wednesday s~pecial events [12:00-7:30 pm

111 Queen's Park George Gardiner Museum of Ceramic Art Open House

Hart House, University of 1:30-3:00 pm and 3:30·5:00 pm Architecture of the University of Toronto: Douglas Richardson will lead a tour of five renowned 19th and 20th century campus buildings.

Art Centre, University College, University of Toronto 1:30, 2:30 and 3:30 pm Guided tours of the Malcove Collection of Medieval Art by Sheila Campbell, curator.

Art Gallery, Hart House, University of Toronto 5:30 pm Guided tour of the Hart House permanent collection of by Hart House curator Judi Schwartz. PRE-REGISTRATION REQUIRED

[4:00-6:00pm

Kleinberg, McMichael Gallery of Canadian Art Open House and Reception Buses will depart from the Royal York Hotel, 100 Front Street, at 3:00pm for a reception and exhibition viewing. Buses depart McMichael Gallery at 6:00pm for the Royal York Hotel PRE-REGISTRATION REQUIRED

[s:00-7:30pm

Harbourfront Centre, 231 Queen's Quay West Power Plant Contemporary Art Gallery Open flouse and Reception: "Evidence: Photography and Sight"; "Catherine Richards: Charged Hearts/Coeurs electrises" Harbourfront Centre, Room 7018 235 Queens Quay West Anarchism and Visual Culture Craft Studio Open House Mark Antliff, Queen's University Artist-in-Residency Programme: Hot Glass, Ceramics, Patricia Leighten, Queen's University Textiles, and Jewelry Modernism and Anti-Bolshevik Communism: The Cologne Progressives Paul Mattick, Department of Philosophy, 55 Centre Avenue Adelphi University Museum for Textiles Open House and The Abstract Expressionists' Critique of Unnatural Reception Society; Or, the Intersection of Anarchism, and the Sublime in Colorfield David Craven, University of New Mexico [6: 0 0-7:30pm John Cage: The Possibility of an Anarchist Avant-Garde Branden W. Joseph, Harvard University 100 Queen's Park Judd's Skepticism: Pragmatic Art and Anarchist Politics Royal Ontario Museum Reception David Raskin, University of Texas, Austin and Viewing: Everything Fluxes and Anything Goes: Anarchy, "lost Sense: A Sculptural Cycle by Catherine Widgery" Feyerabend, and Fluxus Simon Anderson, School of the Art Institute of Chicago Discussant Richard D. Sonn, Department of History, wednesday University of Arkansas • S__e_s_S__l_Q_Q_S_&me_e_tLng_S_ Room 705 The City as Producer [12:30-2:00pm Robert Kleyn, University of Detroit "De-Collage" and/or "Drifting" Nova Scotia Room, Royal York Hotel Jelena Stojanovic, University of Colorado Association of Research Institutes in Legends of Place Art History Business Meeting Diane Lewis, Cooper Union Place and Motive Mark Pimlot, Architectural Association, [s: oo-1 0:30pm Room 707 Room 701A Off Color Renaissance Siena: Art in Context Martha Keller, Hunter College, City University of New A. lawrence Jenkens, University of New Orleans York and New School for Social Research, Reality and Ideality in Sienese Renaissance Cityscapes Co/or(s) Colored by Culture Judith Steinhoff, University of Houston Ernestine Daubner, Concordia University Site and Setting in Renaissance Siena: The Strada Wandering Color: Arbitrariness, Disjunction, and Romana as Focus of Urban Change Decoration in American Art of the Sixties Fabrizio Nevala, Courtauld Institute Richard Kalina, Fordham University A Fifteenth-Century Sienese Fabula: Dynastic and