Hal Russell Nrg Ensemble & Charles Tyler Title

Total Page:16

File Type:pdf, Size:1020Kb

Hal Russell Nrg Ensemble & Charles Tyler Title CD REVIEW ARTIST: HAL RUSSELL NRG ENSEMBLE & CHARLES TYLER TITLE: GENERATION LABEL: NESSA 25 TUNES: SINUS UP* / POODLE CUT*+ / SPONGE*+ / TATWAS*+ / CASCADE*+ / GENERATION* / THIS FENCE IS A LOVING MACHINE / UNCONTROLLABLE RAGES. 71:39. PERSONNEL: Russell, ts, cnt, shenai, vib, d; Chuck Burdelik, as, ts, cl; Brian Sandstrom*, b, el g, tpt; Curt Bley, b, el b; Steve Hunt, d, vib; Charles Tyler+, bari s; as, cl. 9/9/82, 1/10/81, Chicago, IL. Hal Russell was a Chicago iconoclast who left far too few recordings behind and (3) revives one of the rare documents of his NRG Ensemble. Like Frank Zappa, Spike Jones and the ICP Orchestra, Russell believed that humor had a place in music and in his case, that resulted in slapstick zigzags of free jazz wailing over madly unpredictable rhythms. “Sinus Up” sounds like a Raymond Scott novelty piece stuck in a locked groove with saxes and vibes chugging away frantically under maddened bass, guitar and vibes solos. The saxophones of Russell, Chuck Burdelik and guest Charles Tyler roar and bellow at length over crashing bass and drums on “Poodle Cut”. “Sponge” starts with a heavy melodic bellow from the horns before Brian Sandstrom’s trumpet sputters over clockwork bass and the band resolves into a driving melody with the three sax players all soloing over slapstick drums and rubbery bass. “Tatwas” is multi-tracked clarinets and trumpets impersonating a swarm of bees and “Generation” is Russell’s attempt at a Gang Of Four-like modern rock song that has not aged well. The CD’s big epic is “Cascade” which begins with a set of ominous fanfares before breaking into a series of solos that includes sweaty tenor from Burdelik, tipsy vibes from Steve Hunt, searing electric guitar by Sandstrom, a demented drum duet from Russell and Hunt, Curt Bley making squawking electrified sounds on his bass and Tyler soaring madly on alto. There are also a couple of bonus tracks done by a earlier quartet version of the Ensemble containing just Russell, Burdelik, Bley and Hunt. “Fence” is a surprisingly cohesive and pretty ballad featuring flute and cornet that suggests Roscoe Mitchell’s early work while the long “Uncontrollable Rages” is full-on tenor screaming contrasted with delicate pauses of vibes and drums. Jerome Wilson CD review from Volume 41, No. 1: January issue For more information, go to www.cadencemagazine.com Copyright 2015 Cadence Media, LCC All rights reserved .
Recommended publications
  • Columbia Chronicle College Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-9-1992 Columbia Chronicle (11/09/1992) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/9/1992)" (November 9, 1992). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/158 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. T H E C 0 L U M B I A C 0 L L E "G E HRONICLE VOWME 26 NUMBER 7 THE EYES AND EARS OF COLUMBIA NOVEMBER 9, 1992 School to undergo ;major metamorphosis By Bum.ey Simpson slor'e remaining in the lobby. · Columbia's computer main SJII#Wrilter The jouma1ism and liler.ll arts frame and telecommunicati departments would also move Cl!l1fle£ are on the fifth floor there. Columbia will lose nearly into the Ton:o. Gall said movingthose would be $ID).(XX) a yearm rent at theTOI'CO "'n the Michigan building the tremendously expensive and buikmgwhen theStatec:illinois school plans to put a student difficult. IDIM!SoutmJure 19'X servicEs renter on the second And, even though Columbia That's what the Dlinois Depart­ floor by moving the Student Life recently CiDlCEied li!Oclasses due ment of Public Aid pays to offices and the Underground ID low enrollmmt, there are de­ OIDipy six floors in the 624 s.
    [Show full text]
  • Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarde
    Bio information: LIVING BY LANTERNS Title: NEW MYTH/OLD SCIENCE (Cuneiform Rune 345) Format: CD / LP Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / AVANT-JAZZ Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarded Sun Ra Rehearsal Tape Into Improvisational Gold with their group Living By Lanterns, An All-Star Nine-Piece Ensemble, Featuring a Mighty Cast of Young Chicago & New York Masters According to some versions of String Theory, ours is but one of an infinite number of universes. But you would need to dig deeply into the cosmological haystack before encountering a project as extraordinary and unlikely as New Myth/Old Science, which brings together an incandescent cast of Chicago and New York improvisers to explore music inspired by a previously unknown recording of Sun Ra. In the hands of drummer Mike Reed and vibraphonist Jason Adasiewicz, who are both invaluable and protean creative forces on Chicago’s vibrant new music scene, Ra’s informal musings serve as a portal for their cohesive but multi-dimensional combo, newly christened Living By Lanterns. Commissioned by Experimental Sound Studio (ESS), the music is one of several projects created in response to material contained in ESS’s vast Sun Ra/El Saturn Audio Archive. Rather than a Sun Ra tribute, Reed and Adasiewicz have crafted a melodically rich, harmonically expansive body of themes orchestrated from fragments extracted from a rehearsal tape marked “NY 1961,” featuring Ra on electric piano, John Gilmore on tenor sax and flute, and Ronnie Boykins on bass.
