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Wednesday S~Pecial Events [12:00-7:30 Pm wednesday s~pecial events [12:00-7:30 pm 111 Queen's Park George Gardiner Museum of Ceramic Art Open House Hart House, University of Toronto 1:30-3:00 pm and 3:30·5:00 pm Architecture of the University of Toronto: Douglas Richardson will lead a tour of five renowned 19th and 20th century campus buildings. Art Centre, University College, University of Toronto 1:30, 2:30 and 3:30 pm Guided tours of the Malcove Collection of Medieval Art by Sheila Campbell, curator. Art Gallery, Hart House, University of Toronto 5:30 pm Guided tour of the Hart House permanent collection of Canadian art by Hart House curator Judi Schwartz. PRE-REGISTRATION REQUIRED [4:00-6:00pm Kleinberg, Ontario McMichael Gallery of Canadian Art Open House and Reception Buses will depart from the Royal York Hotel, 100 Front Street, at 3:00pm for a reception and exhibition viewing. Buses depart McMichael Gallery at 6:00pm for the Royal York Hotel PRE-REGISTRATION REQUIRED [s:00-7:30pm Harbourfront Centre, 231 Queen's Quay West Power Plant Contemporary Art Gallery Open flouse and Reception: "Evidence: Photography and Sight"; "Catherine Richards: Charged Hearts/Coeurs electrises" Harbourfront Centre, Room 7018 235 Queens Quay West Anarchism and Visual Culture Craft Studio Open House Mark Antliff, Queen's University Artist-in-Residency Programme: Hot Glass, Ceramics, Patricia Leighten, Queen's University Textiles, and Jewelry Modernism and Anti-Bolshevik Communism: The Cologne Progressives Paul Mattick, Department of Philosophy, 55 Centre Avenue Adelphi University Museum for Textiles Open House and The Abstract Expressionists' Critique of Unnatural Reception Society; Or, the Intersection of Anarchism, and the Sublime in Colorfield Painting David Craven, University of New Mexico [6: 0 0-7:30pm John Cage: The Possibility of an Anarchist Avant-Garde Branden W. Joseph, Harvard University 100 Queen's Park Judd's Skepticism: Pragmatic Art and Anarchist Politics Royal Ontario Museum Reception David Raskin, University of Texas, Austin and Viewing: Everything Fluxes and Anything Goes: Anarchy, "lost Sense: A Sculptural Cycle by Catherine Widgery" Feyerabend, and Fluxus Simon Anderson, School of the Art Institute of Chicago Discussant Richard D. Sonn, Department of History, wednesday University of Arkansas • S__e_s_S__l_Q_Q_S_&me_e_tLng_S_ Room 705 The City as Producer [12:30-2:00pm Robert Kleyn, University of Detroit "De-Collage" and/or "Drifting" Nova Scotia Room, Royal York Hotel Jelena Stojanovic, University of Colorado Association of Research Institutes in Legends of Place Art History Business Meeting Diane Lewis, Cooper Union Place and Motive Mark Pimlot, Architectural Association, london [s: oo-1 0:30pm Room 707 Room 701A Off Color Renaissance Siena: Art in Context Martha Keller, Hunter College, City University of New A. lawrence Jenkens, University of New Orleans York and New School for Social Research, New York Reality and Ideality in Sienese Renaissance Cityscapes Co/or(s) Colored by Culture Judith Steinhoff, University of Houston Ernestine Daubner, Concordia University Site and Setting in Renaissance Siena: The Strada Wandering Color: Arbitrariness, Disjunction, and Romana as Focus of Urban Change Decoration in American Art of the Sixties Fabrizio Nevala, Courtauld Institute Richard Kalina, Fordham University A Fifteenth-Century Sienese Fabula: Dynastic and Abstraction in Excess: Extravagant Color in Pollock, Patriotic Meaning in the Piccolimini Library Fontana, and Contemporary Art Stratton Green, independent scholar Mark Harris, University of Warwick, Coventry and The Palazzo Bichi: Tradition and Innovation in Early University of Wales, Cardiff Sixteenth-Century Palace Facades in Siena Liberated Pink: A Feminine Signifier Updated Matthias Quast, Kuntshistoriches lnstitut der for the 90's Universitat Heidelberg lisa Wainwright, School of the Art Institute of Chicago St. Catherine's Rise as Intercessor for the Sienese A Distopia of Color Education in a Utopia of Susan E. Wegner, Bowdoin College Color Education Christopher Willard, Hunter College, City University of New York Color, Time, and Speciality: Some Relationships The lntertextual Empire: India as Spectacle in Valentine between Color, Film, and Architecture Prinsep's Imperial India and The Imperial Assemblage Julie Rogers Varland, State University of New York, Julie F. Codell, Arizona State University Buffalo The Meaning of "Native" Landscape: British Artist­ Discussant Travellers of the 1880's and 1890's and the Japanese Laura lisbon, Ohio State University Watercolor Movement Toshio Watanabe, Chelsea College of Art and Design, London Institute Room 709 Art 101 Good Campers Out: War Artists as Tourists and the Steven Bleicher, Art Institute of Fort Lauderdale First World War