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Vut 20140303 – Big Bands
JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc. -
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Orgel · Orgelrecital Barbara Dennerlein · Latin · Soul Blues · MIDI-Technik · Synthesizer Improvisation · Jazz · Am 21.01.2007 Bebab · So Klingt Nur Dortmund
HAMMOND-ORGEL B3 · SWING · BEBOP FUNK · KÖNIGIN DER INSTRUMENTE SAMPLER · ORGEL · ORGELRECITAL BARBARA DENNERLEIN · LATIN · SOUL BLUES · MIDI-TECHNIK · SYNTHESIZER IMPROVISATION · JAZZ · AM 21.01.2007 BEBAB · SO KLINGT NUR DORTMUND. 2,50 E KONZERTHAUS DORTMUND · SONNtAG, 21.01.2007 · 18.00 Dauer: ca. 1 Stunde 15 Minuten ohne Pause BARBARA DENNERLEIN ORGEL, HAmmoND B3 Abo: Orgel im Konzerthaus Das Programm stand bei Drucklegung noch nicht fest – Programm nach Ansage! Wir bitten um Verständnis, dass Bild- und Tonaufnahmen während der Vorstellung nicht gestattet sind. 4I5 DIE FIRst LADY DER HAmmoND-ORGEL Der Freiheit von Vorurteil und Diskriminierung, der Freiheit von Zwang und Konvention. Diese, meine Definition von Jazz, will ich dem Zuhörer vermitteln. Ob jung oder alt, Traditionalist oder Der Name Barbara Dennerlein steht zweifelsfrei für eine der international erfolgreichsten und Modernist, Jazzfan oder Nicht-Jazzfan.« bekanntesten deutschen Jazzmusikerinnen. Nicht nur dieser Fakt ist überaus bemerkenswert, Sowohl als Solistin als auch mit ihrer Formation »Bebab« wird Barbara Dennerlein auf beiden auch ihr einzigartiges Instrument, mit dem sie bereits unzählige Erfolge und Ehrungen feiern konnte, Seiten des Atlantiks von Publikum und Presse gleichermaßen gefeiert. Dabei spielt allein der bedarf einer detaillierten Betrachtung: die legendäre Hammond-Orgel B3. Aber der Reihe nach. Name »Bebab«, eine freie Assoziation aus Bebop und Barbara, auf etwas ganz eigenes an, für das Barbara Dennerlein gehört zu den Interpreten, die ihrem Publikum, also Ihnen, im Konzert einen derzeit (noch) keine so allseits beliebte musikalische Schublade existiert, denn in Dennerleins ungewöhnlich tiefen Einblick in die gespielten Stücke erlaubt. Sie berichtet kompetent und in Musik fließen sämtliche Stile von Swing und Bebop, Blues, Soul, Latin und groovendem Funk direkter Ansprache über deren Geschichte, Entstehung und Hintergründe. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
Dave Burrell, Pianist Composer Arranger Recordings As Leader from 1966 to Present Compiled by Monika Larsson
Dave Burrell, Pianist Composer Arranger Recordings as Leader From 1966 to present Compiled by Monika Larsson. All Rights Reserved (2017) Please Note: Duplication of this document is not permitted without authorization. HIGH Dave Burrell, leader, piano Norris Jones, bass Bobby Kapp, drums, side 1 and 2: b Sunny Murray, drums, side 2: a Pharoah Sanders, tambourine, side . Recording dates: February 6, 1968 and September 6, 1968, New York City, New York. Produced By: Alan Douglas. Douglas, USA #SD798, 1968-LP Side 1:West Side Story (L. Bernstein) 19:35 Side 2: a. East Side Colors (D. Burrell) 15:15 b. Margy Pargy (D. Burrell 2:58 HIGH TWO Dave Burrell, leader, arranger, piano Norris Jones, bass Sunny Murray, drums, side 1 Bobby Kapp, drums side 2. Recording Dates: February 6 and September 9, 1968, New York City, New York. Produced By: Alan Douglas. Additional production: Michael Cuscuna. Trio Freedom, Japan #PA6077 1969-LP. Side: 1: East Side Colors (D. Burrell) 15:15 Side: 2: Theme Stream Medley (D.Burrell) 15:23 a.Dave Blue b.Bittersweet Reminiscence c.Bobby and Si d.Margie Pargie (A.M. Rag) e.Oozi Oozi f.Inside Ouch Re-issues: High Two - Freedom, Japan TKCB-70327 CD Lions Abroad - Black Lion, UK Vol. 2: Piano Trios. # BLCD 7621-2 2-1996CD HIGH WON HIGH TWO Dave Burrell, leader, arranger, piano Sirone (Norris Jones) bass Bobby Kapp, drums, side 1, 2 and 4 Sunny Murray, drums, side 3 Pharoah Sanders, tambourine, side 1, 2, 4. Recording dates: February 6, 1968 and September 6, 1968, New York City, New York. -
