Cree Family Works Trapline

Total Page:16

File Type:pdf, Size:1020Kb

Cree Family Works Trapline CANADA c _ J/ ry, of rloo, -15 of Indian Affairs and Northern Development des AfJaires indiennes el du Nord Canadien Vol. Eleven, No. One Ottawa, Ontario April, 1968 CREE FAMILY J WORKS TRAPLINE A chance trip into a snow The Diamond's trapline covers a canvas covered wigwam out of "Only a fool would work in the covered lake some 11 0 miles north- about 150 square miles of wilder- the top of which a small trail of summer if he didn't have to," said west of Gogama in Northern ness and nets them between $5,000 smoke curled hospitably. Mrs. Diamond. "Summer is for Ontario last winter brought me and $6,000 per year. fun." into a world few people are privi- We all moved into the wigwam I looked around the- campsite. (Continued on page 4) leged to see, and showed me a way and sat down on the spruce bough of life in which contentment is the There was nearby, a pot bubbling merrily -a tin stove with a floor to talk. Grandma Josephine, theme. - on h . moosehead in it for the noon meal. with the rest of the family listen- I had joined a friend in the Ontario Department of Lands and Forests on a routine trip to visit a family of Cree Indians from Rupert Sanitation House who came every winter into the Gogama district to trap beaver. Committee Everything glistened like bril- liants in the morning sun as our Formed plane touched down and taxied to the campsite. About 50 feet above the lake edge, waiting for us, were A Health Committee was formed the whole family. There was recently on the Micmac Reserve Grandpa Bertie Diamond, his wife near Shubenacadie, Nova Scotia, Josephine and their two younger and it -indicates a growing aware- sons, Richard and Sinclair; their ness to the problems of health on older married son Luke and his reserves today. wife Gertie and their two younger Mrs. Marion Levi, an active daughters, Linda and Marce1la; health worker on the Big Cove cousin Jimmy Waskeyjan, his wife Reserve, was invited to meet and Annie and their children, Shirley, discuss the merits of a Health Com- Bentley, Greta and Wilfred. mittee, with residents of the re- With inherent Indian shyness serve. and courtesy, they waited for us, Following the discussions, im- the visitors, to speak first, and then mediate action was taken and left grandma Josephine, with her officers of the newly formed Health grade 8 convent education to be Committee were elected. Mrs. the spokesman. Yvonne Peter-Paul was elected "In the late fall", she said, "we President while Mrs. Annie Mae come into the Gogama district to Knockwood and Mrs. Raymond trap because the beaver is more Brooks were elected to the posi- plentiful here than at home, near PRODUCTS OF NATURE- L-R: Mr. Birdie Diamond, Mr. Jimmy tions of Vice-President and Secre- Rupert House. Whiskeyjan, and Mr. Luke Diamond display their snowshoes and sleigh, tary-Treasurer respectively. proof of their handicraft and bush skill. "We usually charter an airplane (Photo - The Outdoorsman, Toronto) At their first official meeting, to fly us and our supplies into plans were formulated to initiate whatever spot we decide to use as A little farther on lay three re- ing intently a n d occasionally a weekly garbage collection. This our starting point. ·Then we work cently trapped beavers on the snow. prompting in Cree, talked of their is a major step in improving the our -way around the traplines, To one side, there was a huge life as trappers in the Canadian health standards of the reserve finishing at the beginning of May ... metal washtub in which was soak- northern winter. This, s_he said, settlement and it is hoped it will and then we go back home to ing a moose hide, and in the mid- was the season of the year that they create initiative to carry out other Rupert House." dle of a small clearing there was worked and made their livi g worthy o jects along this nature. Page Two THE INDIAN NEWS April, 1968 Subventions aux programmes Un groupe d'lndiens des collectivites ravive ses danses La Direction generate des affaires Le programme a pour objectif Plusieurs tribus du Canada ont assemblee, les membres de la indiennes execute depuis pres de secondaire de laisser a !'initiative conserve integralement les danses troupe ont decide de limiter leurs quatre ans un programme de ser­ des bandes Ia mise en reuvre de et ceremonies traditionnelles que tournees, pendant l'hiver, auX. ecoles vices communautaires destine a fa­ divers programmes, comme les ser­ leur ont leguees leurs ancetres. secondaires de la region avoisinante. voriser le developpement social des vices de bien-etre et !'administra­ Comme ces valeurs font