Expressionismus Manifeste Und Dokumente Zur Deutschen Literatur
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
The Future of the German-Jewish Past: Memory and the Question of Antisemitism
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90. -
Dichtergedichte Als Gründungsdokumente Der Expressionistischen Avantgarde
Dichtergedichte als Gründungsdokumente der expressionistischen Avantgarde Inaugural-Dissertation zur Erlangung der Doktorwürde der Philologischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg i. Br. Vorgelegt Von Jae Sang Kim aus Seoul, Südkorea WS 2006/2007 Datum der Fachprüfung im Promotionsfach: 14. Juni 2007 Erstgutachter: Prof. Dr. Achim Aurnhammer Zweitgutachter: Prof. Dr. Dieter Martin Das Deutsche Literaturarchiv Marbach ermöglichte 1996 mir mit einem Marbach- Stipendium den dreimonatigen Forschungsaufenthalt in Marbacher Archiv. Dafür bedanke ich mich ganz herzlich. Inhalt I. Einleitung .................................................................................... 6 II. Nietzsches Spätphilosophie und ihre Rezeption im Neuen Club ..................... 8 1. Nietzsches Spätphilosophie – Der Wille zur Macht und »décadence«-Kritik .. 11 1.1 Nietzsches Lehre des Willens zur Macht – die ontologische Begründung des neuen Daseinsprinzips ...................................... 11 1.2 Analyse des Nihilismus – »décadence« als die Logik des Nihilismus ... 15 1.3 Überwindung des Nihilismus und die »Physiologie der Kunst« – Kunst als das normative Modell des Willens zur Macht ................... 19 2. Nietzsche-Rezeption im Expressionismus – am Beispiel des Neuen Clubs .... 24 III. »Dichtergedichte« als Gründungsdokumente der expressionistischen Avantgarde – Verehrung und Überwindung der Dichtervorbilder in expressionistischen »Dichtergedichten« ........................................................................ 38 1. Zum -
The Jewish Kulturbund in Bavaria, 1934-‐1938
The Jewish Kulturbund in Bavaria, 1934-1938: Art and Jewish Self-Representation under National Socialism Dana LeiGh Smith Submitted in partial fulfillment of the requirements of the DeGree of DoCtor of Philosophy 1 I, Dana LeiGh Smith, Confirm that the researCh inCluded within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly aCknowledGed below and my Contribution indiCated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledGe break any UK law, infrinGe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I aCCept that the ColleGe has the riGht to use plaGiarism deteCtion software to check the electronic version of the thesis. I Confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The CopyriGht of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written Consent of the author. Signature: Date: 16 July 2015 Details of collaboration and publications (published as of 16 July 2015): “‘Münchens Ruf als erste deutsChe Kunststadt…”: Der JüdisChe Kulturbund in Bayern, Ortsgruppe München (1934-1938)’ in Münchner Beiträge zur Jüdischen Geschichte und Kultur (Autumn 2014). ‘Die Arbeit des JüdisChen Kulturbundes’ in Das Jahr 1938: Kunstleben im Nationalsozialismus, ed. Julia Voss and Raphael Gross (Wallstein: DeCember 2013). -
THE CREATION of EXPRESSIONISM: KURT PINTHUS the GLANEUR and MENSCHHEITSDÄMMERUNG by GIOVANNI ANGELO DOVERI B.A., Portland State University, 2015
THE CREATION OF EXPRESSIONISM: KURT PINTHUS THE GLANEUR AND MENSCHHEITSDÄMMERUNG by GIOVANNI ANGELO DOVERI B.A., Portland State University, 2015 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Germanic and Slavic Languages and Literatures 2017 ii This thesis entitled: The Creation of Expressionism: Kurt Pinthus the Glaneur and Menschheitsdämmerung written by Giovanni Angelo Doveri has been approved for the Department of Germanic and Slavic Languages and Literatures (Dr Arne Höcker, Chair) (Dr Lauren Stone) (Dr Davide Stimilli) Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Doveri, Giovanni Angelo (M.A., German Studies) The Creation of Expressionism: Kurt Pinthus the Glaneur and Menschheitsdämmerung Thesis directed by Assistant Professor Arne Höcker ABSTRACT Kurt Pinthus’ 1919 anthology, Menschheitsdämmerung: Symphonie jüngster Dichtung, was a foundational turning point in the creation of Expressionism. The collection pushed the boundaries of the genre of the anthology into an aesthetic dimension, by which Pinthus straddles the role of both artist and literary critic. The first part of the thesis will situate lyrical Expressionism both in the philosophic traditions, which it inherits, and with the overall project of Modernism. Secondly, Menschheitsdämmerung acts as a metapoem of Expressionism. It is the figure of the Glaneur, who straddles the position between art and literary criticism to produce a literary epoch through a metapoem. -
Ein Kleiner, Schwarzer Punkt Am Weisslichen Himmel: Antarctica & Ice in German Expressionism
