DOCSLIB.ORG

A Gift That Can Make a Difference!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Gift That Can Make a Difference! IT’S ABOUT ART! TheWah-sa Gallery Specializing in Fall is most definitely upon us and soon the snow Canadian Aboriginal art and craft will be too. There are some wonderful things to do in this amazing place this November. Come visit our Maxine Noel Exhibit from November 14th -November 30th WAG : Olympus is a rare opportunity to see ancient TheJohnston Te rminal at the Forks Greek and Roman art on the prairies. Whether 130-25 Forks Market Road Ludolf Grollé you’re an art lover, scholar, family with kids, Winnipeg MB CA R3C 4S8 (204)942-5121; Fax(204)942-5122 or never been to a museum, you’ll be inspired by this extraordinary [email protected] collection and the many different ways you can experience it. Feast with Maxine Noel www.wahsa.mb.ca Gods & Goddesses : This exciting dinner-and-tour program includes a three-course exhibition-inspired fixed menu at TABLE Restaurant on the WAG’s Penthouse Level. Led by expert guides, the evening features a visit to Olympus: The Greco-Roman Collections of Berlin, bringing to Winnipeg over 160 ancient Greek and Roman treasures from one of the oldest and most prestigious collections in the world. As one of only two stops in North America, Olympus is Manitoba’s first major display of classical antiquities in over half a century. Dinner is served at 6pm • Tour begins at 7:30 p.m. Nov. 19. RWB : The world-renowned Paul Taylor Dance Company makes its Debora Cardaci -Ludolf Grollé -Bibiana Vidal Curell -PhoebeMan Winnipeg debut with three powerful works. Hailed as the world’s most November 6thisthe openingnight for brush andcanvascreateasynergy that will Landscapes&Still Life by BibianaVidal impact youthe viewer beyondthe usual. important living choreographer, Paul Taylor’s meticulous choreography is Curell. Theshowrunsfrom November 6th Whetheritbethe complex intricacies of inspired by influential themes in modern society - such as war, spirituality, to 21statGrolléFineArt in Downtown nature in herlandscapesand still lifeor sexuality, and morality – while using his signature youthful, light-hearted Winnipeg. thesimplicity of thebeautyperceivedand and optimistic approach on these themes and exploring the beauty of Theintimatelyperceptiblerapport found conveyed in herstudies andpaintings of movement. Nov. 13 - 15, Pantages Playhouse Theatre with thesubjectmatterinBibiana’s everyday objects; BibianaVidal Curell paintingsare thekey componentintheir communicates thesetousfluentlyinher WSO : THE SNOWMAN & THE BEAR, Nov. 22 attraction to heraudience. masterful work. Back by popular demand, a unique double-bill of Raymond Briggs’ “Istrive to have my artconveythatsense of Openingreception Friday November 6th heartwarming holiday classic films that have brought our audience to its beauty andthatsense of naturalharmony from 6.30pmto9.00pm. feet every time we have performed them. The Snowman tells of a little boy experiencedwhenIpaint.” BibianaVidal TheextremelytalentedGeorge Tanner’s Specializing in Lifestyle & Curell. who wakes up to find that everything has turned snow-white. He rushes exhibit of his2Characterpieces andother Theinteraction of hereyes, heart, and work will be exhibited from November Classic Studio Portraiture out to build a snowman who comes to life and takes him on an amazing mindcoupledwithher hands,palette, 26thonwardfor 2weeks. journey. www.pawparazzipetphoto.com Please schedule an appointmenttovisit us:for details call 204.691.6112 • 24-81 GarrySt. MTC : The John Hirsch MainStage is showing The Man Who Shot Liberty Valance until Nov. 7, and Alice Through the Looking Glass from Nov. 25. MTS Centre : Judas Priest Nov. 1 / Barenaked Ladies Nov. 6 / Styx Nov. 17. CMHR : An exhibit about Love & Forgiveness - Ideal for children and families. Last but not least this November, visit a gallery, and buy some original art, and where better to start than: Teekca’s Aboriginal Boutique is aunique shop that carries items crafted by the first peoples of North America. The artisans incorporate the history, geography and culture into their crafts and artwork by drawing from the natural resources around them. Inside our From