DOCSLIB.ORG

The Daily Egyptian, March 26, 1980

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Daily Egyptian, March 26, 1980 Southern Illinois University Carbondale OpenSIUC March 1980 Daily Egyptian 1980 3-26-1980 The aiD ly Egyptian, March 26, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_March1980 Volume 64, Issue 119 Recommended Citation , . "The aiD ly Egyptian, March 26, 1980." (Mar 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in March 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 'Daily C£gyptian (ius says ol' Rt~land isn't ~nina; to makt" alllhust" IIOit"n mad .-.a Wt'd11t'sday. March 26. 1!1110--- Vol. ill. No. 119 Southern Illinois University him o,· ..r a littl.. ol' thin~ lik.­ parkinJZ finPs. Kennedy wins in New York., Connecticut :\E\\ 'IOHK 1APl - Sen. candidates. were on the ballot. Ed\l_ard !\1. Kennedy upset Reagan led for 69 delegates; President Carter in the i'Oew uncommited for 411. Bush for 5. York .and ('onnecticut primary With 65 percent of the t'le~:t 10ns Tuesdav night. precincts counted in New revitalizing his t•ha'llenge for 'l·ork's dele~ate-rich the White Uo~ ~e. Dt·mocratic primary. the (ieorge Bmh put new ~park results rt>ad: into hL Hepubli~:an campaign w1th a victorv over Honald Kl'nnedy 3:Ju. 725 or :;7 percent. lh'aj!an in <'onnecticut. for Jti2 delt>gates. .. , think the nubble's hurst for ('arter ~47.5-ti or -t:l pe1·cent. .Jimmv C'arter."' said Tom for 1211 delegates . :O.outhwick. Kennedv's Kennedy had won onlv onP spokt'Sman. lit' ~id the voters primary ht>fore. in· his had dt•cidt·d "thev t·annot Massachusetts homt'. tlis twin nominate a president with 211 victories Tut>sday night percent inflation and a foreign reversed a 11tring of defeats. pohcy that is a disaster." They WE're the more dramatic Carter's t·ampaign t•hairman. for the public opinion polls that Hobert Strauss. t•onceded New had rated Carter a hig favorite 'I ork hut called it "only a dip in - and they t'am<' just onl' W('('k the road that will lead to the after the president had buried president's renomination " ~~:~tn an Illinois primary "Put a smile on vour faces." he told downcast '<·arter sup­ This was lne picture in porters. "When you lose.· lose Connecticut: with dass." Kennedy 95.746 votes or ~ Staff photo by Randy Klauk Hea~an led Bush in the New percent. for 29 t'Unvention GER.-\NitTM M.-\NIA-Lala Fragd, a s~nior Sigma Epsilon rrat•rnily, will as• its ··ptant \'ork Hepublican primary, a delegates. Ia ~··· s&eps ao .-ell &he..._....... a pr.fi&tt'·'·,..atrip.. .ialt aau-.a-..-e....._ia. proxy contest in which ('arter 84,6117 votes or 41 sprmg plaat sa~ ~y Ia Ballroom A of 1-is..-ille. Ky. delegates. not presidential percent. for 2S delegates. the Student Cnter. Spoasor of the sa~. Pi- Comptroller may deny aid in collecting parking fines R:v Juqui Koszczuk Financial Affairs. \\.E. Buf­ <'Xpected to ask Burris to deny was order to repay the deducted appellate level. Opposing the Staff Writer fum. who made the request on the request based on the staff's State Comptroller Roland money. decision would be a waste of behalf of the l'niversity. interpretation of the same t'OUrt "It would be ludicrous for us taxpayers' money." Burris is expected to deny the declined comment. saying only ruling and also based on the cost t:niversity's request for aid in to set up a system when the law that he "heard that the letter of the plan. Schaub said_ indicates that it would he In addition. Schaub sail collecting part of $33,274 owed was forthcoming." approving the plan for Slu-r in faculty and staff par){;ng The "Omptroller's starr overturned," he said. "No The I ;niversit~ askl'd the would compel the t'Omptroller's fines. according to spokesman !'tudied tilt! ruling and decided matter if the deductions would comptroller's office in July to be made in thi" office. it would office to devise a similar one for Bill Schaub in the comptroller's :hat it also prohibited the all the other state institutions approve a plan calling for comptroller's office from acting still be u... University saying o£fice. collection of the overdue fines requestillj!' it, at an estimated Although !10 official action as the trniverity's vehicle for who will be paid and in what through paycheck deductions to amount." cost oC "$400,000 to $500.000 a has been takm. Schaub !laid in a faculty and staff paycheck year." be made in the t•omptroller·s