DOCSLIB.ORG

The Drama of German Expressionism COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Drama of German Expressionism COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures The Drama of German Expressionism COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. The Drama of German Expressionism A German-English Bibliography claude hill and ralph ley UNC Studies in the Germanic Languages and Literatures Number 28 Copyright © 1960 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hill, Claude, and Ralph Ley. The Drama of Ger- man Expressionism: A German-English Bibliography. Chapel Hill: University of North Carolina Press, 1960. doi: https://doi.org/ 10.5149/9781469657561_Hill Library of Congress Cataloging-in-Publication Data Names: Hill, Claude and Ley, Ralph. Title: The drama of German expressionism : A German-English bibliography / by Claude Hill and Ralph Ley. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 28. Description: Chapel Hill : University of North Carolina Press, [1960] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 60063564 | isbn 978-0-8078-8828-5 (pbk: alk. paper) | isbn 978-1-4696-5756-1 (ebook) Subjects: German drama — 20th century — Bibliography. Classification: lcc pd25 .n6 no. 28 | dcc 016/ .83291 TABLE OF CONTENTS Page Introduction ............................................ 1 Part One: DRAMA OF GERMAN EXPRESSIONISM IN GENERAL ................................ 6 I. Literature Dealing Indirectly with Expressionism and/or Expressionistic Drama ............................................................................................................ 6 1. Literature in German .................................................................................................... 6 A. Books and Dissertations ... .............................. ... .......................... 6 a. Histories of Literature ....................................... 6 b. Histories of Drama 7 B. Articles .................................................. 8 2. Literature in English ................................. .. .. ................................................... 17 A. Books and Dissertations .......... .. 17 B. Articles ... .. ....................................... .. 17 II. Literature Dealing Directly with Expressionism and Indirectly with Expressionistic Drama ........................ ... .. ............................. 21 1. Literature in German ... ..................................... .. .................................................. 21 A. Books and Dissertations ........ .................................................... 21 B. Articles ................................... ... ........................................................ 23 2. Literature in English ........... ............... ... ................................................................... 31 A. Books and Dissertations . ...... ·······••····················· 31 B. Articles ................................................................................... ,. ................ 31 III. Literature Dealing Directly with Expressionistic Drama .................. 33 1. Literature in German ............................................. ........................................................ 33 A. Books and Dissertations ................ .... ................................................................ 33 B. Articles ............. ......................................................................................................... 33 2. Literature in English .. 36 A. Books and Dissertations 36 B. Articles ............................. .. .............................................. 37 Part Two: INDIVIDUAL DRAMATISTS OF GER,MAN EXPRESSIONISM ............................................................ 3G 1 ERNST BARLACH ..................... .... ........................... ........................................ 41 I. Plays (in the order of publication) ..................................................................... 41 II. Reviews and articles on specific plays and on autobiography (German) ............................................................................................. 41 IV. Reviews and articles on specific plays (English) ................................. 44 V. Non-fictional publications of Ernst Barlach (German) ............... 44 VI. Non-fictional publications of Ernst Barlach (English) .................. 45 viii TABLE OF CONTENTS Page VII. Books and dissertations on Barlach (German) ....................................... 45 VIII. Articles on Barlach (German) ................................................................................... 46 1. Literature to 1945 .... ................................................................................................. 46 2. Literature after 1945 ............... ........................................................................... 51 IX. Books and Dissertations on Barlach (English) ....................................... 