMPET of BOOKER LITTLE Solographer: Jan Evensmo Last update: Feb. 11, 2020 2 Born: Memphis, April 2, 1938 Died: NYC. Oct. 5, 1961 Introduction: You may not believe this, but the vintage Oslo Jazz Circle, firmly founded on the swinging thirties, was very interested in the modern trends represented by Eric Dolphy and through him, was introduced to the magnificent trumpet playing by the young Booker Little. Even those sceptical in the beginning gave in and agreed that here was something very special. History: Born into a musical family and played clarinet for a few months before taking up the trumpet at the age of 12; he took part in jam sessions with Phineas Newborn while still in his teens. Graduated from Manassas High School. While attending the Chicago Conservatory (1956-58) he played with Johnny Griffin and Walter Perkins’s group MJT+3; he then played with Max Roach (June 1958 to February 1959), worked as a freelancer in New York with, among others, Mal Waldron, and from February 1960 worked again with Roach. With Eric Dolphy he took part in the recording of John Coltrane’s album “Africa Brass” (1961) and led a quintet at the Five Spot in New York in July 1961. Booker Little’s playing was characterized by an open, gentle tone, a breathy attack on individual notes, a nd a subtle vibrato. His soli had the brisk tempi, wide range, and clean lines of hard bop, but he also enlarged his musical vocabulary by making sophisticated use of dissonance, which, especially in his collaborations with Dolphy, brought his playing close to free jazz. -
Victory and Sorrow: the Music & Life of Booker Little
ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P. -
Joseph Jarman's Black Case Volume I & II: Return
Joseph Jarman’s Black Case Volume I & II: Return From Exile February 13, 2020 By Cam Scott When composer, priest, poet, and instrumentalist Joseph Jarman passed away in January 2019, a bell sounded in the hearts of thousands of listeners. As an early member of the Association for the Advancement of Creative Musicians (AACM), as well as its flagship group, the Art Ensemble of Chicago, Jarman was a key figure in the articulation of Great Black Music as a multi- generational ethic rather than a standard repertoire. As an ordained Buddhist priest, Jarman’s solicitude transcended philosophical affinity and deepened throughout his life as his music evolved. His musical, poetic, and religious paths appear to have been mutually informative, in spite of a hiatus from public performance in the nineties—and to encounter Jarman’s own words is to understand as much. The full breadth of this complexity is celebrated in the long-awaited reissue of Black Case Volume I & II: Return from Exile, a blend of smut and sutra, poetry and polemic, that feels like a reaffirmation of Jarman’s ambitious vision in the present day. Black Case wears its context proudly. A near-facsimile of the original 1977 publication by the Art Ensemble of Chicago (which itself was built upon a coil-bound printing from 1974), the volume serves as a time capsule of a key period in the development of an emancipatory musical and cultural program, and an intimate portrait of the artist-as-revolutionary. Black Case, then, feels most contemporary where it is most of its time, as a document of Black militancy and programmatic self-determination in which—to paraphrase Larry Neal’s 1968 summary of the Black Arts Movement—ethics and aesthetics, individual and community, are tightly unified. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Illinois ... Football Guide
796.33263 lie LL991 f CENTRAL CIRCULATION '- BOOKSTACKS r '.- - »L:sL.^i;:f j:^:i:j r The person charging this material is re- sponsible for its return to the library from which it was borrowed on or before the Latest Date stamped below. Theft, mutllotlen, UNIVERSITY and undarllnlnfl of books are reasons OF for disciplinary action and may result In dismissal from ILUNOIS UBRARY the University. TO RENEW CAll TEUPHONE CENTEK, 333-8400 AT URBANA04AMPAIGN UNIVERSITY OF ILtlNOIS LIBRARY AT URBANA-CHAMPAIGN APPL LiFr: STU0i£3 JAN 1 9 \m^ , USRARy U. OF 1. URBANA-CHAMPAIGN CONTENTS 2 Division of Intercollegiate 85 University of Michigan Traditions Athletics Directory 86 Michigan State University 158 The Big Ten Conference 87 AU-Time Record vs. Opponents 159 The First Season The University of Illinois 88 Opponents Directory 160 Homecoming 4 The Uni\'ersity at a Glance 