deductions. he said. · When asked about the teleJ)tione interview Tuesday office. wt>ich authorizes kculty that a letter stating the comp­ likelihood of Burris at'cepting "It would mean the creation paychecks. As a result of a 1974 The suit was brought against the staff's recommendation. troller's position should he SIU-C by 13 faculty and staff of a new policy in this offiet>. a state appellate court ruling, the Schaub said. ''The staff was new layer of functions for the drafte<l and sent to t:niversity liniversity is prohibitt'd from m<'mbers whose paycheclui had officials by the end of the week. guided by the court's ruling. comptroller·s office." a step making the deductions itself. been garnisheed for payment of and its hard to go against the A.<;SOCiate Vice President for parking fines. The t:nivl'risty thdt is too t'OSIIv for the office to The comptroller's staff is courts when they ·ve ruled at the takt'. Schaub said. Drake concerned with problem area..llf Arena director seeks new role for concert hoard Rv Andrew Zinl!er was consultl'd to determine the of the time constraints involved problem. Brown charged that recommendations known." Staff Writer type of shows the campus in booking a concert. he will not Urake is "looking for a fall guy According to Drake. there are Student involvement in the communitv wantl'd to see. But be able to sit down with every to pass tough decisions onto. many oJ.ber logistics involvl'd in decision-making process of the actual booking was left to board member and get his or "It would be up to the board to booking a show in Carbondale booking concerts at the Arena is Justice. her approval for l'ach show. formulate a heavy ban on than simply getting acts that marked by a history of criticism In 1975. the complaints sur· "1\iowadays, there just isn't 0':~:-~ they'd have to take studehts call for. He pointl'd out lor a gl'neral lack of student faced again. time to consult with the hoard that many bands are used to mput. But Arena Director Gary Arena Advisory Board about booking acts,'' Drake However, Drake defends his playing in large cities. and they Prake says t>t> hopes to· tum Chairman Lew Tews com- said. approach by s:tying that times think playing the college circuit things around. plained that the Southern Hather. Drake wants the have changed in the booking might not do their act credit. As far back as 1971, then­ Illinois community was being board to channel its efforts into business. and a new role is Drake also said that there Arena Director Dean Justice subjectl'd to the "narrow tastes other problem areas that ac­ needed fOI' an advisory board. hasn't been mi.IC.'h choice bet­ ('am(' under attack hy the of Justice when it comes to company a concert setting ''To book a first~lass act. I ween a variety ol bands at l'ny StudPnt (iovemment Activities booking acts." including smoking. drinking. have between six and 24 houn one time. Some maior b .... rs Council. which chargl'd that lhe The board- then lapsed into and crowd control. in which to voice interest in a were called off this ·yeaI.'. he programming policy was limbo and has been there for But Graduate Student Council particular tour. There isn't time said. because of the general "unresponsive to student needs some time. but ~ake says now. President Gary Brown says he to ~e! together witb the board.•• slump in the economy. and desires." "Wl' will definitely have a disagrees with this type of role He said he is receptive to the "The big cities are the major At that time. a group calll'd hoard. I have talked with some for the board. idea ol students calling him 01' market fCII' bands in the 1\oJ id­ the Arena 1-:ntertainment individual board memoers. but "Drakl' wants no input from slopping at his orr~ee with ideas west. Sma!t towns fJI} in the Advisory (.'ommittre. made up the role of the group "AiD be , the board. he wants a token for acts.. emphasizing that "the gaps.IUid it bands don't make it of students. alumni. faculty and different than in the past." ' board." Brown said. door is always opea for any in the big cities~ they don't go to adm inistralive representatives. Drake explained that because Concerning the smoking students to make tiH:ir the small towns ... Fundh~~- deadline nears for Connally throws support Carbondale Convention Center to 'second best' Reatzan R" :vlarv !Iarmon llrban Devei~oment At'tion available to low- and mooerate­ (iRAPEVINE.
