Grand Chief Leads Housing Strategy Settle a Longstanding Land Dis- Pute
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National Aboriginal Awareness Week Booklet
National Aboriginal Awareness Week 2016 May 19–22 Aboriginal Awareness This week of celebration is an opportunity for all Canadians, especially young people and educators, who have the opportunity to create a Shared Teachings/Learnings environment to learn more about Aboriginal cultural heritages of Canada. By sharing our knowledge and experience, there will be greater understanding and harmony among all Canadians. In recognition of the many aboriginal cultures and experiential difference that exist among the BC and Canadian aboriginals, the Shared Teachings/Learnings suggested in this booklet are intended to highlight Aboriginal peoples, events, places, issues and realities that are statement of knowledge about Aboriginal peoples’ cultures, values, beliefs, traditions, history and languages. Source(s) Shared Learning: Integrating BC Aboriginal Content K–10 Did you know? Did you know that some of BC’s towns or cities have names that come from aboriginal sources. Find out what the following names mean and from which language the words come from. Match the names with the description. Chilliwack The name comes from an Okanagan word meaning “the always place”, in the sense of a permanent dwelling place. Coquitlam Is the name of the local tribe, ch.ihl-KWAY-uhk. This word is generally interpreted to mean “going back up”. Kamloops Is likely from the Salish tribal name which is translated as “small red salmon”. The name refers to the sockeye salmon common to the area. Suggestion: Make up your own matching work list or create a word search, etc. Place names reveal Aboriginal peoples’ contributions: Place names are never just meaningless sounds. -
Full Circle Full Circle
FULL CIRCLE FULL CIRCLE the aboriginal healing WAYNE foundation & the K SPEAR unfinished work of hope, healing & reconciliation AHF WAYNE K SPEAR i full circle FULL CIRCLE the aboriginal healing foundation & the unfinished work of hope, healing & reconciliation WAYNE K SPEAR AHF 2014 © 2014 Aboriginal Healing Foundation Published by Aboriginal Healing Foundation Aboriginal Healing Foundation 275 Slater Street, Suite 900, Ottawa, ON, K1P 5H9 Phone: (613) 237-4441 / Fax: (613) 237-4442 Website: www.ahf.ca Art Direction and Design Alex Hass & Glen Lowry Design & Production Glen Lowry for the Aboriginal Healing Foundation Printed by Metropolitan Printing, Vancouver BC ISBN 978-1-77215-003-2 English book ISBN 978-1-77215-004-9 Electronic book Unauthorized use of the name “Aboriginal Healing Foundation” and of the Foundation’s logo is prohibited. Non-commercial reproduction of this docu- ment is, however, encouraged. This project was funded by the Aboriginal Healing Foundation but the views expressed in this report are the personal views of the author(s). contents vi acknowledgments xi a preface by Phil Fontaine 1 introduction 7 chapter one the creation of the aboriginal healing foundation 69 chapter two the healing begins 123 chapter three long-term visions & short-term politics 173 chapter four Canada closes the chapter 239 chapter five an approaching storm by Kateri Akiwenzie-Damm 281 chapter six coming full circle 287 notes 303 appendices 319 index acknowledgments “Writing a book,” said George Orwell, “is a horrible, exhausting struggle, like a long bout with some painful illness.” In the writing of this book, the usual drudgery was offset by the pleasure of interviewing a good many interesting, thoughtful and extraordinary people. -
March 2005 in the NEWS Federal Budget Only Funding WANTED Two First Nation Houses Per Year Anishinabek Writers by Jamie Monastyrski Ence About Aboriginal Issues
Volume 17 Issue 2 Published monthly by the Union of Ontario Indians - Anishinabek Nation Single Copy: $2.00 March 2005 IN THE NEWS Federal budget only funding WANTED two First Nation houses per year Anishinabek Writers By Jamie Monastyrski ence about aboriginal issues. One (Files from Wire Services) spoke about shameful conditions. NIPISSING FN — First Well, if there’s an acceptance and a Nations across Canada are disap- recognition that indeed conditions pointed with the 2005 Federal are shameful, well, what are we budget, especially with the alloca- going to do about those shameful tion to address a growing housing conditions?” crisis. Although there was a definite “With this budget, the sense of disappointment from First Put your community on Government of Canada has done Nations over housing and residen- the map with stories and little to improve housing condi- tial school programs, the Union of photos. Earn money too. tions on First Nations,” said Ontario Indians expressed opti- Contact Maurice Switzer, Editor Anishinabek Nation Grand mism over the government’s com- Telephone: (705) 497-9127 Council Chief John Beaucage, not- mitment towards youth and family Toll Free: 1-877-702-5200 ing that the budget translates into social programs and their attempt [email protected] two new houses a year for each of to meet the needs and addressing the 633 First Nations for five years. the priorities of First Nations com- FN Gaming guru “This announcement isn’t even Anishinabek Nation Grand Council Chief John Beaucage chats with munities. close to what is needed to improve actress and National Aboriginal Achievement Award winner Tina Keeper. -