a visual art perspective I must add that we have a veritable gem in Boutique you will be amazed at the variety of items to choose from. Items include hand crafted moccasins, mukluks, soapstone our midst which honours our heritage and country and assures perpetuity for the arts so inherent in our homeland : The Wah-sa Gallery is devoted cravings, dream catchers, beaded product, paintings, silver, turquoise and more. We offer corporate ordering for special events which to Canadian Aboriginal art, more specifically the Woodland School in its include logos on cups, dream catchers, bags to name afew. contemporary mode started by Norval Morrisseau and joined by such artists as Daphne Odjig, Carl Beam, Jackson Beardy and Arthur Shilling. Consider taking aclass to make your own dream catcher, The Wah-sa Gallery first began in 1976 by Daphne Odjig and her husband, moccasins, mukluks or maybe asoapstone carving. So join Chester Beavon; the original owners of the gallery were Janice Cardigan, Arlene Rosine and Gary Scherbain. The gallery has continued the tradition us on Facebook: Teekca’s Aboriginal Boutique to learn when initiated by Odjig who wished to highlight the works of Canadian Woodland the classes will be held. We are open Seven Days aweek Aboriginal artists. Our main emphasis continues to be the Woodland and have avariety of handcrafted items to choose from or Tradition, centred in Manitoba and Ontario. The Wah-sa Gallery also consider acustom order for that special someone. publishes Canadian Woodland Aboriginal limited editions and art cards which are available for sale at the gallery and throughout the country. The gallery presents handicrafts, giftware and souvenirs; and is an ideal place to shop for your unique Christmas gifts. The gallery is located at the The Forks Market, Winnipeg, MB Johnston Terminal in The Forks. November is a wonderful time to visit this landmark of true Canadian visual art. 204-946-0539 •www.teekcasboutique.ca Find us on Teekca’s Aboriginal Boutique Have a wonderful November! AGift that 100% of the Available only at: net proceeds help the www.neveralonefoundation.ca can make Never Alone Foundation fight against cancer adifference! 258 McDermot Street or hilarydruxman.com/philanthropy.
Load more

Recommended publications
  • Knowledge Organiser: How Do Artists Represent Their Environment
    Knowledge Organiser: How do Artists represent their environment through painting? Timeline of key events 1972 – Three First Nations artists did a joint exhibition in Winnipeg 1973 – Following the success of the exhibition, three artists plus four more, created Indian Group Of Seven to represent Indian art and give it value and recognition. 1975 – Group disbanded Key Information Artists choose to work in a particular medium and style. They represent the world as they see it. Key Places Winnipeg, Manitoba, Ontario, British Columbia, Alberta Key Figures Daphne Odjig 1919 – 2016 Woodland style, Ontario; moved to British Columbia Alex Janvier 1935 – present Abstract, represent hide-painting, quill work and bead work; Alberta Jackson Beardy 1944 - 1984, Scenes from Ojibwe and Cree oral traditions, focusing on relationships between humans and nature. Manitoba. Eddy Cobiness 1933 – 1996 Life outdoors and nature; born USA moved to winnipeg Norval Morrisseau 1931 – 2007 Woodland stlye; Ontario, also known as Copper Thunderbird Carl Ray 1943 – 1978 Woodland style, electrifying colour (founder member); Ontario Joseph Sanchez 1948 – present Spritual Surrealist; Born USA moved to Manitoba Christi Belcourt 1966 – present Metis visual artist, often paints with dots in the style of Indian beading – Natural World; Ontario Key Skills Drawing and designing: Research First Nations artists. Identify which provinces of Canada they come from. Compare and contrast the works of the different artists. Take inspiration from the seven artists to plan an independent piece of art based on the relevant artist: • Give details (including own sketches) about the style of some notable artists, artisans and designers. • type of paint, brush strokes, tools Symbolic representation • Create original pieces that show a range of influences and styles based on the Indian Group of Seven and their work.
