Ancient Latin Grammar
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Copyright © 2014 Richard Charles Mcdonald All Rights Reserved. The
Copyright © 2014 Richard Charles McDonald All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without, limitation, preservation or instruction. GRAMMATICAL ANALYSIS OF VARIOUS BIBLICAL HEBREW TEXTS ACCORDING TO A TRADITIONAL SEMITIC GRAMMAR __________________ A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________ by Richard Charles McDonald December 2014 APPROVAL SHEET GRAMMATICAL ANALYSIS OF VARIOUS BIBLICAL HEBREW TEXTS ACCORDING TO A TRADITIONAL SEMITIC GRAMMAR Richard Charles McDonald Read and Approved by: __________________________________________ Russell T. Fuller (Chair) __________________________________________ Terry J. Betts __________________________________________ John B. Polhill Date______________________________ I dedicate this dissertation to my wife, Nancy. Without her support, encouragement, and love I could not have completed this arduous task. I also dedicate this dissertation to my parents, Charles and Shelly McDonald, who instilled in me the love of the Lord and the love of His Word. TABLE OF CONTENTS Page LIST OF ABBREVIATIONS.............................................................................................vi LIST OF TABLES.............................................................................................................vii -
The Term Declension, the Three Basic Qualities of Latin Nouns, That
Chapter 2: First Declension Chapter 2 covers the following: the term declension, the three basic qualities of Latin nouns, that is, case, number and gender, basic sentence structure, subject, verb, direct object and so on, the six cases of Latin nouns and the uses of those cases, the formation of the different cases in Latin, and the way adjectives agree with nouns. At the end of this lesson we’ll review the vocabulary you should memorize in this chapter. Declension. As with conjugation, the term declension has two meanings in Latin. It means, first, the process of joining a case ending onto a noun base. Second, it is a term used to refer to one of the five categories of nouns distinguished by the sound ending the noun base: /a/, /ŏ/ or /ŭ/, a consonant or /ĭ/, /ū/, /ē/. First, let’s look at the three basic characteristics of every Latin noun: case, number and gender. All Latin nouns and adjectives have these three grammatical qualities. First, case: how the noun functions in a sentence, that is, is it the subject, the direct object, the object of a preposition or any of many other uses? Second, number: singular or plural. And third, gender: masculine, feminine or neuter. Every noun in Latin will have one case, one number and one gender, and only one of each of these qualities. In other words, a noun in a sentence cannot be both singular and plural, or masculine and feminine. Whenever asked ─ and I will ask ─ you should be able to give the correct answer for all three qualities. -
Julius Caesar
Advisory Editor: Professor M. M. Willcock Julius Caesar THE CIVIL V/AR BOOKS I 8. II Edited with an Infroduction, Translation & Commentary by J. M. Carter {Qq t Aris & Phillips - Warminsten - England 153 COMMENTARY BOOK I 1.33 The capture of ltaly, Sicily and Sardinia 1-6 Caesar begins with the politícal moves made against him, and the tribunes who snpported him, in the first days of larunry. The aim is to show his chíef enemies a.s men who are unwilling to negotiate, contemptuons of the constitutíon, and actuated by discreditable personal motives. The clímax of this first section is the flight of the two tribunes from Rome on Jarunry 7th, but Caesar rounds it off wìth an account of the decßíons made hy the senate after they had gone, when hís enemies had a free lund to make the díspositions they wished. In spìte af hís supefficíally dispassionate tone, the presentation here is more consistenþ subjective and biased against his opponents thon anywhere else in the work. ' 1 L ...when Caesar's letter was delivered to the consuls: could Caesar have plunged thus, without introduction or explanation, into his narr¿tive? Modem editorial consensus (Fabre, Klotz, Oppermann, Trillitzsch) holds so, but there a¡e strong reasons for believing that at least several sentences have been lost from the start of the book: (a) the narative at the end of Bellum Gallicum I fails to join up properly with the beginning we have here, although Hirtius wrote it speciñcally to filI the gap between Caesar's two wodcs (8.G. -
OVID Dipsas the Sorceress