Load more

Recommended publications
  • Cognition: the Limit to Organization Change; a Case Study of Eastman Kodak
    COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK A THESIS Presented to The Faculty of the Department of Economics and Business The Colorado College In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts By Noah Simon April 2011 COGNITION: THE LIMIT TO ORGANIZATION CHANGE; A CASE STUDY OF EASTMAN KODAK Noah Simon April 2011 LAS: Leadership Abstract The following thesis examines an incumbent firm affected by change. It seeks to deepen the understanding of the dynamic capabilities model by proposing cognition and not previous resource deployment is the limit of change. Two similar companies, Eastman Kodak and Polaroid will be compared during the shift from film to digital photography to determine what separated the two companies. KEYWORDS: (Organizational cognition, dynamic capabilities, path dependency, cognition, perception) TABLE OF CONTENTS ABSTRACT ACKNOWLEDGEMENTS 1 INTRODUCTION 1 2 LITERATURE REVIEW 6 2.1 Dynamic Capabilities...................................................................................... 7 2.1.1 How does a company survive?.............................................................. 7 2.1.2 What are the effects of core competencies?.......................................... 8 2.1.3 How are established companies affected by change?........................... 9 2.2 The Cognitive Perspective.............................................................................. 10 2.2.1 What does a path dependency mean for the individual?....................... 10 2.2.2 What
    [Show full text]
  • KODACOLOR RDTG Series Inks Datasheet
    KODACOLOR RDTG Series Inks High performance with mid/high viscosity inks KODACOLOR RDTG Series System Qualiied Piezo-electric Print Heads The KODACOLOR RDTG Series inks from Kodak FUJI STARFIRE, RICOH GEN 4, RICOH GEN 5 & were speciically developed for direct-to-fabric RICOH GH2220. Formulated with best in class printing on cotton, cotton blends, and polyester components selected to provide market leading, fabrics. They are equally at home when used industrial performance. for printing directly to inished garments or to roll fabrics. This water-based digital ink system is designed to work in printers that employ 14 piezo-electric print heads. Although designed RDTG Viscosity Proile for use in production printing, it is suitable for 12 high quality sampling and strike offs. 10 KODAK RDTG Series performs to the highest level of nozzle performance among Print Heads 8 requiring mid-high viscosity inks. 6 Fabric Pre-Treats The KODACOLOR Pre-Treats are formulated (mPas) Viscosity 4 exclusively for the KODACOLOR EDTG & RDTG Ink Sets to produce the highest quality image 2 and excellent durability in wash-fastness. The 0 three types of Pre-Treat cover the gamut of 22 24 26 28 30 32 34 36 38 40 garments available, from 100% Cotton Dark to Temperature (deg C) White Polyesters. RCDGT RMDGT RYDGT RKDGT RWDGT Powered by KODACOLOR Technology KODACOLOR RDTG Series Inks Micrographs of dot formation KODAK RDTG Series mid-high viscosity Ink set printed through a RICOH GEN 5 Print Head Cyan Black RDTG Viscosity Viscosity Viscosity Viscosity Viscosity Viscosity
    [Show full text]
  • The Retina Reflex Guide
    by mischa koning kodak.3106.net > index manuals information The Retina Reflex Guide These web-pages have been scanned and converted from a photocopy of the "Focal Press" publication "Retina Reflex Guide", 1970 edition. There may be reference to "current" and "discontinued" models. Obviously all Retina cameras are now long discontinued, but For ease of editing if nothing else, all the original text has been retained. The original book was divided into two sections, effectively an overview and a "green pages" section covering specific models in more detail. I've not bothered with a green background to these pages, but hopefully I will have included links where appropriate to the relevant text. Similarly, page-number references; as I've included each sub- section of the book on one web-page, original page number references have been linked to the new layout. Table of Contents The Retina Reflex The Winding and Release Sequence Retina Reflex Evolution Handling the Retina Reflex Handling, Winding and Trimming the Film Films and Filters Exposure Using an Exposure Meter Flash with the Retina Reflex Using Alternative Lenses The Retina Reflex IV The Retina Reflex III The Retina Reflex and Retina Reflex S The Retina Reflex Retina Reflex Lenses Accessories Facts, Figures and Tables The Retina Reflex The Retina Reflex is an eye-level 35 mm. reflex camera with interchangeable lenses for all general photography as well as technical work, copying, photomicrography, stereo photography, etc. In many of these fields the ground-glass screen is a distinct advantage. The camera takes normal 35 mm. perforated film and produces a negative size 24x36 mm.(1 x 1½ in.).