    [Show full text]
  • Overlapping Violent Histories: a Curatorial Investigation Into Difficult Knowledge Curated by Noor Bhangu
    Overlapping Violent Histories: A Curatorial Investigation into Difficult Knowledge Curated By Noor Bhangu February 9 - March 9, 2018 Kitchen-Table Discussion: March 8, 12:30-1:30 PM Winnipeg is no stranger to violence or violent histo- heels of such projects, Overlapping Violent Histories: general audience that happens to encounter the work ries. Its geographical position at the heart of Canada A Curatorial Investigation into Difficult Knowledge in the oft-decontextualized setting of the art gallery. and its cultural position as a meeting ground be- brings together the work of Jackson Beardy, Caroline Of course, as a curator of this exhibition I, too, plead tween diverse communities have pushed it to play Dukes, Takao Tanabe, and KC Adams to consider the guilty on counts of decontextualisation by favouring host to the darkest of local, national, and international place of historical trauma in each artist’s practice. In specific elements of a work and leaving out others. currents, including the ongoing colonization of Indig- deliberately drawing on the cross-cultural intersection I take refuge in Luis Camnitzer’s theorization of the enous people, Japanese internment, the settlement between the artists, I aim to build on the potential for curatorial order: “The discourse or thesis of the curator of Icelandic immigrants in Gimli, the influx of Russian visual art and exhibition spaces to function as sites for may contradict the discourse of the artist, because Mennonites and Jewish holocaust survivors in the social-engaged dialogues. the curator extrapolates from the presentation of twentieth century, and the marginalization of Euro- artworks in a way that is not necessarily determined pean immigrants and immigrants of colour.
    [Show full text]
  • Cree Family Works Trapline
    CANADA c _ J/ ry, of rloo, -15 of Indian Affairs and Northern Development des AfJaires indiennes el du Nord Canadien Vol. Eleven, No. One Ottawa, Ontario April, 1968 CREE FAMILY J WORKS TRAPLINE A chance trip into a snow The Diamond's trapline covers a canvas covered wigwam out of "Only a fool would work in the covered lake some 11 0 miles north- about 150 square miles of wilder- the top of which a small trail of summer if he didn't have to," said west of Gogama in Northern ness and nets them between $5,000 smoke curled hospitably. Mrs. Diamond. "Summer is for Ontario last winter brought me and $6,000 per year. fun." into a world few people are privi- We all moved into the wigwam I looked around the- campsite. (Continued on page 4) leged to see, and showed me a way and sat down on the spruce bough of life in which contentment is the There was nearby, a pot bubbling merrily -a tin stove with a floor to talk. Grandma Josephine, theme. - on h . moosehead in it for the noon meal. with the rest of the family listen- I had joined a friend in the Ontario Department of Lands and Forests on a routine trip to visit a family of Cree Indians from Rupert Sanitation House who came every winter into the Gogama district to trap beaver. Committee Everything glistened like bril- liants in the morning sun as our Formed plane touched down and taxied to the campsite. About 50 feet above the lake edge, waiting for us, were A Health Committee was formed the whole family.