Eduqas GCSE Latin Component 2: Latin Literature and Sources (Themes) Superstition and Magic OVID Dipsas the sorceress Teachers should not feel that they need to pass on to their students all the information from these notes; they should choose whatever they think is appropriate. The examination requires knowledge outside the text only when it is needed in order to understand the text. The Teacher’s Notes contain the following: • An Introduction to the author and the text, although students will only be asked questions on the content of the source itself. • Notes on the text to assist the teacher. • Suggested Questions for Comprehension, Content and Style to be used with students. • Discussion suggestions and questions for students, and overarching Themes which appear across more than one source. • Further Information and Reading for teachers who wish to explore the topic and texts further. © University of Cambridge School Classics Project, 2019 PUBLISHED BY THE CAMBRIDGE SCHOOL CLASSICS PROJECT Faculty of Education, University of Cambridge, 184 Hills Road, Cambridge, CB2 8PQ, UK http://www.CambridgeSCP.com © University of Cambridge School Classics Project, 2019 Copyright In the case of this publication, the CSCP is waiving normal copyright provisions in that copies of this material may be made free of charge and without specific permission so long as they are for educational or personal use within the school or institution which downloads the publication. All other forms of copying (for example, for inclusion in another publication) are subject to specific permission from the Project. First published 2019 version date: 20/12/2019 This document refers to the official examination images and texts for the Eduqas Latin GCSE (2021 - 2023). -
Diachrony of Ergative Future
• THE EVOLUTION OF THE TENSE-ASPECT SYSTEM IN HINDI/URDU: THE STATUS OF THE ERGATIVE ALGNMENT Annie Montaut INALCO, Paris Proceedings of the LFG06 Conference Universität Konstanz Miriam Butt and Tracy Holloway King (Editors) 2006 CSLI Publications http://csli-publications.stanford.edu/ Abstract The paper deals with the diachrony of the past and perfect system in Indo-Aryan with special reference to Hindi/Urdu. Starting from the acknowledgement of ergativity as a typologically atypical feature among the family of Indo-European languages and as specific to the Western group of Indo-Aryan dialects, I first show that such an evolution has been central to the Romance languages too and that non ergative Indo-Aryan languages have not ignored the structure but at a certain point went further along the same historical logic as have Roman languages. I will then propose an analysis of the structure as a predication of localization similar to other stative predications (mainly with “dative” subjects) in Indo-Aryan, supporting this claim by an attempt of etymologic inquiry into the markers for “ergative” case in Indo- Aryan. Introduction When George Grierson, in the full rise of language classification at the turn of the last century, 1 classified the languages of India, he defined for Indo-Aryan an inner circle supposedly closer to the original Aryan stock, characterized by the lack of conjugation in the past. This inner circle included Hindi/Urdu and Eastern Panjabi, which indeed exhibit no personal endings in the definite past, but only gender-number agreement, therefore pertaining more to the adjectival/nominal class for their morphology (calâ, go-MSG “went”, kiyâ, do- MSG “did”, bola, speak-MSG “spoke”). -
A Study of Three Variants of Gerund Construction from the Contrastive Perspective of Social and Natural Academic Abstracts on Construction Grammar Theory1
2020 年 6 月 中国应用语言学(英文) Jun. 2020 第 43 卷 第 2 期 Chinese Journal of Applied Linguistics Vol. 43 No. 2 A Study of Three Variants of Gerund Construction from the Contrastive Perspective of Social and Natural Academic Abstracts on Construction Grammar Theory1 Yan J IN & Mingtuo YANG Northwest Normal University Abstract English gerund construction is a system composed of 3 variants, including “Gerund + ø”, “Gerund + of + NP”, and “Gerund + NP”. The noun and verb attributes of the 3 variants are recursive, and in theory their frequencies vary regularly in different styles. An abstract is placed before the beginning of an academic papers, which has the basic characteristics of conciseness and generalization, and has special requirements for the use of gerunds. The purpose of this study was to empirically explore the system of gerund construction in abstracts of natural science and social science papers, and to specifically explore the inherent characteristics of noun and verb properties of the 3 variants. For this purpose, two corpora were constructed, one is about abstracts of natural science papers, and the other is about abstracts of social science papers. Finally, the results of chi-square test showed that there was no significant difference in the frequencies of the 3 variants in the abstracts of natural science and social science papers, and the two corpora can be studied as a whole. In the combined corpus, there were significant differences in the frequencies of the 3 gerund variants. The frequencies of these 3 variants and their gerund properties showed a recursive change. Keywords: gerund construction, gerund variants, Construction Grammar, nominalization, gerund system 1 The study was supported by the Humanities and Social Sciences Research Planning Fund of Ministry of Education for Western and Frontier Areas (14XJA740001). -