161 The Marching Illini 6 President and Chancellor 1990 in Reveiw 162 Chief llliniwek 7 Board of Trustees 90 1990 lUinois Stats 8 Academics 93 1990 Game-by-Game Starters Athletes Behind the Traditions 94 1990 Big Ten Stats 164 All-Time Letterwinners The Division of 97 1990 Season in Review 176 Retired Numbers intercollegiate Athletics 1 09 1 990 Football Award Winners 178 Illinois' All-Century Team 12 DIA History 1 80 College Football Hall of Fame 13 DIA Staff The Record Book 183 Illinois' Consensus All-Americans 18 Head Coach /Director of Athletics 112 Punt Return Records 184 All-Big Ten Players John Mackovic 112 Kickoff Return Records 186 The Silver Football Award 23 Assistant -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Illinois ... Football Guide
University of Illinois at Urbana-Champaign !~he Quad s the :enter of :ampus ife 3 . H«H» H 1 i % UI 6 U= tiii L L,._ L-'IA-OHAMPAIGK The 1990 Illinois Football Media Guide • The University of Illinois . • A 100-year Tradition, continued ~> The University at a Glance 118 Chronology 4 President Stanley Ikenberrv • The Athletes . 4 Chancellor Morton Weir 122 Consensus All-American/ 5 UI Board of Trustees All-Big Ten 6 Academics 124 Football Captains/ " Life on Campus Most Valuable Players • The Division of 125 All-Stars Intercollegiate Athletics 127 Academic All-Americans/ 10 A Brief History Academic All-Big Ten 11 Football Facilities 128 Hall of Fame Winners 12 John Mackovic 129 Silver Football Award 10 Assistant Coaches 130 Fighting Illini in the 20 D.I.A. Staff Heisman Voting • 1990 Outlook... 131 Bruce Capel Award 28 Alpha/Numerical Outlook 132 Illini in the NFL 30 1990 Outlook • Statistical Highlights 34 1990 Fighting Illini 134 V early Statistical Leaders • 1990 Opponents at a Glance 136 Individual Records-Offense 64 Opponent Previews 143 Individual Records-Defense All-Time Record vs. Opponents 41 NCAA Records 75 UNIVERSITY LIBRARY 78 UI Travel Plans/ 145 Freshman /Single-Play/ ILLINOIS AT URBANA-CHAMPAIGN Opponent Directory Regular Season UNIVERSITY OF responsible for its charging this material is • A Look back at the 1989 Season Team Records The person on or before theidue date. 146 Ail-Time Marks renewal or return to the library Sll 1989 Illinois Stats for is $125.00, $300.00 14, Top Performances minimum fee for a lost item 82 1989 Big Ten Stats The 149 Television Appearances journals. -
Baptiste Trotignon, : Première Partie SAMEDI 19MAI–20H Fin Duconcert Vers 23H10
7/05/19 TROTIGNON:N 11/05/07 18:08 Page 1 SAMEDI 19 MAI – 20H Première partie : Baptiste Trotignon, piano solo entracte Deuxième partie : Michel Portal, clarinettes, saxophone, bandonéon Louis Sclavis, clarinettes, saxophone Daniel Humair, batterie Bojan Z., piano Bruno Chevillon, contrebasse Fin du concert vers 23h10. Samedi 19 mai Samedi 7/05/19 TROTIGNON:N 11/05/07 18:08 Page 2 7/05/19 TROTIGNON:N 11/05/07 18:08 Page 3 SAMEDI 19 MAI Baptiste Trotignon Un phrasé éblouissant de vélocité et de rigueur mêlées ; un lyrisme et une virtuosité parfaitement assumés ; une façon bien à lui de passer de climats intimistes jamais mièvres ni embrumés de romantisme frelaté à d’intenses séquences énergétiques, pleines d’arabesques virevoltantes toujours articulées avec une grande lisibilité et un souci constant de la mélodie : Baptiste Trotignon apparaît aujourd’hui incontestablement comme l’une des valeurs les plus sûres du nouveau piano jazz européen. Il faut dire qu’en ne cherchant jamais à brûler les étapes pour se propulser artificiellement sur le devant de la scène, Trotignon a fait de sa jeune carrière un modèle d’intelligence et d’équilibre entre sagesse et témérité. Élève de la classe jazz du Conservatoire de Paris (CNSMDP) après des études classiques conséquentes, Trotignon, dès le milieu des années quatre-vingt-dix, s’immerge totalement dans l’effervescente scène jazz parisienne et apprend le métier au fil de ses rencontres avec des musiciens comme Christian Escoudé, André Ceccarelli, Claudia Solal ou encore les frères Moutin… Créant son propre trio avec Clovis Nicolas à la contrebasse et Tony Rabeson à la batterie, il enregistre coup sur coup ses deux premiers disques en leader (Fluide en 2000 et Sightseeing l’année suivante) qui, par leur grâce juvénile mâtinée d’une surprenante maturité formelle, lui assurent aussitôt une belle renommée tant critique que publique. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................