What Is Planet Indigenus ? “We Are All from Somewhere, a Place on This Earth from Where We Trace Our Ancestors
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Native Showcase 2004 Program
Native Cinema Showcase August 18 - 24, 2004 1050 Old Pecos Trail • Santa Fe, New Mexico • 505 982 1338 ON THE CORNER (2003, 90 min.) Canada. Director: Nathaniel Geary. Actors: THE NATIVE CINEMA SHOWCASE Alex Rice (Mohawk) and Simon Baker (Cree). is an international film and video festival held during Indian Named the best Canadian film by the critics at the 2003 Toronto Market to celebrate the creativity of Native cinema today. International Film Festival, On the Corner is a raw, true-to-life This yearʼs showcase features Native stories and peoples from view of Native people living on the mean streets of Vancouverʼs Australia, Brazil, Canada, Mexico, New Zealand, the Siberian Downtown Eastside. Angel, supporting her heroin addiction by Arctic, and the United States. Produced by the Smithsonian working as a prostitute, tries to turn her life around when she sees National Museum of the American Indian and the Center for Black Cloud her teenage brother sinking into the same black hole thatʼs consum- Contemporary Arts of Santa Fe, the showcase exhibits preemi- ing her. Compelling performances bring to life the ravages of this nent contemporary Native cinema to the northern New Mexico unforgiving world, as well as the humanity and courage of those community and national and international visitors who come to who are caught in it. Santa Fe for Indian Market. A THIEF OF TIME (2003, 94 min.) U.S. Director: Chris Eyre (Cheyenne/Arapaho). THE COMPLETE PROGRAM Executive Producers: Robert Redford and Rebecca Eaton. Producer: Craig McNeil BLACK CLOUD (2004, 97 min.,) U.S. Director and writer: Rick Schroder. -
Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022
Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022 April 2021 Deadline Organization Community Project Allocation First Nations Resiliency in Cultural Reclamation project will pass on t raditional cultural Agency Chiefs Tribal Council protocols to the youth and reclamation of pride in First Nations identity will be Inc. Spiritwood achieved. $ 20,000.00 Beauval Minor Sports and Recreation - Northern Village of Elders Land Based Learning project will engage Elders only in hands-on land based Beauval Beauval learning and activities. $ 10,000.00 Community Engagement/Tradition Ecological Knowledge Gathering project will develop our story about the knowledge practices that are part of the ecology of our Big Island Lake Cree Nation Pierceland land and our traditional knowledge. $ 19,500.00 Youth Arts and Wellness project will rekindle in the younger generation Indigenous Bird's Culture Camps Corp. Southend Culture, knowledge, skills, and traditions that have been lost over the years. $ 10,000.00 Central Urban Métis Federation Inc. Saskatoon Métis Cultural Days will focus on the cultural contributions of the Métis Elders. $ 12,500.00 Poundmaker Indigenous Performance Festival-Knowledge Series presents local and international Indigenous artists and knowledge keepers and artists in presentational, Chief Poundmaker Museum Paynton workshop and interactive presentations. $ 25,000.00 Circle of Voices 2021-2022 program introduces and/or re-connects youth to Indigenous Gordon Tootoosis Nikaniwin traditions and storytelling by mentoring students in theatre training, life skills, and Theatre Inc. Saskatoon cultural protocols. $ 10,530.00 SaskCulture Phone: (306) 780-9284 Contact SaskCulture for more 404 - 2125 11th Avenue www.saskculture.ca information about this funding program. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Cree Family Works Trapline
