This Is the Published Version of a Paper
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dikter Om Kärlek
DIKTER OM KÄRLEK I urval av Kaj Attorps LIND & CO INNEHÅLL FÖRORD 5 C.J.L. ALMQVIST (1793-1866) Loys 9 Varför kom du på ängen? 10 CLAES ANDERSSON (f. 1937) Etudeför sommarvind 11 Vi ligger ihop du och jag 12 DAN ANDERSSON (1888-1920) Jag väntar 13 Visa 14 Jungman Jansson 15 Till kärleken 16 URBAN ANDERSSON (f. 1938) Jag hugger in min kärlek 17 Vid din sida 17 WERNER ASPENSTRÖM (1918-1997) Likt infarten till en stad 18 Skuggor 19 Du och jag och världen 20 Kärleken och döden 21 CARL MICHAEL BELLMAN (1740-1795) Fredmans epistel N:o 7 23 Fredmans epistel N:o 23 25 Fredmans epistel N:o 72 29 Fredmans sång N:o 31 31 BO BERGMAN (1869-1967) Adagio 33 Melodi 34 Flickan under nymånen 35 Irrblosset och älvan 36 Kärleksorden 38 Hennes ord 38 PETTER BERGMAN (1934-1986) Och där, i verkligheten 39 ERIK BLOMBERG (1894-1965) / dina händers mjukaJågelbo 41 Du 41 KARIN BOYE (1900-1941) Morgon 42 Allt, allt jag ägde 43 Du är min själs uppståndelse 44 BO CARPELAN (f. 1926) Hemmakväll 45 Vid bordet din gestalt 45 STIG DAGERMAN (1923-1954) Kärlek på matiné 46 OLOF VON DALIN (1708-1763) Skatan sitter på kyrkotom 47 JOHANNES EDFELT (1904-1997) Förklaringsberg 48 Apoteos 49 RAGNAR EKELUND (1892-1960) Du är hos mig 50 VILHELM EKELUND (1880-1949) Tillbedjan S1 Ej vet jag vägen som går till dig 52 GUNNAR EKELÖF (1907-1968) Sång 53 Smekning 54 Att se med den vaknande kärlekens ögon 55 RABBE ENCKELL (1903-1974) Kärlek 56 KJELL ESPMARK (f. -
Edfelt Lic.Cwk
Torgny Lilja Formspråket och »själens palimpsest» i Johannes Edfelts lyrik Licentiatavhandling Stockholms universitet Litteraturvetenskapliga institutionen Vårterminen 2011 Abstract Title: Palimpsest of the Soul—Writing and Intertextuality in the Poetry by Johannes Edfelt (licentiate dissertation) The central thesis the author advocates is that the discourse by the Swedish poet Johannes Edfelt (1904–97) during the years 1932–47 inherits a conflict between tradition and reality. In order to bridge that division, Edfelt strives not only to be a part of history but also to recapture and change its foundations. The licentiate dissertation subordinates both thematic and linguistic microstructure to an intertextual view. These so called alludemes in Edfelt’s poetry often lead to an ancient origin, in several cases to the philosopher Plato, but also to literary works by Dante, William Shakespeare, Jean Racine, Johann Wolfgang von Goethe, Erik Johan Stagnelius, Søren Kierkegaard, Charles Baudelaire, Fyodor Dostoyevsky, Lina Sandell-Berg, Friedrich Nietzsche, August Strindberg, Ernst Josephson, Gustaf Fröding, Erik Axel Karlfeldt, Vilhelm Ekelund, Pär Lagerkvist, Bo Bergman, Martin Buber, Birger Sjöberg, Bertil Malmberg, and Hjalmar Gullberg. This polyphonic murmur of voices from the past creates a dialectical unity, which occurs on a higher level than the traditional monological writing. The conclusion is that only our view of the future can determinate the present and that the artist must not forget this. Reference words: literary theory, intertextuality, -
Edfelt Lic.Cwk
