How to Bake Pi : Easy Recipes for Understanding Complex Maths

Total Page:16

File Type:pdf, Size:1020Kb

How to Bake Pi : Easy Recipes for Understanding Complex Maths HOW TO BAKE PI : EASY RECIPES FOR UNDERSTANDING COMPLEX MATHS Author: Eugenia Cheng Number of Pages: 320 pages Published Date: 02 Jun 2016 Publisher: Profile Books Ltd Publication Country: London, United Kingdom Language: English ISBN: 9781781252888 DOWNLOAD: HOW TO BAKE PI : EASY RECIPES FOR UNDERSTANDING COMPLEX MATHS How to Bake Pi : Easy recipes for understanding complex maths PDF Book Culture and Anthropology: Books that will open doors to new insights on the African American experience. For parents, students, and preservice and inservice teachers. The Quality of Qualitative ResearchThis textbook is designed to help students and practicing researchers to improve the quality of their research. The challenge for European societies is to affirm healthy mutations in religious memory and discourage others. (Chapter 14) - 3 ways to simplify your life and become calmer and more content with what you have. Sinatra was seeing in his own scientific research. This second edition now includes detailed explanations with every answer, to ensure that you learn and gain the most out of the practice tests. Since his nominal retirement in the early seventies, Professor and Mrs. Is participation in the real-estate market a precondition to engaged citizenship or wealth creation. The symposium topic was prompted by the March 2011 accident at the Fukushima Daiichi nuclear power plant that was initiated by the 9. Seeing war on the horizon, Jimmy Stewart, at the height of his fame after Mr. They are organized in topical sections named: lexical semantics; lexical resources; lexicology; natural language processing and applications; and syntax. Dangerous behaviour is a very real threat to practitioners working across the helping professions. Lane finds that the new culture of corporate employment, changes to the job search process, and dual-income marriage have reshaped how today's skilled workers view unemployment. Gary makes his home in Wichita Falls, Texas with wife, Joanne, and their bouncy dog, Melvin. Find more at www. Information Theoretic SecurityInformation Theoretic Security surveys the research dating back to the 1970s which forms the basis of applying this technique in modern communication systems. The Fifth Discipline: The art and practice of the learning organization: Second editionPeter Senge, founder and director of the Society for Organisational Learning and senior lecturer at MIT, has found the means of creating a 'learning organisation'. In compiling this exhaustive account of the band's history, Callwood interviewed all of the central and sometimes Stooges members, including Iggy Pop, Ron and Scott Asheton, James Williamson, Mike Watt, Steve Mackay, and Scott Thurston, and largely lets the band tell its own story in numerous long quotes. It covers markers that not only provide early detection and better treatment options, but are emerging as next-generation personalized diagnostics and targets or therapeutics for personalized cancer treatment. By demonstrating a few quick and easy methods of comparing investment opportunities, "All About DRIPs and DSPs" should help investors overcome the queasiness that often comes with the territory, understand how to identify opportunities in the stock market, and focus on specific aspects of corporate performance and philosophy. It even has hilarious jokes and activities to try out. Computability: An Introduction to Recursive Function TheoryThis classic work, written in a clear and interesting style, with many exercises, offers a thorough and reliable treatment of an important branch of higher analysis. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Dabei handelt es sich vorwiegend um Anwendungen aus den Gebieten CADCAM, VLSI-Entwurf, Software-Entwicklung, geographische Informationssysteme, Buroautomatisierung, Expertensysteme usw. It outlines the rig in detail, the principles that underlie it, considers possible alternative shapes and arrangements and analyzes performance, all assisted by a wealth of detailed line illustrations. Fault Diagnosis in Spacecraft Attitude Control System"Extreme Photonics Applications" arises from the 2008 NATO Advanced Study Institute in Laser Control Monitoring in New Materials, Biomedicine, Environment, Security and Defense. Raz's study focuses on the interplay of community genetics (the medical organisation of carrier screening) and genetic alliances (networks of individuals at risk), exploring how 'genetic communities' are emerging both within existing ethnic groups and around patients' organizations. Based on an action research project in which five schools focused on developing children's learning and thinking skills, it tells how the schools committed themselves to inclusive education and the provision of a broad curriculum. com This book is