    [Show full text]
  • The Cine-Kodak News; May 1931; Vol. 7, No. 12
    softly diffused ... ideal fo r close-ups ... Kodalite, Model B, simplifies indoor movie making AvAILABLE in one-, two- and three- including stand and cord, is priced at light units, Kodalite, Model B, $15; the two-light unit at $27.50. A makes it surprisingly easy for the am- complete outfit, including single and ateur movie maker to get satisfactory double units with carrying case, costs illumination for his indoor pictures. $50. The 500-watt lamp is sold sepa- Technical knowledge of lighting is no rately, at $4.85 (available in three longer a necessary factor. voltages- 100, ll0 and llS). No diffuser is needed with Kodalite, Your Cine-Kodak dealer will be glad Model B. Its scientifically designed re- to point out to you the many interest- flector throws a broad-angle, uniform ing features of the Model B Kodalite. flood of light. The illumination is He'll explain its practical application smooth and even . .. so softly diffused as to indoor movie making- a field that to make it ideal for close-ups. offers many attractive opportunities to Model B' s telescoping s rand is quickly the owner of a movie outfit. and easily set up or taken down. The lamp itself is adjustable in any direc- tion. It is equipped with a handle for holding or carrying the light in any Kodnlite, Model B. Single unit with special position that may be desired . stand and cord, $1 5. The single-unit Kodalite, Model B, The CINE-KODAK News Published Monthly in th e Interests of Amateur Motion Pictures b v th e Eastman Kodok Company, Rochester, N .
    [Show full text]
  • The Effect of Radiation on Selected Photographic Film
    NASA/TP--2000-210193 The Effect of Radiation on Selected Photographic Film Richard Slater L ymton B. Johnson Space Center Houston, Texas 77058-3690 ,lohn Kinard L vndon B. Johnson Space Center Houston, Texas 77058-3696 Ivan Firsov Energia Space Corporation Moscow, Russia NASA/ENERGIA Joint Film Test October 2000 The NASA STI Program Office ... in Profile Since its founding, NASA has been dedicated to CONFERENCE PUBLICATION. the advancement of aeronautics and space Collected papers from scientific and science. The NASA Scientific and Technical technical conferences, symposia, Information (STI) Program Office plays a key seminars, or other meetings sponsored or part in helping NASA maintain this important co-sponsored by NASA. role. SPECIAL PUBLICATION. Scientific, The NASA STI Program Office is operated by technical, or historical information from Langley Research Center, the lead center for NASA programs, projects, and missions, NASA's scientific and technical information. The often concerned with subjects having NASA STI Program Office provides access to the substantial public interest. NASA STI Database, the largest collection of aeronautical and space science STI in the world. TECHNICAL TRANSLATION. English- The Program Office is also NASA's institutional language translations of foreign scientific mechanism for disseminating the resuhs of its and technical material pertinent to research and development activities. These NASA's mission. results are published by NASA in the NASA STI Report Series, which includes the following Specialized services that complement the STI report types: Program Office's diverse offerings include creating custom thesauri, building customized TECHNICAL PUBLICATION. Reports of databases, organizing and publishing research completed research or a major significant results ..