Sue Malvern, University of Reading When We're Not 'Preaching to the Choir' Joe Seipel, Virginia Commonwealth University Room 714A Translation, Transgression, and Transcendence Gay and lesbian Caucus Debra Drexler, University of Hawaii Gay and Lesbian Family Values: Wired: Introducing Technology Art as Process Steven Bleicher Cassandra Langer, independent scholar, New York Portfolio Not Required How My Middle Class Values Color My Alternative Joanna Sganga, Wayne State University Family: Or Who's Coming to the Seder This Year? Against Efficiency Beatrice Kreloff, Art Workshop International, Bill Hochhausen, Pratt Institute Assisi, Italy Entertaining Possibilites: From Jesus to Ellen Degeneres Room 711 T. Murray, University of London + Framing the House: Domestic Utopian Pro-Homo Sexual Society Architecture, Colonial Enterprise, and Bryan A. M. Langlands, artist, New York the Occupation of Indigenous Space Barbara Ann Francis, Lesley College, Cambridge Room 7148 Bridging Faultlines: The Search for a New Paradigm in Art flistory Open Session: African South African Domestic Architecture American Art Sabine Marschall, University of Durban-Westville, Richard J. Powell, Duke University South Africa The Development of Iconic Black Figures in the Work of Mudbricks and Brickbats: Hassan Fa thy's New Gourna Malvin Gray Johnson Project Revisited-and its Lessons for the 21st Century Jacqueline Francis, Emory University Yvonne Romney Dixon, Trinity College "Lord, I Fashion Dark Gods Too": Representing Black A Tomb with a View: Dilkusha and the Appropriation of Christianity in African American Churches Mughal Monuments as Houses Julie Levin, University of Texas, Austin Sylvia Shorto, Institute of Fine Arts, New York University Recuperating Venus: The Image of Sarah Baartman in Contemporary Art Worker Housing in Hawaii: A Catalyst for Change Debra S. Singer, independent scholar, New York Spencer Leineweber, Spencer Mason Architects Discussant Room 715 Jean La Marche, State University of New York, Buffalo ..:. Colonizing the Mind in a Post-Colonial (World) Environment Room 713 Margaret Archuleta, Heard Museum Historians of British Art Jennifer Vigil, University of Iowa Tourist Spaces: Narratives of Travel and Definitions of Indian Identity and Evaluating the Past: Encounter in British Art Bonita WaWa Calachaw Nuflez Andrew Stephenson, University of East London Kathleen Ash-Milby, National Museum of the American Indian Pilgrims of the Picturesque: White Woman, the Environment, and the Racial 'Other' in Colonial Listening to the Artist's Voice: Decolonizing Australia the Academy Caroline Jordan, University of Melbourne, Australia Melanie Herzog, Edgewood College, Madison, Wisconsin Encountering 'the Primitive' in Ceylon Jeff Rosen, Columbia College, Chicago Hands Off My Thoughts: Determining Intellectual Space Wesleyan University in Institutions Post-Colonial Barbarism? Art and Society in Lee·Ann Martin, Canada Council for the Arts Achaemenid Sardis The Politics of Survival: Contemporary Native American Elspeth Mcintosh Dusinberre, Program in Classical Artists in the Post-Colonial World Archeology, University of Michigan Phillip Minthorne, American University, Eastern Mediterranean Colonization and the Rise of Washington D.C. an Aristocratic Architectural Iconography in Archaic Discussant Centra/Italy Jennifer Vigil laura Flusche, University of Illinois, Champaign-Urbana Discussant Room 716A Bonna D. Westcoat, Emory University Immigrant Artists in America: Discussant Their Identity, Bicultural Contexts, and T. Cuyler Young Jr., Department of Near and Middle Art Making Eastern Civilizations, University of Toronto Pok-Chi Lau, School of Fine Arts, University of Kansas The New "Islanders" Room 718A Hung Liu, Mills College + Apocalypse and Utopia in the Colonial Immigration Video-Canada Arts of the Americas Gu Xiong, artist, Vancouver Jeanette Favrot Peterson, University of California, Santa Barbara Immigrant Soul in Search for a Sense of Place Thomas Cummins, University of Chicago Maria Velasco, University of Kansas The Florentine Codex: Conquest and the Colonial New Art as an Instrument of Memory World Order Tanja Softie, Rollins College Michael Schreffler, University of Chicago El nombre y su morada: The Name and Its Abode Room 7168 Elena Estrada de Gerlero, Universidad Nacional Arbiters of Taste: Collectors in East Asia Aut6noma de Mexico Ankeney Weitz, Denison University A/gunas representaciones del Apoca/ips's Elisa Vargaslugo, Universidad Nacional Aut6noma de Social Networks in Art Transactions: The Collector Zhon Uanggong (1612-1672) and His Relationship to Mexico Contemporary Artists A Spanish Prophet of the Apocalypse: Representations Qianshen Bai, Boston University of Sor Marla de Jesus de Agreda in New Spain Elizabetr Q. Perry, Brown University
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