    [Show full text]
  • Download Curriculum Vitae
    Dr. DAPHNE ODJIG C.M., O.B.C., R.C.A., L.L.B. Governor General’s Laureate, Visual & Media Arts 2007 Daphne Odjig is a Canadian artist of Aboriginal ancestry. She was born September 11,1919 and raised on the Wikwemikong Unceded Indian Reserve on Manitoulin Island (Lake Huron), Ontario. Daphne Odjig is the daughter of Dominic Odjig and Joyce Peachey. Her father and her grandfather, Chief Jonas Odjig, were Potawatomi, descended from the great chief Black Partridge. Her mother was an English war bride. The Odjig family was among the Potawatomi who migrated north and settled in Wikwemikong after the War of 1812. The Potawatomi (Keepers of the Fire) were members with the Ojibwa and Odawa, of the Three Fires Confederacy of the Great Lakes. Daphne passed away at age 97 in Kelowna, BC on October 1, 2016. Art Media: Oils, Acrylics, Silkscreen Prints, Murals, Pen and Ink, Pastels, Watercolours, Coloured Pencils Recent and Upcoming Exhibitions: Daphne Odjig: Four Decades of Prints Touring exhibition of limited edition prints organized by the Kamloops Art Gallery ❖ Kamloops Art Gallery, Kamloops BC, June 8 – Aug 31, 2005 ❖ Winnipeg Art Gallery, Winnipeg MN April 22 – July 16, 2006 ❖ Canadian Museum of Civilization , Ottawa January 18 – April 20, 2008 The Drawings and Paintings of Daphne Odjig: A Retrospective Exhibition Touring exhibition organized by Art Gallery of Sudbury and National Gallery of Canada ❖ Art Gallery of Sudbury, Sudbury ON September 15 – November 11, 2007 ❖ Kamloops Art Gallery, Kamloops BC June 8 – August 31, 2008 ❖ McMichael Canadian Art Collection, Kleinberg ON Oct. 4 , 2008 – Jan 4, 2009 ❖ Institute of American Indian Arts Museum, Santa Fe NM, June 26 – Sept.
    [Show full text]
  • Witnesswitness
    Title Page WitnessWitness Edited by Bonnie Devine Selected Proceedings of Witness A Symposium on the Woodland School of Painters Sudbury Ontario, October 12, 13, 14, 2007 Edited by Bonnie Devine A joint publication by the Aboriginal Curatorial Collective and Witness Book design Red Willow Designs Red Willow Designs Copyright © 2009 Aboriginal Curatorial Collective and Witness www.aboriginalcuratorialcollective.org All rights reserved under international copyright conventions. Published in conjunction with the symposium of the same title, October 12 through 15, 2007. Photographs have been provided by the owners or custodians of the works reproduced. Photographs of the event provided by Paul Gardner, Margo Little and Wanda Nanibush. For Tom Peltier, Jomin The Aboriginal Curatorial Collective and Witness gratefully acknowledge the financial support of the Canada Council for the Arts and the Ontario Arts Council Cover: Red Road Rebecca Belmore October 12 2007 Image: Paul Gardner Red Willow Designs Aboriginal Curatorial Collective / Witness iii Acknowledgements This symposium would not have been possible without the tremendous effort and support of the Art Gallery of Sudbury. Celeste Scopelites championed the proposal to include a symposium as a component of the Daphne Odjig retrospective exhibition and it was her determination and vision that sustained the project through many months of preparation. Under her leadership the gallery staff provided superb administrative assistance in handling the myriad details an undertaking such as this requires. My thanks in particular to Krysta Telenko, Nancy Gareh- Coulombe, Krista Young, Mary Lou Thomson and Greg Baiden, chair of the Art Gallery of Sudbury board of directors, for their enthusiasm and support.
    [Show full text]
  • Woodlands the Alberta Foundation for the Arts Travelling Exhibition Program the Interpretive Guide
    Interpretive Guide & Hands-on Activities The Alberta Foundation for the Arts Travelling Exhibition Program Woodlands The Alberta Foundation for the Arts Travelling Exhibition Program The Interpretive Guide The Art Gallery of Alberta is pleased to present your community with a selection from its Travelling Exhibition Program. This is one of several exhibitions distributed by The Art Gallery of Alberta as part of the Alberta Foundation for the Arts Travelling Exhibition Program. This Interpretive Guide has been specifically designed to complement the exhibition you are now hosting. The suggested topics for discussion and accompanying activities can act as a guide to increase your viewers’ enjoyment and to assist you in developing programs to complement the exhibition. Questions and activities have been included at both elementary and advanced levels for younger and older visitors. At the Elementary School Level the Alberta Art Curriculum includes four components to provide students with a variety of experiences. These are: Reflection: Responses to visual forms in nature, designed objects and artworks Depiction: Development of imagery based on notions of realism Composition: Organization of images and their qualities in the creation of visual art Expression: Use of art materials as a vehicle for expressing statements The Secondary Level focuses on three major components of visual learning. These are: Drawings: Examining the ways we record visual information and discoveries Encounters: Meeting and responding to visual imagery Composition: Analyzing the ways images are put together to create meaning The activities in the Interpretive Guide address one or more of the above components and are generally suited for adaptation to a range of grade levels.