Abstraction in Excess: Extravagant Color in Pollock, Patriotic Meaning in the Piccolimini Library Fontana, and Contemporary Art Stratton Green, independent scholar Mark Harris, University of Warwick, Coventry and The Palazzo Bichi: Tradition and Innovation in Early University of Wales, Cardiff Sixteenth-Century Palace Facades in Siena Liberated Pink: A Feminine Signifier Updated Matthias Quast, Kuntshistoriches lnstitut der for the 90's Universitat Heidelberg lisa Wainwright, School of the Art Institute of Chicago St. Catherine's Rise as Intercessor for the Sienese A Distopia of Color Education in a Utopia of Susan E. Wegner, Bowdoin College Color Education Christopher Willard, Hunter College, City University of New York Color, Time, and Speciality: Some Relationships The lntertextual Empire: as Spectacle in Valentine between Color, Film, and Architecture Prinsep's Imperial India and The Imperial Assemblage Julie Rogers Varland, State University of New York, Julie F. Codell, Arizona State University Buffalo The Meaning of "Native" Landscape: British Artist­ Discussant Travellers of the 1880's and 1890's and the Japanese Laura lisbon, Ohio State University Watercolor Movement Toshio Watanabe, Chelsea College of Art and Design, London Institute Room 709 Art 101 Good Campers Out: War Artists as Tourists and the Steven Bleicher, Art Institute of Fort Lauderdale First World War Sue Malvern, University of Reading When We're Not 'Preaching to the Choir' Joe Seipel, Virginia Commonwealth University Room 714A Translation, Transgression, and Transcendence Gay and lesbian Caucus Debra Drexler, University of Hawaii Gay and Lesbian Family Values: Wired: Introducing Technology Art as Process Steven Bleicher Cassandra Langer, independent scholar, New York Portfolio Not Required How My Middle Class Values Color My Alternative Joanna Sganga, Wayne State University Family: Or Who's Coming to the Seder This Year? Against Efficiency Beatrice Kreloff, Art Workshop International, Bill Hochhausen, Pratt Institute Assisi, Entertaining Possibilites: From Jesus to Ellen Degeneres Room 711 T. Murray, University of London + Framing the House: Domestic Utopian Pro-Homo Sexual Society Architecture, Colonial Enterprise, and Bryan A. M. Langlands, artist, New York the Occupation of Indigenous Space Barbara Ann Francis, Lesley College, Cambridge Room 7148 Bridging Faultlines: The Search for a New Paradigm in Art flistory Open Session: African South African Domestic Architecture American Art Sabine Marschall, University of Durban-Westville, Richard J. Powell, Duke University South Africa The Development of Iconic Black Figures in the Work of Mudbricks and Brickbats: Hassan Fa thy's New Gourna Malvin Gray Johnson Project Revisited-and its Lessons for the 21st Century Jacqueline Francis, Emory University Yvonne Romney Dixon, Trinity College "Lord, I Fashion Dark Gods Too": Representing Black A Tomb with a View: Dilkusha and the Appropriation of Christianity in African American Churches Mughal Monuments as Houses Julie Levin, University of Texas, Austin Sylvia Shorto, Institute of Fine Arts, New York University Recuperating Venus: The Image of Sarah Baartman in Contemporary Art Worker Housing in Hawaii: A Catalyst for Change Debra S. Singer, independent scholar, New York Spencer Leineweber, Spencer Mason Architects

