Comparative Connections, Volume 1, Number 2
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The Rise of Nationalism in Millennial Japan
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2010 Politics Shifts Right: The Rise of Nationalism in Millennial Japan Jordan Dickson College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Studies Commons Recommended Citation Dickson, Jordan, "Politics Shifts Right: The Rise of Nationalism in Millennial Japan" (2010). Undergraduate Honors Theses. Paper 752. https://scholarworks.wm.edu/honorstheses/752 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Politics Shifts Right: The Rise of Nationalism in Millennial Japan A thesis submitted in partial fulfillment of the requirement for the degree of Bachelors of Arts in Global Studies from The College of William and Mary by Jordan Dickson Accepted for High Honors Professor Rachel DiNitto, Director Professor Hiroshi Kitamura Professor Eric Han 1 Introduction In the 1990s, Japan experienced a series of devastating internal political, economic and social problems that changed the landscape irrevocably. A sense of national panic and crisis was ignited in 1995 when Japan experienced the Great Hanshin earthquake and the Aum Shinrikyō attack, the notorious sarin gas attack in the Tokyo subway. These disasters came on the heels of economic collapse, and the nation seemed to be falling into a downward spiral. The Japanese lamented the decline of traditional values, social hegemony, political awareness and engagement. -
The History Problem: the Politics of War
History / Sociology SAITO … CONTINUED FROM FRONT FLAP … HIRO SAITO “Hiro Saito offers a timely and well-researched analysis of East Asia’s never-ending cycle of blame and denial, distortion and obfuscation concerning the region’s shared history of violence and destruction during the first half of the twentieth SEVENTY YEARS is practiced as a collective endeavor by both century. In The History Problem Saito smartly introduces the have passed since the end perpetrators and victims, Saito argues, a res- central ‘us-versus-them’ issues and confronts readers with the of the Asia-Pacific War, yet Japan remains olution of the history problem—and eventual multiple layers that bind the East Asian countries involved embroiled in controversy with its neighbors reconciliation—will finally become possible. to show how these problems are mutually constituted across over the war’s commemoration. Among the THE HISTORY PROBLEM THE HISTORY The History Problem examines a vast borders and generations. He argues that the inextricable many points of contention between Japan, knots that constrain these problems could be less like a hang- corpus of historical material in both English China, and South Korea are interpretations man’s noose and more of a supportive web if there were the and Japanese, offering provocative findings political will to determine the virtues of peaceful coexistence. of the Tokyo War Crimes Trial, apologies and that challenge orthodox explanations. Written Anything less, he explains, follows an increasingly perilous compensation for foreign victims of Japanese in clear and accessible prose, this uniquely path forward on which nationalist impulses are encouraged aggression, prime ministerial visits to the interdisciplinary book will appeal to sociol- to derail cosmopolitan efforts at engagement. -
The Legalization of Hinomaru and Kimigayo As Japan's National Flag
The legalization of Hinomaru and Kimigayo as Japan's national flag and anthem and its connections to the political campaign of "healthy nationalism and internationalism" Marit Bruaset Institutt for østeuropeiske og orientalske studier, Universitetet i Oslo Vår 2003 Introduction The main focus of this thesis is the legalization of Hinomaru and Kimigayo as the national flag and anthem of Japan in 1999 and its connections to what seems to be an atypical Japanese form of postwar nationalism. In the 1980s a campaign headed by among others Prime Minister Nakasone was promoted to increase the pride of the Japanese in their nation and to achieve a “transformation of national consciousness”.1 Its supporters tended to use the term “healthy nationalism and internationalism”. When discussing the legalization of Hinomaru and Kimigayo as the national flag and anthem of Japan, it is necessary to look into the nationalism that became evident in the 1980s and see to what extent the legalization is connected with it. Furthermore we must discuss whether the legalization would have been possible without the emergence of so- called “healthy nationalism and internationalism”. Thus it is first necessary to discuss and try to clarify the confusing terms of “healthy nationalism and patriotism”. Secondly, we must look into why and how the so-called “healthy nationalism and internationalism” occurred and address the question of why its occurrence was controversial. The field of education seems to be the area of Japanese society where the controversy regarding its occurrence was strongest. The Ministry of Education, Monbushō, and the Japan Teachers' Union, Nihon Kyōshokuin Kumiai (hereafter Nikkyōso), were the main opponents struggling over the issue of Hinomaru, and especially Kimigayo, due to its lyrics praising the emperor. -