Torgny Lilja Formspråket och »själens palimpsest» i Johannes Edfelts lyrik Licentiatavhandling Stockholms universitet Litteraturvetenskapliga institutionen Vårterminen 2011 Abstract Title: Palimpsest of the Soul—Writing and Intertextuality in the Poetry by Johannes Edfelt (licentiate dissertation) The central thesis the author advocates is that the discourse by the Swedish poet Johannes Edfelt (1904–97) during the years 1932–47 inherits a conflict between tradition and reality. In order to bridge that division, Edfelt strives not only to be a part of history but also to recapture and change its foundations. The licentiate dissertation subordinates both thematic and linguistic microstructure to an intertextual view. These so called alludemes in Edfelt’s poetry often lead to an ancient origin, in several cases to the philosopher Plato, but also to literary works by Dante, William Shakespeare, Jean Racine, Johann Wolfgang von Goethe, Erik Johan Stagnelius, Søren Kierkegaard, Charles Baudelaire, Fyodor Dostoyevsky, Lina Sandell-Berg, Friedrich Nietzsche, August Strindberg, Ernst Josephson, Gustaf Fröding, Erik Axel Karlfeldt, Vilhelm Ekelund, Pär Lagerkvist, Bo Bergman, Martin Buber, Birger Sjöberg, Bertil Malmberg, and Hjalmar Gullberg. This polyphonic murmur of voices from the past creates a dialectical unity, which occurs on a higher level than the traditional monological writing. The conclusion is that only our view of the future can determinate the present and that the artist must not forget this. Reference words: literary theory, intertextuality, -
University of Cincinnati
! "# $ % & % ' % ! " # $%% &$ !' ' (% %) % '#*+ ,- * $- . /0 ! /123%# ' "# ' '% $$(' 33 4%/ / 5 # ! / The Change of the Religious Voices through the Trauma of Exile in the Works of Else Lasker-Schüler, Nelly Sachs, and Barbara Honigmann A dissertation submitted to the Division of Research and Advanced Studies at the University of Cincinnati in partial fulfillment of the requirements of the Doctorate of Philosophy (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2010 by Renate Kaiser Sturdevant M.A., University of Cincinnati 2003 B.A., University of Cincinnati 2001 Committee: Dr. Todd Herzog (Chair) Dr. Sara Friedrichsmeyer (Member) Dr. Richard Schade (Member) ABSTRACT This dissertation explores the religious voices of three German-Jewish women. The trauma of exile caused by the Holocaust for Else Lasker-Schüler and Nelly Sachs, as well as the trauma of migration for Barbara Honigmann during the Cold War, changed their religious voices to become stronger. Their works bear testimony to the struggle of reconciling their assimilated German-Christian and German-Jewish heritages. Each of the authors’ works have been researched in regards to their religious voices, however, in spite of many commonalities between the three female exiles, no attempt at contrasting the change of their religious voices with each other had been made so far. I approached each of my three chapters by first researching the authors’ familial, religious, and ethnic backgrounds. Since this dissertation covers 106 years of German- Jewish publications, there are some main differences in the historical, personal, and professional development of each writer. After having established an understanding of their lives and religious backgrounds, I investigated selected works, starting with the first published work of each author and ending with the last. -
Nelly Sachs (10 December 1891-12 May 1970) Kathrin M