Discussant Room 715 Jean La Marche, State University of New York, Buffalo ..:. Colonizing the Mind in a Post-Colonial (World) Environment Room 713 Margaret Archuleta, Heard Museum Historians of British Art Jennifer Vigil, University of Iowa Tourist Spaces: Narratives of Travel and Definitions of Indian Identity and Evaluating the Past: Encounter in British Art Bonita WaWa Calachaw Nuflez Andrew Stephenson, University of East London Kathleen Ash-Milby, National Museum of the American Indian Pilgrims of the Picturesque: White Woman, the Environment, and the Racial 'Other' in Colonial Listening to the Artist's Voice: Decolonizing Australia the Academy Caroline Jordan, University of Melbourne, Australia Melanie Herzog, Edgewood College, Madison, Wisconsin Encountering 'the Primitive' in Ceylon Jeff Rosen, Columbia College, Chicago Hands Off My Thoughts: Determining Intellectual Space Wesleyan University in Institutions Post-Colonial Barbarism? Art and Society in Lee·Ann Martin, Council for the Arts Achaemenid Sardis The Politics of Survival: Contemporary Native American Elspeth Mcintosh Dusinberre, Program in Classical Artists in the Post-Colonial World Archeology, University of Michigan Phillip Minthorne, American University, Eastern Mediterranean Colonization and the Rise of Washington D.C. an Aristocratic Architectural Iconography in Archaic Discussant Centra/Italy Jennifer Vigil laura Flusche, University of Illinois, Champaign-Urbana Discussant Room 716A Bonna D. Westcoat, Emory University Immigrant Artists in America: Discussant Their Identity, Bicultural Contexts, and T. Cuyler Young Jr., Department of Near and Middle Art Making Eastern Civilizations, University of Toronto Pok-Chi Lau, School of Fine Arts, University of Kansas The New "Islanders" Room 718A Hung Liu, Mills College + Apocalypse and Utopia in the Colonial Immigration Video-Canada Arts of the Americas Gu Xiong, artist, Vancouver Jeanette Favrot Peterson, University of California, Santa Barbara Immigrant Soul in Search for a Sense of Place Thomas Cummins, University of Chicago Maria Velasco, University of Kansas The Florentine Codex: Conquest and the Colonial New Art as an Instrument of Memory World Order Tanja Softie, Rollins College Michael Schreffler, University of Chicago El nombre y su morada: The Name and Its Abode Room 7168 Elena Estrada de Gerlero, Universidad Nacional Arbiters of Taste: Collectors in East Asia Aut6noma de Mexico Ankeney Weitz, Denison University A/gunas representaciones del Apoca/ips's Elisa Vargaslugo, Universidad Nacional Aut6noma de Social Networks in Art Transactions: The Collector Zhon Uanggong (1612-1672) and His Relationship to Mexico Contemporary Artists A Spanish Prophet of the Apocalypse: Representations Qianshen Bai, Boston University of Sor Marla de Jesus de Agreda in New Spain Elizabetr Q. Perry, Brown University Remains, Accumulations and Collections: Edo Period Collectors of Chinese Ceramics as Seen through the Discussant Archeological Record Sabine MacCormack, Institute for Advanced Studies, Nicole Coolidge Rousmaniere, University of East Anglia Princeton University Otani Kozui: The Collection and Display of Buddhist Art from the Chinese Silk Road Room 7188 J. Lee Spurgeon, Boston University Temporary Public Art: Where is the East? Asian Objects in American Criticality and Homeopathy Museums, 18 76-1926 Alice Aycock, School of Visual Arts, New York Steven Conn, Department of History, Ohio State Robert Hobbs, Virginia Commonwealth University University Panelists: Collectors of Chinese Architecture? A Ming Dynasty Tom Eccles, Public Art Fund, New York Reception Hall from the Palace of Duke Zhao Adrianna G. Proser, Philadelphia Museum of Art Diller + Scofidio, architects Jeffrey Deitch, Deitch Projects, New York Room 717 Vito Acconci, artist + Art in PostuColonial Periods in the Ancient Mediterranean World Ann C. Gunter, Freer Gallery of Art and Arthur M. Sackler Museum, Smithsonian Institution Ethnicity and Ceramics in Post-Colonial Carla M. Antonaccio, Department of Classical Studies, A Proposal for Critical Discourse: Working Craft with Theory thursday Sandra Alfoldy, Concordia University, Critical Shift: Works and Words ~_pecial events Patricia Malarcher, editor, Surface Magazine The Gallery's Role in Contemporary Craft Discourse L12:30-2:00pm Kathryn Bonansinga, Bonakeane Gallery Professional Art Dealers Association of Canada (PADAC) Open House and Reception [9:30am-12:30 pm

