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German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
The Future of the German-Jewish Past: Memory and the Question of Antisemitism
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90. -
Dichtergedichte Als Gründungsdokumente Der Expressionistischen Avantgarde
Dichtergedichte als Gründungsdokumente der expressionistischen Avantgarde Inaugural-Dissertation zur Erlangung der Doktorwürde der Philologischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg i. Br. Vorgelegt Von Jae Sang Kim aus Seoul, Südkorea WS 2006/2007 Datum der Fachprüfung im Promotionsfach: 14. Juni 2007 Erstgutachter: Prof. Dr. Achim Aurnhammer Zweitgutachter: Prof. Dr. Dieter Martin Das Deutsche Literaturarchiv Marbach ermöglichte 1996 mir mit einem Marbach- Stipendium den dreimonatigen Forschungsaufenthalt in Marbacher Archiv. Dafür bedanke ich mich ganz herzlich. Inhalt I. Einleitung .................................................................................... 6 II. Nietzsches Spätphilosophie und ihre Rezeption im Neuen Club ..................... 8 1. Nietzsches Spätphilosophie – Der Wille zur Macht und »décadence«-Kritik .. 11 1.1 Nietzsches Lehre des Willens zur Macht – die ontologische Begründung des neuen Daseinsprinzips ...................................... 11 1.2 Analyse des Nihilismus – »décadence« als die Logik des Nihilismus ... 15 1.3 Überwindung des Nihilismus und die »Physiologie der Kunst« – Kunst als das normative Modell des Willens zur Macht ................... 19 2. Nietzsche-Rezeption im Expressionismus – am Beispiel des Neuen Clubs .... 24 III. »Dichtergedichte« als Gründungsdokumente der expressionistischen Avantgarde – Verehrung und Überwindung der Dichtervorbilder in expressionistischen »Dichtergedichten« ........................................................................ 38 1. Zum -
The Jewish Kulturbund in Bavaria, 1934-‐1938
The Jewish Kulturbund in Bavaria, 1934-1938: Art and Jewish Self-Representation under National Socialism Dana LeiGh Smith Submitted in partial fulfillment of the requirements of the DeGree of DoCtor of Philosophy 1 I, Dana LeiGh Smith, Confirm that the researCh inCluded within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly aCknowledGed below and my Contribution indiCated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledGe break any UK law, infrinGe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I aCCept that the ColleGe has the riGht to use plaGiarism deteCtion software to check the electronic version of the thesis. I Confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The CopyriGht of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written Consent of the author. Signature: Date: 16 July 2015 Details of collaboration and publications (published as of 16 July 2015): “‘Münchens Ruf als erste deutsChe Kunststadt…”: Der JüdisChe Kulturbund in Bayern, Ortsgruppe München (1934-1938)’ in Münchner Beiträge zur Jüdischen Geschichte und Kultur (Autumn 2014). ‘Die Arbeit des JüdisChen Kulturbundes’ in Das Jahr 1938: Kunstleben im Nationalsozialismus, ed. Julia Voss and Raphael Gross (Wallstein: DeCember 2013). -
THE CREATION of EXPRESSIONISM: KURT PINTHUS the GLANEUR and MENSCHHEITSDÄMMERUNG by GIOVANNI ANGELO DOVERI B.A., Portland State University, 2015
THE CREATION OF EXPRESSIONISM: KURT PINTHUS THE GLANEUR AND MENSCHHEITSDÄMMERUNG by GIOVANNI ANGELO DOVERI B.A., Portland State University, 2015 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Germanic and Slavic Languages and Literatures 2017 ii This thesis entitled: The Creation of Expressionism: Kurt Pinthus the Glaneur and Menschheitsdämmerung written by Giovanni Angelo Doveri has been approved for the Department of Germanic and Slavic Languages and Literatures (Dr Arne Höcker, Chair) (Dr Lauren Stone) (Dr Davide Stimilli) Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Doveri, Giovanni Angelo (M.A., German Studies) The Creation of Expressionism: Kurt Pinthus the Glaneur and Menschheitsdämmerung Thesis directed by Assistant Professor Arne Höcker ABSTRACT Kurt Pinthus’ 1919 anthology, Menschheitsdämmerung: Symphonie jüngster Dichtung, was a foundational turning point in the creation of Expressionism. The collection pushed the boundaries of the genre of the anthology into an aesthetic dimension, by which Pinthus straddles the role of both artist and literary critic. The first part of the thesis will situate lyrical Expressionism both in the philosophic traditions, which it inherits, and with the overall project of Modernism. Secondly, Menschheitsdämmerung acts as a metapoem of Expressionism. It is the figure of the Glaneur, who straddles the position between art and literary criticism to produce a literary epoch through a metapoem. -
Dikter Om Kärlek
