Canadian Art Prints Capandwinndevon.Com

Total Page:16

File Type:pdf, Size:1020Kb

Canadian Art Prints Capandwinndevon.Com Canadian Art Prints CAPANDWINNDEVON.COM WAKE UP YOUR WALLS FIRST NATIONS COLLECTION LIMITED EDITIONS, POSTERS AND CANVAS FIRST NATIONS LIMITED EDITION COLLECTION Canadian Art Prints First Nations Limited Edition Collection is a signed and numbered Limited Editions of 195 prints. The Benjamin Chee Chee images are in Limited Editions of 495. Each print includes a certificate of authenticity. PRINTED ON FINE ART PAPER • Printed on fine art paper, 310gsm (115lbs), water resistant and made from 100% cotton rag • Acid-Free, lignin free and of full archival quality • All Limited Edition prints have an image size of 13 x 16.5” and a paper size of 16 x 20” • Fine art paper is also available matted (20 x 25”) and matted/framed with a black frame (24.625 x 30”) PRINTED ON CANVAS • Printed on satin poly-cotton with 8 colour resistant inks • All Limited Edition prints have an image size of 13 x 16.5” rolled canvas has a trim size of 16x20” • Canvas is also available stretched on non-toxic finger joined hemlock stretcher bars (13 x 16.5”) and stretched with a black floater frame (15 x 18.5”) NEW New Release Images LS Limited Stock remaining in the edition Limited Edition Limited Edition Matted Limited Edition Framed & Matted (LE) (LEM) (LEF) Limited Edition Canvas Limited Edition Stretched Limited Edition Stretched & Framed (LEC) (LECM) (LECF) 1/6 7952_LEC.indd 1 13-04-19 10:19 AM FIRST NATIONS LIMITED EDITION COLLECTION FIRST NATIONS LIMITED EDITION COLLECTION Eric Parnell Eric Parnell Eric Parnell Eric Parnell Odin Lonning Odin Lonning Odin Lonning Crane Design I Hummingbird Bear Mother & Cubs Three Watchmen & Beaver House Hummingbirds Killer Whale Pod Night Hunter POD491 LE/LEM/LEF POD494 LE/LEM/LEF POD498 LE/LEM/LEF POD500 LE/LEM/LEF 7956 LE/LEM/LEF 7962 LE/LEM/LEF 7963 LE/LEM/LEF POD491 LEC/LECM/LECF POD494 LEC/LECM/LECF POD498 LEC/LECM/LECF POD500 LEC/LECM/LECF 7956 LEC/LECM/LECF 7962 LEC/LECM/LECF 7963 LEC/LECM/LECF Eric Parnell Eric Parnell Eric Parnell Eric Parnell Charles Silverfox Charles Silverfox Charles Silverfox Bear Eagle/Salmon Kissing Frogs White Raven Hummingbird Eagle Head Shaman’s Rattler POD765 LE/LEM/LEF POD766 LE/LEM/LEF POD767 LE/LEM/LEF POD768 LE/LEM/LEF POD888 LE/LEM/LEF POD889 LE/LEM/LEF POD890 LE/LEM/LEF POD765 LEC/LECM/LECF POD766 LEC/LECM/LECF POD767 LEC/LECM/LECF POD768 LEC/LECM/LECF POD888 LEC/LECM/LECF POD889 LEC/LECM/LECF POD890 LEC/LECM/LECF NEW NEW NEW NEW Lon French Lon French Ben Houstie Ben Houstie Ben Houstie Ben Houstie Life Cycle Moon Cycle Four Hummingbirds Family I Inukshuk Family II POD824 LE/LEM/LEF POD825 LE/LEM/LEF Richard Shorty POD726 LE/LEM/LEF POD728 LE/LEM/LEF POD730 LE/LEM/LEF POD731 LE/LEM/LEF POD824 LEC/LECM/LECF POD825 LEC/LECM/LECF Hummingbirds POD726 LEC/LECM/LECF POD728 LEC/LECM/LECF POD730 LEC/LECM/LECF POD731 LEC/LECM/LECF 7658LEF Matted & Framed LS Richard Shorty Richard Shorty Richard Shorty Richard