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Vans Warped Tour Deck
IN PARTNERSHIP WITH WIFI HOTSPOT SPONSORSHIP OPPORTUNITY BRANDED WIFI LOUNGE “Verizon Zone” Pepsi Zone” etc. THE WARPED AUDIENCE///////////////////////////// The Warped fan is a highly sociable, tech savvy and influential young adult. Attendees are utilizing social networking to communicate their concert experiences to friends across the globe. The average attendee has been to Ages 15 ‐25 make up 91% Diversity Warped Tour 3 years and nearly of the VWT audience 90% of festival goers visit the sponsor and non-‐profit village 62% 22% ////////////////////////////////////////// 39% 52% 98% of fans take home everything // WHITE/ // LATINO they get from the tour CAUCASIAN // 15-17 // 18-25 ////////////////////////////////////////// 10% 6% Overall, 82.6% of fans are more Average Age: 17.9 years old likely to purchase or try a sponsor’s product due to their association // AFRICAN- with Warped Tour, indicating // ASIAN AMERICAN positive brand awareness. 47.9% 52.1% // MALE // FEMALE 2015 ROUTING///////////////////////////////////////// 6/19 // Pomona, CA 7/7 //Charlotte, NC 7/24 // Detroit, MI 6/20 // San Francisco, CA 7/8 // Virginia Beach, VA 7/25 // Chicago, IL 6/21 // Ventura, CA 7/9 // Pittsburgh, PA 7/26 // Shakopee, MN 6/23 // Mesa, AZ 7/10 // Camden, NJ 7/27 // Maryland Heights, MO 6/24 // Albuquerque, NM 7/11 // Wantagh, NY 7/28 // Milwaukee, WI 6/25 // Oklahoma City, OK 7/12 // Hartford, CT 7/29 // Noblesville, IN 6/26 // Houston, TX 7/14 // Mansfield, MA 7/30 // Bonners Spring, KS 6/27 // Dallas, TX 7/15 // Darien Center, NY 8/1 // Salt Lake City, UT 6/28 // San Antonio, TX 7/16 // Cincinnati, OH 8/2 // Denver, CO 7/1 // Nashville, TN 7/17 // Toronto, ON 8/5 // San Diego, CA 7/2 // Atlanta, GA 7/18 // Columbia, MD 8/7 // Portland, OR 7/3 // St. -
Hot Topic Presents the 2011 Take Action Tour
For Immediate Release February 14, 2011 Hot Topic presents the 2011 Take Action Tour Celebrating Its 10th Anniversary of Raising Funds and Awareness for Non-Profit Organizations Line-up Announced: Co-Headliners Silverstein and Bayside With Polar Bear Club, The Swellers and Texas in July Proceeds of Tour to Benefit Sex, Etc. for Teen Sexuality Education Pre-sale tickets go on sale today at: http://tixx1.artistarena.com/takeactiontour February 14, 2011 – Celebrating its tenth anniversary of raising funds and awareness to assorted non-profit organizations, Sub City (Hopeless Records‟ non-profit organization which has raised more than two million dollars for charity), is pleased to announce the 2011 edition of Take Action Tour. This year‟s much-lauded beneficiary is SEX, ETC., the Teen-to-Teen Sexuality Education Project of Answer, a national organization dedicated to providing and promoting comprehensive sexuality education to young people and the adults who teach them. “Sex is a hot topic amongst Take Action bands and fans but rarely communicated in a honest and accurate way,” says Louis Posen, Hopeless Records president. “Either don't do it or do it right!" Presented by Hot Topic, the tour will feature celebrated indie rock headliners SILVERSTEIN and BAYSIDE, along with POLAR BEAR CLUB, THE SWELLERS and TEXAS IN JULY. Kicking off at Boston‟s Paradise Rock Club on April 22nd, the annual nationwide charity tour will circle the US, presenting the best bands in music today while raising funds and awareness for Sex, Etc. and the concept that we can all play a part in making a positive impact in the world. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
Makes It Easy to Find Manuals Online!