partie de Ainsi, esperent-ils mieux interpreter collectivites indiennes a travers le tion des fonds dont s'occupent leur culture et de leur mode de vie, leur culture au sein des groupes actuellement les surintendants des elles ont contribue a entretenir chez non indiens. ~ anada. J affaires indiennes. Les fonds peu­ eux un sentiment de fierte et de \ En vertu de ce J rogramme, elle vent etre deposes directement au dignite a titre d'Indiens. Ils sont tres occupes a confec­ ~ccorde notammen:' une aide finan­ compte des bandes qui sont dispo­ tionner des costumes, car plus d'un ciere aux bandes indiennes qui de- sees a assumer cette responsabilite Ces dernieres annees, d'autres jeune participant,. dont les vete­ sirent diriger leurs propres affaires. et sont en mesure de le faire. tribus ont manifeste un regain d'in­ ments sont devenus trop petits, a On aura une idee de Ia popularite teret a cet egard, en ravivant diver­ besoin d'etre habille a neuf. Les bandes qui adminis~rent ces de ce programme si l'on note que ses formes d'activite culturelle, fonds prennent les decisions qui, telles que les danses et les cere­ Leur calendrier comporte notam­ les fonds de $66,892 accordes en autrement, seraient prises par Ia ment une representation organisee 1965-1966 feront probablement monies tribales. Deja, elles sont en Direction. S'il le desire, le Conseil train de montrer a Ia societe non a !'occasion du souper que donne place, en 1967-1968, a un budget peut demander une aide d'orienta­ indienne que les danses indiennes le Conseil de bande pour marquer de $549,000. tion, en vue de prendre des deci­ constituent autre chose qu'un ele­ l'investiture d'un nouveau chef. Le programme a pour but de sions et de Jes mettre .en reuvre, ment pittoresque de production favoriser l'autonomie des bandes mais c'est lui, et non la Direction, cinematographique ou d'emission indiennes. 11 est a esperer que ces qui veille a !'affectation des fonds. televisee. subventions permettront aux bandes Pour de plus amples renseigne­ Les interpretes de danses rituelles de recruter et de former des em­ ments sur les demandes d'aide, des Indiens Maliseet habitant la ployes competents qui administre­ veuillez communiquer ·avec Ie bu­ reserve de Tobique (N.-B.) ne font ront les affaires de Ia bande, sous reau de votre Agence ou avec le pas exception. Au cours des der­ la direction du Conseil de bande. bureau regional de votre province. nieres annees, ils ont forme, avec l'aide et les conseils de Mme Marjorie Perley, une troupe de danseurs qui comprend a la fois des adultes et des enfants. Au cours de l'ete, ils ont donne de nombreuses representations en Des Hurons de passage divers endroits. A leur derniere a Ottawa La Direction verse annuellement CA1 . IA 59 .. !54 . une somrne calculee selon un taux convenu par acre, selon le nombre total d'acres de ]a region protegee. En 1967, le montant affecte a la I II I I~ ~ I~I I III\ \~\ ~IIII I~ II !lilllll\1\lll~ 1111111 Une assurance protection des forets s'est eleve a a3 11 87 0 11 75 3272 b $100,000, ce qui represente un taux d'assurance relativement bas peu couteuse: Ia en comparaison des services rendus. Pour sa part, la province assure prevention des des services de detection et de suppression a l'egard des incendies qui se produisent au sein ou a feux de foret! proximite des reserves. Dans bien des cas, elle engage des Indiens, qui excellent a la repression des Ces dernieres annees, la Direction incendies. generate des affaires indiennes a conclu des accords avec plusieurs La protection des forets repre­ gouvernements provinciaux en vue sente une aide financiere directe de proteger plus de 3 millions aux bandes indiennes, tout en ai­ d'acres de forets situees dans les dant l'economie du pays. Elle per­ reserves indiennes. met une production soutenue de bois de pate, de poteaux, de bois de Ce genre d'accord a ete conclu charpente et d'autres produits grace pour la premiere fois en 1962 avec auxquels le Canada peut garder sa l'Ontario, puis avec la Colombie­ place sur Ie marche mondial. Les L'UNIQUE CHEF HURON DU CANADA et les dirigeants de Ia reserve Britannique, I' Alberta, la Saskatche­ accords avec les gouvemements pro­ ont visite ·Onawa recemment et ont discute de la question de terrain qui wan, le Manitoba et le Nouveau­ vinciaux offrent un moyen pratique ajjectc leur reserve, avec le ministre des Affaires indiennes, M. Arthur Brunswick. et peu couteux d'assurer ]a pro­ · Laing. Premiere rangee, de gauche ·a droite: M. Bruno Gros-Louis, tection des forets contre le feu. president du dhL.eloppement communautaire; le grand chef Max Gros- Les resultats ont ete excellents Louis,·- le chef adjoint, Marcel Sioux.