    [Show full text]
  • KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
    KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
    [Show full text]
  • Kodacolor Gold Films
    Kodacolor Gold 400 Kodacolor Gold 1600 I [{•] »7iW«]" Kodacolor Gold 400 Kodacolor Gold 1600 78 PHOTOgraphic/September 1989 welcome addition. sharpness between the 400 Gold and by Jack and Sue Drafahl We noticed a tremendous difference its slower siblings. When we look at when color printing this new film. The the ISO 400 color films of ten years previous emulsions tended to be denser ago, it's hard to believe that the only Everyone has a fami- and printed much cooler than the oth- difference today between the ISO 400 ly tree, which ex- er Gold films. The appearance of the and 100 films is in the degree of en- pands and spreads in ISO 100, 200 and 400 films is so much largement recommended. different directions alike that you must read the film edge with each new addition. Kodak is to verify the emulsion type when print- NEW 1600 GOLD proud to announce it is adding two ing the negatives. A welcome surprise is the high- new members to its Gold family of speed ISO 1600. Kodak states that this films. With over 100 million color neg- new addition has borrowed technology atives taken by consumers every year, from the Ektar 1000, but we suspect there comes a need to provide a variety that some help also was derived from of color negative films in order to sat- the Ektapress 1600 research. As the isfy every photographic situation. newer cameras increase their shutter Presently the Gold family tree in- speeds to '/sooo, there comes the poten- cludes ISO 100, 200, 400, and 1000 tial of photographing very-high-speed members.
    [Show full text]
  • A Chronicle of the Motion Picture Industry a Chronicle of the Motion Picture Industry
    A CHRONICLE OF THE MOTION PICTURE INDUSTRY A CHRONICLE OF THE MOTION PICTURE INDUSTRY INTRODUCTION If you’ve ever taken a still photograph, you’re already acquainted with the essentials of shooting a motion picture image. The biggest diMerence between the two is that the movie camera typically captures twenty-four images each second. Well into the late Nineteenth Century, most images were captured on sensitized glass plates, metal, or heavy paper. Shortly after the invention of 1951 KODAK BROWNIE photography, attempts were already underway to capture and reproduce a Movie Camera moving image. Typically, an array of individual cameras, triggered in rapid succession, captured a series of single exposures on glass plates. These experiments relied on a persistence of vision concept—the eye-brain combination is capable of melding a series of sequential images into a movie. A more practical photographic system had yet to be created. It was George Eastman’s invention of the KODAK Camera, and the flexible film it exposed, that made the movie camera possible. A HISTORY OF CINEMATOGRAPHY Human fascination with the concept of communicating with light and shadows has its roots in antiquity. Aristotle supplied the earliest reference to the camera obscura—sunlight, passing through a small hole, projected an inverted image on the wall of a darkened room. Renaissance artists traced that projected image to create accurate drawings. Gemma Frisius published a drawing of a camera obscura in 1545. Thirteen years later Giovanni Battista della Porta wrote "Magia Naturalis," a book describing the use of a camera obscura with lenses and concave mirrors to project a tableau in a darkened room.
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception Permalink https://escholarship.org/uc/item/3cb1w5rx Author Main, Reva Leigh Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Reva Leigh Main June 2016 Dissertation Committee: Dr. Susan Laxton, Chairperson Dr. Jason Weems Dr. Liz Kotz Copyright by Reva Leigh Main 2016 The Dissertation of Reva Main is approved: Committee Chairperson University of California, Riverside Acknowledgments My deepest gratitude to all the U.C. Riverside Art History Department staff and faculty. Sincere thanks to Dr. Susan Laxton for advising and encouraging me throughout the many phases of this project. Your patience and support allowed me to complete this thesis while living 3,000 miles away and working full time—a true challenge. I would also like to thank Dr. Jason Weems and Dr. Liz Kotz for serving as members of my committee, pausing their own sabbaticals to provide me with incredibly helpful feedback; Leigh Gleason, Curator of Collections at the California Museum of Photography, for guiding me in my search to find balance between work and school; and Graduate Coordinator, Alesha Jaennette, for solving my many paperwork crises. I am forever grateful to all of you for your flexibility and understanding. Finally, thank you to my family, friends, and Princeton University Art Museum coworkers for sticking with me through the highs and many lows of this process.