56 X. Articles on Barlach (English) .. ............................................................ 56 2 BERTO LT BRECHT .............................................. ........................................................ 57 III. Translations of plays into English ........................................................................ 57 IV. Reviews and articles on specific plays, a novel, and a book of verses (English) ........................................................................... 58 VI. Non-fictional publications of Brecht (English) ....................................... 61 IX. Books and dissertations on Brecht (English) ............................................. 62 X. Articles on Brecht (English) .................................................................................... 62 3 ARNO LT BRONNEN ..................................................................................................................... 65 I. Plays (in order of publication) .............................................................................. 65 II. Reviews and artieles on specific plays (German) .............................. 65 IV. Reviews and Articles on specific plays (English) ........................... 67 V. Non-fictional publications of Arnolt Bronnen (German) ............ 67 VIII. Articles on ArnoIt Bronnen ( German) ......................................................... 67 4 REINHARD GOERING ............................................................................................................... 70 I. Plays and other fictional writings (in the order of publication) ................. ...................................................................................................... 70 II. Reviews and articles on specific plays (German) ................................. 70 VIII. Articles on Reinhard Goering (German) .......... ............................................. 71 X. Articles on Reinard Goering (English) ............................................................ 71 5 WALTER HASENCLEVER ................................................................................................... 72 I. Plays and other dramatic creations (in the order of publication) .......................................................................................................................... 72 II. Reviews and articles on specific plays (German) ................................. 72 rv. Reviews and articles on specific plays (English) ................................. 7S V. Non-fictional publications of Hasenclever (German) ........................ 76 VI. Non-fictional publications of Hasenclever (English) ........................ 7o VII. Books and dissertations on Hasenclever (German) ........................... 76 VIII. Articles on Hasenclever (German) .............................................................. 77 X. Articles on Hasenclever (English) ........................................................................ 78 6 HANS HENNY J AHNN ..... ............................................ ..................................................... 79 I. Plays (in order of publication) ................. .... ......................................... '1fJ II. Reviews and articles on specific plays (German) ................................. 79 V. Non-fictional publications of Jahnn (German) .................................... 80 VII. Books and Dissertations on Jahnn (German) .......................................... 81 VIII. Articles on Jahnn (German) ...................................................................................... 82 X. Articles on Jahnn (English) .............................................. ......................................... 83 TABLE OF CONTENTS ix Pauv 7 HANNS JOHST ..............................................................................................................
Load more

Recommended publications
  • Between Worlds Contents
    BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N.
    [Show full text]
  • Der Erste Weltkrieg Im Widerhall Des Zeit-Echo (1914-1917)
    Repositorium für die Medienwissenschaft Kurt Koszyk Vera Grötzinger: Der Erste Weltkrieg im Widerhall des Zeit-Echo (1914-1917). Zum Wandel im Selbstverständnis einer künstlerisch-politischen Literaturzeitschrift 1995 https://doi.org/10.17192/ep1995.2.4475 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Koszyk, Kurt: Vera Grötzinger: Der Erste Weltkrieg im Widerhall des Zeit-Echo (1914-1917). Zum Wandel im Selbstverständnis einer künstlerisch-politischen Literaturzeitschrift. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 12 (1995), Nr. 2, S. 185–187. DOI: https://doi.org/10.17192/ep1995.2.4475. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above.
    [Show full text]
  • Berliner Beiträge Zur Hungarologie