Recommended publications
  • Knowledge Organiser: How Do Artists Represent Their Environment
    Knowledge Organiser: How do Artists represent their environment through painting? Timeline of key events 1972 – Three First Nations artists did a joint exhibition in Winnipeg 1973 – Following the success of the exhibition, three artists plus four more, created Indian Group Of Seven to represent Indian art and give it value and recognition. 1975 – Group disbanded Key Information Artists choose to work in a particular medium and style. They represent the world as they see it. Key Places Winnipeg, Manitoba, Ontario, British Columbia, Alberta Key Figures Daphne Odjig 1919 – 2016 Woodland style, Ontario; moved to British Columbia Alex Janvier 1935 – present Abstract, represent hide-painting, quill work and bead work; Alberta Jackson Beardy 1944 - 1984, Scenes from Ojibwe and Cree oral traditions, focusing on relationships between humans and nature. Manitoba. Eddy Cobiness 1933 – 1996 Life outdoors and nature; born USA moved to winnipeg Norval Morrisseau 1931 – 2007 Woodland stlye; Ontario, also known as Copper Thunderbird Carl Ray 1943 – 1978 Woodland style, electrifying colour (founder member); Ontario Joseph Sanchez 1948 – present Spritual Surrealist; Born USA moved to Manitoba Christi Belcourt 1966 – present Metis visual artist, often paints with dots in the style of Indian beading – Natural World; Ontario Key Skills Drawing and designing: Research First Nations artists. Identify which provinces of Canada they come from. Compare and contrast the works of the different artists. Take inspiration from the seven artists to plan an independent piece of art based on the relevant artist: • Give details (including own sketches) about the style of some notable artists, artisans and designers. • type of paint, brush strokes, tools Symbolic representation • Create original pieces that show a range of influences and styles based on the Indian Group of Seven and their work.
    [Show full text]
  • What Is Planet Indigenus ? “We Are All from Somewhere, a Place on This Earth from Where We Trace Our Ancestors
    August 2011 issue What is Planet IndigenUs ? “We are all from somewhere, a place on this earth from where we trace our ancestors. Indigenous people trace ancestry back through time immemorial to places of origin; places where they are rooted; and places that brought forth a unique culture, language, spiritual framework and environment.” Planet IndigenUs is about Us After a long and exhaustive search, I am very pleased to announce that Jerry Longboat has been appointed as Co- Artistic Director of Planet IndigenUs festival . Jerry Longboat is Mohawk- Cayuga of the Iroquois Confederacy; he is Turtle clan from Six Nations of the Grand River in Southern Ontario. Jerry Jerry Longboat has a Bachelor of Fine Arts Degree from the University of Michigan and the Ontario College of Art and Design. He has extensive professional training and practice in traditional and contemporary forms of visual art, dance, theatre and storytelling. Jerry creates from the oral traditions of his people; history, teachings and stories. In 2002, after a 15 year artistic career, Jerry began work as a Program Officer at the Canada Council for the Arts, working with Aboriginal dancers and dance organizations across Canada. Then in 2010, Jerry joined the Wabano Centre for Aboriginal Health as Cultural Coordinator to deepen his work with community. He is very excited to bring his passion for nurturing the rich, cultural and artistic legacies of First Peoples to the Planet Indigenous Festival. Jerry will be relocating from Ottawa and will join the Harbourfront Centre team on August 22, 2011. He will work with Janis Monture, the amazing Executive Director of the Woodland Cultural Centre in Brantford (our Planet IndigenUs producing partner) who is Co-Artistic Director for 2012, and served as AD for the 2009 festival.