Toronto's commercial galleries wilt be hosting an open Room 701A house for conference attendees. Please call PADAC at Representations of Children and the 416-703-0061 for further information and a list of participating galleries. Construction of Childhood in the Nineteenth-Century Marilyn Brown, Tulane University 111 Queen's Park The Construction of Childhood in Nineteenth-Century George R. Gardiner Museum of Artists' Biographies Ceramic Art Open House Petra ten-Doesschate Chu, Seton Hall University Childhood and Aesthetic Education: The Role of Emile in the Formation of Gustave Courbet's [s:00-7:30pm The Artist's Studio Daniel Guernsey, University of Wisconsin-Madison Queen Street West/Parallel Galleries Baudelaire's 'La Corde' as a Figuration of Manet's Art Tour and Open House Nancy locke, Wayne State University Shuttle buses will depart from the convention centre Impressionist Dolls: On the Commodification of Girls in beginning at 4:45 pm and will run until 7:45 pm Impressionist Painting Greg Thomas, Perdue University Discussant Laurie Schnieder Adams, John Jay College

thu~sday Room 7018 •!- Europeans Encounter the Native Body: ,SeSS I 0 n S&meetings Gender and Ethnicity in Art of the Colonial Era L7:30am-9:00am Suzanne Eberle, Kendall College of Art & Design Robert Sheardy, Jr., Kendall College of Art & Design Tudor 9, Royal York Hotel Big 10/CIC Business Meeting French Encounters with the Others: Madame Benoit's Portrait of a Negress Vivian Cameron, independent scholar Room 707 Disquieting Relations: Orders of Miscegenation in the Foundations in Art: Cuadros De Mestizaje Theory and Education Business Meeting Jose F. Buscaglia, State University of New York, Buffalo Consuming Women: Colonial Postcards and the Collectionnueses [9:00am-1 0:30am Rebecca J. DeRoo, University of Chicago Colonizing the Cannibal Body: Discourses of Gender Room 7148 and Conquest Propaganda in Dutch Brazilian Painting Changing Crafts: Practice and Exhibition Charlene Vfllassenor Black, University of New Mexico in the 1990s Savages Brought into Harmony and Peace by Justice Jean Johnson, Craft Studio at Harbourfront Centre, and Benevolence: Benjamin West and the Legacy of Toronto Indian Relations in Colonial Pennsylvania Jon W. Parmenter, University of Michigan Room 705 Room 711 Ways of Seeing South Asian Art after 0 * The Frontiers Between the Wild and Independence the Cultivated Janice Leoshko, University of Texas, Austin Ben Mitchell, Sheehan Gallery, Whitman College Wh6s.e Valuables?: The Circulation of East Indian Frontiers and Gardens: The Archeology of our 'Tribal Arts' in Colonial and Postcolonial Worlds Habitation Katherine Hacker, University of British Columbia Ben Mitchell Indian Art Constructed in American Museum A Gathering of Waters Exhibitions Basi a lr!and, University of New Mexico Mary Linda, Pennsylvania State University Finding Language: The Particulars of Place Displaying Rajasthan: Museum Design and the Mary Ann Bonjorni, University of Montana Exhibition of Art and Culture before and after 1947 The History of the Ancient Lakes Is Written on Carrie Anne LaPorte, University of Pennsylvania the Land Mapping the Monuments: Tracing Post-Independence Mark Ruwedel, Concordia University Attitudes to Colonial History Rebecca M. Brown, University of Room 713 Between Modernism and Modernization: Locating Modernity in Indian Art Lezzie Queries? Young(er) Feminists Preminda Jacob, New York University look Back 25 Years Erin Valentino, University of Connecticut

Room 707 Who's Forty Now? Erica Rand, Bates College The Expatriate American in Canada Donald Kottmann, Alberta College of Art and Design Born to (de)Construct: "Grasping the Myths, Queering the Organs" Sally Michener, Emily Carr Institute of Art, Vancouver Elizabeth Hynes, artist, Northampton, Massachusetts