    [Show full text]
  • November December 2018
    V. 30 N. 06 NOVEMBER NOVEMBER | DECEMBER NEWSLETTER 35TH ANNIVERSARY! FEATURES FOUR INTERVIEWS ABOUT THE WORK/WORK 06 MICHELLE LAVALLEE 11 BALANCE - WHAT WORKS? 35TH Margaret Bessai NUIT BLANCHE 2018 IDEAS ON 12 Photo Documentation 14 COLLABORATION ANNIVERSARY! Blair Fornwald REFLECTIONS ON CARFAC SASK’S 35TH 17 ANNIVERSARY Karen Schoonover COVER: CARFAC SASK was founded in 1983! 16 | OUR OFFICE AT WORK IN 2018! 18 | EXHIBITIONS The CARFAC SASK Newsletter is published six times per year: January/February March/April May/June | NEWS & OPPORTUNITIES 20 July/August September/October November/December 24 | CARFAC WAY BACK Deadline for copy is the 20th day of the month before publication. January/February deadline: December 20 25 | CONTACT Send to: [email protected] © CARFAC Saskatchewan 2018 Individual authors also hold copyright to their work. Written permission is required 26 | MEMBERSHIP to reprint. Note: Due to time and space restrictions all submissions cannot be thoroughly checked or all information printed. Use contact listed. Material published in the CARFAC Saskatchewan Newsletter reflects the view of the author and not necessarily the view of CARFAC Saskatchewan. CARFAC Saskatchewan is funded by SaskCulture with funding provided by Saskatchewan Lotteries Trust Fund for Sport, Culture and Recreation. INTRODUCING CARFAC SASK'S TRAVELLING MENTOR HEATHER BENNING INTRODUCING CARFAC SASK'S TRAVELLING MENTOR HEATHER BENNING INTRODUCING CARFAC SASK'S TRAVELLING MENTOR HEATHER BENNING INTRODUCING CARFAC SASK'S NOTE FROM THE EDITOR Welcome to this special issue of the CARFAC SASK Newsletter, a full- colour issue with lots of content celebrating our 35 year anniversary! Here you will find a feature interview piece with four people speaking about their time working wth curator Michelle LaVallee.
    [Show full text]
  • Images of Louis Riel in Contemporary Art and Métis Nationhood
    Whose Hero? Images of Louis Riel in Contemporary Art and Métis Nationhood Catherine L. Mattes A Thesis in The Department of Art History Presented in Partial Frllfilment of the Requirements for the De- of Master of Arts at Concordia University Montreal, Quebec, Canada OCatherine L. Mattes, 1998 National Library BiMiothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OîtawaON KlAON4 Oaawa ON KlA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive Licence ailowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, ioan, distribute or self reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent êîre imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, ABSTRACT Whose Hero? Images of Louis Riel in Contemporary Art and Métis Nationhood Catherine L-Mattes Louis Riel is perhaps one of the most controversial figures in Canadian history. In rnauistream Canadian society, he is often described as a "Canadian hero", a "Father of Codederation", or the "Fomder of Manitobay'- He has become an icon for various organizations, political parties, and cultural groups in Canada Although for many Métis Riel is a "Canadian hero", he is also an important figure for the Métis nation.