    [Show full text]
  • Overlapping Violent Histories: a Curatorial Investigation Into Difficult Knowledge Curated by Noor Bhangu
    Overlapping Violent Histories: A Curatorial Investigation into Difficult Knowledge Curated By Noor Bhangu February 9 - March 9, 2018 Kitchen-Table Discussion: March 8, 12:30-1:30 PM Winnipeg is no stranger to violence or violent histo- heels of such projects, Overlapping Violent Histories: general audience that happens to encounter the work ries. Its geographical position at the heart of Canada A Curatorial Investigation into Difficult Knowledge in the oft-decontextualized setting of the art gallery. and its cultural position as a meeting ground be- brings together the work of Jackson Beardy, Caroline Of course, as a curator of this exhibition I, too, plead tween diverse communities have pushed it to play Dukes, Takao Tanabe, and KC Adams to consider the guilty on counts of decontextualisation by favouring host to the darkest of local, national, and international place of historical trauma in each artist’s practice. In specific elements of a work and leaving out others. currents, including the ongoing colonization of Indig- deliberately drawing on the cross-cultural intersection I take refuge in Luis Camnitzer’s theorization of the enous people, Japanese internment, the settlement between the artists, I aim to build on the potential for curatorial order: “The discourse or thesis of the curator of Icelandic immigrants in Gimli, the influx of Russian visual art and exhibition spaces to function as sites for may contradict the discourse of the artist, because Mennonites and Jewish holocaust survivors in the social-engaged dialogues. the curator extrapolates from the presentation of twentieth century, and the marginalization of Euro- artworks in a way that is not necessarily determined pean immigrants and immigrants of colour.
    [Show full text]
  • Native Showcase 2004 Program
    Native Cinema Showcase August 18 - 24, 2004 1050 Old Pecos Trail • Santa Fe, New Mexico • 505 982 1338 ON THE CORNER (2003, 90 min.) Canada. Director: Nathaniel Geary. Actors: THE NATIVE CINEMA SHOWCASE Alex Rice (Mohawk) and Simon Baker (Cree). is an international film and video festival held during Indian Named the best Canadian film by the critics at the 2003 Toronto Market to celebrate the creativity of Native cinema today. International Film Festival, On the Corner is a raw, true-to-life This yearʼs showcase features Native stories and peoples from view of Native people living on the mean streets of Vancouverʼs Australia, Brazil, Canada, Mexico, New Zealand, the Siberian Downtown Eastside. Angel, supporting her heroin addiction by Arctic, and the United States. Produced by the Smithsonian working as a prostitute, tries to turn her life around when she sees National Museum of the American Indian and the Center for Black Cloud her teenage brother sinking into the same black hole thatʼs consum- Contemporary Arts of Santa Fe, the showcase exhibits preemi- ing her. Compelling performances bring to life the ravages of this nent contemporary Native cinema to the northern New Mexico unforgiving world, as well as the humanity and courage of those community and national and international visitors who come to who are caught in it. Santa Fe for Indian Market. A THIEF OF TIME (2003, 94 min.) U.S. Director: Chris Eyre (Cheyenne/Arapaho). THE COMPLETE PROGRAM Executive Producers: Robert Redford and Rebecca Eaton. Producer: Craig McNeil BLACK CLOUD (2004, 97 min.,) U.S. Director and writer: Rick Schroder.
    [Show full text]
  • Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022
    Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022 April 2021 Deadline Organization Community Project Allocation First Nations Resiliency in Cultural Reclamation project will pass on t raditional cultural Agency Chiefs Tribal Council protocols to the youth and reclamation of pride in First Nations identity will be Inc. Spiritwood achieved. $ 20,000.00 Beauval Minor Sports and Recreation - Northern Village of Elders Land Based Learning project will engage Elders only in hands-on land based Beauval Beauval learning and activities. $ 10,000.00 Community Engagement/Tradition Ecological Knowledge Gathering project will develop our story about the knowledge practices that are part of the ecology of our Big Island Lake Cree Nation Pierceland land and our traditional knowledge. $ 19,500.00 Youth Arts and Wellness project will rekindle in the younger generation Indigenous Bird's Culture Camps Corp. Southend Culture, knowledge, skills, and traditions that have been lost over the years. $ 10,000.00 Central Urban Métis Federation Inc. Saskatoon Métis Cultural Days will focus on the cultural contributions of the Métis Elders. $ 12,500.00 Poundmaker Indigenous Performance Festival-Knowledge Series presents local and international Indigenous artists and knowledge keepers and artists in presentational, Chief Poundmaker Museum Paynton workshop and interactive presentations. $ 25,000.00 Circle of Voices 2021-2022 program introduces and/or re-connects youth to Indigenous Gordon Tootoosis Nikaniwin traditions and storytelling by mentoring students in theatre training, life skills, and Theatre Inc. Saskatoon cultural protocols. $ 10,530.00 SaskCulture Phone: (306) 780-9284 Contact SaskCulture for more 404 - 2125 11th Avenue www.saskculture.ca information about this funding program.