Imperial-Way
BUDDHISM/ZEN PHILOSOPHY/JAPANESE HISTORY (Continued from front flap) IMPERIAL-WAY ZEN IMPERIAL-WAY Of related The Record of Linji his own argument that Imperial-Way Zen interest Translation and commentary by Ruth Fuller Sasaki During the first half of the twentieth centu- can best be understood as a modern instance Edited by Thomas Yūhō Kirchner ry, Zen Buddhist leaders contributed active- 2008, 520 pages of Buddhism’s traditional role as protector ly to Japanese imperialism, giving rise to Cloth ISBN: 978-0-8248-2821-9 of the realm. Turning to postwar Japan, Ives what has been termed “Imperial-Way Zen” examines the extent to which Zen leaders “This new edition will be the translation of choice for Western Zen communities, (Kōdō Zen). Its foremost critic was priest, have reflected on their wartime political college courses, and all who want to know that the translation they are reading is professor, and activist Ichikawa Hakugen stances and started to construct a critical faithful to the original. Professional scholars of Buddhism will revel in the sheer (1902–1986), who spent the decades follow- wealth of information packed into footnotes and bibliographical notes. Unique Zen social ethic. Finally, he considers the ing Japan’s surrender almost single-hand- among translations of Buddhist texts, the footnotes to the Kirchner edition con- resources Zen might offer its contemporary tain numerous explanations of grammatical constructions. Translators of classi- edly chronicling Zen’s support of Japan’s leaders as they pursue what they themselves cal Chinese will immediately recognize the Kirchner edition constitutes a small imperialist regime and pressing the issue have identified as a pressing task: ensuring handbook of classical and colloquial Chinese grammar. -
2Nd Global Conference Music and Nationalism National Anthem Controversy and the ‘Spirit of Language’ Myth in Japan
2nd Global Conference Music and Nationalism National Anthem Controversy and the ‘Spirit of Language’ Myth in Japan Naoko Hosokawa Max Weber Postdoctoral Fellow European University Institute, Florence Email address: [email protected] Abstract This paper will discuss the relationship between the national anthem controversy and the myth of the spirit of language in Japan. Since the end of the Pacific War, the national anthem of Japan, Kimigayo (His Imperial Majesty's Reign), has caused exceptionally fierce controversies in Japan. Those who support the song claim that it is a traditional national anthem sung since the nineteenth century with the lyrics based on a classical waka poem written in the tenth century, while those opposed to it see the lyrics as problematic for their imperialist ideology and association with negative memories of the war. While it is clear that the controversies are mainly based on the political interpretation of the lyrics, the paper will shed light on the myth of the spirit of language, known as kotodama, as a possible explanation for the uncommon intensity of the controversy. The main idea of the myth is that words, pronounced in a certain manner have an impact on reality. Based on this premise, the kotodama myth has been reinterpreted and incorporated into Japanese social and political discourses throughout its history. Placing a particular focus on links between music and the kotodama myth, the paper will suggest that part of the national anthem controversy in Japan can be explained by reference to the discursive use of the myth. Keywords: National anthem, nationalism, Japan, language, myth 1. -
University of Cincinnati
UNIVERSITY OF CINCINNATI _____________ , 20 _____ I,______________________________________________, hereby submit this as part of the requirements for the degree of: ________________________________________________ in: ________________________________________________ It is entitled: ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ Approved by: ________________________ ________________________ ________________________ ________________________ ________________________ PUCCINI’S USE OF JAPANESE MELODIES IN MADAMA BUTTERFLY A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2003 by Kunio Hara B.M., University of Cincinnati, 2000 Committee Chair: Dr. Hilary Poriss ABSTRACT One of the more striking aspects of exoticism in Puccini’s Madama Butterfly is the extent to which the composer incorporated Japanese musical material in his score. From the earliest discussion of the work, musicologists have identified many Japanese melodies and musical characteristics that Puccini used in this work. Some have argued that this approach indicates Puccini’s preoccupation with creating an authentic Japanese setting within his opera; others have maintained that Puccini wanted to produce an exotic atmosphere -
Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender
Myths of Hakko Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan Item Type text; Electronic Dissertation Authors Teshima, Taeko Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 21:55:25 Link to Item http://hdl.handle.net/10150/194943 MYTHS OF HAKKŌ ICHIU: NATIONALISM, LIMINALITY, AND GENDER IN OFFICIAL CEREMONIES OF MODERN JAPAN by Taeko Teshima ______________________ Copyright © Taeko Teshima 2006 A Dissertation Submitted to the Faculty of the GRADUATE PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For a Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 6 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Taeko Teshima entitled Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _________________________________________________Date: 6/06/06 Barbara A. Babcock _________________________________________________Date: 6/06/06 Philip Gabriel _________________________________________________Date: 6/06/06 Susan Hardy Aiken Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Musical Taiwan Under Japanese Colonial Rule: a Historical and Ethnomusicological Interpretation
MUSICAL TAIWAN UNDER JAPANESE COLONIAL RULE: A HISTORICAL AND ETHNOMUSICOLOGICAL INTERPRETATION by Hui‐Hsuan Chao A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2009 Doctoral Committee: Professor Joseph S. C. Lam, Chair Professor Judith O. Becker Professor Jennifer E. Robertson Associate Professor Amy K. Stillman © Hui‐Hsuan Chao 2009 All Rights Reserved ACKNOWLEDGEMENTS Throughout my years as a graduate student at the University of Michigan, I have been grateful to have the support of professors, colleagues, friends, and family. My committee chair and mentor, Professor Joseph S. C. Lam, generously offered his time, advice, encouragement, insightful comments and constructive criticism to shepherd me through each phase of this project. I am indebted to my dissertation committee, Professors Judith Becker, Jennifer Robertson, and Amy Ku’uleialoha Stillman, who have provided me invaluable encouragement and continual inspiration through their scholarly integrity and intellectual curiosity. I must acknowledge special gratitude to Professor Emeritus Richard Crawford, whose vast knowledge in American music and unparallel scholarship in American music historiography opened my ears and inspired me to explore similar issues in my area of interest. The inquiry led to the beginning of this dissertation project. Special thanks go to friends at AABS and LBA, who have tirelessly provided precious opportunities that helped me to learn how to maintain balance and wellness in life. ii Many individuals and institutions came to my aid during the years of this project. I am fortunate to have the friendship and mentorship from Professor Nancy Guy of University of California, San Diego. -
Conscience and a Music Teacher's Refusal to Play the National Anthem
Volume 3 | Issue 1 | Article ID 2167 | Jan 13, 2005 The Asia-Pacific Journal | Japan Focus Conscience and a Music Teacher's Refusal to Play the National Anthem Nobumasa Tanaka Conscience and a Music Teacher's Refusal her ears. Sato lost all strength and was to Play the National Anthem overcome by a sense of utter helplessness. Unable to walk another step, she crouched and by Tanaka Nobumasa sat down amid the darkness. "Kimigayo" lasted about forty seconds. The singing of Japan's national anthem Kimigayo, an ode to the emperor, and the flying "I was immobilized. 'Kimigayo' played on the of the Hinomaru flag, both evocative of Japan's piano has been increasingly incorporated into colonial era, have become flashpoints of school life like this. Why, you might ask, conflict in recent years as the Japanese wouldn't I play the national anthem?" government presses to reincorporate these controversial emblems in a variety of public A large Japanese flag (Hinomaru) hanging in events. Nowhere has the conflict been more front of the stage came into her mind. Prior to intense than in the public schools. The struggle April 6, 2002 the entrance ceremony held in by music teacher Sato Miwako to preserve her the gymnasium of Number Two Elementary conscience in the wake of a 1999 national flag School of Kunitachi City had left an unbearable and national anthem law offers insight into taste in the mouth of Sato, a music teacher who issues of colonialism, war, and historical memory as well as contemporary nationalism. had always declined to provide piano It also addresses both ethical and constitutional accompaniment to "Kimigayo." issues. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan. -
China and Japan: Partners Or Permanent Rivals?