    [Show full text]
  • The Bad Ass Pulse by Martin Longley
    December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature).
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Georges Méliès: Impossible Voyager
    Georges Méliès: Impossible Voyager Special Effects Epics, 1902 – 1912 Thursday, May 15, 2008 Northwest Film Forum, Seattle, WA Co-presented by The Sprocket Society and the Northwest Film Forum Curated and program notes prepared by Spencer Sundell. Special music presentations by Climax Golden Twins and Scott Colburn. Poster design by Brian Alter. Projection: Matthew Cunningham. Mr. Sundell’s valet: Mike Whybark. Narration for The Impossible Voyage translated by David Shepard. Used with permission. (Minor edits were made for this performance.) It can be heard with a fully restored version of the film on the Georges Méliès: First Wizard of Cinema (1896-1913) DVD box set (Flicker Alley, 2008). This evening’s program is dedicated to John and Carolyn Rader. The Sprocket Society …seeks to cultivate the love of the mechanical cinema, its arts and sciences, and to encourage film preservation by bringing film and its history to the public through screenings, educational activities, and our own archival efforts. www.sprocketsociety.org [email protected] The Northwest Film Forum Executive Director: Michael Seirwrath Managing Director: Susie Purves Programming Director: Adam Sekuler Associate Program Director: Peter Lucas Technical Director: Nora Weideman Assistant Technical Director: Matthew Cunningham Communications Director: Ryan Davis www.nwfilmforum.org nwfilmforum.wordpress.com THE STAR FILMS STUDIO, MONTREUIL, FRANCE The exterior of the glass-house studio Méliès built in his garden at Montreuil, France — the first movie The interior of the same studio. Méliès can be seen studio of its kind in the world. The short extension working at left (with the long stick). As you can with the sloping roof visible at far right is where the see, the studio was actually quite small.
    [Show full text]
  • Review by Jeff Stockton for New York City Jazz
    cover art for albums that never found financing. groups, as well as Parker’s work with vocalists in BOXED SET Singers sang and dancers choreographed and varying configurations. The Big Moon Ensemble (a performed, all of which is covered in the wonderfully double quartet inspired by Ornette Coleman’s Free informative booklet containing Ed Hazell’s liner Jazz) included Carter, altoist Jemeel Moondoc, notes, Parker’s personal reflections, recording trumpeter Roy Campbell, a second bassist in Jay information and old photographs of the musicians Oliver and Charles and Rashid Bakr double and other ephemera. The music, more than seven drumming. They stir the stew relentlessly, ratcheting hours spread over six CDs, provides something of an and releasing tension, propelling the music forward alternate history of Parker’s career, too. Always a with mind-blowing power until the band settles busy sideman, playing live and appearing in (small down to let Parker have his solo say. The Centering label) album credits, the sheer scope of this work Big Band adds baritone saxist Charles Tyler along suggests Parker has always been a tornadic creative with Alex LoDico and Masahiko Kono on trombones, Centering (Unreleased Early Recordings 1976-1987) force on the Downtown scene. among others. This expanded group and these William Parker (NoBusiness) The box begins with almost an hour’s worth of extended written/improvised pieces presage the by Jeff Stockton serene duets from 1980 with alto saxist/trumpeter assembly of Parker’s Little Huey Creative Orchestra Daniel Carter, a die-hard of the scene to this day and in the ‘90s and the integration of voice ultimately Bassist William Parker’s Centering (Unreleased Early an exemplar of the fierce asceticism and street that found its fruition in the Double Sunrise Over Recordings 1976-1987) portrays an alternate universe aesthetic coursing through this circle of kindred Neptune orchestra from 2007.
