SALE of the LATE PETER SMITH's LIFETIME PHOTOGRAPHIC COLLECTION 30Th JUNE 2017 Lot ITEM DESCRIPTION
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2300 Anos De Fotografia Índex Distribuído Quarta Fase
2300 Anos de Fotografia Índex Distribuído Quarta fase: Volumes 8, 9, 10, 11 e 12 Técnica construtiva e Tipos e Modelos sugestões. Construção doméstica e Tipos mais difundidos. Posters e Descrições das Câmaras mais influentes. E seus fabricantes. Histórico das inovações tecnológicas nas Câmaras que marcaram época. Construção 2300 Anos de Fotografia Livro 8 1ª parte Capítulo 1. Esquemas gerais de montagem J. Pranchas descritivas................................................................................ 2827 • Prancha 1- Aparelhos fotográficos de 1895.............................................. 2830 • Prancha 2- Aparelhos fotográficos Especiais de 1895............................... 2831 • Prancha 3- Aparelhos fotográficos de 1895 Detalhes............................... 2832 • Prancha 4- Obturadores Fotográficos Centrais......................................... 2833 • Prancha 5- Tipos de Obturadores............................................................ 2834 • Prancha 6- Construção de Câmaras com Fotômetro................................ 2835 • Prancha 7- Sistemas Automáticos de Exposição....................................... 2836 • Prancha 8- Sistemas de Medição em Câmaras Reflex............................... 2837 • Prancha 9- Construção da câmara Kiev 10................................................ 2838 • Prancha 10- Peças e Mecânica da Câmara Kiev 10 ................................... 2839 • Prancha 11- Peças e Mecânica da Câmara Kiev 10 ................................... 2840 • Prancha 12- Construção da Câmara Kiev -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
COLOR MODE the Color Mode Controls Whether a Still Image Is Color Or Black and White As Well As the Color Space
INSTRUCTION MANUAL COLOR MODE The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set in section 3 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 102. Natural Color and Adobe RGB - Vivid Color - increases the reproduces the colors in the scene saturation of the colors in the faithfully. scene. Black & White - produces Solarization - produces a partial monochrome images. reversal of tones and colors in the image. 2 EXAMPLES BEFORE YOU BEGIN Thank you for purchasing this Konica Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. Check the packing list before using this product. If any items are missing, immediately contact your camera dealer. DiMAGE digital camera AV cable AVC-400 Lithium-ion battery NP-400 USB cable USB-500 Lithium-ion battery charger BC-400 Ferrite Core FRC-100 Neck strap NS-DG4000 DiMAGE Viewer CD-ROM Lens shade DLS-2 DiMAGE Viewer instruction manual Lens cap LF-1349 Camera instruction manual Accessory shoe cap SC-10 Warranty card This product is designed to work with accessories manufactured and distributed by Konica Minolta. Using accessories or equipment not endorsed by Konica Minolta may result in unsatisfactory performance or damage to the product and its accessories. Konica Minolta is a trademark of Konica Minolta Holdings, Inc. DiMAGE is a trademark of Konica Minolta Camera, Inc. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Nikon F (Nikon D70s, 105-Mm-Makro, 200 ISO, 1/30 Sek., F 32)
Teil 1 In diesem ersten Teil erfahren Sie alles, was Sie über Nikon wissen sollten. So lernen Sie die Ge- schichte der Nikon-Kameras kennen, und ich stelle Die Technik Ihnen die digitalen Nikon-Modelle mit ihren je- weiligen Vor- und Nachteilen vor. Sie lernen auch wichtige Zubehörteile kennen, die für ein kreatives Fotografieren wichtig sind. Nikon D70s, 200 ISO, 1/800 Sek., 105-mm-Makro, f 7.1 Die »Ur«-Nikon F (Nikon D70s, 105-mm-Makro, 200 ISO, 1/30 Sek., f 32) 1 Die Geschichte Seit 1932 baut die als »Nippon Kogaku K. K.« 1917 gegründete Firma Nikon Objektive. Erst ab 1948 wurden dann von Nikon auch Ka- meras gebaut. Im Laufe der vielen Jahrzehnte entstand eines der erfolgreichsten Unterneh- men im Kameramarkt. Lesen Sie in diesem Kapitel, wie sich alles entwickelt hat. Alle Fotografien und Grafiken im Kapitel: Michael Gradias 18 DIE GESCHICHTE DER NEUANFANG MIT EIGENEN KAMERAS 19 Nikons Anfänge reisten die Japaner – einer Einladung Objektive für Canon Der Neuanfang mit folgend – ins Deutsche Reich und be- 1933 entstand die japanische Firma Für die heutige erfolgreiche japanische sichtigten dort die Werke der deutschen eigenen Kameras Canon, die preisgünstige Leica-Nach- Firma Nikon begann alles, als sich am Kamerahersteller. bauten konstruierte. Im Februar 1936 Nach dem Krieg begann man mit der 25. Juli 1917 drei kleinere Firmen (Tokyo Ab Anfang 1921 arbeiteten daraufhin erschien die »Hansa Canon«, die mit Entwicklung eigener Kameras. Die am Keiki Seisaku Sho, Iwaki Glass Manufac- unter den 200 Mitarbeitern in Japan einem Nikkor 50 mm f 3.5 ausgestattet 7. März 1948 vorgestellte erste Mess- turing und Fujii Lens Seizo Sho) zur Nip- acht deutsche Techniker mit und waren wurde. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