Shorty Ben Houstie Ben Houstie Ben Houstie Ben Houstie Hummingbirds Eagle and Salmon Cycle of Life New Life Raven Dancer Raven That Stole The Light Salmon 3 Hummingbirds 7658 LE/LEM/LEF 7660 LE/LEM/LEF 7952 LE/LEM/LEF 7969 LE/LEM/LEF POD769 LE/LEM/LEF POD770 LE/LEM/LEF POD775 LE/LEM/LEF POD853 LE/LEM/LEF 7658 LEC/LECM/LECF 7660 LEC/LECM/LECF 7952 LEC/LECM/LECF 7969 LEC/LECM/LECF POD769 LEC/LECM/LECF POD770 LEC/LECM/LECF POD775 LEC/LECM/LECF POD853 LEC/LECM/LECF Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Image size: 13 x 16.5” Limited Edition Print + Matting / Museum Wrap = LEM / LECM 4 Limited Edition Print + Matting / Museum Wrap = LEM / LECM Image size: 13 x 16.5” 5 Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” FIRST NATIONS LIMITED EDITION COLLECTION FIRST NATIONS LIMITED EDITION COLLECTION Fred Anderson Fred Anderson Fred Anderson Fred Anderson Derek Thomas Derek Thomas Heiltsuk Raven II “The Bond” Heiltsuk Wolves “The Path I Have Chosen” Serpent and Thunderbird “Change” Heiltsuk Thunderbird and Killer Whale Whale Elements POD676 LE/LEM/LEF POD678 LE/LEM/LEF POD734 LE/LEM/LEF POD682 LE/LEM/LEF POD550 LE/LEM/LEF POD692 LE/LEM/LEF POD676 LEC/LECM/LECF POD678 LEC/LECM/LECF POD734 LEC/LECM/LECF POD682 LEC/LECM/LECF POD550 LEC/LECM/LECF POD692 LEC/LECM/LECF Derek Thomas Hummingbirds POD549LEF Matted & Framed Fred Anderson Fred Anderson Fred Anderson Derek Thomas Derek Thomas Derek Thomas Heiltsuk Thunderbird in Motion Heiltsuk Thunderbird “The Dreamer” Heiltsuk Eagle “Lift Us Up” Owl Hummingbirds Wisdom Keeper POD685 LE/LEM/LEF POD684 LE/LEM/LEF POD673 LE/LEM/LEF POD694 LE/LEM/LEF POD549 LE/LEM/LEF POD693 LE/LEM/LEF POD685 LEC/LECM/LECF POD684 LEC/LECM/LECF POD673 LEC/LECM/LECF POD694 LEC/LECM/LECF POD549 LEC/LECM/LECF POD693 LEC/LECM/LECF LS LS Todd Baker Todd Baker Todd Baker Todd Baker Danny Dennis Danny Dennis Danny Dennis Danny Dennis Raven Raven Releasing The Sun Orca Eagle Raven Stealing Sun Orcas Killer Whale Salmon POD518 LE/LEM/LEF POD519 LE/LEM/LEF POD520 LE/LEM/LEF POD521 LE/LEM/LEF 3038 LE/LEM/LEF 3041 LE/LEM/LEF 3043 LE/LEM/LEF 3046 LE/LEM/LEF POD518 LEC/LECM/LECF POD519 LEC/LECM/LECF POD520 LEC/LECM/LECF POD521 LEC/LECM/LECF 3038 LEC/LECM/LECF 3041 LEC/LECM/LECF 3043 LEC/LECM/LECF 3046 LEC/LECM/LECF Todd Baker John A. Sharkey Gerry Sheena Gerry Sheena Danny Dennis Danny Dennis Danny Dennis Danny Dennis Mother Bear Original Frog Salmon Eagle Raven Frog Raven Moon Water Spirits POD524 LE/LEM/LEF POD777 LE/LEM/LEF POD242 LE/LEM/LEF POD243 LE/LEM/LEF POD598 LE/LEM/LEF POD600 LE/LEM/LEF POD601 LE/LEM/LEF POD603 LE/LEM/LEF POD524 LEC/LECM/LECF POD777 LEC/LECM/LECF POD242 LEC/LECM/LECF POD243 LEC/LECM/LECF POD598 LEC/LECM/LECF POD600 LEC/LECM/LECF POD601 LEC/LECM/LECF POD603 LEC/LECM/LECF Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Image size: 13 x 16.5” Limited Edition Print + Matting / Museum Wrap = LEM / LECM 6 Limited Edition Print + Matting / Museum Wrap = LEM / LECM Image size: 13 x 16.5” 7 Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” FIRST