What Is Planet Indigenus ? “We Are All from Somewhere, a Place on This Earth from Where We Trace Our Ancestors
August 2011 issue What is Planet IndigenUs ? “We are all from somewhere, a place on this earth from where we trace our ancestors. Indigenous people trace ancestry back through time immemorial to places of origin; places where they are rooted; and places that brought forth a unique culture, language, spiritual framework and environment.” Planet IndigenUs is about Us After a long and exhaustive search, I am very pleased to announce that Jerry Longboat has been appointed as Co- Artistic Director of Planet IndigenUs festival . Jerry Longboat is Mohawk- Cayuga of the Iroquois Confederacy; he is Turtle clan from Six Nations of the Grand River in Southern Ontario. Jerry Jerry Longboat has a Bachelor of Fine Arts Degree from the University of Michigan and the Ontario College of Art and Design. He has extensive professional training and practice in traditional and contemporary forms of visual art, dance, theatre and storytelling. Jerry creates from the oral traditions of his people; history, teachings and stories. In 2002, after a 15 year artistic career, Jerry began work as a Program Officer at the Canada Council for the Arts, working with Aboriginal dancers and dance organizations across Canada. Then in 2010, Jerry joined the Wabano Centre for Aboriginal Health as Cultural Coordinator to deepen his work with community. He is very excited to bring his passion for nurturing the rich, cultural and artistic legacies of First Peoples to the Planet Indigenous Festival. Jerry will be relocating from Ottawa and will join the Harbourfront Centre team on August 22, 2011. He will work with Janis Monture, the amazing Executive Director of the Woodland Cultural Centre in Brantford (our Planet IndigenUs producing partner) who is Co-Artistic Director for 2012, and served as AD for the 2009 festival. -
Manifest Destiny
AL5298Po 5/29/07 2:04 PM Page 1 AN HBO FILMS MOVIE EVENT AIDAN ADAM AUGUST ANNA QUINN BEACH SCHELLENBERG PAQUIN WE WILL BE KNOWN FOREVER BY THE TRACKS WE LEAVE BEHIND. BASED ON THE ACCLAIMED BESTSELLER ® PRESENTS A WOLF FILMS/TRAVELER’S REST FILMS PRODUCTION ‘‘BURY MY HEART AT WOUNDED KNEE’’ AIDAN QUINN ADAM BEACH AUGUST SCHELLENBERG ERIC SCHWEIG J.K. SIMMONS WES STUDI COLM FEORE GORDON TOOTOOSIS AND ANNA PAQUIN CASTING BY RENE HAYNES,CSA MUSIC SUPERVISOR EVYEN J KLEAN MUSIC BY GEORGE S. CLINTON PRODUCTION DESIGNER IAN THOMAS EDITORS MICHAEL ORNSTEIN, A.C.E., MICHAEL BROWN, A.C.E. DIRECTOR OF PHOTOGRAPHY DAVID FRANCO PRODUCED BY CLARA GEORGE EXECUTIVE PRODUCERS TOM THAYER DICK WOLF BASED ON THE BOOK BY DEE ALEXANDER BROWN SCREENPLAY BY DANIEL GIAT DIRECTED BY YVES SIMONEAU ©2007 Home Box Office, Inc. All rights reserved. HBO® is a service mark of Home Box Office, Inc. AL5692tx:AL5692tx 8/24/07 3:21 PM Page 1 T EACHER’ S G UIDE ANOTHER FREE EDUCATIONAL PROGRAM FROM YOUNG MINDS INSPIRED Bury My Heart at Wounded Knee / HBO WHO SHOULD ACTIVITY 1 ESOURCES USE THIS PROGRAM MANIFEST DESTINY – THEN & NOW R This program has been designed Photocopy this list of resources to help students CURRICULUM CONNECTION: This activity examines the role of manifest destiny in for high school and college U.S. with their research. History classes. Please share it the 19th-century displacement of American Indians and in subsequent U.S. domestic and Dear Educator: with other teachers as foreign policy. BOOKS appropriate. Review the material on the activity sheet detailing the role of manifest destiny – the ✜ Bury My Heart at Wounded Knee: An Indian History of The heartrending story of the U.S. -
Indigenous Genocide and Perceptions of the Holocaust in Canada1