a reproduction of an important historical work. How to Bake Pi : Easy recipes for understanding complex maths Writer And I did it all right, commuting one hour back and forth to suburban York University everyday from my downtown apartment. They find principles of OOP (class design, constructors, methods, inheritance, polymorphism) come naturally to them, even before they learn about control structures. Fortunately, there's Schaum's. In this text, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. Baleriaux-Waha, L. Should this be accomplished by the direct application of a centrifugal device to the turbine, or should arrangements be made to tie together electrically the generators driven by the turbine and by the reciprocator furnishing the exhaust steam. The book's content is matched to the latest pre-degree level courses (from Level 2 up to, and including, Foundation Degree and HND), making this an invaluable reference text for all study levels, and its broad coverage is combined with practical case studies based in real-world engineering contexts. 48: Comprising the Report of the Proceedings for the Session 1896-97 (Classic Reprint)Excerpt from Transactions of the Pathological Society of London, Vol. Fully up to date and from an expert editor and contributor team, ABC of Arterial and Venous Disease remains a useful resource for non-specialist doctors such as general practitioners, family physicians and junior doctors in training. The memoir unit gets kids to write about real stuff -- the things that matter to them. Decoding College doesn't just tell the reader about college, it lets the reader live college vicariously through the experiences of real students on real college campuses. - A Budget Facility The top row of the Expenditure Tracker can be used for setting monthly budget targets, by category. The following chapters focus on more elaborate concepts in geometry and topology and discuss the application of these concepts to liquid crystals, superfluid helium, general relativity, and bosonic string theory. com, the world's biggest cricket website. The innovative methods in this book will help to progress straw bale building technology and move it into the mainstream of the building industry. Making Cents: Every Kid's Guide to Money, How to Make It, What to Do with ItMergent's "Handbook of Common Stocks"[trademark] offers you quick and easy access to key financial statistics on approximately 900 New York Stock Exchange-listed issues. MacBook For Dummies, 6th Edition is your straightforward guide to all things MacBook, including setting up and configuring your laptop, navigating your way around the desktop, familiarizing yourself with the operating system, working with files and folders, using the Finder and Finder Tabs, working with Dashboard, Mission Control, and Spaces, searching your computer with Spotlight, surfing the Internet with Safari, syncing your data with iCloud, communicating with friends and family with email, Messages, and FaceTime, discovering new apps, and creating and printing documents. This book helps prepare candidates for the CompTIA Cloud Certification (CV0-001) cloud computing certification exam. Yet, we have scant knowledge about how technologies are being used by teachers, and whether or how these technologies are optimising student learning. Offering a glimpse into the attitudes towards science current in the middle of the Second World War, this brief and accessible collection will be of interest to cultural historians as well as to the general science enthusiast. -Decide whether to buy and hold or "pyramid" to a large apartment complex. The authors provide numerous practical examples of distance learning in its current state of development, as well as making informed predictions about how future environments might evolve. Here Is A Preview Of What You'll Learn. No matter how you use it getting into the daily habit of journaling has the potential to improve the quality of your life. Scientific American Frontiers, hosted by Alan Alda, is seen on PBS by millions of students and teachers. ARM ANTERIOR LATERAL POSTERIOR MUSCLE UNLABEL 28. Are you ready to make your mark on the Internet with a personal blog, but aren't quite sure where to start. It provides a compelling insight into why ideas about adaptation emerge, from whom, and with what implications. -DIY constructors who wish to take their knowledge and building skills to a higher level. But it accompanied the disinfection by-products (DBPs) question that exist the cancer risk for human
Recommended publications
  • Price-Of-The-Ticket-Press-Release-2016