SB-22S’S Built-In Sensor Measures the Flash Illumination Reflected Back from the in This Mode, the Flash Always Fires at Full Output
Preparation TTL Auto Flash t Mode Non-TTL Auto Flash ˙ Mode Manual Flash ƒ Mode The built-in TTL auto flash sensor in cameras so equipped measures the illumination The SB-22s’s built-in sensor measures the flash illumination reflected back from the In this mode, the flash always fires at full output. Manual flash photography is recommended Set the SB-22s’s POWER switch to OFF, then slide down the battery provided by the SB-22s that is reflected back from the subject. This measurement is made subject, automatically controlling the flash output to give you the correct exposure. when shooting subjects in which the correct exposure is difficult to obtain in the TTL or 1 chamber lid in the direction of the arrow and lift it off. through-the-lens and when the light is sufficient to ensure proper exposure, the camera This is called the Non-TTL Auto Flash A mode. A choice of four shooting apertures at Non-TTL Auto Flash mode or when you want to exercise your creative preferences. 11 sends a signal to the SB-22s to stop firing. TTL Auto Flash TTL mode* provides simple 16 A1 to A4 are available, covering a variety of shooting distances. 22 and effective flash operation, recommended for users with little experience with flash. Set your camera’s exposure mode to Aperture-priority auto (A) or Manual (M). m 0.6 0.91.3 2 3 5 7 10 Autofocus Speedlight ft 23468 1215 20 30 40 1 ● Set your camera’s metering system to any setting. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
PC-Nikkor 35Mm F/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE
PC-Nikkor 35mm f/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE Preset ring alignment index Preset ring Aperture ring Distance scale Depth-of-field indicators In frared index Distance scale index 2 Apertu re scale Aperture ring alignment index Focusing ring Shift scale Shift knob Maximum permissible shift value index Maximum permissible shift values Mounti index 3 CONTENTS FOREWORD Foreword ........ ...... .. .4 The PC-Nikkor 35mm f/2.8 is a retrofocus-type Mou nti ng the lens .......... 5 perspective control (PC) lens with an optical Setting the aperture . .. -. .... 6 construction of 7 elements in 7 groups. The Stop-down measurement. .. .. -.7 im age circle of this lens is wider than regular Focusing ............ ... .. 8 35mm wideangle lenses providing a covering Depth of field .. ...... .. ... 9 angle of 78° ; thus image quality is insured even Shift and rotation movement. .. 10 when the lens is shifted. The lens barrel can be Maximum permissible shift ... 11 shifted up to 11 mm off-axis and rotated 3600 Framing................. 12 with click-stops every 300 for complete image Panoramas .. .... .... 16 control. The PC-Ni kkor is ideally suited for Depth of field tables ... ..... 20 architectural and commercial photography, Close-up tables ... ...... ... 22 enabling the photographer to properly frame Features/specifications ... .. 23 the subject without tilting or angling the camera- and the photographer has the added convenience of thru-the-lens viewing and meter ing for greater ease of operation. It is also possible to take panoramic shots. If used with a Nikon camera having inter changeable focusing screens, the Type E or E2 with its etched horizontal and vertical Iines is -recommended. -
The Sierd Bouma Collection Part III 20/07/2016 8:00 PM NZST