Features, Syntax, and Categories in the Latin Perfect Davidembick
Features, Syntax, and Categories in the Latin Perfect DavidEmbick Theanalysis centers on thenotion of category in synthetic and analytic verbalforms and on thestatus of thefeature that determines the forms ofthe Latin perfect. In this part of the Latin verbal system, active formsare synthetic (‘ ‘verbs’’) butpassive forms are analytic (i.e., participleand finite auxiliary). I showthat the two perfects occur in essentiallythe same structure and are distinguished by adifferencein movementto T; moreover,the difference in forms can be derived withoutreference to category labels like ‘ ‘Verb’’ or‘ ‘Adjective’’ on theRoot. In addition, the difference in perfects is determined by a featurewith clear syntactic consequences, which must be associated arbitrarilywith certain Roots, the deponentverbs.I discussthe implica- tionsof these points in the context of Distributed Morphology, the theoryin whichthe analysis is framed. Keywords: syntax/morphologyinterface, category, features, passive voice,Distributed Morphology 1Introduction Questionssurrounding the relationship between syntactic and morphological definitions of cate- goryhave played and continue to play an importantrole in grammatical theory. Similarly, issues concerningthe type, nature, and distribution of features in different modules of the grammar definea numberof questions in linguistic theory. In this article I examinethe syntactic and morphologicalprocesses and features at playin theconstruction of analyticand synthetic verbal forms, andin the determination of differentsurface categories. I focusprimarily on thefact that theLatin perfect is syntheticin the active voice (e.g., ama¯v¯õ ‘I(have)loved’ ) butanalytic in the passive,with a participialform ofthemain verb and a form oftheauxiliary ‘ be’( ama¯tus sum). Theoretically,the analysis addresses (a) thestatus of category in syntax and morphology, and (b) thestatus of thefeature underlying the analytic /syntheticdifference. -
First Year Latin Texts and Methods in America
PL •? * H * " * • > * life,-. ' " * 4? W>' V » * 111 A1&- ii^-iv # «T <k. - . **J) ' ^* I* 'Mfc #^ • 1 I G IS. «J* | *'• * • iir V .T*: ' :4^sS Is T.JNTV. <JV ILLINOIS LIBRARY * Jf ^ w ^ v'^K * * * it lK ^ UNIVERSITY OF ILLINOIS LIBRARY Class ' Book Volumt M 1 20M 4^ *4 ^ 4 is ^ t * -4- 4, 4* liiiiiiil FIRST YEAR LATIN TEXTS AND METHODS IN AMERICA. THEIR HISTORY AND STATUS BY FRANK WATERS THOMASi A. B. Indiana University, 1905 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LATIN IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1910 ^10 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED -FuxrtJr^ of BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF ^2Ji^^_JZx^-- qJLv~£c> n Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 168020 Digitized by the Internet Archive in 2013 http://archive.org/details/firstyearlatinteOOthom First Year Latin Texts and Methods in America: Their History and Status. The type of first year Latin book with which every high t school boy is familiar is a comparatively modem product. Men are yet living who learned their elementary Latin before any one had dared publish a beginner's book that dispensed with the use of a grammar in the first year. But in spite of this fact the number of such texts is legion. What educational problems have furnished the cause or at least the excuse for this multiplicity of texts, and what theories underlie the numerous attempts to solv<* these problems, I have tried in this investigation to determine. -
Poetic Diction, Poetic Discourse and the Poetic Register