DIKTER OM KÄRLEK I urval av Kaj Attorps LIND & CO INNEHÅLL FÖRORD 5 C.J.L. ALMQVIST (1793-1866) Loys 9 Varför kom du på ängen? 10 CLAES ANDERSSON (f. 1937) Etudeför sommarvind 11 Vi ligger ihop du och jag 12 DAN ANDERSSON (1888-1920) Jag väntar 13 Visa 14 Jungman Jansson 15 Till kärleken 16 URBAN ANDERSSON (f. 1938) Jag hugger in min kärlek 17 Vid din sida 17 WERNER ASPENSTRÖM (1918-1997) Likt infarten till en stad 18 Skuggor 19 Du och jag och världen 20 Kärleken och döden 21 CARL MICHAEL BELLMAN (1740-1795) Fredmans epistel N:o 7 23 Fredmans epistel N:o 23 25 Fredmans epistel N:o 72 29 Fredmans sång N:o 31 31 BO BERGMAN (1869-1967) Adagio 33 Melodi 34 Flickan under nymånen 35 Irrblosset och älvan 36 Kärleksorden 38 Hennes ord 38 PETTER BERGMAN (1934-1986) Och där, i verkligheten 39 ERIK BLOMBERG (1894-1965) / dina händers mjukaJågelbo 41 Du 41 KARIN BOYE (1900-1941) Morgon 42 Allt, allt jag ägde 43 Du är min själs uppståndelse 44 BO CARPELAN (f. 1926) Hemmakväll 45 Vid bordet din gestalt 45 STIG DAGERMAN (1923-1954) Kärlek på matiné 46 OLOF VON DALIN (1708-1763) Skatan sitter på kyrkotom 47 JOHANNES EDFELT (1904-1997) Förklaringsberg 48 Apoteos 49 RAGNAR EKELUND (1892-1960) Du är hos mig 50 VILHELM EKELUND (1880-1949) Tillbedjan S1 Ej vet jag vägen som går till dig 52 GUNNAR EKELÖF (1907-1968) Sång 53 Smekning 54 Att se med den vaknande kärlekens ögon 55 RABBE ENCKELL (1903-1974) Kärlek 56 KJELL ESPMARK (f. -
Edfelt Lic.Cwk
Torgny Lilja Formspråket och »själens palimpsest» i Johannes Edfelts lyrik Licentiatavhandling Stockholms universitet Litteraturvetenskapliga institutionen Vårterminen 2011 Abstract Title: Palimpsest of the Soul—Writing and Intertextuality in the Poetry by Johannes Edfelt (licentiate dissertation) The central thesis the author advocates is that the discourse by the Swedish poet Johannes Edfelt (1904–97) during the years 1932–47 inherits a conflict between tradition and reality. In order to bridge that division, Edfelt strives not only to be a part of history but also to recapture and change its foundations. The licentiate dissertation subordinates both thematic and linguistic microstructure to an intertextual view. These so called alludemes in Edfelt’s poetry often lead to an ancient origin, in several cases to the philosopher Plato, but also to literary works by Dante, William Shakespeare, Jean Racine, Johann Wolfgang von Goethe, Erik Johan Stagnelius, Søren Kierkegaard, Charles Baudelaire, Fyodor Dostoyevsky, Lina Sandell-Berg, Friedrich Nietzsche, August Strindberg, Ernst Josephson, Gustaf Fröding, Erik Axel Karlfeldt, Vilhelm Ekelund, Pär Lagerkvist, Bo Bergman, Martin Buber, Birger Sjöberg, Bertil Malmberg, and Hjalmar Gullberg. This polyphonic murmur of voices from the past creates a dialectical unity, which occurs on a higher level than the traditional monological writing. The conclusion is that only our view of the future can determinate the present and that the artist must not forget this. Reference words: literary theory, intertextuality, -
Ein Kleiner, Schwarzer Punkt Am Weisslichen Himmel: Antarctica & Ice in German Expressionism
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2010 Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism Joy M. Essigmann University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the German Literature Commons Recommended Citation Essigmann, Joy M., "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism. " Master's Thesis, University of Tennessee, 2010. https://trace.tennessee.edu/utk_gradthes/703 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in German. Daniel H. Magilow, Major Professor We have read this thesis and recommend its acceptance: Elisa Schoenbach, Maria Stehle Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled “Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts with a major in German. -
Edfelt Lic.Cwk
Torgny Lilja Formspråket och »själens palimpsest» i Johannes Edfelts lyrik Licentiatavhandling Stockholms universitet Litteraturvetenskapliga institutionen Vårterminen 2011 Abstract Title: Palimpsest of the Soul—Writing and Intertextuality in the Poetry by Johannes Edfelt (licentiate dissertation) The central thesis the author advocates is that the discourse by the Swedish poet Johannes Edfelt (1904–97) during the years 1932–47 inherits a conflict between tradition and reality. In order to bridge that division, Edfelt strives not only to be a part of history but also to recapture and change its foundations. The licentiate dissertation subordinates both thematic and linguistic microstructure to an intertextual view. These so called alludemes in Edfelt’s poetry often lead to an ancient origin, in several cases to the philosopher Plato, but also to literary works by Dante, William Shakespeare, Jean Racine, Johann Wolfgang von Goethe, Erik Johan Stagnelius, Søren Kierkegaard, Charles Baudelaire, Fyodor Dostoyevsky, Lina Sandell-Berg, Friedrich Nietzsche, August Strindberg, Ernst Josephson, Gustaf Fröding, Erik Axel Karlfeldt, Vilhelm Ekelund, Pär Lagerkvist, Bo Bergman, Martin Buber, Birger Sjöberg, Bertil Malmberg, and Hjalmar Gullberg. This polyphonic murmur of voices from the past creates a dialectical unity, which occurs on a higher level than the traditional monological writing. The conclusion is that only our view of the future can determinate the present and that the artist must not forget this. Reference words: literary theory, intertextuality, -