    [Show full text]
  • The Essential Reference Guide for Filmmakers
    THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS IDEAS AND TECHNOLOGY IDEAS AND TECHNOLOGY AN INTRODUCTION TO THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS Good films—those that e1ectively communicate the desired message—are the result of an almost magical blend of ideas and technological ingredients. And with an understanding of the tools and techniques available to the filmmaker, you can truly realize your vision. The “idea” ingredient is well documented, for beginner and professional alike. Books covering virtually all aspects of the aesthetics and mechanics of filmmaking abound—how to choose an appropriate film style, the importance of sound, how to write an e1ective film script, the basic elements of visual continuity, etc. Although equally important, becoming fluent with the technological aspects of filmmaking can be intimidating. With that in mind, we have produced this book, The Essential Reference Guide for Filmmakers. In it you will find technical information—about light meters, cameras, light, film selection, postproduction, and workflows—in an easy-to-read- and-apply format. Ours is a business that’s more than 100 years old, and from the beginning, Kodak has recognized that cinema is a form of artistic expression. Today’s cinematographers have at their disposal a variety of tools to assist them in manipulating and fine-tuning their images. And with all the changes taking place in film, digital, and hybrid technologies, you are involved with the entertainment industry at one of its most dynamic times. As you enter the exciting world of cinematography, remember that Kodak is an absolute treasure trove of information, and we are here to assist you in your journey.
    [Show full text]
  • Jj[Odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~Ales
    - ----.,. ~ \~ ... jJ[odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~-- - - ----- --------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~ales Kodak gifts say just about anything ' Happy Father's Day Okay, now let's see thos(' l:lig fish you always talk :>bout. Happy Mother's Day How about some pictures of "the girls" in your bridge dub? Get some colorful shots of the burnt toast. + I - EXTRA PHOTO SALES FOR YOU! Kodak gifts app~al to The big Spring gift Added together, all men-&~women, young season - including this means a lot of ex­ and not-so-young­ Mothers' Day, Fa­ tra photo business anybody who likes thers' Day, Gradua­ coming your way. pictures. Now that tions, Weddings, and Drugstore photo picture-taking has many Birthdays-is sales are growing fast been made simple, second only to Christ­ -and you can keep the gift of a KODAK mas as a major gift­ in creasi n g them -by INSTAMATIC Still or + giving season. And stocking and promot­ Movie Camera is ap­ furthermore, Spring is ing KODAK INSTA­ propriate fo r any the beginning of the MATIC Still and Movie member of the family. biggest picture-tak­ Cameras. ing season of the year. HAPPY GIFT SELLING! I. New Products A. KODAK INSTAMATIC 714 AND S14 CAMERAS A714 CAMERA AS14 CAMERA Sugg Sell .. $ 89.68 Sugg Sell . .. $1 04.68 list .... .... $119.50 list ... ... $139.50 The "714" and "814" are respectively the same as the "704" and "804" except for: an extra-sharp EKT AR lens; a built-in battery checker; and PX-825 batteries which substantially reduce flash failure.
    [Show full text]
  • Kodakery; Vol. 6, No. 28; July 15, 1948
    A NEWSPAP KODAK COMPANY Vol. 6, No. 28 Copyright 1948 by Eastman Koda k Company, Rochester, N. Y. July 15, 1948 Tiny Cutter TEC's Antioxidants Does Major To Save Your Food T wo new an tioxidants, announced by Tennesee Eastm an Corp., Job at CW are expected to prove a boon to the housewife. They are Tenox A tiny cutter, abo,ut the size HQ and Tenox BHA. Their use soon may make rancid potato of a wooden match, is doing t he chips, soda crackers and cocktail work of hundreds of steel files snacks a thing of the past and the in helping to produce Kodascopes housewife can use lard for deep- Monkeyography at Camera Works. fat frying over and over again They call the device a selective without fear of it becoming profiling machine in the CW Pro­ "strong." duction Engineering Lab, where it Added to fats and oils during was produced. But the cutter real­ processing, very small percentages ly is the featured part of the small, of Tenox HQ and Tenox BHA compact machine. combat effectively the commonest Made of cemented tungsten car­ type of rancidity, which is caused bide, the cutter ranks in hardness by the action of oxygen in the next to the sapphire and diamond. atmosphere. Indications are that The best steel fi le previously these compounds, used separately used on the operation had a life of Eastman House_ Ted Moore. center, architect, and Bob Sher- or in combination, will stabilize about three hours. Already the idan. right, construction engineer. both of fats and oils for almost every con­ new cutter has outlasted hundreds the E&M Dept.
    [Show full text]