NATIONS LIMITED EDITION COLLECTION FIRST NATIONS LIMITED EDITION COLLECTION LS Isaac Bignell Isaac Bignell Isaac Bignell Isaac Bignell Benjamin Chee Chee Benjamin Chee Chee Benjamin Chee Chee Benjamin Chee Chee Wolf Spirit II Buffalo Spirit First Flight Generations Friends Swallows Spring Flight Good Morning 3161 LE/LEM/LEF 3162 LE/LEM/LEF 7740 LE/LEM/LEF 7741 LE/LEM/LEF 9570 LE/LEM/LEF 9571 LE/LEM/LEF 9572 LE/LEM/LEF 9576 LE/LEM/LEF 3161 LEC/LECM/LECF 3162 LEC/LECM/LECF 7740 LEC/LECM/LECF 7741 LEC/LECM/LECF 9570 LEC/LECM/LECF 9571 LEC/LECM/LECF 9572 LEC/LECM/LECF 9576 LEC/LECM/LECF NEW NEW Garnet Tobacco Garnet Tobacco Garnet Tobacco Garnet Tobacco Benjamin Chee Chee Benjamin Chee Chee Clemance Wescoupe Clemance Wescoupe Freedom Nature’s Gift Afternoon Prayers Majestic Hunter Autumn Flight Learning Trust Child’s Mother Spirit POD646 LE/LEM/LEF POD647 LE/LEM/LEF POD648 LE/LEM/LEF POD753 LE/LEM/LEF 9577 LE/LEM/LEF 9579 LE/LEM/LEF POD946 LE/LEM/LEF POD947 LE/LEM/LEF POD646 LEC/LECM/LECF POD647 LEC/LECM/LECF POD648 LEC/LECM/LECF POD753 LEC/LECM/LECF 9577 LEC/LECM/LECF 9579 LEC/LECM/LECF POD946 LEC/LECM/LECF POD947 LEC/LECM/LECF NEW NEW NEW NEW NEW Garnet Tobacco Garnet Tobacco Garnet Tobacco Benjamin Chee Chee Clemance Wescoupe Clemance Wescoupe Clemance Wescoupe Salmon & Eagle Hummingbird Mother & Child - Hummingbird Spring Flight Peace & Harmony Morning Spirit Silent Prayer POD870 LE/LEM/LEF POD934 LE/LEM/LEF POD935 LE/LEM/LEF 9572 LECF POD948 LE/LEM/LEF POD949 LE/LEM/LEF POD950 LE/LEM/LEF POD870 LEC/LECM/LECF POD934 LEC/LECM/LECF POD935 LEC/LECM/LECF Stretched & Framed Canvas POD948 LEC/LECM/LECF POD949 LEC/LECM/LECF POD950 LEC/LECM/LECF NEW NEW Kurt Flett Kurt Flett Rick Beaver Rick Beaver Rick Beaver Rick Beaver Rise Above Vision 222/495 Totem Skyline Water Waltz Blue Howl Eclipse With Wolf Spirit POD819 LE/LEM/LEF POD820 LE/LEM/LEF 20002 LE/LEM/LEF 7974 LE/LEM/LEF 9040 LE/LEM/LEF 9044 LE/LEM/LEF POD819 LEC/LECM/LECF POD820 LEC/LECM/LECF 20002 LEC/LECM/LECF 7974 LEC/LECM/LECF 9040 LEC/LECM/LECF 9044 LEC/LECM/LECF Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Limited Edition Print only / Unstretched Canvas = LE / LEC Edition size of 195 *Chee Chee 495 Image size: 13 x 16.5” Limited Edition Print + Matting / Museum Wrap = LEM / LECM 8 Limited Edition Print + Matting / Museum Wrap = LEM / LECM Image size: 13 x 16.5” 9 Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” Limited Edition Print + Matting and Framing / Stretched and Framed = LEF / LECF Paper size / Canvas size: 16 x 20” / 17x 20.5” FIRST NATIONS LIMITED EDITION COLLECTION FIRST NATIONS LIMITED EDITION COLLECTION Jim Oskineegish Jim Oskineegish Jim Oskineegish Jim Oskineegish Maxine Noel Maxine Noel Maxine Noel Maxine Noel Balance of Light Circle of Strength Father & Son My Brother - My Leader People of the Rainbow Sisters of the Dawn Family Courtship
Recommended publications
  • 26727 Consignor Auction Catalogue Template
    Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation.