Downloaded from www.Manualslib.com manuals search engine Photo © Jay Banbury From Jim Marshall I am really pleased that you have chosen this 1959RR Randy Rhoads Signature Series Super Lead 100W head. It is only the fourth signature amplifier that we have produced and I feel it is a great addition to this select range. I first met Randy when he came to the factory in January 1980. He had not long ago joined Ozzy Osbourne and they were working on their first album. He came here knowing exactly what he was looking for, he just needed to find the amplifier that was going to be capable of delivering the power, the tone, and the reliability that he wanted, but was also in keeping with the image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tone was not quite right. He spent some time with my Service Manager, explaining the slight difference he was looking for, and after a few trials we were able to fit a modification which made the subtle change to the standard tone of the 1959. Randy left the factory to proudly stand in front of his white Marshall stack for all of his hugely successful, but sadly too brief career with Ozzy Osbourne. In this time the legendary guitarist could be seen by thousands of fans, performing in front of his Marshall stack – a sight to behold and a triumphant assault on the ears. Our design team have spent many hours investigating the original Randy Rhoads amplifier, speaking to the Randy Rhoads family, talking to people who knew Randy and heard him play, and talking to the Service Manager who was at the factory when Randy came in and made the modification to the amplifier. -
George Grizzard: a Conversation with Abe J
Wright State University CORE Scholar Theatre, Dance, and Motion Pictures Faculty Publications Theatre, Dance, and Motion Pictures 2-5-1984 George Grizzard: A Conversation with Abe J. Bassett Abe J. Bassett Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/theater Part of the Acting Commons, Dance Commons, Performance Studies Commons, and the Theatre History Commons Repository Citation Bassett, A. J. (1984). George Grizzard: A Conversation with Abe J. Bassett. https://corescholar.libraries.wright.edu/theater/8 This Interview is brought to you for free and open access by the Theatre, Dance, and Motion Pictures at CORE Scholar. It has been accepted for inclusion in Theatre, Dance, and Motion Pictures Faculty Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. GEORGE GRIZZARD A Conversation With Abe J Bassett at Wright State University February 5, 1984 Introduction merican actor George Gizzard’s first connection with Wright State was in October, 1974 A when he directed William Saroyan’s The Time of Your Life, the dedicatory production of the Creative Arts Center’s Festival Playhouse. In January 1984, he returned to Wright State to create the role of Dr. Martin Dysart in the very successful Department of Theatre Arts production of Equus. The following summary of his film and theatre career is from Wikipedia: Grizzard memorably appeared as an unscrupulous United States senator in the film Advise and Consent in 1962. His other theatrical films included the drama From the Terrace with Paul Newman (1960), the Western story Comes a Horseman with Jane Fonda (1978) and a Neil Simon comedy, Seems Like Old Times (1980). -
Between the Buried & Me Cradle of Filth Kissing Candice Jungle Rot August Burns Red Thy Art Is Murder Wilson
BETWEEN THE BURIED CRADLE OF FILTH KISSING CANDICE JUNGLE ROT & ME HAMMER OF THE WITCHES BLIND UNTIL WE BURN ORDER SHALL PREVAIL COMA ECLIPTIC NUCLEAR BLAST VICTORY VICTORY METAL BLADE Unquestionably one of the greatest and most “Pretty, ugly, gross, bloody, pissed, catchy, Shots’ firing overhead, out of breath, thankful When tasked with explaining Between the influential British metal bands of all time, heavy.” These are the words spewed from to be alive, an exhausted, courageous soldier Buried and Me’s previous effort, The Paral- CRADLE OF FILTH have cast a commanding Kissing Candice frontman Joey Simpson takes cover in a nearby trench. Overcome with lax II: Future Sequence, Decibel Magazine and macabre shadow across the metal scene when describing the bands impending album, tragedy, the cadet looks down to carefully re- claimed that the album “offers more substance for nearly a quarter of a century. Armed with Blind Until We Burn – one of the most blood- move his worn down combat boots to discover than most bands put forth in entire careers.” their trademark cross-pollinated assault that drenched doses of violence that has been put his feet numb and blue, knocking him back Where does a burgeoning progressive act go taps into myriad strands of sonic extremity to ears. Distinct themes of angry defiance and with an overwhelming smell of decay and gan- from there? The answer is found in their sev- and morbid opulence, they have steadily con- horror-laced hysteria snake throughout the grene. This phenomenon is known as “jungle enth full-length album, Coma Ecliptic. -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