CANADA c _ J/ ry, of rloo, -15 of Indian Affairs and Northern Development des AfJaires indiennes el du Nord Canadien Vol. Eleven, No. One Ottawa, Ontario April, 1968 CREE FAMILY J WORKS TRAPLINE A chance trip into a snow The Diamond's trapline covers a canvas covered wigwam out of "Only a fool would work in the covered lake some 11 0 miles north- about 150 square miles of wilder- the top of which a small trail of summer if he didn't have to," said west of Gogama in Northern ness and nets them between $5,000 smoke curled hospitably. Mrs. Diamond. "Summer is for Ontario last winter brought me and $6,000 per year. fun." into a world few people are privi- We all moved into the wigwam I looked around the- campsite. (Continued on page 4) leged to see, and showed me a way and sat down on the spruce bough of life in which contentment is the There was nearby, a pot bubbling merrily -a tin stove with a floor to talk. Grandma Josephine, theme. - on h . moosehead in it for the noon meal. with the rest of the family listen- I had joined a friend in the Ontario Department of Lands and Forests on a routine trip to visit a family of Cree Indians from Rupert Sanitation House who came every winter into the Gogama district to trap beaver. Committee Everything glistened like bril- liants in the morning sun as our Formed plane touched down and taxied to the campsite. About 50 feet above the lake edge, waiting for us, were A Health Committee was formed the whole family. -
Reclaiming Indigenous Narratives Through Critical Discourses and the Autonomy of the Trickster
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Michigan Technological University Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2014 Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster Robert D. Hunter Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons Copyright 2014 Robert D. Hunter Recommended Citation Hunter, Robert D., "Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster", Dissertation, Michigan Technological University, 2014. https://digitalcommons.mtu.edu/etds/746 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons RECLAIMING INDIGENOUS NARRATIVES THROUGH CRITICAL DISCOURSES AND THE AUTONOMY OF THE TRICKSTER By Robert D. Hunter A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric and Technical Communication MICHIGAN TECHNOLOGICAL UNIVERSITY 2014 © 2014 Robert D. Hunter This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric and Technical Communication. Department of Humanities Dissertation Advisor: Elizabeth A. Flynn Committee Member: Dieter Wolfgang Adolphs Committee Member: Kette Thomas Committee Member: -
How a TV Drama Set in a First Nations Community Is Resonating Around the World
Universal Realities: How a TV Drama Set in a First Nations Community is Resonating Around the World Sierra Bilton NOTICE: This is an archived version of the following article: Bilton, S. (2016). Universal realities: How a TV drama set in a First Nations community is resonating around the world. The Scavenger, 3. Retrieved from https://macewanjournalism.com/2164‐2/ Permanent link to this version http://roam.macewan.ca/islandora/object/gm:1387 License All Rights Reserved This document has been made available through RO@M (Research Online at Macewan), a service of MacEwan University Library. Please contact [email protected] for additional information. Universal realities How a TV drama set in a First Nations community is resonating around the world By: Sierra Bilton Showrunner Ron E. Scott and actress Carmen Moore (counsellor Leona Stoney) say they are passionate about Blackstone’s authenticity. NYONE who says Canadian TV is missing out on the boom of premium network drama should watch Blackstone, a little known Canadian drama with world-class ambitions, that has arguably done better in international markets than at home. This is the stuff that The Sopranos and Breaking Bad are made of. The series’ unflinchingly gritty and realistic depiction of life on Canada’s indigenous reserves has been applauded by activist groups and honoured with a truckload of award nominations. Blackstone has also earned itself a worldwide audience that, thanks to Netflix, may be set to expand exponentially. 1 | P a g e The series revolves around the fictional Blackstone reserve, which seems to be forever facing disintegration by its own hands, and every episode carries an M18 warning: mature content; suitable for viewers over 18. -
Celebrating 60 Years: the ACTRA STORY This Special Issue Of
SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve -
Reclaiming Indigenous Narratives Through Critical Discourses and the Autonomy of the Trickster
Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2014 Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster Robert D. Hunter Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons Copyright 2014 Robert D. Hunter Recommended Citation Hunter, Robert D., "Reclaiming Indigenous Narratives through Critical Discourses and the Autonomy of the Trickster", Dissertation, Michigan Technological University, 2014. https://doi.org/10.37099/mtu.dc.etds/746 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric Commons RECLAIMING INDIGENOUS NARRATIVES THROUGH CRITICAL DISCOURSES AND THE AUTONOMY OF THE TRICKSTER By Robert D. Hunter A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Rhetoric and Technical Communication MICHIGAN TECHNOLOGICAL UNIVERSITY 2014 © 2014 Robert D. Hunter This dissertation has been approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY in Rhetoric and Technical Communication. Department of Humanities Dissertation Advisor: Elizabeth A. Flynn Committee Member: Dieter Wolfgang Adolphs Committee Member: Kette Thomas Committee Member: Latha Poonamallee Department Chair: Ronald Strickland 3 TABLE OF CONTENTS Preface ................................................................................................................................................ -
Michael Greyeyes Forum
Forum Michael Greyeyes He Who Dreams: Reflections on an Indigenous Life in Film1 This performative text was delivered by Michael Greyeyes as a keynote address at “Indigenous Film and Media in an International Context,” a conference hosted by Wilfred Laurier University in association with York University in May 2007. The text examines a life in cinema through a post-colonial lens. Michael Greyeyes, an established screen actor and educator, explores the means by which native culture is constructed through media images and how indigenous performers resist, subvert and re-write these constructions as part of their collective mandate to reclaim their own images and portrayals on screen. Ce texte performatif a été livré par le conférencier Michael Greyeyes à Waterloo en mai 2007 lors d’un colloque sur le cinéma et les médias indigènes dans un contexte international organisé conjointement par l’Université Wilfrid Laurier et l’Université York. Greyeyes présente une vie au cinéma telle que vue à travers une lentille postcoloniale. Comédien de cinéma accompli et pédagogue, l’auteur explore les moyens par lesquels la culture autochtone est construite dans les images média et ceux par lesquels un performer indigène peut résis- ter à cette construction, la subvertir et la réécrire. Tel serait en partie son mandat collectif: réclamer les images et les représentations de l'Autochtone au grand écran. he performer stood in front of a blank white screen upon Twhich projections appeared. Throughout the address, the performer read aloud from several scripts, which included dialogue, stage directions, shot descriptions, etc. Stage directions for the keynote performance itself, which were not read aloud and which indicate the style of presentation, are here (italicized and placed in parentheses). -
Stories from the Seventh Fire
STORIES FROM THE STORIES FROM THE Series Synopsis . 3 Episode Summaries . 4 Production Notes . 6 Cast and Crew Bios . 9 Awards . .16 Screenings . .17 Credits . 19 Quotables . 29 Contact . table. of. .contents . 30 STORIES FROM THE I n Native-Canadian culture, storytelling is an age-old art form designed to share wisdom and history. In today’s world this ancient oral tradition is more meaningful than ever, building bridges between young and old, between regions and cultures around the world. Produced in English and Cree, Stories from the Seventh Fire was inspired by a prophecy from an Ojibway elder who foretold of a time when we would seek out these stories and old teachings to reconnect with Mother Earth. Four half-hour episodes of Stories from the Seventh Fire present the seasons, Spring, Summer, Fall and Winter combining 2-D, Flash and 3-D animation, live action nature footage and the voices of some of Canada’s best-loved Native performers. Each episode explores a season with two stories. In the first half of the show the Storyteller (Gordon Tootoosis) tells