    [Show full text]
  • Ayapaahipiihk Naahkouhk
    ILAJ YEARS/ANS parkscanada.gc.ca / parcscanada.gc.ca AYAPAAHIPIIHK NAAHKOUHK RESILIENCE RESISTANCE LU PORTRAY DU MICHIF MÉTIS ART l880 - 2011 Parks Parcs Canada Canada Canada RESILIENCE / RESISTANCE MÉTIS ART, 1880 - 2011 kc adams • jason baerg • maria beacham and eleanor beacham folster • christi belcourt bob boyer • marie grant breland • scott duffee - rosalie favell -Julie flett - Stephen foster david garneau • danis goulet • david hannan • rosalie laplante laroque - jim logan Caroline monnet • tannis nielsen • adeline pelletier dit racette • edward poitras • rick rivet BATOCHE NATIONAL HISTORIC SITE PARKS CANADA June 21 - September 15, 2011 Curated by: Sherry Farrell Racette BOB BOYER Dance of Life, Dance of Death, 1992 oil and acrylic on blanket, rawhide permanent collection of the Saskatchewan Arts Board RESILIENCE / RESISTANCE: METIS ART, 1880-2011 TABLE OF CONTENTS Foreword 4 Aypaashpiihk, Naashkouhk: Lii Portray dii Michif 1880 - 2011 5 Curator's Statement 7 kcadams 8 jason baerg 9 maria beacham and eleanor beacham folster 10 christi belcourt 11 bob boyer 12 marie grant breland 13 scott duffee 14 rosaliefavell 15 Julie flett 16 Stephen foster 17 david garneau 18 danis goulet 19 david hannan 20 rosalie laplante laroque 21 jim logan 22 Caroline monnet 23 tannis nielsen 24 adeline pelletier dit racette 25 edward poitras 26 rick rivet 27 Notes 28 Works in the Exhibition 30 Credits 32 3 Resilience/Resistance gallery installation shot FOREWORD Batoche National Historic Site of Canada is proud to host RESILIENCE / RESISTANCE: MÉTIS ART, 1880-2011, the first Metis- specific exhibition since 1985. Funded by the Government of Canada, this is one of eighteen projects designed to help Métis com­ munities preserve and celebrate their history and culture as well as present their rich heritage to all Canadians.