Russell T. Gordon, Concordia University Decoration and Handicraft: Re~Visioning 1910's Suzanne Funnel, Nova Scotia College of Art and Design Feminist Art Fu~Chia-Wen Lien, Graduate Center, City University of Gary Olson, Alberta College of Art and Design New York In and Out: Sliding Past Hegemony or What You See Room 709 Isn't and All That Jane Kim, critic, Hartford, Connecticut * Board or Not? A Question of Design Gary Keown, Southeastern Louisiana University Discussant Harmony Hammond, University of Arizona Design: Teaching Traditional Concepts in the Digital Age Rick Barry, Pratt Institute Room 714A Should We Continue to Teach and Practice Traditional From Portrait to Icon: Images of Approaches to Graphic Design "the Holier Souls" in Roman and Early Diane Benoit, University of Christian Art The Present Moment: Searching for the New Visual Alice T. Christ, University of Kentucky Language Poets and Philosophers, Priests and Saints: Public Paul Dean, Louisiana State University Images of Divine Inspiration Cyberspace vs. Typographic Space John Stephens Crawford, University of Delaware Philip B. Meggs, Virginia Commonwealth University From Fop to Philosopher: The Fortunes of Menander It Is Time to Renew Our Graphic Design Classrooms, in the Portrait Tradition Faculty, and Programs Sarah Guberti Bassett, Wayne State University Richard S. Thornton, University of Connecticut Sidonius Apol/inaris and the Portraits of Distinguished Philosophers in Athens Eugene Dwyer, Kenyon College The Holy Man Learns to Write: Author Portraits in Late Antiquity Mark Vessey, Department of English, University of British Columbia Portrait, Perception, and Place: Paulinus of Nola and Artistic and Perceptual Aspects of Ritual Healing the Early Christian Portrait Ferris Crane, California Polytechnicallnstitute Eugene Vance, French and Italian Studies, University of Art Created in a Context of Healing Washington Christine Holzer, County College of Morris, Randolph, Discussant New Jersey James A. Francis, Department of Classics, University of The Image, Space, and Ritual of Regeneration and Kentucky Protection in Asklepieia Celeste Augusta Lovette, Room 715 Fragmentation, Transplantation, and Virtual Worlds: International Center of Medieval Art An Art Project for Transplanted Youth Conquest and Accommodation: Andrew Speirs, University of Newcastle, Australia The Transformation of Norman Art and Healing by Naming: The NAMES Project AIDS Architecture Memorial Quilt Usa A. Reilly, University of Virginia Jean Robertson, Herron School of Art, Indianapolis Craig McDaniel, Indiana State University Subverting the Norman Narrative in the Borders of the Bayeaux Tapestry Karen R. Mathews, University of Colorado, Denver Room 717 Regional Styles in the Ecclesiastical Architecture of Art History Open Session: Fifteenth­ Norman Sicily Century Netherlandish Art Charles E. Nick lies, Roger Williams University James Marrow, Princeton University Visuality and the Viewer at Monreale Cathedral Questioning the Donor's Image: Fatima Mahdi, Institute of Fine Arts, New York Gerard Loyet's Votive Portraits of Charles the Bold University Hugo van der Veld en, Universiteit Utrecht The Conscious Search for Aesthetic Originality in When Tradition Bests Innovation: Philip the Good, the Anglo-Norman Romanesque Architecture Ghent War, and the Vienna Privileges larry Hoey, University of Wisconsin, Milwaukee Gregory Clark, University of the South English Romanesque Architecture and the Holy Roman The Image of Devotion in Early Flemish Painting Empire Bret Rothstein, University of California, Santa Barbara Richard Plant, Courtauld Institute of Art Jan Van Eyck's Mappamundi-The Bigger Picture Marina Belozerskaya, independent scholar Room 716A Panofsky's Preoccupation: Fifteenth-Century '.• The Appeal of International Netherlandish Annunciation Painting Modernism Hanneke Grootenboer, University of Rochester Kathleen James, University of California, Berkeley Julian the Apostate and the Apostolic Life: Monastic On the Rocks: The Critical Reception of Luis Barragan's Identity in Geertgen tot Sint-Jans' Altarpiece for the Gardens of El Pedregal Haar/em Jansheren Keith Eggener, University of Nevada, las Vegas Henry Martin Luttikhuizen, Calvin College ATBAT-Afrique and Ethnological Housing in French North Africa Room 718A Larry Busbea, Graduate Center, City University of Carnal Pleasures: The Public Spaces of New York Desire Glorious Socialist Future for Ghanaians: Architecture Anna Novakov, Art Institute and Urban Planning in Nikrumah-Era Ghana Janet Hess, Harvard University Apertura Dennis Adams, Massachusetts Institute of Technology The Reception and Perception in Post-War of Le Corbusier's Museum of Infinite Growth Bodily Desire and Self-Renewal as Performance Art in Ken Tadashi Oshima, Columbia University Three Environmental Theatres Audrey Colby, School of the Art Institute of Chicago The Epistemology of Disco Room 71GB John Di Stefano, School of the Art Institute of Chicago Art and the Healing Process: A New Paradigm The Ester Diaries Tony Labat, San Francisco Art Institute Joy l. Gritton, Morehead State University Stephen laBoueff. independent scholar and artist Room 7188 Paul Richer's Le Premier Artiste and the Origins of Art Art History Open Session: American Art Maria P. Gindhart, University of Pennsylvania William Truettner, National Museum of American Art Nineteenth Century Irish Political Cartoons and the Doreen Bolger, Museum of Art, Rhode Island School of Heroic Construction Design Joel A. Hollander, University of Minnesota Sermon Pictures: Merchandising Morals in the Jean-Jules Geoffrey: Educational Propaganda in the American City Third Republic Paula lupkin, Denison University Jill Miller, University of Minnesota Andrew Walker, Art Institute of Chicago