    WENDY JAMES THE PRICE OF THE TICKET PRESS RELEASE RANDY BOYD (Cobraside Distribution) [email protected] SEAN COONEY (TV/Radio Promo) [email protected] BARNEY PAUL BARNES (Pledge Campaign Manager) [email protected] IAN J TAYLOR (Website Director thewendyjames.com) [email protected] ALBUM ARRIVES 19/2/16 WENDY JAMES PRESS RELEASE NEW LP ‘THE PRICE OF THE TICKET’ VINYL CD DIGITAL “Wendy James new album ‘The Price Of The Ticket’ is brave and tender, artful and wild, where courage and the dream of love give promise. A wild, moving, shocking, hilarious, raging, exhilarating, giant of an album. A dazzling performance that listeners will delight in, it is intelligent, witty, irresistibly relentless and forthright”. -Village Voice Wendy James new solo LP ’The Price Of The Ticket’ recorded in NYC, mixed in Berkeley CA. The players on this album are a bona-fde line-up from all-time Punk and New Wave bands… Lenny Kaye (The Patti Smith Group) on guitar, Glen Matlock (Sex Pistols) on bass, James Sclavunos (Nick Cave & The Bad Seeds) on drums with tracks 12 and 13 recorded by Wendy James and James Williamson (Iggy and The Stooges), Steve Mackay (Iggy and The Stooges), James Sclavunos (Nick Cave and The Bad Seeds). All songs are written and produced by Wendy James, tracks 12 and 13 are cover versions of songs written Fred ‘Sonic’ Smith (MC5/Sonic’s Rendezvous Band) and Bob Dylan respectively. THE PRICE OF THE TICKET TRACK LISTING 1 PALOMA’S DOWNS 2 INDIGENT BLUES 3 KING RAT 4 LOVE FROM THE 9TH 5 BAD INTENTIONS AND A BIT OF CRUELTY 6 YOU’RE A DIRTBOMB, LESTER 7 SCREAMIN’ BACK WASHINGTON 8 WHY OH WHY DO YOU HURT ME STILL? 9 FAREWELL TO LOVE 10 COWBOY RHYTHM 11 SITUATION NORMAL AT SURFRIDER 12 YOU’RE SO GREAT 13 IT’S ALRIGHT MA PLAYERS: WENDY JAMES VOCALS/RHYTHM GUITAR/KEYS & PIANO LENNY KAYE - RHYTHM/LEAD GUITAR (Patti Smith/Nuggets) GLEN MATLOCK - BASS (Sex Pistols) JAMES SCLAVUNOS - DRUMS (Nick Cave and The Bad Seeds) JAMES WILLIAMSON - GUITAR & BASS.
    [Show full text]
  • Universal Music Tribe - Iggy & the Sto… Site Map Contact
    3/29/2011 Universal Music Tribe - Iggy & The Sto… site map contact Home Buffalo Zone News Features Video Downloads Radio About Us Contact Advertise Share | Iggy & The Stooges - Raw Power Live Iggy & The Stooges Raw Power Live In The Hands of The Fans (MVD) The original punk Iggy Pop is alive and well and at the age of 63 he is still a force to be reckoned with. Recreating the classic album Raw Power live onstage some 38 years after it was released, the reformed Stooges' (Iggy Pop, Scott Asheton, James Williamson, Steve Mackay, Mike Watt) performance at the All Tomorrow's Parties Festival on Friday, September 3, 2010 is high energy, balls to the wall, mayhem- just like it was back in in ‘73. From “Raw Power” to “Search and Destroy” and “Your Pretty Face is Going to Hell,” The Stooges recreate the original songs flawlessly. It’s enough to make Lester Bands rise from the grave and dance a jig. Released on 180 Gram Vinyl, the album is a real collector’s item and makes a good companion piece to your original Raw Power LP. The LP will be officially release on Record Store Day, April 26, 2011, so get your yah yahs out and get ready to rock, bitches. - Michael Buffalo Smith universalmusictribe.com/iggy___the_st… 1/2 3/29/2011 Universal Music Tribe - Iggy & The Sto… Home Buffalo Zone News Features Video Downloads Radio About Us Contact Advertise Site Mailing List UNIVERSAL MUSIC TRIBE 1813 North Main Street Greenville, SC 29609 Email: [email protected] This website designed using the iBui.lt website builder universalmusictribe.com/iggy___the_st… 2/2.
    [Show full text]
  • Steve Mackay Awards Results: Part One (1576) the 2012 Reader Restaurant He Fell from Punk Stardom to Trade Labor
    Classifieds Blog Forum Events 7 Days in Beijing Directory Gallery Contact Us Refine search Sun Mar 25 2012 Login to the Beijinger Live Users (last hour): 1,155 Welcome Guest! No account? Register Here Registered Users: 163,132 2 0 1 2 MAR 14 From Hard Rocker to Blue-Collar Worker Submitted on Mar 14, 2012 12:00pm by Kyle Mullin Permalink Interview Events Hot Cat Club JUE Music + Art Festival 2012 the Recent Blog Posts beijinger Live Music Jacob Wickham: There's No Brewery Like Home by Iain Shaw on Mar 25 6:00pm Wukan: Not Your Average Hair Salon by Tiffany Wang on Mar 25 2:00pm Not Lovin' It: McDonald's Serves the Latest Food Scandal by Lauren McCarthy on Mar 25 10:00am Blood and Booze: A Drink With Our Magazines Italian Horror Comedy Director... by Kyle Mullin on Mar 24 6:00pm the Beijinger - March Is Beijing Lagging Behind? by 2012: Break Into Joana Melo on Mar 24 4:00pm Publishing Win Tickets To Eatliz & DME's JUE Finale! by Paul Ryding on Mar 24 12:00pm Living La Vida Local: Trashy Art, Organic Tofu and Girl Band... by Tiffany Wang on Mar 24 10:00am the Beijinger's Six-Word Writing Competition: All the Entrie... by Jonathan White on Mar 23 8:00pm Talking Balls: Ducks Hunted, Guoan Stunted & Rio To China? by Jonathan White on Mar 23 6:00pm Spring Into Action: New Seasonal Menus Around Town by Issue archive Josh Ong on Mar 23 4:00pm more Find the Mag Subscription Most Viewed Last 7 Days The 2012 Reader Restaurant Steve Mackay Awards Results: Part One (1576) The 2012 Reader Restaurant He fell from punk stardom to trade labor.