China and Japan: Partners or Permanent Rivals? Willem van Kemenade November 2006 NETHERLANDS INSTITUTE OF INTERNATIONAL RELATIONS CLINGENDAEL CIP-Data Koninklijke Bibliotheek, The Hague Kemenade, Willem van China and Japan: Partners or Permanent Rivals? / Willem van Kemenade – The Hague, Netherlands Institute of International Relations Clingendael. Clingendael Diplomacy Papers No. 9 ISBN-10: 90–5031–111-3 ISBN-13: 978-90-5031-111-3 Desk top publishing by Desiree Davidse Netherlands Institute of International Relations Clingendael Clingendael Diplomatic Studies Programme Clingendael 7 2597 VH The Hague Phonenumber +31(0)70 - 3746628 Telefax +31(0)70 - 3746666 P.O. Box 93080 2509 AB The Hague E-mail: [email protected] Website: http://www.clingendael.nl The Netherlands Institute of International Relations Clingendael is an independent institute for research, training and public information on international affairs. It publishes the results of its own research projects and the monthly ‘Internationale Spectator’ and offers a broad range of courses and conferences covering a wide variety of international issues. It also maintains a library and documentation centre. © Netherlands Institute of International Relations Clingendael. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the copyright-holders. Clingendael Institute, P.O. Box 93080, 2509 AB The Hague, The Netherlands. ACKNOWLEDGEMENTS This Clingendael Diplomacy Paper is the combined product of three short- term research projects that I undertook from my base in Beijing in 2005 and 2006. The first involved a trip to Tokyo in April 2005 for a chapter on ‘The Political Economy of North-East Asian Integration’, which appeared in August 2005 as chapter 3 in a study commissioned by the Directorate- General External Relations (DG Relex) of the European Commission to the European Institute of Asian Studies in Brussels. -
From World War to Cold War: Music in US-Korea Relations, 1941-1960
From World War to Cold War: Music in US-Korea Relations, 1941-1960 Dissertation Presented in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Hye-jung Park Graduate Program in Music The Ohio State University 2019 Committee: Danielle Fosler-Lussier, Ph.D., Advisor Ryan T. Skinner, Ph.D. Mitchell B. Lerner, Ph.D. Copyright by Hye-jung Park 2019 Abstract This dissertation examines music in US-Korea relations from 1941 to 1960. Beginning during World War II, the US government disseminated Western classical and American music in Korea. After the war, the United States also gained the confidence of Koreans by supporting Korean traditional music that had been suppressed under Japanese colonial rule. Yet South Koreans were not merely passive recipients of US propaganda. As the Korean War divided Korea into North and South, South Korean officials used music to affirm the anti-Communist alliance between South Korea and the United States. American music spread rapidly in South Korea, contributing to the formation of South Korean identities different from those of the Communist North. By tracing a history of musical relations in the transitional period from the colonial era to the early Cold War, this project emphasizes that US Cold War music propaganda programs were not an entirely new initiative but built on the foundations laid in the 1940s. By demonstrating that a peripheral country used music as a tool for political negotiations with a superpower, this project also expands the horizons of scholarship on music propaganda, which has focused overwhelmingly on US and Soviet interventions in Europe.