University of Richmond UR Scholarship Repository Languages, Literatures, and Cultures Faculty Languages, Literatures, and Cultures Publications 2007 Nelly Sachs (10 December 1891-12 May 1970) Kathrin M. Bower University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/mlc-faculty-publications Part of the German Literature Commons Recommended Citation Bower, Kathrin M. "Nelly Sachs (10 December 1891-12 May 1970)."Dictionary of Literary Biography: Nobel Prize Laureates in Literature, Part 4: Quasimodo-Yeats. Vol. 332. Farmington Mills, MI: Thomson Gale, 2007. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at UR Scholarship Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Nelly Sachs (10 December 1891- 12 May 1970) Kathrin Bower University qfRichmond, Virginia SELECTED BOOKS: Legenden und Erziihlungen (Berlin: F. W. Meyer, 1921); In den Wohnungen des Tories (Berlin: Aufbau Verlag, 1947); Sternverdunkelung (Amsterdam: Bermann Fischer Verlag, 1949); Eli: Ein Mysterienspiel vom Leiden lsraels (Lund, Sweden: Privately printed, 1951); Und niemand wejft weiter (Hamburg: Verlag Heinrich Ellermann, 1957); Flucht und Verwandlung (Stuttgart: Deutsche Verlags-Anstalt, 1959); Fahrt ins Staublose (Frankfurt am Main: Suhrkamp, 1961); ' ,Zeichen im Sand (Frankfurt am Main: Suhrkamp; 1962); Gliihende Ratsel (Frankfurt am Main: Insel Verlag, 1964}; Spate Gedichte (Frankfurt am Main: Suhrkamp, 1965); Die Suchende (Frankfurt am Main: Suhrkamp, 1966); Teile dich .Nacht (Frankfurt am Main: Suhrkamp, 1971); Suche nach Lebenden (Frankfurt am Main: Suhrkamp, 1971). Editions and Collections: Ausgewahlte Gedi'chte (Frank furt am Main: Suhrkamp, 1963); Das Leiden Israels (Frankfurt am Main: Suhrkamp, 1964); Landschqft aus Schreien (Berlin/Weimar: Aufbau Verlag, 1966); Verzauberung. -
16-23 Ca Tysk Litt, 12 Juli.Indd
TYSK LITTERATUR Till Sanna STURE PACKALÉN Tysk litteratur Från Hildebrandssången till Kanak Sprak CARLSSONS Carlsson Bokförlag Box 2112 · 103 13 Stockholm Besöksadress Stora Nygatan 31, Gamla stan Tel. 08-545 254 80 · [email protected] www.carlssonbokforlag.se © 2016 Sture Packalén och Carlsson Bokförlag Omslagsbild Karl Schmidt-Rottluff, ”Lesende”, 1912 Korrekturläsning Inger Molin Grafisk form, inlaga T. Carlsson Sättning/ombrytning/original Harnäs Text & Grafisk Form Tryckt och bunden av TRT, Tallinn 2016 genom Jarls tryckservice ISBN 978 91 7331 793 1 Innehåll Förord 17 KAPITEL 1 Germansk och kristen diktning på tyska 750–1150 Trollformler och besvärjelser 19 Karl den store och de gamla hjältesagorna 20 Kristendomens och klostrens betydelse för det tyska skriftspråket 22 Framstående bildningsverksamhet vid nunneklostren 24 KAPITEL 2 Riddarkulturen och den höviska litteraturen under högmedeltiden 1150–1300 Medeltiden i myt och verklighet 26 De stora diktarna vid riddarhoven – Hartmann von Aue, Wolfram von Eschenbach och Gottfried von Straßburg 27 Kung Artur och riddarna kring runda bordet 28 Spetälska och kärlek 30 Minnesången, läro- och vagantlyriken 30 Hjälteeposet Nibelungenlied 32 KAPITEL 3 Senmedeltiden, renässansen, humanismen och reformationen, 1300–1600 Städerna och universiteten 34 Boktryckarkonsten 36 Renässansen och humanismen – Erasmus von Rotterdam 37 Martin Luther – nytänkaren och reformatorn 38 Fars och satir – Hans Sachs och Sebastian Brant 40 KAPITEL 4 Trettioåriga kriget, absolutismen och barocken, 1600–1700 -
Anthology Lps