    [Show full text]
  • Knowledge Organiser: How Do Artists Represent Their Environment
    Knowledge Organiser: How do Artists represent their environment through painting? Timeline of key events 1972 – Three First Nations artists did a joint exhibition in Winnipeg 1973 – Following the success of the exhibition, three artists plus four more, created Indian Group Of Seven to represent Indian art and give it value and recognition. 1975 – Group disbanded Key Information Artists choose to work in a particular medium and style. They represent the world as they see it. Key Places Winnipeg, Manitoba, Ontario, British Columbia, Alberta Key Figures Daphne Odjig 1919 – 2016 Woodland style, Ontario; moved to British Columbia Alex Janvier 1935 – present Abstract, represent hide-painting, quill work and bead work; Alberta Jackson Beardy 1944 - 1984, Scenes from Ojibwe and Cree oral traditions, focusing on relationships between humans and nature. Manitoba. Eddy Cobiness 1933 – 1996 Life outdoors and nature; born USA moved to winnipeg Norval Morrisseau 1931 – 2007 Woodland stlye; Ontario, also known as Copper Thunderbird Carl Ray 1943 – 1978 Woodland style, electrifying colour (founder member); Ontario Joseph Sanchez 1948 – present Spritual Surrealist; Born USA moved to Manitoba Christi Belcourt 1966 – present Metis visual artist, often paints with dots in the style of Indian beading – Natural World; Ontario Key Skills Drawing and designing: Research First Nations artists. Identify which provinces of Canada they come from. Compare and contrast the works of the different artists. Take inspiration from the seven artists to plan an independent piece of art based on the relevant artist: • Give details (including own sketches) about the style of some notable artists, artisans and designers. • type of paint, brush strokes, tools Symbolic representation • Create original pieces that show a range of influences and styles based on the Indian Group of Seven and their work.
    [Show full text]
  • John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism
    John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism by Matthew Purvis A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2020, Matthew Purvis i Abstract This dissertation concerns the relation between eroticism and nationalism in the work of a set of English Canadian artists in the mid-1960s-70s, namely John Boyle, Greg Curnoe, and Joyce Wieland. It contends that within their bodies of work there are ways of imagining nationalism and eroticism that are often formally or conceptually interrelated, either by strategy or figuration, and at times indistinguishable. This was evident in the content of their work, in the models that they established for interpreting it and present in more and less overt forms in some of the ways of imagining an English Canadian nationalism that surrounded them. The dissertation contextualizes the three artists in the terms of erotic art prevalent in the twentieth century and makes a case for them as part of a uniquely Canadian mode of decadence. Constructing my case largely from the published and unpublished writing of the three subjects and how these played against their reception, I have attempted to elaborate their artistic models and processes, as well as their understandings of eroticism and nationalism, situating them within the discourses on English Canadian nationalism and its potentially morbid prospects. Rather than treating this as a primarily cultural or socio-political issue, it is treated as both an epistemic and formal one.
    [Show full text]
  • Overlapping Violent Histories: a Curatorial Investigation Into Difficult Knowledge Curated by Noor Bhangu
    Overlapping Violent Histories: A Curatorial Investigation into Difficult Knowledge Curated By Noor Bhangu February 9 - March 9, 2018 Kitchen-Table Discussion: March 8, 12:30-1:30 PM Winnipeg is no stranger to violence or violent histo- heels of such projects, Overlapping Violent Histories: general audience that happens to encounter the work ries. Its geographical position at the heart of Canada A Curatorial Investigation into Difficult Knowledge in the oft-decontextualized setting of the art gallery. and its cultural position as a meeting ground be- brings together the work of Jackson Beardy, Caroline Of course, as a curator of this exhibition I, too, plead tween diverse communities have pushed it to play Dukes, Takao Tanabe, and KC Adams to consider the guilty on counts of decontextualisation by favouring host to the darkest of local, national, and international place of historical trauma in each artist’s practice. In specific elements of a work and leaving out others. currents, including the ongoing colonization of Indig- deliberately drawing on the cross-cultural intersection I take refuge in Luis Camnitzer’s theorization of the enous people, Japanese internment, the settlement between the artists, I aim to build on the potential for curatorial order: “The discourse or thesis of the curator of Icelandic immigrants in Gimli, the influx of Russian visual art and exhibition spaces to function as sites for may contradict the discourse of the artist, because Mennonites and Jewish holocaust survivors in the social-engaged dialogues. the curator extrapolates from the presentation of twentieth century, and the marginalization of Euro- artworks in a way that is not necessarily determined pean immigrants and immigrants of colour.