Indigenous Genocide and Perceptions of the Holocaust in Canada1 David B. MacDonald This chapter explores genocide against Indigenous peoples in what is now Canada and the ways this topic has been tied to larger discussions of genocide and the Holocaust. Contemporary genocide claims in Canada revolve primarily around the Indian Residential Schools (IRS) system (1834–1996). Attempts to deal with the IRS system and its aftermath led to the establishment of the Royal Commission on Aboriginal Peoples (RCAP) in 1991 and the Truth and Reconciliation Commission (TRC) of Canada (2009–15). While the RCAP was set up by the federal government, the TRC was an outcome of Indigenous-led litigation to compensate for the widespread and systematic abuses endured in the IRS system. Both commissions provided a forum for Indigenous and settler peoples to discuss genocide, understood according to the standard legally binding definition in the United Nations Genocide Convention of 1948. In a more derivative sense, the Americanisation of the Holocaust during the 1990s and the history wars over Holocaust uniqueness and Indigenous genocide had an influence on some scholars and activists in Canada. This marked a phase of what Michael Rothberg has called ‘competitive memory’, featuring debates over whether the Holocaust was unique and whether Indigenous history was marked by genocide or something else.2 Holocaust uniqueness theorists such as Steven Katz in 1994 asserted that the Holocaust could not be compared to other atrocities in world history. This provoked -
Interview with Phil Fontaine *
Interview with Phil Fontaine * BRYAN P. SCHWARTZ I. INTRODUCTION Bryan Paul Schwartz (BPS): You grew up in Sagkeeng,1 and you were one of nineteen children? Phil Fontaine (PF): No, I was one of twelve. BPS: Twelve, yeah. PF: Ten boys, two girls. I was the youngest boy, number ten, and then there were my two younger sisters. There are four of us left; an older brother, obviously, and myself, and my sisters Thelma and Audrey. BPS: We don’t need to discuss this if you don’t want to relive it, but you are a survivor of the residential school system. PF: Yes, I attended two residential schools. All of my siblings were residential school students, except for the two that died before they reached * Interview conducted by Bryan P. Schwartz. Phil Fontaine is an Indigenous leader and advocate. Throughout his life, Phil served as Chief of the Sagkeeng First Nation, as the Manitoba Regional Chief for the Assembly of First Nations and the Grand Chief of the Assembly of Manitoba Chiefs. In 1997, he became the National Chief of the Assembly of First Nations. Then, Phil became Chief Commissioner of the Indian Claims Commission (ICC) in 2001. After this, Phil was re-elected as the National Chief of the Assembly of First Nations in 2003 and 2006, becoming the first person to serve as National Chief for three terms. Phil has received a multitude of awards including the National Aboriginal Achievement Award, numerous honorary doctorates, the Order of Manitoba, and the Order of Canada. After completing his terms as National Chief, Phil has continued to advocate for Indigenous peoples through initiatives such as the Recognition2Action Campaign. -
Native Showcase 2004 Program
Native Cinema Showcase August 18 - 24, 2004 1050 Old Pecos Trail • Santa Fe, New Mexico • 505 982 1338 ON THE CORNER (2003, 90 min.) Canada. Director: Nathaniel Geary. Actors: THE NATIVE CINEMA SHOWCASE Alex Rice (Mohawk) and Simon Baker (Cree). is an international film and video festival held during Indian Named the best Canadian film by the critics at the 2003 Toronto Market to celebrate the creativity of Native cinema today. International Film Festival, On the Corner is a raw, true-to-life This yearʼs showcase features Native stories and peoples from view of Native people living on the mean streets of Vancouverʼs Australia, Brazil, Canada, Mexico, New Zealand, the Siberian Downtown Eastside. Angel, supporting her heroin addiction by Arctic, and the United States. Produced by the Smithsonian working as a prostitute, tries to turn her life around when she sees National Museum of the American Indian and the Center for Black Cloud her teenage brother sinking into the same black hole thatʼs consum- Contemporary Arts of Santa Fe, the showcase exhibits preemi- ing her. Compelling performances bring to life the ravages of this nent contemporary Native cinema to the northern New Mexico unforgiving world, as well as the humanity and courage of those community and national and international visitors who come to who are caught in it. Santa Fe for Indian Market. A THIEF OF TIME (2003, 94 min.) U.S. Director: Chris Eyre (Cheyenne/Arapaho). THE COMPLETE PROGRAM Executive Producers: Robert Redford and Rebecca Eaton. Producer: Craig McNeil BLACK CLOUD (2004, 97 min.,) U.S. Director and writer: Rick Schroder. -
Interview with Phil Fontaine *