    [Show full text]
  • LAND & INDIGENOUS WORLDVIEWS Through the Art of NORVAL
    TEACHER RESOURCE GUIDE FOR GRADES 9–12 LEARN ABOUT LAND & INDIGENOUS WORLDVIEWS through the art of NORVAL MORRISSEAU Click the right corner to LAND AND INDIGENOUS WORLDVIEWS NORVAL MORRISSEAU through the art of return to table of contents TABLE OF CONTENTS PAGE 1 PAGE 2 PAGE 3 RESOURCE WHO WAS NORVAL TIMELINE OF OVERVIEW MORRISSEAU? HISTORICAL EVENTS AND ARTIST’S LIFE PAGE 4 PAGE 8 PAGE 11 LEARNING CULMINATING HOW NORVAL ACTIVITIES TASK MORRISSEAU MADE ART: STYLE & TECHNIQUE PAGE 12 READ ONLINE DOWNLOAD ADDITIONAL NORVAL MORRISSEAU: NORVAL MORRISSEAU RESOURCES LIFE & WORK IMAGE FILE BY CARMEN ROBERTSON EDUCATIONAL RESOURCE LAND AND INDIGENOUS WORLDVIEWS through the art of NORVAL MORRISSEAU RESOURCE OVERVIEW This teacher resource guide has been designed to complement the Art Canada Institute online art book Norval Morrisseau: Life & Work by Carmen Robertson. The artworks within this guide and images required for the learning activities and culminating task can be found in the Norval Morrisseau Image File provided. Anishinaabe artist Norval Morrisseau (1931–2007) is considered by many to be the Mishomis, or grandfather, of contemporary Indigenous art in Canada. He is known for creating a distinctive style of painting that came to be known as the Woodland School, and for addressing a wide range of themes in his work, from spiritual beliefs to colonial history. Throughout his career, he explored ways of thinking about the land, and many of his most famous paintings emphasize the idea of land as a relation; Morrisseau believed that people live in relationship with animals, plants, the earth, and the spiritual world, a conviction shared by many Indigenous communities.
    [Show full text]
  • Mcmichael Magazine ISSN 2368-1144 from the Mcmichael Canadian Art Collection of Contemporary Northwest Coast Art Transforming Spirit: the Cameron/Bredt Collection
    ISSUE THREE | SUMMER & FALL 2015 2015 ISSUE THREE | SUMMER & FALL McMichael Magazine ISSN 2368-1144 ISSN From the McMichael Canadian Art Collection CAN $4.95 of Contemporary Northwest Coast Art Coast Northwest Contemporary of Collection Spirit: The Cameron/Bredt Transforming 7: Professional Native Indian Artists Inc. Frank (Franz) Johnston Thom Sokoloski McMichael Magazine / I Board of Trustees From the Permanent Collection On the Cover Upkar Arora, Chair Joan Bush Don Yeomans (b. 1958), Bear Peter Carayiannis Mask (detail), 2009, red cedar, Tony Carella paint, 99.4 x 61.5 x 31.8 cm, Gift Andrew Dunn Diana Hamilton of Christopher Bredt and Jamie Anita Lapidus Cameron, McMichael Canadian Linda Rodeck Art Collection, 2014.6.49 John Silverthorn Tina Tehranchian Michael Weinberg Diane Wilson Rosemary Zigrossi Ex-officio Victoria Dickenson Executive Director and CEO Guests Meegan Guest, Director-in-Training Jane Knop, Director-in-Training Christopher Henley, Foundation Chair Maurice Cullen (1866–1934), Chutes aux Caron, c. 1928, Geoff Simpson, Volunteer Committee President oil on canvas, 102.3 x 153 cm, Gift of Mrs. Janet Heywood, McMichael Canadian Art Collection, 2003.1 McMichael Canadian Art Foundation Board of Directors Christopher Henley, Chair Victoria Dickenson, President David Melo, Treasurer Upkar Arora Jordan Beallor Isabella Bertani Mark Bursey Doris Chan Susan Hodkinson Iain MacInnes Doug McDonald McMichael Honorary Council The McMichael Vision Harry Angus John Bankes H. Michael Burns To be recognized as an extraordinary Jamie Cameron Robert C. Dowsett Jan Dymond place to visit and explore Canadian culture Dr. Esther Farlinger, O.Ont George Fierheller, C.M. and identity, and the connections between Hon.