    [Show full text]
  • Turtle Island Education Guide
    The Alberta Foundation for the Arts Travelling Exhibition Program Interpretive Guide & Hands-on Activities Turtle Island The Alberta Foundation for the Arts Travelling Exhibition Program The Interpretive Guide The Art Gallery of Alberta is pleased to present your community with a selection from its Travelling Exhibition Program. This is one of several exhibitions distributed by The Art Gallery of Alberta as part of the Alberta Foundation for the Arts Travelling Exhibition Program. This Interpretive Guide has been specifically designed to complement the exhibition you are now hosting. The suggested topics for discussion and accompanying activities can act as a guide to increase your viewers’ enjoyment and to assist you in developing programs to complement the exhibition. Questions and activities have been included at both elementary and advanced levels for younger and older visitors. At the Elementary School Level the Alberta Art Curriculum includes four components to provide students with a variety of experiences. These are: Reflection: Responses to visual forms in nature, designed objects and artworks Depiction: Development of imagery based on notions of realism Composition: Organization of images and their qualities in the creation of visual art Expression: Use of art materials as a vehicle for expressing statements The Secondary Level focuses on three major components of visual learning. These are: Drawings: Examining the ways we record visual information and discoveries Encounters: Meeting and responding to visual imagery Composition: Analyzing the ways images are put together to create meaning The activities in the Interpretive Guide address one or more of the above components and are generally suited for adaptation to a range of grade levels.
    [Show full text]
  • Cree Family Works Trapline
    CANADA c _ J/ ry, of rloo, -15 of Indian Affairs and Northern Development des AfJaires indiennes el du Nord Canadien Vol. Eleven, No. One Ottawa, Ontario April, 1968 CREE FAMILY J WORKS TRAPLINE A chance trip into a snow The Diamond's trapline covers a canvas covered wigwam out of "Only a fool would work in the covered lake some 11 0 miles north- about 150 square miles of wilder- the top of which a small trail of summer if he didn't have to," said west of Gogama in Northern ness and nets them between $5,000 smoke curled hospitably. Mrs. Diamond. "Summer is for Ontario last winter brought me and $6,000 per year. fun." into a world few people are privi- We all moved into the wigwam I looked around the- campsite. (Continued on page 4) leged to see, and showed me a way and sat down on the spruce bough of life in which contentment is the There was nearby, a pot bubbling merrily -a tin stove with a floor to talk. Grandma Josephine, theme. - on h . moosehead in it for the noon meal. with the rest of the family listen- I had joined a friend in the Ontario Department of Lands and Forests on a routine trip to visit a family of Cree Indians from Rupert Sanitation House who came every winter into the Gogama district to trap beaver. Committee Everything glistened like bril- liants in the morning sun as our Formed plane touched down and taxied to the campsite. About 50 feet above the lake edge, waiting for us, were A Health Committee was formed the whole family.
    [Show full text]
  • Download Curriculum Vitae
    Dr. DAPHNE ODJIG C.M., O.B.C., R.C.A., L.L.B. Governor General’s Laureate, Visual & Media Arts 2007 Daphne Odjig is a Canadian artist of Aboriginal ancestry. She was born September 11,1919 and raised on the Wikwemikong Unceded Indian Reserve on Manitoulin Island (Lake Huron), Ontario. Daphne Odjig is the daughter of Dominic Odjig and Joyce Peachey. Her father and her grandfather, Chief Jonas Odjig, were Potawatomi, descended from the great chief Black Partridge. Her mother was an English war bride. The Odjig family was among the Potawatomi who migrated north and settled in Wikwemikong after the War of 1812. The Potawatomi (Keepers of the Fire) were members with the Ojibwa and Odawa, of the Three Fires Confederacy of the Great Lakes. Daphne passed away at age 97 in Kelowna, BC on October 1, 2016. Art Media: Oils, Acrylics, Silkscreen Prints, Murals, Pen and Ink, Pastels, Watercolours, Coloured Pencils Recent and Upcoming Exhibitions: Daphne Odjig: Four Decades of Prints Touring exhibition of limited edition prints organized by the Kamloops Art Gallery ❖ Kamloops Art Gallery, Kamloops BC, June 8 – Aug 31, 2005 ❖ Winnipeg Art Gallery, Winnipeg MN April 22 – July 16, 2006 ❖ Canadian Museum of Civilization , Ottawa January 18 – April 20, 2008 The Drawings and Paintings of Daphne Odjig: A Retrospective Exhibition Touring exhibition organized by Art Gallery of Sudbury and National Gallery of Canada ❖ Art Gallery of Sudbury, Sudbury ON September 15 – November 11, 2007 ❖ Kamloops Art Gallery, Kamloops BC June 8 – August 31, 2008 ❖ McMichael Canadian Art Collection, Kleinberg ON Oct. 4 , 2008 – Jan 4, 2009 ❖ Institute of American Indian Arts Museum, Santa Fe NM, June 26 – Sept.