Prelapsarian Dismemberment at Pocantico Hills: George Room 705 Gray Barnard and the John D. Rockefe/lers Historians of Islamic Art Frederick C. Moffatt, University of Tennessee The Discourse of the Gift in the Mirrored Travels in the Yucatan: Robert Smithson, 1969 Medieval Islamic World and John Lloyd Stevens, 1843 Eva R. Hoffman, Tufts University Jennifer L. Roberts, Yale University Reflecting Objects: The Rhetoric of the Gift at the The Refineries of Edwin Austin Abbey: Shakespeare, Cliphal Court of al-Anda/us Pennsylvania Steel, and American Cultural Gains Francisco Prada-Villar, Harvard University Elisa Tamarkin, Department of English, Stanford University The Mantle and the Garden: Some Possibilities for Thinking About the Role of Gifts in Twelfth-Century Discussant Cicily William Tronzo, Tulane University Kathleen Pyne, University of Notre Dame Give and Take: Gift Giving Among the Timurids Priscilla P. Soucek, Institute of Fine Arts, New York University [11 :00am-12:30pm The Value of the Gift: Foreign and Domestic Gift Exchange at Jahagir's Court Room 7148 Sharon littlefield, University of Minnesota Disci pI i nell nterdi sci pi i narity: Craft in the 1990s Room 707 Gisele Amantea, Concordia University, Montreal Association of Independent Historians of Art Opportunities Lost: Feminism and Craft, Then and Now Publishing Issues for the Independent Glenn Adamson, Yale Univ.ersity Scholar: Copyrights, Contracts, Royalties Opposing Strategies: Bad Boy Makes Good and Museums Eric Metcalfe, independent scholar, Vancouver Barbara J. Mitnick, independent scholar; Nancy E. Polo, University of North Carolina, Chapel Hill Mary Emma Harris, independent scholar Material Transgressions: Fabric Work by Three Gay Men Maxwell Anderson, Art Gallery of Ontario Alan C. Elder, University of Victoria Paul Anbinder, Hudson Hilt Press, Inc., New York Discussant Mindy Yan Miller, artist, Montreal Susan E. Renouf, Key Porter Books, ltd., Toronto Beatrice Rehl, Cambridge University Press, New York