Brochure 2017 2018
partnership IX rassegna 2017/18 ECOTOPIA Direttore Artistico M° Roberto Ottaviano Coordinatore M° Pietro Laera Ecotopia: il romanzo del nostro futuro. È un romanzo utopico scritto da Ernest Callenbach, pubblicato nel 1975. La società descritta nel libro è una delle prime utopistiche nonché ecologiche, ed ebbe inuenza sulla controcultura e sul movimento ambientalista nel corso degli anni '70. Da questa lettura prende spunto la realizzazione del programma di questa edizione. L'idea di Cultura che sostiene la nostra Associazione è quella di una ricchezza ineguagliabile e non barattabile per uno sviluppo forte delle idee, dei sentimenti che debbono guidare ogni azione di buon governo e che non si lasci fuorviare da canoni il cui peso, è sotto gli occhi di tutti, sta raggiungendo il punto critico di non ritorno. Una idea di Cultura, attraverso lo strumento della Musica, che rende possibile una Utopia insieme al suo impatto ecosostenibile. Ed ecco che in una parola ritorna il senso di tutto questo: ECOTOPIA. Come sempre l'Associazione Culturale Nel Gioco del Jazz, che sta per toccare il traguardo della sua decima programmazione, mantiene fede agli assunti iniziali consolidandoli e potenziando, attraverso un maggiore e più efcace impiego di mezzi, il rapporto con un tessuto sociale che è cresciuto ed ha riconosciuto alla stessa Associazione un ruolo ormai trainante nelle attività territoriali. Con i suoi eventi in cartellone, oltre agli appuntamenti fuori programma, le letture editoriali, gli incontri con autori e protagonisti della vita musicale, il coinvolgimento delle scuole, l'Associazione Nel Gioco del Jazz creerà una rete di interessi ed un dibattito vivo che tiene acceso l'interesse sulla creazione di Cultura, ben oltre il momento della messa in scena e del suo circoscritto periodo. -
Bruce Ditmas What If Mp3, Flac, Wma
Bruce Ditmas What If mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: What If Country: US Released: 1995 Style: Free Jazz, Fusion MP3 version RAR size: 1235 mb FLAC version RAR size: 1635 mb WMA version RAR size: 1220 mb Rating: 4.2 Votes: 243 Other Formats: AA ADX DXD MPC AC3 AUD VOX Tracklist Hide Credits Island Seven 1 10:11 Composed By – Bruce Ditmas What If 2 10:21 Composed By – Bruce Ditmas Clever Conversation 3 7:52 Composed By – Bruce Ditmas, Paul Bley 3348 Big Easy A. Deep Blue Sea 4 3:18 Composed By – Bruce Ditmas B. Thursday Nite Special 5 7:18 Composed By – Bruce Ditmas C. Voodoo Street Beat 6 4:09 Composed By – Bruce Ditmas Pulp 7 8:00 Composed By – Bruce Ditmas, John Abercrombie Power Surge 8 3:46 Composed By – Bruce Ditmas, Sam Rivers Don't Wake Me 9 4:52 Composed By – Bruce Ditmas Companies, etc. Recorded At – Electric Lady Studios Mixed At – Electric Lady Studios Edited At – Foothill Digital Mastered At – Foothill Digital Published By – All'ore Musica Published By – Musicards Manufactured By – U.S. Optical Disc Credits Art Direction – Ann Lemon Bass – Dominic Richards Design – Stacey Lieberman Drums – Bruce Ditmas Engineer, Mixed By – Joe Barbaria Executive-Producer – Sibyl R. Golden Guitar – John Abercrombie Liner Notes – Bruce Ditmas, RS* Mastered By – Allan Tucker Photography By – Joanne Dugan Piano, Synthesizer – Paul Bley Producer – Ralph Simon Tenor Saxophone, Soprano Saxophone – Sam Rivers Notes Recorded Dec. 21-22, 1994 Barcode and Other Identifiers Barcode: 782737100726 Matrix / Runout: U.S. OPTICAL DISC POST107 Rights Society: BMI SPARS Code: DDD Related Music albums to What If by Bruce Ditmas Jack Bruce and friends - Fast RAM - Ditmas Acid Bruce Springsteen - Bruce Springsteen & The E-Street Band - born to run Bruce Mitchell / Kirk Hunter - Orchestral Synthesis Bruce Guthro - Jack Bruce - Jack Bruce! Bruce Springsteen - Bruce Springsteen & The E Street Band Live/1975-85. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Interactional Morality
이민하 MINHA LEE INTERACTIONAL T I N E MINHA LEE was born in Seoul, Korea. T C MORALITY: E Her first research was on the puzzling H R N phenomenon called “why rockos eat A TECHNOLOGY O no chipos?” She has since then moved C L T O AS OUR on to investigate how technology shapes I O G us as moral beings, and whether our N Y MORAL A interactions with digital entities reveal A L S our moral selves in a new light. M MIRROR O O U R R A L M I T O Y R : A L M I R R O R 이민하 MINHA LEE Minha Lee Interactional Morality: Technology as Our Moral Mirror The work in this dissertation has been carried out at the Human-Technology Group, Eindhoven University of Technology. Copyright © 2021 by Minha Lee. All rights reserved. A catalogue record for this book is available from the Eindhoven University of Technology library. ISBN: 978-94-6423-115-1 NUR: 600 Keywords: Morality, Human-computer interaction Cover design: Minha Lee Printed by: ProefschriftMaken || www.proefschriftmaken.nl Interactional Morality: Technology as our Moral Mirror PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Technische Universiteit Eindhoven, op gezag van de rector magnificus prof.dr.ir. F.P.T. Baaijens, voor een commissie aangewezen door het College voor Promoties, in het openbaar te verdedigen op dinsdag 16 februari 2021 om 16:00 uur. door Minha Lee geboren te Seoul, Republiek Korea Dit proefschrift van het proefontwerp is goedgekeurd door de promotoren en de samenstelling van de promotiecommissie is als volgt: voorzitter: prof. -
Newsletter 09Feb.Pub
A P A PLACE FOR JAZZ O R February 2009 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Looking Back, Forging Ahead by Tim Coakley ♦ The 2008 season of A Place VOLUNTEER HELP WANTED for Jazz was a rousing suc- Support Needed cess, especially in the vari- ety of styles and sounds we As always, and especially in We need help: were able to present. these difficult economic times, With publicity: distributing fliers we rely greatly on your support and posters • We began with the sparkling to continue presenting first-rate Writing music reviews for the news- letter trio of pianist Bill Charlap, jazz concerts for your enjoy- who gave us a great open- Greeting people and handing out ment. programs at the concerts ing concert. Please take a look at the mem- • Saxophonist Lee Russo bership form inside and decide If you can help, please call Tim helped us to continue show- Coakley at which level of support is com- 518-393-4011 casing the wealth of musical fortable for you. talent in the Capital Region. or e-mail him at Every contribution we get goes [email protected] • Bassist Ben Allison and vi- directly toward continuing the braphonist Joe Locke each legacy of Butch Conn, who offered their own very indi- founded A Place for Jazz in or- vidual takes on the jazz id- der to present the music in a iom, and each of them gave congenial, warm setting that is an inspirational master class conducive to listening and en- for Nat Phipps’ music stu- joying this great American art dents at Schenectady form.