    [Show full text]
  • Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
    "KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.
    [Show full text]
  • “RON WAS the Riffmeister and All That Was Good in This World
    “RON WAS THE Riffmeister and all that was good in this world,” declares Andrew Innes of Primal Scream, just one of countless bands who owe an inestimable debt to Ron Asheton’s (pictured, in glasses) monolithic stun guitar onslaughts on the first two Stooges albums. Asheton, found dead yesterday at his Ann Arbor home from a suspected heart attack, was the most influential punk guitarist of all time, his monosyllabic, piledriver riffs providing blueprints for later applecart- upsetters like the New York Dolls and Sex Pistols. Even former Captain Beefheart and Jeff Buckley guitarist Gary Lucas has paid tribute to “some of the best and most iconic riffs in punk history”. In his own private world Asheton, whose unusual pantheon of heroes included Adolf Hitler and the Three Stooges, was the most dangerous embodiment of the Stooges’ dum dum boys aesthetic, infamous for his extensive collection of Nazi memorabilia and the unsavoury swastika armbands later adopted by UK punk- shockers. Ironically, he was the only Stooge who eschewed hard drugs. Ron was born in Washington DC in 1948, brought to Ann Arbor by his mother after his Marine Corp pilot father Ronald’s death in 1963. Besotted by the Beatles and the Stones, he became obsessed with Pete Townshend after a Who gig during a mid-’60s pilgrimage to London with high school buddy Dave Alexander. He played bass in local bands including the Prime Movers, Chosen Few and Dirty Shames before forming the Psychedelic Stooges with Alexander, Scott and a local kid he’d met called James Osterberg – rechristened Iggy after a stint in a band called The Iguanas.
    [Show full text]
  • Download Press Release
    WENDY JAMES THE PRICE OF THE TICKET PRESS RELEASE RANDY BOYD (Cobraside Distribution) [email protected] BARNEY PAUL BARNES (Pledge Campaign Manager) [email protected] IAN J TAYLOR (Website Director thewendyjames.com) [email protected] Release Date 19/2/16 WENDY JAMES PRESS RELEASE NEW LP ‘THE PRICE OF THE TICKET’ VINYL CD DIGITAL “Wendy James new album ‘The Price Of The Ticket’ is brave and tender, artful and wild, where courage and the dream of love give promise. A wild, moving, shocking, hilarious, raging, exhilarating, giant of an album. A dazzling performance that listeners will delight in, it is intelligent, witty, irresistibly relentless and forthright”. -Village Voice Wendy James new solo LP ’The Price Of The Ticket’ recorded in NYC, mixed in Berkeley CA. The players on this album are a bona-fde line-up from all-time Punk and New Wave bands… Lenny Kaye (The Patti Smith Group) on guitar, Glen Matlock (Sex Pistols) on bass, James Sclavunos (Nick Cave & The Bad Seeds) on drums with tracks 12 and 13 recorded by Wendy James and James Williamson (Iggy and The Stooges), Steve Mackay (Iggy and The Stooges), James Sclavunos (Nick Cave and The Bad Seeds). All songs are written and produced by Wendy James, tracks 12 and 13 are cover versions of songs written Fred ‘Sonic’ Smith (MC5/Sonic’s Rendezvous Band) and Bob Dylan respectively. THE PRICE OF THE TICKET TRACK LISTING 1 PALOMA’S DOWNS 2 INDIGENT BLUES 3 KING RAT 4 LOVE FROM THE 9TH 5 BAD INTENTIONS AND A BIT OF CRUELTY 6 YOU’RE A DIRTBOMB, LESTER 7 SCREAMIN’ BACK WASHINGTON 8 WHY OH WHY DO YOU HURT ME STILL? 9 FAREWELL TO LOVE 10 COWBOY RHYTHM 11 SITUATION NORMAL AT SURFRIDER 12 YOU’RE SO GREAT 13 IT’S ALRIGHT MA PLAYERS: WENDY JAMES VOCALS/RHYTHM GUITAR/KEYS & PIANO LENNY KAYE - RHYTHM/LEAD GUITAR (Patti Smith/Nuggets) GLEN MATLOCK - BASS (Sex Pistols) JAMES SCLAVUNOS - DRUMS (Nick Cave and The Bad Seeds) JAMES WILLIAMSON - GUITAR & BASS.