    79 Irene Rübberdt Die aktivistischen Zeitschriften A Tett, Ma und Die Aktion im Zeitraum von 1911 bis 1919. Eine vergleichende Betrachtung Die Studie widmet sich dem typologischen Vergleich zweier aktivistischer Zeitschriften auf der Grundlage des Materials der Berliner Aktion (1911/1932) und der Budapester Tett (Die Tat, 1915/16) bzw0 deren Nachfolgerin Ma (Heute, 1916/1925) in der Zeit vor 192o. Wach dem Selbstzeugnis des führenden Re- präsentanten der ungarischen Avantgarde und Herausgebers der beiden oben genannten Zeitschriften, Lajos Kassák, standen für die ungarischen Zeitschriften sowohl Herwarth Waldens Der 1 Sturm als auch Die Aktion von Franz Pfemfert Modell 0 Gleich- wohl berief sich Kassák in den kunstpolitischen Kontroversen 2 von 1919 wiederholt auf den Aktions-Kreis um Pfemfert, dage- gen wurde die "reine Formkunst" des Sturm in 3 dieser Zeit von der Ma wie von der Aktion explizit abgelehnt 0 Erst nach 1919, als Die Aktion als literarische Zeitschrift ihre Bedeutung verloren hatte, und nach Kassáks Emigration, gab es nicht nur deutlichbeit zwischee Zeichenn Stur,m sonderund Mna 4 auc; dehr ErgebnissAbdruck evo neine Gedichter Zusammenarn Lajo-s Kassáks, Tibor Derys, József Nádass' und Aladár Tamás', Endre r r 5 Gaspars Artikel zur "Bewegung der ungarischen Aktivisten" so- wie die 1923 erfolgte Edition des Ma-Buches mit Gedichten von Kassák im Verlag Der Sturm und die 1 31 • Sturm-Ausstellung vom Mai 1924 mit Werken von Kassák und Nikolaus Braun zeugten nun nicht nur von einer bewußten Kenntnisnahme der ungarischen Strömung,
    [Show full text]
  • Schlesien Nieder- Und Oberschlesien
    Stiftung „Gerhart-Hauptmann-Haus. Deutsch-osteuropäisches Forum“, Düsseldorf -Bibliothek- Katalog Teil 7 Teil 2 von Schlesien Nieder- und Oberschlesien (Bestand: 1978-2001) I Stiftung „Gerhart-Hauptmann-Haus. Deutsch-osteuropäisches Forum“, Bibliothek Bismarckstr. 90, 40210 Düsseldorf, Tel. 0211 / 16991-30, Fax 0211 / 353118 Bearbeitung: Melanie Jacobsen (Dipl.-Bibl.) Beate Runge (Dipl.-Bibl., Bibliotheksleiterin) 2001 II Vorwort Das hier vorliegende Verzeichnis ist der siebte Teil eines Druckkatalogs, der später einmal den gesamten Bestand der Bibliothek der Stiftung „Gerhart-Hauptmann-Haus. Deutsch- osteuropäisches Forum“ verzeichnen soll. In den Jahren 1974 bis 1999 erschienen die Teile 1 bis 6 dieses Bestandskatalogs: Teil 1 beinhaltet die Literatur über Ost- und Westpreußen, Danzig und das Memelland; Teil 2 umfaßt die Literatur über Böhmen, Mähren, Österreichisch-Schlesien, die sudetendeutschen Gebiete, die CSSR und Österreich; Band 3 verzeichnet das Schrifttum über Schlesien; Band 4 die Literatur zu Pommern und Posen; Band 5 setzt die Inhalte vom ersten Band fort und Band 6 bibliographiert die Literatur zu den deutschen Siedlungsgebieten in Südosteuropa. Mit diesem vorliegenden Katalog wird also Band 3 des Druckkatalogs „Schlesien, Nieder- und Oberschlesien“ von 1978 fortgesetzt, d. h. er verzeichnet alle von 1978 bis zum Redaktionsschluss im Jahr 2001 eingegangenen Titel der Bestandsgruppe Schlesien. Wie bereits in den vorangegangenen Bänden sind auch in diesem Teil des Druckkatalogs die Titelaufnahmen verkürzt in Anlehnung an
    [Show full text]
  • German Jews in the United States: a Guide to Archival Collections
    GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ...................................................................................................
    [Show full text]
  • Die Hessischen Lizenzträger Und Ihre Zeitungen
    Die hessischen Lizenzträger und ihre Zeitungen Inauguraldissertation zur Erlangung des Doktorgrades in der Fakultät für Kulturwissenschaften der Universität Dortmund vorgelegt von Eva-Juliane Welsch aus Spenge 2002 Erstgutachter: Prof. Dr. Hans Bohrmann Zweitgutachter: Prof. Dr. Gerd G. Kopper - 1 - Inhaltsverzeichnis 1 EINLEITUNG 1.1 Problemstellung ............................................................................................................7 1.2 Literatur und Datenlage................................................................................................8 1.3 Vorgehensweise...........................................................................................................10 TEIL I 2 DER AUFBAU EINER NEUEN PRESSE NACH 1945 ...............................................12 2.1 Die Organisation der amerikanischen Militärregierung und ihre Aufgabe als Besatzungsmacht in Deutschland zwischen 1945 und 1949 unter besonderer Berücksichtigung der Massenmedien..........................................................................12 2.2 Pläne zur Schaffung einer neuen Presse in der amerikanischen Zone .........................14 2.3 Die Aufgaben der Abteilung für Psychologische Kriegsführung..................................17 2.4 Die Herausgabe alliierter Mitteilungsblätter gemäß der Phase II................................20 2.4.1 Die Gründung der “Aachener Nachrichten“ als Testfall der Phase III................................ 21 2.4.2 Ursachen für die Verzögerung einer Lizenzvergabe an deutsche Zeitungen......................