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • Download Curriculum Vitae
    Dr. DAPHNE ODJIG C.M., O.B.C., R.C.A., L.L.B. Governor General’s Laureate, Visual & Media Arts 2007 Daphne Odjig is a Canadian artist of Aboriginal ancestry. She was born September 11,1919 and raised on the Wikwemikong Unceded Indian Reserve on Manitoulin Island (Lake Huron), Ontario. Daphne Odjig is the daughter of Dominic Odjig and Joyce Peachey. Her father and her grandfather, Chief Jonas Odjig, were Potawatomi, descended from the great chief Black Partridge. Her mother was an English war bride. The Odjig family was among the Potawatomi who migrated north and settled in Wikwemikong after the War of 1812. The Potawatomi (Keepers of the Fire) were members with the Ojibwa and Odawa, of the Three Fires Confederacy of the Great Lakes. Daphne passed away at age 97 in Kelowna, BC on October 1, 2016. Art Media: Oils, Acrylics, Silkscreen Prints, Murals, Pen and Ink, Pastels, Watercolours, Coloured Pencils Recent and Upcoming Exhibitions: Daphne Odjig: Four Decades of Prints Touring exhibition of limited edition prints organized by the Kamloops Art Gallery ❖ Kamloops Art Gallery, Kamloops BC, June 8 – Aug 31, 2005 ❖ Winnipeg Art Gallery, Winnipeg MN April 22 – July 16, 2006 ❖ Canadian Museum of Civilization , Ottawa January 18 – April 20, 2008 The Drawings and Paintings of Daphne Odjig: A Retrospective Exhibition Touring exhibition organized by Art Gallery of Sudbury and National Gallery of Canada ❖ Art Gallery of Sudbury, Sudbury ON September 15 – November 11, 2007 ❖ Kamloops Art Gallery, Kamloops BC June 8 – August 31, 2008 ❖ McMichael Canadian Art Collection, Kleinberg ON Oct. 4 , 2008 – Jan 4, 2009 ❖ Institute of American Indian Arts Museum, Santa Fe NM, June 26 – Sept.
    [Show full text]
  • Witnesswitness
    Title Page WitnessWitness Edited by Bonnie Devine Selected Proceedings of Witness A Symposium on the Woodland School of Painters Sudbury Ontario, October 12, 13, 14, 2007 Edited by Bonnie Devine A joint publication by the Aboriginal Curatorial Collective and Witness Book design Red Willow Designs Red Willow Designs Copyright © 2009 Aboriginal Curatorial Collective and Witness www.aboriginalcuratorialcollective.org All rights reserved under international copyright conventions. Published in conjunction with the symposium of the same title, October 12 through 15, 2007. Photographs have been provided by the owners or custodians of the works reproduced. Photographs of the event provided by Paul Gardner, Margo Little and Wanda Nanibush. For Tom Peltier, Jomin The Aboriginal Curatorial Collective and Witness gratefully acknowledge the financial support of the Canada Council for the Arts and the Ontario Arts Council Cover: Red Road Rebecca Belmore October 12 2007 Image: Paul Gardner Red Willow Designs Aboriginal Curatorial Collective / Witness iii Acknowledgements This symposium would not have been possible without the tremendous effort and support of the Art Gallery of Sudbury. Celeste Scopelites championed the proposal to include a symposium as a component of the Daphne Odjig retrospective exhibition and it was her determination and vision that sustained the project through many months of preparation. Under her leadership the gallery staff provided superb administrative assistance in handling the myriad details an undertaking such as this requires. My thanks in particular to Krysta Telenko, Nancy Gareh- Coulombe, Krista Young, Mary Lou Thomson and Greg Baiden, chair of the Art Gallery of Sudbury board of directors, for their enthusiasm and support.