    [Show full text]
  • CLINE-DISSERTATION.Pdf (2.391Mb)
    Copyright by John F. Cline 2012 The Dissertation Committee for John F. Cline Certifies that this is the approved version of the following dissertation: Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking Committee: Mark C. Smith, Supervisor Steven Hoelscher Randolph Lewis Karl Hagstrom Miller Shirley Thompson Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking by John F. Cline, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation is dedicated to my mother and father, Gary and Linda Cline. Without their generous hearts, tolerant ears, and (occasionally) open pocketbooks, I would have never made it this far, in any endeavor. A second, related dedication goes out to my siblings, Nicholas and Elizabeth. We all get the help we need when we need it most, don’t we? Acknowledgements First and foremost, I would like to thank my dissertation supervisor, Mark Smith. Even though we don’t necessarily work on the same kinds of topics, I’ve always appreciated his patient advice. I’m sure he’d be loath to use the word “wisdom,” but his open mind combined with ample, sometimes non-academic experience provided reassurances when they were needed most. Following closely on Mark’s heels is Karl Miller. Although not technically my supervisor, his generosity with his time and his always valuable (if sometimes painful) feedback during the dissertation writing process was absolutely essential to the development of the project, especially while Mark was abroad on a Fulbright.
    [Show full text]
  • Gimme Danger
    GIMME DANGER SYNOPSIS: Emerging from Ann Arbor Michigan amidst a countercultural revolution, The Stooges’ powerful and aggressive style of rock-n-roll blew a crater in the musical landscape of the late 1960s. Assaulting audiences with a blend of rock, blues, R&B, and free jazz, the band planted the seeds for what would be called punk and alternative rock in the decades that followed. Jim Jarmusch’s new film GIMME DANGER chronicles the story of The Stooges, one of the greatest rock-n-roll bands of all time. GIMME DANGER presents the context of the Stooges emergence musically, culturally, politically, historically, and relates their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy. DIRECTOR’S STATEMENT: No other band in rock’n’roll history has rivaled The Stooges’ combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a front man who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud. There is no precedent for The Stooges, while those inspired by them are now legion. GIMME DANGER is more an 'essay' than a document. It's our love letter to possibly the greatest band in rock'n'roll history, and presents their story, their influences and their impact, complete with some never- before-seen footage and photographs. Like the Stooges and their music, GIMME DANGER is a little wild, messy, emotional, funny, primitive, and sophisticated in the most unrefined way. Long live The Stooges!" - Jim Jarmusch CREW: Director: Jim Jarmusch Producers: Carter Logan, Fernando Sulichin, Rob Wilson Executive Producers: Serge Lobo, José Ibáñez, Jon Kilik Director of Photography: Tom Krueger Editors: Affonso Gonçalves, Adam Kurnitz Sound Designer: Robert Hein CAST: Iggy Pop Ron Asheton Scott Asheton James Williamson Steve Mackay Mike Watt Kathy Asheton Danny Fields Low Mind Films Inc.
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright The Electric Guitar in Contemporary Art Music Zane Mackie Banks A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Sydney Conservatorium of Music Sydney University 2013 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: …………………………………………………………………………… Date: ………………………………………………………………………………. Abstract Since 1950 the electric guitar has occupied an ever-increasing presence in contemporary art music both as a solo and chamber instrument.