    [Show full text]
  • Witnesswitness
    Title Page WitnessWitness Edited by Bonnie Devine Selected Proceedings of Witness A Symposium on the Woodland School of Painters Sudbury Ontario, October 12, 13, 14, 2007 Edited by Bonnie Devine A joint publication by the Aboriginal Curatorial Collective and Witness Book design Red Willow Designs Red Willow Designs Copyright © 2009 Aboriginal Curatorial Collective and Witness www.aboriginalcuratorialcollective.org All rights reserved under international copyright conventions. Published in conjunction with the symposium of the same title, October 12 through 15, 2007. Photographs have been provided by the owners or custodians of the works reproduced. Photographs of the event provided by Paul Gardner, Margo Little and Wanda Nanibush. For Tom Peltier, Jomin The Aboriginal Curatorial Collective and Witness gratefully acknowledge the financial support of the Canada Council for the Arts and the Ontario Arts Council Cover: Red Road Rebecca Belmore October 12 2007 Image: Paul Gardner Red Willow Designs Aboriginal Curatorial Collective / Witness iii Acknowledgements This symposium would not have been possible without the tremendous effort and support of the Art Gallery of Sudbury. Celeste Scopelites championed the proposal to include a symposium as a component of the Daphne Odjig retrospective exhibition and it was her determination and vision that sustained the project through many months of preparation. Under her leadership the gallery staff provided superb administrative assistance in handling the myriad details an undertaking such as this requires. My thanks in particular to Krysta Telenko, Nancy Gareh- Coulombe, Krista Young, Mary Lou Thomson and Greg Baiden, chair of the Art Gallery of Sudbury board of directors, for their enthusiasm and support.
    [Show full text]
  • Native Art, Native Voices a Resource for K–12 Learners Dear Educator: Native Art, Native Voices: a Resource for K–12 of Art
    Native Art, Native Voices A Resource for K–12 Learners Dear Educator: Native Art, Native Voices: A Resource for K–12 of art. Designed for learners in grades K–12, the Learners is designed to support the integration lessons originate from James Autio (Ojibwe); Gordon of Native voices and art into your curriculum. The Coons (Lac Courte Oreilles Band of Lake Superior resource includes four types of content: Chippewa Indians of Wisconsin, Chippewa/Ojibwa, Ottawa); Dyani White Hawk (Sičháŋğu Lakȟóta 1. Artist interviews [Brulé]); Marlena Myles (Spirit Lake Dakota, Mohegan, 2. Essays about artworks in Mia’s collection and Muscogee); and Margaret Swenson, a visual arts questions to support deep looking, critical educator and collaborator with Heid Erdrich (Ojibwe thinking, and discussion enrolled at Turtle Mountain) in the creation of a Native artist residency program at Kenwood Elementary 3. Art lessons developed by and with Minnesota School in Minneapolis. Native artists 4. Reading selections for students to help provide Video Interviews environmental context for the artworks. Video interviews with eight Native artists allow your This resource includes information about Native students to learn about the artists’ lives in their own cultures both past and present and supports words and to view their art and other artworks in Mia’s Minnesota state standards for visual arts and Native art galleries. View multiple segments by indi- social studies/U.S. history. vidual artists, or mix and match to consider different artists’ responses to similar questions. Each video is less than 8 minutes. Discussion questions follow the Essays & Discussion Questions videos to guide your students’ exploration of the rich Marlena Myles (Spirit Lake Dakota, Mohegan, interview content.