Interview with Phil Fontaine * BRYAN P. SCHWARTZ I. INTRODUCTION Bryan Paul Schwartz (BPS): You grew up in Sagkeeng,1 and you were one 2018 CanLIIDocs 10536 of nineteen children? Phil Fontaine (PF): No, I was one of twelve. BPS: Twelve, yeah. PF: Ten boys, two girls. I was the youngest boy, number ten, and then there were my two younger sisters. There are four of us left; an older brother, obviously, and myself, and my sisters Thelma and Audrey. BPS: We don’t need to discuss this if you don’t want to relive it, but you are a survivor of the residential school system. PF: Yes, I attended two residential schools. All of my siblings were residential school students, except for the two that died before they reached * Interview conducted by Bryan P. Schwartz. Phil Fontaine is an Indigenous leader and advocate. Throughout his life, Phil served as Chief of the Sagkeeng First Nation, as the Manitoba Regional Chief for the Assembly of First Nations and the Grand Chief of the Assembly of Manitoba Chiefs. In 1997, he became the National Chief of the Assembly of First Nations. Then, Phil became Chief Commissioner of the Indian Claims Commission (ICC) in 2001. After this, Phil was re-elected as the National Chief of the Assembly of First Nations in 2003 and 2006, becoming the first person to serve as National Chief for three terms. Phil has received a multitude of awards including the National Aboriginal Achievement Award, numerous honorary doctorates, the Order of Manitoba, and the Order of Canada. After completing his terms as National Chief, Phil has continued to advocate for Indigenous peoples through initiatives such as the Recognition2Action Campaign. -
Conference Report
Conference Report Treaty No. 6 Territory Saskatoon, Saskatchewan Teachers Credit Union Place March 26-27, 2008 Introduction “As Long as the Sun Shines” was a first-of-its-kind national event consisting of a national Treaty Elders Gathering and a national Treaty Implementation Conference. The event was held in Saskatoon, Saskatchewan in the Traditional Territory of the Treaty Six First Nations in March 2008. The National Treaty Elders Gathering was held from March 24-25, 2008 at Wanuskewin Heritage Park and was hosted by the Federation of Saskatchewan Indian Nations and the Saskatchewan Indian Cultural Center. The Treaty Implementation Conference took place from March 26-27, 2008 and was jointly organized by the Assembly of First Nations and Indian and Northern Affairs Canada. This event brought together Elders, First Nations’ Chiefs and political leaders from across the country, federal representatives and various speakers with expertise on Treaties and Treaty implementation issues. The conference delegates discussed Crown-First Nations Treaty implementation issues in all regions of Canada from pre- Confederation Treaties of peace and friendship to the diverse Treaties entered into between the Crown and First Nations from 1867 to the present day. The purpose of the conference was to provide a national forum to share perspectives on options for advancing Treaty implementation in all parts of the country. The conference objective was to start a process for developing a joint First Nations-Crown action plan to address Treaty implementation issues. This conference was borne of the work under the First Nations~Federal Crown Political Accord of May 31, 2005 and a commitment made as part of the specific claims reform process in November 2007 between the Minister of Indian Affairs and Northern Development and the National Chief of the Assembly of First Nations. -
Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022
Aboriginal Arts and Culture Leadership Grant Funding Recipients, 2021-2022 April 2021 Deadline Organization Community Project Allocation First Nations Resiliency in Cultural Reclamation project will pass on t raditional cultural Agency Chiefs Tribal Council protocols to the youth and reclamation of pride in First Nations identity will be Inc. Spiritwood achieved. $ 20,000.00 Beauval Minor Sports and Recreation - Northern Village of Elders Land Based Learning project will engage Elders only in hands-on land based Beauval Beauval learning and activities. $ 10,000.00 Community Engagement/Tradition Ecological Knowledge Gathering project will develop our story about the knowledge practices that are part of the ecology of our Big Island Lake Cree Nation Pierceland land and our traditional knowledge. $ 19,500.00 Youth Arts and Wellness project will rekindle in the younger generation Indigenous Bird's Culture Camps Corp. Southend Culture, knowledge, skills, and traditions that have been lost over the years. $ 10,000.00 Central Urban Métis Federation Inc. Saskatoon Métis Cultural Days will focus on the cultural contributions of the Métis Elders. $ 12,500.00 Poundmaker Indigenous Performance Festival-Knowledge Series presents local and international Indigenous artists and knowledge keepers and artists in presentational, Chief Poundmaker Museum Paynton workshop and interactive presentations. $ 25,000.00 Circle of Voices 2021-2022 program introduces and/or re-connects youth to Indigenous Gordon Tootoosis Nikaniwin traditions and storytelling by mentoring students in theatre training, life skills, and Theatre Inc. Saskatoon cultural protocols. $ 10,530.00 SaskCulture Phone: (306) 780-9284 Contact SaskCulture for more 404 - 2125 11th Avenue www.saskculture.ca information about this funding program. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).