1 LITERARY VINYL: Part One: Anthology LPs: 1: Souvenir of First Canadian Demonstration [of] Columbia Long-Playing Records, Toronto, January 1949. [One side is blank; the reverse features “I Can Hear It Now” by Edward R. Murrow. Numbers on label are: “D234-1” and “C16211”. Filed before the letter A in Anthology section. 7 Poets Reading: S.Y. Agnon, Dalia Ravikowitz, Avraham Shlonsky, Amir Gilboa, Haim Guri, and Natan Zach all reading their work in Hebrew [RCA Victor ISR-0008]. Text on sleeves entirely in Hebrew. Some abrasions to both sleeves. 10 + 2: 12 American Text Sound Pieces: Charles Amirkhanian, Clark Coolidge, John Cage, John Giorno, Anthony Gnazzo, Charles Dodge, Robert Ashley, Beth Anderson, Brion Gysin, Liam O’Gallagher, Aram Saroyan (Arch Records, Stereo 1752). Album of Modern Poetry: British and American: An Anthology Read By The Poets, vol. 1: Robert Frost, Wallace Stevens, John Crowe Ransom, Marianne Moore, T.S. Eliot, Edwin Muir, William Carlos Williams, Robinson Jeffers, Robert Graves, Conrad Aiken, Archibald MacLeish, Henry Reed, Muriel Rukeyser (Audio Arts AA 3308 – originally released by the Library of Congress). Album of Modern Poetry: British and American: An Anthology Read By The Poets, vol. 2: Allen Tate, Oscar Williams, W.H. Auden, Theodore Spencer, Richard Eberhart, Stephen Spender, Ogden Nash, Merrill Moore, William Empson, Gene Derwood, George Barker, Vernon Watkins, Roy Fuller (Audio Arts AA 3309). Album of Modern Poetry: British and American: An Anthology Read By The Poets, vol. 3: Edgar Lee Masters, Louise Bogan, Stanley Kunitz, Léonie Adams, Robert Lowell, Theodore Roethke, James Wright, Jean Garrigue, Richard Wilbur, e.e. -
Zpráva O Zahraniční Služební Cestě
Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky HABILITAČNÍ PRÁCE Zweiter Weltkrieg und Shoah in der deutschsprachigen hermetischen Lyrik nach 1945 Jana Hrdličková Brno 2019 Čestné prohlášení Prohlašuji, že jsem habilitační práci na téma Zweiter Weltkrieg und Shoah in der deutschsprachigen hermetischen Lyrik nach 1945 zpracovala sama. Veškeré zdroje informací, které jsem použila k sepsání této práce, jsou uvedeny v seznamu použitých primárních a sekundárních pramenů. V Ústí nad Labem dne 24. srpna 2019 Mgr. Jana Hrdličková, Ph.D. Abstrakt Druhá světová válka a holokaust v německojazyčné hermetické lyrice Pojem hermetická lyrika dodnes vyvolává negativní emoce, spojené často s předsudky či dokonce opovržením. Je prý temná, nepropustná, sebestředná, výsostně monologická a její „temnota vyplývá z izolace před vnějším světem“ (jak je uvedeno v literárněvědném bestseleru Hugo Friedricha Struktura moderní lyriky z r. 1956, který dodnes patří k základnímu vybavení germanisty). Má habilitace vychází oproti tomu z teze, že především poslední fáze německojazyčné hermetické lyriky, od roku 1945, naopak velmi komplexně odpovídá na dobu, která ji utvářela, především na druhou světovou válku a holokaust, a že je veskrze dialogická. Jejím cílem tedy není pouze reflexe sebe sama, ale – a velmi často především – snaha „dotknout se té hrůzy“ (Nelly Sachsová), vyjádřit „to, co se [Židům či jiným obětem] stalo“ (Paul Celan). Její funkce nemusí být tedy primárně estetická (oproti tezi Reinharda Baumgarta, že Celanova „Fuga smrti“ zprostředkovává svou „efektivní partiturou“ „přespříliš uměleckého požitku“), nýbrž kognitivní. Navazuje přitom na poznatek kognitivní lingvistiky, že literatura, a zvláště lyrika, svými metaforami dokáže často uchopit to, co je našemu světu zprvu těžko postižitelné, co je nesrozumitelné a obtížně uchopitelné a v komprimované formě toto předat dál. -
CATALO GU E N O. 7