NME, Going Underground
GOING UNDERGROUND Sonic Bouncing Souls Boom Six Alexisonfire Streetlight GOING Manifesto PLAYING AT A Wilhelm Scream UNDER- Frank Turner Anti-Flag GROUNDThis year’s Reading and Leeds sites are packed with balls off. Replete with buzzsaw guitars and neck- snapping drums this Exeter foursome care not for amazing punk rock. Ben Patashnik from NME.COM’s such minor conceits as the time of their billing (probably somewhere around the time much of the ‘Notes From The Underground’ picks out 10 highlights festival vomits themselves awake) because they know they are a truly fearsome alarm clock in punk entire weekend. Far less cheesy than Mad Caddies vicious chaos later the same day on the Lock Up, ot only has punk rock – both homegrown 2 A WILHELM SCREAM rock form. Here’s a tip: just stay up from the night (who are on the same stage on Saturday at Reading/ but throughout both there’ll be the feeling that if the AFI and imported – never been better When you talk of intensity, of violent music being before to ensure you don’t miss them. But don’t Friday at Leeds), go see them if you like deeply noir entire world was run through the democratisation represented at Reading and Leeds, but used intelligently and crafted symphonically, and of blame us if you die from fatigue immediately after. storytelling set to a rich, cinematic soundtrack; avoid of circle pits it’d be a much better place. the quality’s equally high. So with that live shows being ecstatic celebrations of something Opening Lock Up Stage, Saturday Reading/ if you’re scared of telling your friends you like bands Main Stage/Lock Up Stage, Friday Reading/ and social relevance into the faces of festival-goers in mind, we thought it’d be a crime to powerfully nameless, you talk of A Wilhelm Scream. -
Uniter Fiver H C E D
Free. Weekly. 5 December 14 // Issue 68 // Volume Weekly. Free. THE UNITER 30 We AsKeD, You VoTeD. cHECK ouT Your FAVourITe WINNIPeG THINGs oF 2013 IN our reADers Poll! WANNA geT YOUR Music heard in 2014? ENTer The Uniter Fiver The official s TudenT newspaper of The universiTy of winnipeg CUT AND SAVE. TAKE A LOOK AT WHAT IS COMING UP... DON’T MISS A DATE. THIS MONTH AT THE PARK THEATRE 698 OSBORNE ST. / 1 204 478 7275 / PARKTHEATRECAFE.COM FIND US ON CUT OUT THIS TAB AND BRING IT TO THE PARK THEATRE TO GET TICKETS TO THIS SHOW FOR $7 / DEAL ENDS DECEMBER 9 PROUDLY SERVING MANITOBAN CRAFT BEER Tickets to these events and others can be purchased at: The Park Theatre, Music Trader, & Ticketbreak.com/ParkTheatre THe uNITer // December 5, 2013 03 THE UNITER 30 This year we asked you to vote for your favourite Winnipeg things. The categories are based around topics that we cover, combined with what we think our readers are into - music, theatre, fashion, radio, visual arts, photography, comedy, blogging, podcast- ing, foods and beverages, intimate moments, sports, body modification, film, politics and events that happen around our home base at the University of Winnipeg. There’s a decent variety of people, events and places that represent what is great about our city. No chain restaurants, no people that spent only two weeks liv- ing here before moving to Hollywood and only a few silly categories here - but mostly, just pure, home- grown goodness. This is also our last issue of the year, so take a look for our contributor’s top ten lists! Lists are fun. -
Mike D’S Top 5 Must See December Shows