[12:30-2:00 pm Room 709 Catalogue Ralsonne Scholars Association Room 7018 The Catalogue Raisonne in Progress: Association of Historians of Nineteenth­ Coping Century Art Nancy Mathews, Williams College Museum of Art New Directions for Nineteenth-Century Art History Room 711 lucy Oakley, Grey Art Gallery, New York University Coalition of Women's Art Organizations The Curse of Beauty: A Correlation of Themes in the Sculptures of Harriet Hosmer and Nineteenth-Century College Art Education for the Future Women's Literature Millennium Julie A. Dunn-Morton, University of Delaware Kyra Belan, Broward Community College The Visual Arts Career Professional Practices Skills: Room 716A Myth and Reality in Higher Education? Foundations in Art: Theory and Education linda Hightower, Rochester Institute of Technolgy Interdisciplinary Foundations: Goals Earth, Sprit and Gender: Visual Language for the and limits New Reality David Holt, Marymount College, Tarrytown, NY Kyra Belan Interdisciplinary Link Between the Lecture Hall and Can Art be Taught? the Studio: "Introduction to Visual Culture" and Eleanor Dickinson, California College of Arts and "Introduction to Studio Practice" Crafts Barbara launder, Nova Scotia College of Art and Design Reading Road Signs: A Personal View of Design Theory and Practice: An Interdisciplinary Approach to Education in the Future the Construction of Meaning Ruth lozner, University of Maryland Carla Tedeschi, Metropolitan State College Who They Were: A Report on Team Teaching and Room 713 Interdisciplinary Course in the Search for Self Working with Electronic Images: P. lynn Cox, Westminster College Defining Roles for Faculty and Staff David Reville, Brown University Room 7168 Cynthia Rubin, Rhode Island School of Design Art Table If Not Teaching, Then What? Ginette Daigneault, University of at Hull Career Advisory Panel Stuart larson, University of Rochester An advanced degree in art history or fine arts does not easily convert to a career in academe. So how else can Thecla Schiphorst, Emily Carr Institute of Art and art historians and artists make a living? What other Design avenues are open now, and what are emerging fields? Dena Slothower, Pratt Institute, New York What practical skills are valued in the non-academic workplace? Are there ways to balance your work life with your specialized areas of interest? Six women, all Room 714A with advanced degrees, and each in a different arts­ Canadian Women in Film related profession, will talk about career options, job­ A.M. Weaver, The Painted Bride Art Gallery, finding strategies, and balancing priorities and values. Philadelphia PANELISTS TO BE ANNOUNCED Shanti Thakur, filmmaker Michele Mohabeer, filmmaker Room 7188 Gay and Lesbian Caucus ( Gabrielle Hezekiah, film critic Escape from the Bedroom: Gay and Janine Marchessault, York University lesbian Artists Exploring Public Space Moderator Cyndra MacDowell, Sheridan College/University of ! ' Glace lawrence, filmmaker Toronto The Erotic Possibility of Melancholy Room 715 John Mclach!in, independent artist, Toronto Town Meeting on Fair Use of Digital Performing Lesbian Identity in Public Spaces Images-Part I Laura Jeanne Lefave, Universite de Quebec a Montreal Penetrating the City Copyright Initiatives in the Academic Sector Cyndra MacDowell David Green, National Initiative for a Networked Cultural Heritage The Coy Copy: New Technologies and the Mysteries of Representation [2:30-S:OOpm Peter Walsh, Davis Museum, Wellesley College Room 701A No Fair: Long- Term Prospects of Regaining Unencumbered Use Medieval Architecture and Liturgy Gary Schwartz Caroline Bruzelius, American Academy in PART II-WILL TAKE PLACE Architecture and Liturgy in Medieval S. Maria Novella, THURSDAY, S:30-7:00 PM. Josef Schmid, Augsburg University Franciscan Liturgy and Family Chapels at S. Croce Room 707 in Florence Work in Progress: Presentations by CAA Jane C. long, Roanoke College Professional Development Fellowship The Use and Development of Aisles in English Parrish Recipients Churches in the Twelfth and Thirteenth Centuries Jennifer Kyvig, CAA Fellowship Coordinator Carol Davidson, Birbeck College Usa Gail Collins, University of Minnesota Liturgy and the Cult of Saints: Canterbury Cathedral as a Case Study Jeannie Carmen Crosby, University of Texas, Austin Frank Druffner, Kunstgeschichtliches lnstitut, Marburg Gabrielle Esperdy, Graduate Center, City University of Discussant New York Peter Fergusson, Wellesley College Samantha Fields, Cranbrook Academy of Art Juan Jose Robles, Johnson State College, Vermont Room 7018 Yumi Janairo Roth, State University of New York, ·~ Postmodernism and the Post-Colonial New Paltz Debate in Contemporary Asian Art Shirley Solomon, New York University Mary-Ann Milford-lutzker, Mills