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2010 Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism Joy M. Essigmann University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the German Literature Commons Recommended Citation Essigmann, Joy M., "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism. " Master's Thesis, University of Tennessee, 2010. https://trace.tennessee.edu/utk_gradthes/703 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in German. Daniel H. Magilow, Major Professor We have read this thesis and recommend its acceptance: Elisa Schoenbach, Maria Stehle Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled “Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts with a major in German. -
University of Cincinnati
! "# $ % & % ' % ! " # $%% &$ !' ' (% %) % '#*+ ,- * $- . /0 ! /123%# ' "# ' '% $$(' 33 4%/ / 5 # ! / The Change of the Religious Voices through the Trauma of Exile in the Works of Else Lasker-Schüler, Nelly Sachs, and Barbara Honigmann A dissertation submitted to the Division of Research and Advanced Studies at the University of Cincinnati in partial fulfillment of the requirements of the Doctorate of Philosophy (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Renate Kaiser Sturdevant M.A., University of Cincinnati 2003 B.A., University of Cincinnati 2001 Committee: Dr. Todd Herzog (Chair) Dr. Sara Friedrichsmeyer (Member) Dr. Richard Schade (Member) ABSTRACT This dissertation explores the religious voices of three German-Jewish women. The trauma of exile caused by the Holocaust for Else Lasker-Schüler and Nelly Sachs, as well as the trauma of migration for Barbara Honigmann during the Cold War, changed their religious voices to become stronger. Their works bear testimony to the struggle of reconciling their assimilated German-Christian and German-Jewish heritages. Each of the authors’ works have been researched in regards to their religious voices, however, in spite of many commonalities between the three female exiles, no attempt at contrasting the change of their religious voices with each other had been made so far. I approached each of my three chapters by first researching the authors’ familial, religious, and ethnic backgrounds. Since this dissertation covers 106 years of German- Jewish publications, there are some main differences in the historical, personal, and professional development of each writer. After having established an understanding of their lives and religious backgrounds, I investigated selected works, starting with the first published work of each author and ending with the last. -
Mahler-Werfel Papers Ms
Mahler-Werfel papers Ms. Coll. 575 Finding aid prepared by Violet Lutz. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2006 Mahler-Werfel papers Table of Contents Summary Information....................................................................................................................................4 Biography/History..........................................................................................................................................5 Scope and Contents..................................................................................................................................... 34 Administrative Information......................................................................................................................... 40 Controlled Access Headings........................................................................................................................41 Other Finding Aids......................................................................................................................................42 Collection Inventory.................................................................................................................................... 43 Correspondence to and from Alma Mahler, Franz Werfel, and Adolf Klarmann.................................43 Correspondence between Alma Mahler and Franz Werfel...................................................................45 Writings by Alma -
Nelly Sachs (10 December 1891-12 May 1970) Kathrin M
University of Richmond UR Scholarship Repository Languages, Literatures, and Cultures Faculty Languages, Literatures, and Cultures Publications 2007 Nelly Sachs (10 December 1891-12 May 1970) Kathrin M. Bower University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/mlc-faculty-publications Part of the German Literature Commons Recommended Citation Bower, Kathrin M. "Nelly Sachs (10 December 1891-12 May 1970)."Dictionary of Literary Biography: Nobel Prize Laureates in Literature, Part 4: Quasimodo-Yeats. Vol. 332. Farmington Mills, MI: Thomson Gale, 2007. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at UR Scholarship Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Nelly Sachs (10 December 1891- 12 May 1970) Kathrin Bower University qfRichmond, Virginia SELECTED BOOKS: Legenden und Erziihlungen (Berlin: F. W. Meyer, 1921); In den Wohnungen des Tories (Berlin: Aufbau Verlag, 1947); Sternverdunkelung (Amsterdam: Bermann Fischer Verlag, 1949); Eli: Ein Mysterienspiel vom Leiden lsraels (Lund, Sweden: Privately printed, 1951); Und niemand wejft weiter (Hamburg: Verlag Heinrich Ellermann, 1957); Flucht und Verwandlung (Stuttgart: Deutsche Verlags-Anstalt, 1959); Fahrt ins Staublose (Frankfurt am Main: Suhrkamp, 1961); ' ,Zeichen im Sand (Frankfurt am Main: Suhrkamp; 1962); Gliihende Ratsel (Frankfurt am Main: Insel Verlag, 1964}; Spate Gedichte (Frankfurt am Main: Suhrkamp, 1965); Die Suchende (Frankfurt am Main: Suhrkamp, 1966); Teile dich .Nacht (Frankfurt am Main: Suhrkamp, 1971); Suche nach Lebenden (Frankfurt am Main: Suhrkamp, 1971). Editions and Collections: Ausgewahlte Gedi'chte (Frank furt am Main: Suhrkamp, 1963); Das Leiden Israels (Frankfurt am Main: Suhrkamp, 1964); Landschqft aus Schreien (Berlin/Weimar: Aufbau Verlag, 1966); Verzauberung. -
The Jazz Republic: Music, Race, and American Culture in Weimar Germany
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages The Jazz Republic Revised Pages Social History, Popular Culture, and Politics in Germany Kathleen Canning, Series Editor Recent Titles Bodies and Ruins: Imagining the Bombing of Germany, 1945 to the Present David Crew The Jazz Republic: Music, Race, and American Culture in Weimar Germany Jonathan Wipplinger The War in Their Minds: German Soldiers and Their Violent Pasts in West Germany Svenja Goltermann Three-Way Street: Jews, Germans, and the Transnational Jay Howard Geller and Leslie Morris, Editors Beyond the Bauhaus: Cultural Modernity in Breslau, 1918–33 Deborah Ascher Barnstone Stop Reading! Look! Modern Vision and the Weimar Photographic Book Pepper Stetler The Corrigible and the Incorrigible: Science, Medicine, and the Convict in Twentieth- Century Germany Greg Eghigian An Emotional State: The Politics of Emotion in Postwar West German Culture Anna M. Parkinson Beyond Berlin: Twelve German Cities Confront the Nazi Past Gavriel D. Rosenfeld and Paul B. Jaskot, Editors Consumption and Violence: Radical Protest in Cold-War West Germany Alexander Sedlmaier Communism Day-to-Day: State Enterprises in East German Society Sandrine Kott Envisioning -
The Drama of German Expressionism COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
The Drama of German Expressionism COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. The Drama of German Expressionism A German-English Bibliography claude hill and ralph ley UNC Studies in the Germanic Languages and Literatures Number 28 Copyright © 1960 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hill, Claude, and Ralph Ley. The Drama of Ger- man Expressionism: A German-English Bibliography. Chapel Hill: University of North Carolina Press, 1960. doi: https://doi.org/ 10.5149/9781469657561_Hill Library of Congress Cataloging-in-Publication Data Names: Hill, Claude and Ley, Ralph. Title: The drama of German expressionism : A German-English bibliography / by Claude Hill and Ralph Ley. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 28. Description: Chapel Hill : University of North Carolina Press, [1960] Series: University of North Carolina Studies in the Germanic Languages and Literatures. -
Luxurious Cinema Palaces in the Roaring Twenties and the Twenty-First Century: Critical Analyses of Movie Theatres by Siegfried Kracauer and Their Relevance Today
Luxurious Cinema Palaces in the Roaring Twenties and the Twenty-First Century: Critical Analyses of Movie Theatres by Siegfried Kracauer and Their Relevance Today Viola E. RÜHSE Abstract Impressive cinema palaces with exterior façades illuminated appealingly at night were significant for the big city life of the roaring twenties. The film screenings in the prestigious buildings were framed by a diverse supporting programme. Siegfried Kracauer dealt critically with the formative tendency towards theatricality in the new large cinema buildings such as the Gloria-Palast in Berlin in 1926. He also discussed the supporting programme and the aspect of distraction in the context of modern mass and leisure culture in a progressive and extraordinary way. Over the past decade, luxury cinemas have been enjoying a revival. In order to examine today’s high-end boutique movie theatres, Siegfried Kracauerʼs thoughts on large cinemas in the “roaring twenties” in Berlin provide critical impulses. In the first part of my paper, two important texts by Kracauer are analysed. In contrast to previous research, Kracauer’s arguments are also compared in greater detail with those by contemporary progressive critics not only in Germany but also in other countries, such as Joseph Roth, Kurt Pinthus, Fritz Olimsky, Kenneth Macpherson, Harry Alan Potamkin and Philip Morton Shand, among others. This also reveals the special nature, quality, and depth of Kracauer’s essays. An analysis of modern luxury movie theatres inspired by Kracauer’s train of thought follows in the second part of this paper. Keywords: Siegfried Kracauer, history of film, luxury cinemas, film palaces, Weimar Republic The first permanent cinemas at the beginning of the twentieth century were mostly small and plain.