Auction - The Sierd Bouma Collection Part III 20/07/2016 8:00 PM NZST Lot Title/Description Lot Title/Description 1 Five Swiss Early 20th Century Gunmetal Cased Open Face Pocket 18 Four Gold Plated Keyless American Pocket Watches, C.1900-1920 Watches Four Gold Plated Keyless American Pocket Watches, Five Swiss Early 20th Century Gunmetal Cased Open Face Pocket C.1900-1920Three 'Elgin' and 'Century' (all running). One dial with minor WatchesVeritas, Lever, Cylinder, Rare Calendar Back (good dials, three hairlines, (4). are running). (5). Est. 200 - 300 Est. 100 - 200 19 Three Gold Plated Pocket Watches 2 Six Various Pocket Watches Three Gold Plated Pocket WatchesElgin, Hunter, Rockford Hunter, Five Various Pocket WatchesA Swiss Nickel 'Goliath' pocket watch Grosvenor, c.1925. Gold Dial (all need overhaul), (3). (running), golf ball watch (running), half hunter, gunmetal etc. (6). Est. 100 - 200 Est. 150 - 250 20 A Vintage Swiss Pocket Watch 3 Five Various Keywind Silver Open Face Pocket Watches A Vintage Swiss Pocket WatchGold plated open face, c.1920. Five Various Keywind Silver Open Face Pocket WatchesHallmarks Est. 50 - 80 dates 1872-1909. Two with fusee drive (for parts or restoration), (5). 21 A Victorian Silver Cased Open Face Pocket Watch, 1875 Est. 100 - 200 A Victorian Silver Cased Open Face Pocket Watch, 1875Fusee and 4 Two Victorian Keywind Silver Hunter Cased Pocket Watches, chain drive movement by Simpson and Benzie. C.1881-1891 Est. 100 - 150 Two Victorian Keywind Silver Hunter Cased Pocket Watches, 22 A Victorian Silver Open Face Pocket Watch, 1871 C.1881-1891(1) Henry Neil, fusee drive. -
ITEM DESCRIPTION Estimate 85/2.8 Culminar (Tested)
Lot ITEM DESCRIPTION Estimate 85/2.8 Culminar (tested). Wray Stereographic Camera and £30-40 Kodak Cameras Retinette 1, 11S £15-20 25. 1. Viewer, Coronet 3D (untested). 11B a/f, Instamatic Reflex (battery 150 Duplex Super 120 Stereo £60-80 cover missing) 2 x 1B + Retinette 26. Camera. 1B (1 shutter u/s). Argus C3, A3 Kodak 35, Graphic £15-20 Retina 111S Camera, 50/19 Xenon £20-30 27. 2. 35 Cameras. 28/4 Curtagon, 85/4 Tele-Arton, Topcon Cameras 1C-1 Auto, 1, £20-30 135/4 Telexenar. 28. Re-Auto (af), PR.11 (af), RE Super. Retina Reflex Cameras, Model S, £20-30 3. Meter (af), 58/1.4 (minor internal Retina Reflex IV Cameras, (shutter fungus), 135/3.5 Topcor case. slightly slow). (tested) Corfield 66 Camera and a Great £20-30 4. Comet III Camera and Case £20-30 Wall Camera. (af) 29. (tested). 7 x Exa/Exakta Cameras (af). £15-20 5. 30. Agiflex III, Agimatic, Reflex Korelle £20-30 6. Contax D (x 2) Cameras 50/28 'T', £15-20 (untested) Cameras. 58/2 Biotar 'T' Tessar, both 1 sec 31. Minolta Camera's, Minolta A, £15-20 only. Minolta A2, Hi-Matic, 110 Zoom 7. Practica IV (x 2), Porst, Practina, £15-20 SLR Camera. Exacta FE (af). 32. 2 x Olympus 35 SP Cameras (1 x £20-30 8. Miranda Cameras EE2, F Black, £15-20 af), Auto-Eye, OM10 (dust in lens), Early, F. Chrome, RE11 50/14 2 x 35RC (af). (tested-some fungus evident). 33. Half Frame Camera's, Pen-F (af), £40-50 9. -
MD-System Mit Den Minolta Rokkor-Objektiven Minolta
Meine Minolta Kleinbildausrüstung In den Siebzigerjahren war ich finanziell bereits so gefestigt, dass ich an die Anschaffung einer "ordentlichen" Kameraausrüstung denken konnte. Die Spiegelreflexkameras aus Japan hatten damals einen qualitativen Höhepunkt erreicht, die Zeit der Nachahmung deutscher Erzeugnisse war längst Geschichte. Olympus, Nikon, Canon, Sony und eben Minolta. Meine Wahl fiel nach Berück- sichtigung von Ratschlägen fachkundiger Freunde auf die Minolta XD mit dem MD- Bajonett und den hochwertigen Rokkor-Objektiven. Dies garantierte auch eine große Auswahl an eigenen und Fremdobjektiven, verbunden mit einer gewissen Langlebigkeit des Systems. Später wechselte ich für Reisen und Schnappschüsse wieder zu kleinern Sucherkameras und letztlich zu den noch handlicheren Digitalkameras. Das Minolta-System habe ich gut konserviert und zusammen mit den Kleinstbildkameras - siehe separate Dokumentation - als Sammlung betrachtet. Auf Photoflohmärkten stößt man heute auf Angebote zu besagtem Minolta-System, dazu passende Kameras wie die ältere SRT 101 und Objektive zu Preisen, für die man seinerzeit gerade einen passenden Filtersatz erhielt. Wenn man sich der Analogfotografie aus Nostalgiegründen stellen will, kann man also um einen Pappenstiel eine wunderbare Ausrüstung zusammenstellen. Ich möchte hier keine wissenschaftliche Abhandlung schreiben, dazu gibt es genug Fachliteratur. Andererseits gerät einfache fotografisches Wissen um Blende Brennweite, Belichtung bei den heutigen automatischen Kameras immer mehr in Vergessenheit und werden auch nur mehr auf Akademien gelehrt. Die Fachliteratur für Otto Normalverbraucher gibt es praktisch nicht mehr, er braucht sie auch nicht. Ein "Selfie" ist auch so drin. Für Freunde, die sich aus Nostalgie mit der Analogfotografie beschäftigen wollen, einen Leitfaden für Antikmärkte suchen, schlage ich als eine von vielen Möglichkeiten vor: Das Minolta SR/MC/ MD-System mit den Minolta Rokkor-Objektiven Minolta: Kazuo Tashima gründete am 11.