ancient stories about the Cree trickster, Wesakechak (Johnny Waniandy), using the animated characters set in motion by Vancouver’s Bardel Animation (Stickin' Around, Prince of Egypt). The animated characters, creatures and landscapes are based on designs created by shaman and renowned Aboriginal artist, Norval Morrisseau. His unique style is famous for its bold, vivid colours and spiritually inspired designs. In the second half of the program a 3-D digital Mother Wolf (Tantoo Cardinal) and her cubs are brought to life by computer-animators Bioware (Baldur's Gate, Winter) and AurenyA Entertainment (Elfkin's First Christmas, Spring, Summer and Fall). -
Magazine Forbargaining
ACTRAmagazine WINTER 2012 Gearingup forBargaining Performers in the driver’s seat ACTRA Inside magazine your union f r Winter 2012 • Vol. 19, Issue 1 o m ACTRA magazine is the official publication of ACTRA T (Alliance of Canadian Cinema, Television and Radio magazine H Artists), a Canadian union of performers affiliated to 20 E A the Canadian Labour Congress (CLC) and the L InternationalFederationofActors(FIA).ACTRAmagazine L is free of charge to all ACTRA members. I A N EDITORIAL ADVISORY C COMMITTEE: E Joanne Deer, Ferne Downey, Carol Taverner, O Theresa Tova, Stephen Waddell, F Jeremy Webb, Christine Willes C A N CONTRIBUTORS: A Tina Alford, DJ Anderson, Mike Burns, D Mark D. Claxton, Chris Cornish, Ferne Downey, I Ted Dykstra, Chris Faulkner, Sarah Gadon, A Cary Lawrence, Jessica Paes, Billy Parrott, N Gary Saxe, Marit Stiles, Michelle Thrush, C Theresa Tova, Stephen Waddell, Tony Walsh, I 4 22 N Jeremy Webb, Christine Webber, E Karen Woolridge, Carmelo Zucco. M A LAYOUT & DESIGN: , Erick Querci • CreativeProcessDesign T E [email protected] Lobby Days 2011…ACTRA on the Hill L 24 E V Printed in Canada by union labour I S at Thistle Printing. I O All contents are copyright © 2012 ACTRA. N Treaty Co-Productions: A Q&A with Sarah Gadon 26 All rights are reserved and contents, in whole A or in part may not be reprinted without N permission. The points of view expressed do D not necessarily represent those of ACTRA. R A Please return any undelivered mail to: D ACTRA, 300 - 625 Church Street, I 10 O Toronto, ON, M4Y 2G1 A Phone: R 1.800.387.3516 or 416.489.1311 T Fax: 416.489.8076 I S Email: [email protected] Low Budget? No Budget? T 16 S Web: www.actra.ca !ree productions that put ACTRA’s Indie Agreements to work. -
Grand Chief Leads Housing Strategy Settle a Longstanding Land Dis- Pute
Volume 17 Issue 10 Published monthly by the Union of Ontario Indians - Anishinabek Nation Single Copy: $2.00 December 2005 IN THE Chief Jeff at Nipissing Jeff Hutcheson, host of the popular CTV network morning program Canada AM, brought his crew to Nipissing First Nation for a Nov. 17 NEWS visit. Among the gifts presented to Hutcheson – whose hosts dubbed the popular forecaster "He Who Sees the Weather Naponse on committee Approaching" – were a Plains-style head-dress, a pair of mitts and BRANTFORD – Union of apron presented by community member Echo McLeod- Ontario Indians board member Shabogesic. Details on page 13. – Photo by Priscilla Goulais Jeanne Naponse, Whitefish Lake First Nation, will sit on a new committee advising the Ontario government on improving access for aboriginal students to post- secondary education. The province will invest $10.2 mil- lion this year- rising to $55 mil- lion by 2009-10 - to help post- secondary institutions deliver programs that improve access for groups including Aboriginal peoples. Cash for Kash GARDEN RIVER FN – Over $9,000 has been donated to a fund launched by the Union of Ontario Indians to support evac- uated residents of Kashechewan First Nation. Allan Moffat, gen- eral manager at the Anishinabek Nation Credit Union where the fund was established, says the total repressnts contributions from three First Nations, three Ontario credit unions, and the Union of Ontario Indians. More on Kashechewan on page 21. Fort William grows FORT WILLIAM FN – This Thunder Bay-area First Nation has accepted $3.4 million and 18.6 hectares (46 acres) of land at the base of Mount McKay to Grand Chief leads housing strategy settle a longstanding land dis- pute.