    [Show full text]
  • A Power Stronger Than Itself
    A POWER STRONGER THAN ITSELF A POWER STRONGER GEORGE E. LEWIS THAN ITSELF The AACM and American Experimental Music The University of Chicago Press : : Chicago and London GEORGE E. LEWIS is the Edwin H. Case Professor of American Music at Columbia University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2008 by George E. Lewis All rights reserved. Published 2008 Printed in the United States of America 16 15 14 13 12 11 10 09 08 1 2 3 4 5 ISBN-13: 978-0-226-47695-7 (cloth) ISBN-10: 0-226-47695-2 (cloth) Library of Congress Cataloging-in-Publication Data Lewis, George, 1952– A power stronger than itself : the AACM and American experimental music / George E. Lewis. p. cm. Includes bibliographical references (p. ), discography (p. ), and index. ISBN-13: 978-0-226-47695-7 (cloth : alk. paper) ISBN-10: 0-226-47695-2 (cloth : alk. paper) 1. Association for the Advancement of Creative Musicians—History. 2. African American jazz musicians—Illinois—Chicago. 3. Avant-garde (Music) —United States— History—20th century. 4. Jazz—History and criticism. I. Title. ML3508.8.C5L48 2007 781.6506Ј077311—dc22 2007044600 o The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. contents Preface: The AACM and American Experimentalism ix Acknowledgments xv Introduction: An AACM Book: Origins, Antecedents, Objectives, Methods xxiii Chapter Summaries xxxv 1 FOUNDATIONS AND PREHISTORY
    [Show full text]
  • Papa Oyeah Mackensie
    AFRIQUE AMERIQUE EUROPE 'PM* 71 /7'77 Papa Oyeah Mackensie Charles Tyler Quartet festival Charles Tyler, saxophones d'automne Earl Cross, trompette à paris Wilbur Little, contrebasse Salle Wagram Steve Reid, percussion 3 - 4 novembre 1977 Semaines Musicales Internationales de Paris Document de communication du Festival d'Automne à Paris - tous droits réservés IllLOVE POWER IIICHARLES TYLER QUARTET PAPA OYEAH MACKENSIE 3 Novembre Newwark, New Jersey, il y a dix ans, quelques semaines avant les ODO DWOM la chanson d'amour émeutes. Les rues sont vides. Sauf devant les arrêts d'autobus. NYIKYRE révélation Sur un grand panneau, en lettres de toutes les couleurs Demain! OSUMAFU le messager Sam and Dave! On va un peu plus loin; les rues ressemblent à celles MI DA WU ASI merci des quartiers noirs de Londres. Victoriennes et délabrées. Une AFARIBO sacrifice maison comme toutes les autres, on nous regarde un peu bizarrement avant de reconnaître mon guide. On paye deux dollars. L'intérieur a 4 Novembre été soigneusement barbouillé de noir, pour faire plus gai. Quelques chaises de provenance diverse, dont probablement le square du coin. ODO ENTUNTUN louange d'amour Nous voilà dans le Spirit House, le "club" de Leroy Jones. Cette YERIBA SENN chant de guérison semaine se produit l'orchestre d'un jeune musicien de Cleveland, NA SUSUM BOKOKO suggestion de l'esprit Charles Tyler, celui qui a enregistré Bells and Spirits Rejoice, avec Albert Ayler. La musique vient de commencer. Incroyable. Mais il faudra dix ans avant que Charles Tyler vienne à Paris. Charles Lacy Tyler est né le 20 juillet 1941 à Cadiz, dans le Kentucky, a passé son enfance à New York et a fait ses études à Les voies de la musique sont décidément impénétrables.
    [Show full text]
  • Airwaves (1983-12 and 1984-01)
    AIR\XAVES A Service of Continuing Education and Extension University of Minnesota, Duluth Volume 4 Number 6 December 1983-January 1984 Tom .Paxton Thursday, Dec. 1 Marshall Performing Arts Center, UMD I\UMI) 103.Jfm Station Manager .... Tom Livingston Program Director ...... John Ziegler Asst. Program Director . Paul Schmitz Engineering ........... Kirk Kersten Re or¾ lo the Listener Producer/ Outreach .... Jean Johnson ~olunteer itaff By Tom Livingston, Station Manager Bill Agnew, Jay Anderson, Kath like " Bottle of Wine," "Ram bl in Boy, " Anderson, Mark Anderson, Bob "The Last Thing on My Mind," and Andresen, Leo Babeu, Chris Baker, Fall Fund Drive Concert Serles: Koko Taylor, Botto; "I'n:t Changing My Name to Chrysler" Todd Borstad, Dave Brygger, Jeff By just about every count our fall fund Paxton Coming Up . are just a few of the dozens he ha~ Cherne, Jan Cohen, Katrina drive was a great success. The Beatles Our second concert in the series that is written that are sung and p layed all over DeConcini, Bruce Eckland, Pat Eller, day and the Koko Taylor concert were funded in part by the Arrowhead the wor1d. We are proud to be Phil Enke, Doug Fifield, Susanna highlights and the hundreds of people Regional Arts Council featured Koko sponsoring this event, and hope you'll Frenkel, Matt Fust, Bev Garberg, Stan who called in with pledges made the Taylor and her Blues Machine. The join us December I, at the Marshall Goltz, Doug Greenwood, Jim Gruba, drive both emotionally and financially band was hot, and the large audience Performing Arts Center. Paul Hanson, Gordon Harris; Dean rewarding for the station and the staff.