    [Show full text]
  • Upcoming Events
    Upcoming Events JANUARY Welcome to the January edition of the E-Voice! Check out all the events happening around the province Office Closed Archaeology Centre this month. (1‐1730 Quebec Avenue) JANUARY Department of Archaeology & Anthropology Lecture Series 4:30 ‐ 6:00 pm ARTS 102 (9 Campus Drive) Don't forget to sign up or renew your 2019 SAS membership too! You can either give us a call JANUARY Saskatoon (306-664-4124), stop by, fill out the form (PDF) or go online to our website. Remember our student Archaeological Society Monthly Meeting rate is now only $15/year! 7:00 pm Room 132, Archaeology Building We're starting up our Drop-In Tuesdays again this month. Stop by on January 30th from 1:30 - 3:30 pm 55 Campus Drive at the Archaeology Centre to see what we're up to, chat about all things archaeology, and have a JANUARY Drop‐In Tuesdays coffee/tea and some tasty treats! 1:30 ‐ 3:30 pm Archaeology Centre Stay tuned to our website and social media pages for information on archaeological happenings in the (1‐1730 Quebec Avenue) province and across the world. Each week we feature a Saskatchewan archaeological site on our #TBT "Throwback Thursdays" and archaeology and food posts on our #FoodieFridays! About the SAS Office Hours: Monday to Thursday 9:00 am - 4:00 pm The Saskatchewan Archaeological Friday: by appointment only Society (SAS) is an independent, charitable, non-profit organization that was founded in 1963. We are one of the largest, Seasonal Closure: Monday, January 1st, 2019 to Friday, January 4th, 2019 inclusive most active and effective volunteer organizations on the We will reopen for regular office hours on Monday, January 7th, 2019 at 9:00 am.
    [Show full text]
  • The Winding Road to Success an Indigenous Student’S Story of Resilience and Determination
    REPRESENTING OFF-RESERVE STATUS & NON-STATUS INDIANS, MÉTIS AND INUIT OF SOUTHERN LABRADOR THE INDIGENOUS OICEVOLUME 2 Issue 2 V 2018 A Dance of Reconciliation A New Generation of Cultural Sharing The Winding Road to Success An Indigenous student’s story of resilience and determination VOLUME 2, Issue 2 contents on the cover Photo Credit: Anna Uliana Special Reports CANADA'S RESPONSE 06 to the Descheneaux Decision What Happens Next? Marah (Miigwans) Smith-Chabot THE NEW FACE OF BUSINESS: Features 08 The Social Enterprise MELISSA GILPIN – Aboriginal WELCOME MESSAGE 17 Youth Achievement Award 05 National Chief Robert Bertrand Recipient THE WINDING ROAD TO SUCCESS REMEMBERING CHIEF DWIGHT 11 An Indigenous student’s story of 20 ALLISTER JOHN DOREY resilience and determination “ALL OF OUR RELATIONS”- A DANCE OF RECONCILIATION: 21 Student support centers 14 A New Generation of Cultural assisting post-secondary Sharing. Aboriginal students. THE REBUILDING OF OUR THE TORCH; BE YOURS TO HOLD NATIONS 18 IT HIGH: 25 Remembering Our Indigenous AT YOUR SERVICE Veterans 32 The Congress of Aborginal Peoples ASETS program THE INDIGENOUS VOICE SUMMER 2018 3 THE INDIGENOUS VOICE The Indigenous Voice is the official publication of the Congress Of Aboriginal Peoples. As one of only five national Aboriginal representative organizations recognized by the Government of Canada, CAP advocates for the rights and interests of Métis people, non-status/status Indians living-off reserve and the Inuit of Southern Labrador. CAP represents the interests of its provincial and territorial affiliate organizations. Published Triannually For: Congress Of Aboriginal Peoples 867 St. Laurent Blvd. Ottawa, ON K1K 3B1 Tel: (613) 747-6022 Toll Free: 1(888) 997-9927 Fax: (613) 747-8834 Website: abo-peoples.org Publisher Walter Niekamp Executive Editor Robert Russell Editor Thomas Pashko Graphic Design Specialist Carolyn Beck, B.Des., Beck Designs Sales Manager John Pashko Published by: Publishing Inc.
    [Show full text]