This Is the Published Version of a Paper
http://www.diva-portal.org This is the published version of a paper published in Tidskrift för litteraturvetenskap. Citation for the original published paper (version of record): Olofsson, T. (2012) Johannes Edfelts hand: en motivstudie. Tidskrift för litteraturvetenskap, (4): 51-66 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-22640 JOHANNES EDFELTS HAND En motivstudie av Tommy Olofsson Johannes Edfelt har skrivit att han har en bon- På fotogra)er av Edfelt ser man ibland hans des grova händer och att de inte är )nlemmade händer, i varje fall den högra som gärna håller som man nog förväntar sig av en lyriker. Ändå om en pipa. Det är verkligen en kraftig hand, har han använt dem till att räkna versfötter på liksom gjord för att trycka ner hässjornas krak- knogarna och stavelseantal på )ngrarna och störar i marken eller för att svinga en hötjuga. att ytterst noggrant forma ord till fulländade Att jag alls har kommit att fundera på Ed- dikter. felts hand beror i första hand på att jag sedan Att han själv begrundar sina grova händer ganska länge är medveten om att ”hand” och hänger samman med de många dikter och ”händer” är ord som förekommer förblu*ande även andra texter som Edfelt ägnade inte bara ofta i hans poesi. På rak arm kan jag inte erinra sin barndom på den västgötska landsbygden mig någon svensk diktare utom Gunnar Eke- utan även sitt ursprung. -
Mahler-Werfel Papers Ms
Mahler-Werfel papers Ms. Coll. 575 Finding aid prepared by Violet Lutz. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2006 Mahler-Werfel papers Table of Contents Summary Information....................................................................................................................................4 Biography/History..........................................................................................................................................5 Scope and Contents..................................................................................................................................... 34 Administrative Information......................................................................................................................... 40 Controlled Access Headings........................................................................................................................41 Other Finding Aids......................................................................................................................................42 Collection Inventory.................................................................................................................................... 43 Correspondence to and from Alma Mahler, Franz Werfel, and Adolf Klarmann.................................43 Correspondence between Alma Mahler and Franz Werfel...................................................................45 Writings by Alma -
Nelly Sachs (10 December 1891-12 May 1970) Kathrin M
University of Richmond UR Scholarship Repository Languages, Literatures, and Cultures Faculty Languages, Literatures, and Cultures Publications 2007 Nelly Sachs (10 December 1891-12 May 1970) Kathrin M. Bower University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/mlc-faculty-publications Part of the German Literature Commons Recommended Citation Bower, Kathrin M. "Nelly Sachs (10 December 1891-12 May 1970)."Dictionary of Literary Biography: Nobel Prize Laureates in Literature, Part 4: Quasimodo-Yeats. Vol. 332. Farmington Mills, MI: Thomson Gale, 2007. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at UR Scholarship Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Nelly Sachs (10 December 1891- 12 May 1970) Kathrin Bower University qfRichmond, Virginia SELECTED BOOKS: Legenden und Erziihlungen (Berlin: F. W. Meyer, 1921); In den Wohnungen des Tories (Berlin: Aufbau Verlag, 1947); Sternverdunkelung (Amsterdam: Bermann Fischer Verlag, 1949); Eli: Ein Mysterienspiel vom Leiden lsraels (Lund, Sweden: Privately printed, 1951); Und niemand wejft weiter (Hamburg: Verlag Heinrich Ellermann, 1957); Flucht und Verwandlung (Stuttgart: Deutsche Verlags-Anstalt, 1959); Fahrt ins Staublose (Frankfurt am Main: Suhrkamp, 1961); ' ,Zeichen im Sand (Frankfurt am Main: Suhrkamp; 1962); Gliihende Ratsel (Frankfurt am Main: Insel Verlag, 1964}; Spate Gedichte (Frankfurt am Main: Suhrkamp, 1965); Die Suchende (Frankfurt am Main: Suhrkamp, 1966); Teile dich .Nacht (Frankfurt am Main: Suhrkamp, 1971); Suche nach Lebenden (Frankfurt am Main: Suhrkamp, 1971). Editions and Collections: Ausgewahlte Gedi'chte (Frank furt am Main: Suhrkamp, 1963); Das Leiden Israels (Frankfurt am Main: Suhrkamp, 1964); Landschqft aus Schreien (Berlin/Weimar: Aufbau Verlag, 1966); Verzauberung.