    [Show full text]
  • Razorcake Issue #31 As A
    was on my back at the bottom of an abandoned swimming pool after Some of them die. Then ants eat them. My leg felt a tingle; I pulled it out an hour of skating, hoping the pain would subside. I heard a wet from under the desk, and saw that there were about one hundred ants on snap and didn’t want to look. I hadn’t been getting rad. I was just and inside the cast. I got a flashlight to see where they were concentrat- I returning to the shallow end, something I’ve done thousands of ed and smacked my forehead on the edge of my desk when I leaned times. When I looked, my foot was pointing in the wrong direction and down. For the first time in a long while, I felt crushed. I felt like quitting. was slowly trying to correct itself. My back foot had slipped off my skate- All of this: the zine, the books, the non-profit. Kaput. Done. Get a job, board and I’d run over my ankle. This was mid September. We’d literally work for someone else. I’d given it my shot and it felt like I’d been beat- dropped off the last Razorcakes for our bi-monthly big mailout hours en by hammers. before. As a treat to myself for working so hard, I’d planned a week-long My friends and family wouldn’t let me go. Chris Devlin drove me “vacation at home,” where I didn’t have anything solid planned except to physical therapy and to get my pain medication, while learning new skating new places, reading, listening to music, and hanging out.
    [Show full text]
  • After Vocalist Iggy Pop and Guitarist Ron
    http://waldo.villagesoup.com/Blogs/story.cfm?storyID=122689 Iggy & the Stooges: Escaped Maniacs (MVD Visual, 2 DVDs, NR, 5 hours 34 min.). After vocalist Iggy Pop and guitarist Ron Asheton had not even spoken to each other in some 20 years, the band reformed in 2003 due to increased awareness of their groundbreaking sound and a tour the Asheton brothers (Scott plays drums) did with current bassist Mike Watt (FIREHOUSE, The Minutemen) and vocalist J Mascis from Dinosaur Jr. Original bassist Dave Alexander died in 1975 of alcohol-related problems. The Stooges evolved out of Detroit after James Osterberg, soon to be known as Iggy Pop, a k a the Godfather of Punk, decided to expand from playing drums in well-received high school and college bands, and took a trip to Chicago to investigate the blues scene. In one of the bonus features, Iggy recalls a trip to a Ford motor plant at age 9 and falling in love with the heavy industrial sounds. Starting in 1969, the band made three legendary albums, sparked by such songs as “I Wanna Be Your Dog” (sort of lust for abasement) and the lost youth of “1969.” Iggy became friends with David Bowie, who influenced “Raw Power” (by this time the Stooges’ music was heavily influenced by John Coltrane), the third and final major label album. (Iggy would collaborate with Bowie off an on during his solo career, including such wonderful songs as “Lust For Life,” “China Girl” (Bowie had a hit with it) and “The Passenger.” Here, the 65-minute concert is presented in two forms of the same length; the director’s cut is more more tightly edited visually.
    [Show full text]
  • Bunktilt Dig the Stooges
    Ouch ! Records, no borders : Rock, Jazz, World, classical... 500 ex for "digger" collector and passionate people PRÉSENTE BUNKTILT & STEVE MACKAY Dig the stooges Sortie le 11 octobre 2019 OUCH ! RECORDS Distribution : Inouïe distribution Enregistré en public le 29 mars 2014 aux 4 Ecluses à Dunkerque Direction artistique : Lionel Martin Mix et mastering : Cédric Béron Graphisme : Florent Decornet Tracklist Ecouter : ..https://soundcloud.com/ ouchrecords/sets/bunktilt-steve-mackay-dig- Dirt I Wanna Be Your Dog the/s-oVi2X Lost in the Future Not Right Fun House 1970 Les photos de ce dossier de presse sont signées Christophe Charpenel Contact presse : Emmanuelle Blanchet — 06 87 43 97 46 — [email protected] Ouch ! Records, no borders : Rock, Jazz, World, classical... 500 ex for "digger" collector and passionate people A propos de cet album... Au printemps 2014, Bunktilt – trois musiciens venus du jazz, Lionel Martin (sax), Fred Meyer (guitare), et Thibault Martin (batterie) – enflamme le public lors d’une tournée mémorable d’une quinzaine de concerts avec Steve Mackay, saxophoniste historique des Stooges, époque de l’album FunHouse. Déferlement d'électricité et d'énergie, lave en fusion, Bunktilt explore le répertoire des Stooges pour en extraire la substantifique moelle, et produire une musique inédite, aux frontières du free jazz et du punk. Leurs concerts, intenses, ne laissent personne indifférent. L’album Bunktilt & Steve Mackay Dig the Stooges permet de retrouver cette énergie intacte captée lors du concert donné à Dunkerque le 29 Mars 2014. Bunktilt A l’origine de cette aventure hors du commun, le choc de la redécouverte de Funhouse en vinyle par Lionel Martin.
    [Show full text]