proceedings of the British Academy, 93.21-93 Poetic Diction, Poetic Discourse and the Poetic Register R. G. G. COLEMAN Summary. A number of distinctive characteristics can be iden- tified in the language used by Latin poets. To start with the lexicon, most of the words commonly cited as instances of poetic diction - ensis; fessus, meare, de, -que. -que etc. - are demonstrably archaic, having been displaced in the prose register. Archaic too are certain grammatical forms found in poetry - e.g. auldi, gen. pl. superum, agier, conticuere - and syntactic constructions like the use of simple cases for pre- I.positional phrases and of infinitives instead of the clausal structures of classical prose. Poets in all languages exploit the linguistic resources of past as well as present, but this facility is especially prominent where, as in Latin, the genre traditions positively encouraged imitatio. Some of the syntactic character- istics are influenced wholly or partly by Greek, as are other ingredients of the poetic register. The classical quantitative metres, derived from Greek, dictated the rhythmic pattern of the Latin words. Greek loan words and especially proper names - Chaoniae, Corydon, Pyrrha, Tempe, Theseus, Zephym etc. -brought exotic tones to the aural texture, often enhanced by Greek case forms. They also brought an allusive richness to their contexts. However, the most impressive charac- teristics after the metre were not dependent on foreign intrusion: the creation of imagery, often as an essential feature of a poetic argument, and the tropes of semantic transfer - metaphor, metonymy, synecdoche - were frequently deployed through common words. In fact no words were too prosaic to appear in even the highest poetic contexts, always assuming their metricality. -
Adrian Chircu–Buftea, Précis De Morphologie Romane, Casa Cărții De Știință, Cluj-Napoca, 2011, 184 P
book review doi:10.17684/i1A11en DIACRONIA ISSN: 2393-1140 Impavidi progrediamur! www.diacronia.ro Adrian Chircu–Buftea, Précis de morphologie romane, Casa Cărții de Știință, Cluj-Napoca, 2011, 184 p. Anda Bratu∗ Faculty of Letters, “Babeș–Bolyai” University, Str. Horea 31, 400202 Cluj-Napoca, Romania Written in the French language, this volume brings el (elo, lo) / pl. los (elos) vs. esp. mod. masc. (sing.) an important contribution to the study of Romance el (lo) / pl. los”) (p. 39). The declared aim of the languages, which lately have not aroused so much ten chapters is to illustrate the main changes that had the interest of Romanian linguists. In the foreword, taken place in the approached discourse categories in the author confesses that: “le manque d’ouvrages de all the seven Romance languages and, additionally, morphologie romane, surtout en Roumanie, nous a the specificity of each of them. déterminé à concevoir un livre synthétique facile à The approach of this book is based on a great consulter et source de nombreux enseignements lin- variety of examples taken from all the analysed Ro- guistiques” (p. 5). mance languages, examples about which the author This work has an illustrative character and offers claims that are generally constructed. Some of them to those interested information about the evolution are presented within a context “port. Não mani- of the morphological system, from the Latin lan- festou nenhuma surpresa. [Il ne manifeste aucune guage, towards Romance languages. It consists of surprise.]” (p. 78), the others are presented independ- ten synthetic chapters which describe the so-called ently “it. -
TWO FORMS of "BE" in MALAYALAM1 Tara Mohanan and K.P
TWO FORMS OF "BE" IN MALAYALAM1 Tara Mohanan and K.P. Mohanan National University of Singapore 1. INTRODUCTION Malayalam has two verbs, uNTE and aaNE, recognized in the literature as copulas (Asher 1968, Variar 1979, Asher and Kumari 1997, among others). There is among speakers of Malayalam a clear, intuitively perceived meaning difference between the verbs. One strong intuition is that uNTE and aaNE correspond to the English verbs "have" and "be"; another is that they should be viewed as the "existential" and "equative" copulas respectively.2 However, in a large number of contexts, these verbs appear to be interchangeable. This has thwarted the efforts of a clear characterization of the meanings of the two verbs. In this paper, we will explore a variety of syntactic and semantic environments that shed light on the differences between the constructions with aaNE and uNTE. On the basis of the asymmetries we lay out, we will re-affirm the intuition that aaNE and uNTE are indeed equative and existential copulas respectively, with aaNE signaling the meaning of “x is an element/subset of y" and uNTE signaling the meaning of existence of an abstract or concrete entity in the fields of location or possession. We will show that when aaNE is interchangable with uNTE in existential clauses, its function is that of a cleft marker, with the existential meaning expressed independently by the case markers on the nouns. Central to our exploration of the two copulas is the discovery of four types of existential clauses in Malayalam, namely: Neutral: with the existential verb uNTE. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.