    [Show full text]
  • Introduction
    Notes Introduction 1. Richard Brett-Smith, Berlin ’45: The Grey City (London: Macmillan, 1966), 54. 2. Anke Pinkert, Film and Memory in East Germany (Bloomington: Indiana Uni- versity Press, 2008); Robert R. Shandley, Rubble Films: German Cinema in the Shadow of the Third Reich (Philadelphia, PA: Temple University Press, 2001); Eric Rentschler, “The Place of Rubble in the Trümmerfilm,” in Julia Hell and Andreas Schönle (eds.), Ruins of Modernity (Durham, NC: Duke University Press, 2010), 418–39; Wilfried Wilms and William Rasch, German Postwar Films: Life and Love in the Ruins (Basingstoke: Palgrave Macmillan, 2008). 3. Histories of the Aftermath: The Cultural Legacies of the Second World War in Europe, ed. Frank Biess and Robert Moeller (New York: Berghahn Books, 2010). 4. Dagmar Herzog, Sex After Fascism: Memory and Morality in Twentieth-Century Germany (Princeton, NJ: Princeton University Press, 2005), 1. 5. On this point, see the essays in Hell and Schönle (eds.), Ruins of Modernity, especially Andreas Huyssen, “Authentic Ruins: Products of Modernity” and Todd Samuel Presner, “Hegel’s Philosophy of World History via Sebald’s Imaginary of Ruins: A Contrapuntal Critique of the “New Space’ of Modernity,” pp. 17–28 and 193–211. 6. Dorothy Rowe, Representing Berlin: Sexuality and the City in Imperial and Weimar Germany (Aldershot: Ashgate Publishing Ltd, 2003); Eric D. Weitz, Weimar Germany: Promise and Tragedy (Princeton, NJ: Princeton University Press, 2007). 7. Paul Rutherford draws on Bruno Latour’s We Have Never Been Modern (Cambridge, MA: Harvard University Press, 1993) in A World Made Sexy: Freud to Madonna (Toronto: University of Toronto Press, 2007), 9.
    [Show full text]
  • The Future of the German-Jewish Past: Memory and the Question of Antisemitism
    Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 12-15-2020 The Future of the German-Jewish Past: Memory and the Question of Antisemitism Gideon Reuveni University of Sussex Diana University Franklin University of Sussex Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Jewish Studies Commons Recommended Citation Reuveni, Gideon, and Diana Franklin, The Future of the German-Jewish Past: Memory and the Question of Antisemitism. (2021). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. THE FUTURE OF THE GERMAN-JEWISH PAST THE FUTURE OF THE GERMAN-JEWISH PAST Memory and the Question of Antisemitism Edited by IDEON EUVENI AND G R DIANA FRANKLIN PURDUE UNIVERSITY PRESS | WEST LAFAYETTE, INDIANA Copyright 2021 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file at the Library of Congress. Paperback ISBN: 978-1-55753-711-9 An electronic version of this book is freely available, thanks to the support of librar- ies working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-61249-703-7. Cover artwork: Painting by Arnold Daghani from What a Nice World, vol. 1, 185. The work is held in the University of Sussex Special Collections at The Keep, Arnold Daghani Collection, SxMs113/2/90.
    [Show full text]
  • Erich Weiß Erich Wandel Im Lebensbilder Verwaltung Preußischen Der Jahrhunderts20
    44 IGG igg Schriftenreihe Institut für Geodäsie und Geoinformation Schriftenreihe 44 Erich Weiß Erich Weiß Lebensbilder im Wandel Lebensbilder im Wandel der preußischen Verwaltung preußischen der Wandel im Lebensbilder der preußischen Verwaltung des 19. und 20. Jahrhunderts Eine Sammlung biographischer Miniaturen ISSN 1864-1113 Erich Weiß • Lebensbilder der preußischen Verwaltung igg Institut für Geodäsie und Geoinformation Schriftenreihe 441 Erich Weiß Lebensbilder der preußischen Verwaltung des 19. und 20. Jahrhunderts im Wandel Eine Sammlung biographischer Miniaturen Diese Schrift erscheint anlässlich des 75. Geburtstages von Prof. Dr.-Ing. Dr. h.c. mult. Erich Weiß am 13. September 2014. Nachweise der Erstveröffentlichung am Beginn des jeweiligen Beitrages. Schriftenreihe des Instituts für Geodäsie und Geoinformation der Rheinischen Friedrich-Wilhelms-Universität Bonn Herausgeber: Prof. Dr.-Ing. Theo Kötter Prof. Dr.-Ing. Heiner Kuhlmann Prof. Dr.-Ing. Jürgen Kusche Prof. Dr. Lutz Plümer Prof. Dr. techn. Wolf-Dieter Schuh Prof. Dr. Cyrill Stachniss Die Aufnahme dieser Arbeit in die Schriftenreihe wurde von den Herausgebern der Reihe einstimmig beschlossen. Dieses Werk ist einschließlich aller seiner Teile urheberrechtlich geschützt. Abdruck auch auszugsweise nur mit Quellenangabe gestattet. Alle Rechte vorbehalten. Bonn 2014 ISSN 1864-1113 Laudatio Am 13.9.2014 konnte Erich Weiß seinen 75. Geburtstag feiern. Anlass genug, Rückschau auf sein langjähriges Wirken als akademischer Lehrer, Wissenschaftler und Praktiker zu halten und einige Facetten seines Lebenswerkes nachzuzeichnen, die sich nach einer so langen Zeit des beruflichen Schaffens deutlicher herausstellen und Gelegenheit bieten, seine Leistungen und Verdienste in einer Gesamtschau zu würdigen. Das Spektrum seines beruflichen Wirkens und der wissenschaftlichen Interessensschwerpunkte lässt sich mit den Begriffen Bodeneigentum, Bodenordnung und Boden- wirtschaft treffend umreißen.