    [Show full text]
  • Kenny Barron Fun Adventure
    July 2012 | No. 123 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY BARRON FUN ADVENTURE VERYAN • WEASEL • ERNIE • MATCHLESS • EVENT WESTON WALTER ANDREWS RECORDINGS CALENDAR It was with great joy that the National Endowment for the Arts reversed a 2011 decision to end the Jazz Masters program after decades. Whatever brought them back to their senses (jazz needs more recognition, not less), all jazz fans should be New York@Night happy that legendary performers will still receive this accolade (and the 25,000 4 clams that goes with it). In 2010, alongside fellow pianists Muhal Richard Abrams and Cedar Walton, Philadelphia-born Kenny Barron was elevated. We could Interview: Veryan Weston devote our entire gazette just to printing his massive discography, starting with 6 by Ken Waxman his first recording in 1960 with Yusef Lateef (part of the same Jazz Master class), Artist Feature: Weasel Walter the many done with his older brother/saxophonist Bill, sessions with Dizzy Gillespie and almost everyone else in jazz as well as his over 40 albums as a leader. 7 by Martin Longley Barron brings a quintet to the Village Vanguard this month. On The Cover: Kenny Barron In the category of “And now for something completely different”, Interview (British pianist Veryan Weston) and Artist Feature (Chicagoan drummer Weasel by George Kanzler 9 Walter) subjects present two very different sides to modern improvising, the Encore: Lest We Forget: former often working in the insectile world of European free music with such chaps as Trevor Watts and Lol Coxhill, the latter leaving a trail of destruction in 10 Ernie Andrews Buster Bailey his wake with his defunct Flying Luttenbachers group or in any number of by Marcia Hillman by Donald Elfman aggressive local collaborations.
    [Show full text]
  • Kathy's Genius
    Berkeley Barb, July 4 - 10, 1975 Page 13 Kathy's Genius writer this far into the seven­ Kathy addresses herself to the that schizophrenia is a more ties, and it's too strong to ever problem of truth and fabrica­ valid way for me to reach an­ be popular. tion in the most direct and other person, than the rigidity Kathy's publisher sent me her challenging way I've come of identity, the rigid mind-iden­ book with only one promotional across. She takes a character tity structures, I have some­ quote, by Fielding Daw son. created by another writer, and what non - consciously been 'There is a young woman writ­ retells the story imagining her­ dealing with and through." ing on the West Coast who has self as the main character, until Contemporary writing is in a received noi attention at all. Her the line separating her life and stage of upheaval, and writers name is Kathy Acker....She is, the character's becomes blurr­ literally, the wildest writer go­ must be judged by how well they ed virtually beyond recognition. destroy and reinvent language, ing...Her prose is direct, fast, In Andrei's book, he is osten­ character, and reality itself. sexy, hot, horny, furiously sibly presenting us with an edit­ In Life & Times, Andrei's honest,' tender and very, very ed version of his memory ."Con­ language is straightforward and / funny ... Insofar as I can see, sequently, every thing he pre­ unambiguous, with an occa­ she's the dark horse in Ameri­ sents comes to the reader with sional ejaculation in upper case.
    [Show full text]
  • THE VINE 2014 News from Wistariahurst Museum
    Volume 9 Issue 2 Winter Spring THE VINE 2014 News from Wistariahurst Museum Wistariahurst Welcomes a New Year We are grateful to our community of patrons for a year of tremendous support and look ahead confidently that 2014 will be another successful year of growth for Wistariahurst Museum. During 2013 Wistariahurst offered over 200 events and programs attracting over 14,000 visitors from near and far. Wistariahurst participated in the 2nd Annual Valley Gives, raising over $2,300 in generous contributions. Art exhibitions continued to be a highlight to our programming, as well as a wide variety of concerts scheduled in the Music Hall. The development of a historical lecture series has attracted new audiences and scholars. Last year Wistariahurst Museum partnered with the Holyoke Public Schools, and students from Amherst and Holyoke Community Colleges for integrated classroom learning. Wistariahurst has become the archival home for much of Holyoke’s cultural, architectural and industrial history. The museum continues to foster positive relationships through partnerships and collaborations. Community supporters are enthusiastic about the vibrant future of Wistariahurst and its significance in the cultural life of this region. We are encouraged by the strong support of individuals like you who share an appreciation of the past and a vision for the future of the museum. 1876 Journal of William Cobbett Skinner “I have begun this diary today full of grand resolutions. So let us see how they will last. Last night about 12 o’clock all the bells in the city were rung and cannons were fired off in honor of ‘76...” So begins 19 year old William Cobbett Skinner’s (Will) journal.
    [Show full text]