    [Show full text]
  • Wednesday S~Pecial Events [12:00-7:30 Pm
    wednesday s~pecial events [12:00-7:30 pm 111 Queen's Park George Gardiner Museum of Ceramic Art Open House Hart House, University of Toronto 1:30-3:00 pm and 3:30·5:00 pm Architecture of the University of Toronto: Douglas Richardson will lead a tour of five renowned 19th and 20th century campus buildings. Art Centre, University College, University of Toronto 1:30, 2:30 and 3:30 pm Guided tours of the Malcove Collection of Medieval Art by Sheila Campbell, curator. Art Gallery, Hart House, University of Toronto 5:30 pm Guided tour of the Hart House permanent collection of Canadian art by Hart House curator Judi Schwartz. PRE-REGISTRATION REQUIRED [4:00-6:00pm Kleinberg, Ontario McMichael Gallery of Canadian Art Open House and Reception Buses will depart from the Royal York Hotel, 100 Front Street, at 3:00pm for a reception and exhibition viewing. Buses depart McMichael Gallery at 6:00pm for the Royal York Hotel PRE-REGISTRATION REQUIRED [s:00-7:30pm Harbourfront Centre, 231 Queen's Quay West Power Plant Contemporary Art Gallery Open flouse and Reception: "Evidence: Photography and Sight"; "Catherine Richards: Charged Hearts/Coeurs electrises" Harbourfront Centre, Room 7018 235 Queens Quay West Anarchism and Visual Culture Craft Studio Open House Mark Antliff, Queen's University Artist-in-Residency Programme: Hot Glass, Ceramics, Patricia Leighten, Queen's University Textiles, and Jewelry Modernism and Anti-Bolshevik Communism: The Cologne Progressives Paul Mattick, Department of Philosophy, 55 Centre Avenue Adelphi University Museum for Textiles Open House and The Abstract Expressionists' Critique of Unnatural Reception Society; Or, the Intersection of Anarchism, and the Sublime in Colorfield Painting David Craven, University of New Mexico [6: 0 0-7:30pm John Cage: The Possibility of an Anarchist Avant-Garde Branden W.
    [Show full text]
  • Woodlands the Alberta Foundation for the Arts Travelling Exhibition Program the Interpretive Guide
    Interpretive Guide & Hands-on Activities The Alberta Foundation for the Arts Travelling Exhibition Program Woodlands The Alberta Foundation for the Arts Travelling Exhibition Program The Interpretive Guide The Art Gallery of Alberta is pleased to present your community with a selection from its Travelling Exhibition Program. This is one of several exhibitions distributed by The Art Gallery of Alberta as part of the Alberta Foundation for the Arts Travelling Exhibition Program. This Interpretive Guide has been specifically designed to complement the exhibition you are now hosting. The suggested topics for discussion and accompanying activities can act as a guide to increase your viewers’ enjoyment and to assist you in developing programs to complement the exhibition. Questions and activities have been included at both elementary and advanced levels for younger and older visitors. At the Elementary School Level the Alberta Art Curriculum includes four components to provide students with a variety of experiences. These are: Reflection: Responses to visual forms in nature, designed objects and artworks Depiction: Development of imagery based on notions of realism Composition: Organization of images and their qualities in the creation of visual art Expression: Use of art materials as a vehicle for expressing statements The Secondary Level focuses on three major components of visual learning. These are: Drawings: Examining the ways we record visual information and discoveries Encounters: Meeting and responding to visual imagery Composition: Analyzing the ways images are put together to create meaning The activities in the Interpretive Guide address one or more of the above components and are generally suited for adaptation to a range of grade levels.
    [Show full text]