CATALOGUE No. 7 Patrik Andersson Antikvariat CATALOGUE No. 7 2016 In this catalogue we offer a range of modern first editions, presentation copies, artists’ books and miscellaneous items. Several items are derived from the library of Gerard Bonnier (1917–1987) and his wife Elisabeth ”Peggy” Bonnier (1922– 2013), part owners of Bonniers, the leading Swedish publish- ing house. They were devoted book and art collectors, re- flected here in the artists’ books by Juan Gris, Jean/Hans Arp and Corneille. Large parts of their significant collection of paintings were donated to Moderna Museet in Stockholm. There are books inscribed to them by authors whose works were published on the Swedish market by Bonniers, such as Heinrich Böll, William Golding, and Nelly Sachs. Also offered are finely-bound first editions by Knut Hamsun and Hjalmar Söderberg, and books inscribed by Hjalmar Bergman, Chillida, Paul Éluard and Axel Munthe. 3 ORDERING AND PAYMENT All items are subject to prior sale. Prices are in SEK. The approximate rates are: 100 SEK = 12 USD = 10 EUR = 9 GBP. Current rates will be applied. Prices do not include VAT. Payment with Visa, MC/Eurocard or bank transfer. Postage is extra. Cover: endpapers of book no. 5. Patrik Andersson Antikvariat Stora Gråbrödersgatan 13 se-222 22 Lund SWEDEN Member of SVAF & ILAB-LILA VAT Nr. se720522241201 Tel. +46 (0)46 121912 Mob. +46 (0)707130763 [email protected] www.patrikandersson.net 1 2 1. ACHR: Assoziazia chudojnikow revolüzii. Assoziation der Revolutions künstler. Ausstellung Köln. [Köln, 1929]. 20x16 cm. 15, (1 blank) pp. + 14 leaves of b&w plates. -
Sommersemester 2015
-- UNIVERSITÄT U SIEGEN PHIL Kommentiertes Vorlesungsverzeichnis des Germanistischen Seminars der Universität Siegen für das Sommersemester 2015 Stand: 30.01.2015 Erstellt am: 30. Januar 20 15 Seite 1 von 78 Die im folgendenabgedruckten Daten stammen vom 30. Januar 2015. Für die Richtigkeitder Angaben nach diesem Termin kann keine Gewähr übernommenwerden. Den je aktuellenStand entnehmen Sie bitte dem LSF (https://lsf.zv.uni-siegen.de). 1033300090 Typographie In Theorie und Praxis (Seminar) M.A. Moritz Ahrens Mittwochs 14:00-16:00 Uhr, wöchentlich (08.04.2015 - 27.05.2015) , Raum H-F 110 Blocktermin 20.07.2015 - 21.07.2015 , 10:00-16:00 Uhr, Raum AR-D 6103 1034410003 Vorbereitungsseminarzum Praxissemester:Sprach didaktik In der Grundschule (Vorbereitungsseminar Praxissemester) M.Ed. Nadine Anskeit Mittwochs 10:00-12:00 Uhr, wöchentlich (08.04.2015 - 15.07.2015), Raum H-B 6414 Dieses Seminar richtet sich an Studierende mit dem SchwerpunktGS .lm Mittelpunkt steht das Forschende Lernen im Fach Deutsch (Sprachdidaktik). Ziel ist die Entwicklung einer eigenen Studienskizze(= Studienleistung) , die der Vorbe reitung auf das Studienprojekt dient. Diese Skizzen werden abschließend in einem Pool zusammengestellt , auf den alle BITTEUNBEDINGT BEACHTEN: Seminarteilnehmer/innen für ihren Unterricht und Ihre Studienprojekte zugreifen können. Literatur: Informationen zur Literatur werden in der ersten Seminarsitzung gegeben . Die im folgenden abgedruckten Daten 1034410004 Vorbereitungsseminarzum Praxissemester:Sprachdidak tik In d__!!t,,5!ku11darstufel . und U(Vorbereitungsseminar Praxisse_mester stammen vom 30. Januar 2015. Für die M.Ed. Nadine Anskeit Dienstags 14:00-16:00 Uhr, wöchentlich (07.04.2015 - 14.07.2015), Raum H-F 115 Richtigkeitder Angaben nach diesem Dieses Seminar richtet sich an Studierende mit dem Schwerpunkt HRGe, GymGe und BK.Im Mittelpunkt steht das For schende Lernen im Fach Deutsch (Sprachdidaktik).