    [Show full text]
  • University of Bradford Ethesis
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bradford Scholars University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. THE WHITE INTERNATIONAL: ANATOMY OF A TRANSNATIONAL RADICAL REVISIONIST PLOT IN CENTRAL EUROPE AFTER WORLD WAR I Nicholas Alforde Submitted in accordance with the requirements for the degree of Doctor of Philosophy School of Social and International Studies University of Bradford 2013 Principal Supervisor: Gábor Bátonyi, DPhil Abstract Nicholas Alforde The White International: Anatomy of a Transnational Radical Revisionist Plot in Central Europe after World War I Keywords: Bauer, Gömbös, Horthy, Ludendorff, Orgesch, paramilitary, Prónay, revision, Versailles, von Kahr The denial of defeat, the harsh Versailles Treaty and unsuccessful attempts by paramilitary units to recover losses in the Baltic produced in post-war Germany an anti- Bolshevik, anti-Entente, radical right-wing cabal of officers with General Ludendorff and Colonel Bauer at its core. Mistakenly citing a lack of breadth as one of the reason for the failure of their amateurishly executed Hohenzollern restoration and Kapp Putsch schemes, Bauer and co-conspirator Ignatius Trebitsch-Lincoln devised the highly ambitious White International plot. It sought to form a transnational league of Bavaria, Austria and Hungary to force the annulment of the Paris Treaties by the coordinated use of paramilitary units from the war vanquished nations. It set as its goals the destruction of Bolshevism in all its guises throughout Europe, the restoration of the monarchy in Russia, the systematic elimination of all Entente-sponsored Successor States and the declaration of war on the Entente.
    [Show full text]
  • Spring Summer 2020 Cover.Indd
    Dear Friends of the Muscarelle, LETTER It’s hard to believe that a year has passed since I first joined the photography by William & Mary art faculty member Eliot Dudik. Our Muscarelle team. Our 2019 calendar of exhibitions and programs was exhibition on the collection of The Owens Foundation will honor one FROM THE rich and broad, and we hope you were able to join us. of the Muscarelle’s greatest patrons, Carroll Owens, Jr., who time and INTERIM During the fall 2019 semester, the Museum was deeply engaged with again stepped in with financial support that allowed the Museum the academic mission of the University. We opened our fall season to grow and prosper. The exhibition will feature the outstanding DIRECTOR with the outstanding exhibition entitled The Adjacent Possible, which works, by a variety of American painters, collected by Carroll and Patty was curated by Professor Elizabeth Mead of the Department of Art & Owens. Art History. The exhibition served as the laboratory space for the We will reopen our upstairs galleries this spring with an installation interdisciplinary course Neuro-aesthetics: The Artist and the Mind, from our permanent collection, including new acquisitions, with the which was co-taught by Professor Mead and Professor Jennifer Stevens intention of highlighting the growing diversity of our holdings. And in SPRING/SUMMER from the Department of Psychological Sciences. The course explored April, we will once again serve the academic mission of the University the way the human brain processes abstract art, and both students and as we feature two exhibitions curated by undergraduate classes.
    [Show full text]
  • Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
    Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure.
    [Show full text]