    [Show full text]
  • Woodlands the Alberta Foundation for the Arts Travelling Exhibition Program the Interpretive Guide
    Interpretive Guide & Hands-on Activities The Alberta Foundation for the Arts Travelling Exhibition Program Woodlands The Alberta Foundation for the Arts Travelling Exhibition Program The Interpretive Guide The Art Gallery of Alberta is pleased to present your community with a selection from its Travelling Exhibition Program. This is one of several exhibitions distributed by The Art Gallery of Alberta as part of the Alberta Foundation for the Arts Travelling Exhibition Program. This Interpretive Guide has been specifically designed to complement the exhibition you are now hosting. The suggested topics for discussion and accompanying activities can act as a guide to increase your viewers’ enjoyment and to assist you in developing programs to complement the exhibition. Questions and activities have been included at both elementary and advanced levels for younger and older visitors. At the Elementary School Level the Alberta Art Curriculum includes four components to provide students with a variety of experiences. These are: Reflection: Responses to visual forms in nature, designed objects and artworks Depiction: Development of imagery based on notions of realism Composition: Organization of images and their qualities in the creation of visual art Expression: Use of art materials as a vehicle for expressing statements The Secondary Level focuses on three major components of visual learning. These are: Drawings: Examining the ways we record visual information and discoveries Encounters: Meeting and responding to visual imagery Composition: Analyzing the ways images are put together to create meaning The activities in the Interpretive Guide address one or more of the above components and are generally suited for adaptation to a range of grade levels.
    [Show full text]
  • Reclaiming Indigenous Narratives Through Critical Discourses and the Autonomy of the Trickster
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Michigan Technological University Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2014 Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster Robert D. Hunter Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons Copyright 2014 Robert D. Hunter Recommended Citation Hunter, Robert D., "Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster", Dissertation, Michigan Technological University, 2014. https://digitalcommons.mtu.edu/etds/746 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons RECLAIMING INDIGENOUS NARRATIVES THROUGH CRITICAL DISCOURSES AND THE AUTONOMY OF THE TRICKSTER By Robert D. Hunter A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric and Technical Communication MICHIGAN TECHNOLOGICAL UNIVERSITY 2014 © 2014 Robert D. Hunter This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric and Technical Communication. Department of Humanities Dissertation Advisor: Elizabeth A. Flynn Committee Member: Dieter Wolfgang Adolphs Committee Member: Kette Thomas Committee Member:
    [Show full text]
  • How a TV Drama Set in a First Nations Community Is Resonating Around the World
    Universal Realities: How a TV Drama Set in a First Nations Community is Resonating Around the World Sierra Bilton NOTICE: This is an archived version of the following article: Bilton, S. (2016). Universal realities: How a TV drama set in a First Nations community is resonating around the world. The Scavenger, 3. Retrieved from https://macewanjournalism.com/2164‐2/ Permanent link to this version http://roam.macewan.ca/islandora/object/gm:1387 License All Rights Reserved This document has been made available through RO@M (Research Online at Macewan), a service of MacEwan University Library. Please contact [email protected] for additional information. Universal realities How a TV drama set in a First Nations community is resonating around the world By: Sierra Bilton Showrunner Ron E. Scott and actress Carmen Moore (counsellor Leona Stoney) say they are passionate about Blackstone’s authenticity. NYONE who says Canadian TV is missing out on the boom of premium network drama should watch Blackstone, a little known Canadian drama with world-class ambitions, that has arguably done better in international markets than at home. This is the stuff that The Sopranos and Breaking Bad are made of. The series’ unflinchingly gritty and realistic depiction of life on Canada’s indigenous reserves has been applauded by activist groups and honoured with a truckload of award nominations. Blackstone has also earned itself a worldwide audience that, thanks to Netflix, may be set to expand exponentially. 1 | P a g e The series revolves around the fictional Blackstone reserve, which seems to be forever facing disintegration by its own hands, and every episode carries an M18 warning: mature content; suitable for viewers over 18.
    [Show full text]
  • Celebrating 60 Years: the ACTRA STORY This Special Issue Of
    SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve
    [Show full text]