Mike D’s Top 5 Must See December Shows 1. Saturday, Dec 9: “Don’t Break Down” – A Film About Jawbreaker; 8pm doors / 9pm show; $10; All ages; Columbus Theatre, 270 Broadway, PVD. I used to write a ‘zine with my friend Brian Jannarelli back in our punk rock high days. We used the platform mostly to get in touch with our musical punk indie heroes (and make fun of local adults as we saw fit). I got the chance to interview Adam from Jawbreaker & J Robbins from Jawbox; the two were on tour together in ’95 and played at Lupos II. Getting in touch with bands was very different back then, as was how bands would develop. Would a band like Jawbreaker have been able to develop in the same timeframe today, as they had in the decade from mid ’80s to their demise in ’96 – from touring the unknown country beyond the West Coast / Gilman Street, and developing their craft over three albums before the majors came knocking? Or would the band have been better off skipping the old indie punk model – as today, when their base wouldn’t have felt alienated by the band’s moving on to a major label and a different sound? Their major label record, Dear You, was definitely ahead of its time. I haven’t seen this movie yet, but I look forward to seeing the footage from that time, an almost-soundtrack to my high school life and also a relic to the punk promotion days before the internet and the end of the fan’s fierce loyalty to indie efforts. -
Price-Of-The-Ticket-Press-Release-2016
WENDY JAMES THE PRICE OF THE TICKET PRESS RELEASE RANDY BOYD (Cobraside Distribution) [email protected] SEAN COONEY (TV/Radio Promo) [email protected] BARNEY PAUL BARNES (Pledge Campaign Manager) [email protected] IAN J TAYLOR (Website Director thewendyjames.com) [email protected] ALBUM ARRIVES 19/2/16 WENDY JAMES PRESS RELEASE NEW LP ‘THE PRICE OF THE TICKET’ VINYL CD DIGITAL “Wendy James new album ‘The Price Of The Ticket’ is brave and tender, artful and wild, where courage and the dream of love give promise. A wild, moving, shocking, hilarious, raging, exhilarating, giant of an album. A dazzling performance that listeners will delight in, it is intelligent, witty, irresistibly relentless and forthright”. -Village Voice Wendy James new solo LP ’The Price Of The Ticket’ recorded in NYC, mixed in Berkeley CA. The players on this album are a bona-fde line-up from all-time Punk and New Wave bands… Lenny Kaye (The Patti Smith Group) on guitar, Glen Matlock (Sex Pistols) on bass, James Sclavunos (Nick Cave & The Bad Seeds) on drums with tracks 12 and 13 recorded by Wendy James and James Williamson (Iggy and The Stooges), Steve Mackay (Iggy and The Stooges), James Sclavunos (Nick Cave and The Bad Seeds). All songs are written and produced by Wendy James, tracks 12 and 13 are cover versions of songs written Fred ‘Sonic’ Smith (MC5/Sonic’s Rendezvous Band) and Bob Dylan respectively. THE PRICE OF THE TICKET TRACK LISTING 1 PALOMA’S DOWNS 2 INDIGENT BLUES 3 KING RAT 4 LOVE FROM THE 9TH 5 BAD INTENTIONS AND A BIT OF CRUELTY 6 YOU’RE A DIRTBOMB, LESTER 7 SCREAMIN’ BACK WASHINGTON 8 WHY OH WHY DO YOU HURT ME STILL? 9 FAREWELL TO LOVE 10 COWBOY RHYTHM 11 SITUATION NORMAL AT SURFRIDER 12 YOU’RE SO GREAT 13 IT’S ALRIGHT MA PLAYERS: WENDY JAMES VOCALS/RHYTHM GUITAR/KEYS & PIANO LENNY KAYE - RHYTHM/LEAD GUITAR (Patti Smith/Nuggets) GLEN MATLOCK - BASS (Sex Pistols) JAMES SCLAVUNOS - DRUMS (Nick Cave and The Bad Seeds) JAMES WILLIAMSON - GUITAR & BASS. -
Universal Music Tribe - Iggy & the Sto… Site Map Contact
3/29/2011 Universal Music Tribe - Iggy & The Sto… site map contact Home Buffalo Zone News Features Video Downloads Radio About Us Contact Advertise Share | Iggy & The Stooges - Raw Power Live Iggy & The Stooges Raw Power Live In The Hands of The Fans (MVD) The original punk Iggy Pop is alive and well and at the age of 63 he is still a force to be reckoned with. Recreating the classic album Raw Power live onstage some 38 years after it was released, the reformed Stooges' (Iggy Pop, Scott Asheton, James Williamson, Steve Mackay, Mike Watt) performance at the All Tomorrow's Parties Festival on Friday, September 3, 2010 is high energy, balls to the wall, mayhem- just like it was back in in ‘73. From “Raw Power” to “Search and Destroy” and “Your Pretty Face is Going to Hell,” The Stooges recreate the original songs flawlessly. It’s enough to make Lester Bands rise from the grave and dance a jig. Released on 180 Gram Vinyl, the album is a real collector’s item and makes a good companion piece to your original Raw Power LP. The LP will be officially release on Record Store Day, April 26, 2011, so get your yah yahs out and get ready to rock, bitches. - Michael Buffalo Smith universalmusictribe.com/iggy___the_st… 1/2 3/29/2011 Universal Music Tribe - Iggy & The Sto… Home Buffalo Zone News Features Video Downloads Radio About Us Contact Advertise Site Mailing List UNIVERSAL MUSIC TRIBE 1813 North Main Street Greenville, SC 29609 Email: [email protected] This website designed using the iBui.lt website builder universalmusictribe.com/iggy___the_st… 2/2.