College Colonial Legacy and Postmodern Ethos Energize Late Twentieth-Century Calcutta Art Room 709 Marcella C. Sirhandi, Oklahoma State University + Becoming a Subject: Colonial and Culture and Representation: Taiwan's Debut at the Post-Colonial African Photography Biennale Steven Nelson, Tufts University Shao-Chien Tseng, University of Iowa Overexposed-Spectacular Identities: The Photography Confronting Multiple Colonization in Contemporary of Ike Ude Political Korean and Taiwanese Art lauri Firstenberg, Harvard University Joan Kee, Harvard University 'African Photography' and After Language and the Subconscious in Contemporary Gordon P. Bleach, University of Florida, Japanese Art In the Frame: Photography and the Contest for the Rae Tom a, University of Body in Africa Postmodern Puzzles: Contemporary Art and Culture Olu Oguibe, University of South Florida, in China Violence and Its Aftermath: Soweto and After, Susan Noyes Platt, University of Washington 1976-1989 Ann M. Ciola, State University of New York, Binghamton Room 705 American Society for Hispanic Art Historical Studies Room 711 Visual Cultures, Old and New: Iberia and •l• The Colonialized Construction of the Americas, 1500-1800 American Art/History Susan Verdi Webster, University of St. Thomas Barbara Groseclose, Ohio State University Katherine Manthorne, National Museum of Creating Space, Claiming Land: The Pictorial Landscape American Art in Early Colonial Texcoco Eduardo de Jesus Douglas, University of Texas, Austin Imperial Narcissism, National Character, and the Ties that Bind The 'Synthronos' Trinity: Visual Culture and Imperial Christine Boyanoski, University of london Ritual in Spain and the Americas Ann Storey, University of Washington Negotiating Identity: A Historiography of Colonizer and Colonizee in Canadian Art History 'Seducing the Ignorant Masses': The Printed Image, the Angela Carr, Carleton University Mexican People, and the Holy Office of the Inquisition Kelly Donahue-Wallace, University of New Mexico, Arthur Dove and the Colonialization of Early Albuquerque Modernism in the Arlette Klaric, State University of New York, Buffalo Marian Metaphors or Mother Goddess? Cosmological Paradigms in Peruvian Painting Susan Gandert, University of New Mexico, Albuquerque Room 713 Can Printmaking Survive Academia? Facing the Surface 1: The Situation of Mark Pascale, Art Institute of Chicago Form L'Estampe Originate and the Contemporary Print Nina Eugenia Serebrennikov, Davidson College Portfolio Melissa Harshman, University of Georgia On the Unity of Form and Context: Principles of an Inclusive Art History David Summers, University of Virginia, Charlottesville Room 715 Form and Content in the Sixteenth Century: An From Aesthetics to Politics, Alternate Epistemology New York ca. 1975 Rebekah Smick, Centre for Reformation and Blake Stimson, University of Oregon Renaissance Studies, University of Toronto Greg Sholette, New Museum of Contemporary Art, Albert C. Barnes and the Instrumentality of Form New York Megan Granda Bahr, University of Texas, Austin Art and the Pain of Living: New York Political Art and Form: Reformation or Counterreformation? the Protests of 1970 Joachim Pissaro, Yale University Art Gallery John Hutton, Trinity University Respondent It's Still Privileged Art Charles Altieri, Department of English, University of Karl Beveridge, independent scholar California, Berkeley Rereading 'an Anti-Catalog': Radical Art History and PART !!-"WRITING A THEORY OF PRACTICES IN THE the Decline of the Left FRAME OF CULTURAL INTERACTION"-WILL TAKE Alan Wallach, College of William and Mary PLACE THURSDAY, 8:00-1 0:30PM The Madame Binh Graphics Collective: Creative Collaborators or Ultra-Left Pamphleteers? Mary Patten, School of the Art Institute of Chicago Room 714A 0 "Canadada" or "Why Are We So Smart Left on Both Coasts Martha Rosier, Rutgers University and So Alike?" Verbal Wit and Irony in Contemporary Canadian Art From Structuralism to Communicative Action in Aurora Landin, University of , Winnipeg Mid-1970's Art Alexander Alberro, University of Florida Medusa Gets a Laugh: Theorizing Feminist Humour in Canadian Contemporary Art Amy Gogarty, Alberta College of Art and Design Room 716A The Montage is the Message: Humor, Language and Artistic Brotherhoods in the Nineteenth Rhetoric in McLuhan Century Steven H. Hunt, Ohio State University William Vaughan, Birbeck College, London A Wittgensteinian/Duchampian Examination of Laura Morowitz, Wagner College, Staten Island, New York Humour in Canadian Art Blair Marten, artist The Nazarene Gemeinschaft: Overbeck and Cornelius Mitchell Frank, University of Toronto I Geezer Chic John Will, artist The Pre-Raphaelite "Otherhood" and Group Identity in Victorian Britain Discussant Aurora Landin Jason M. Rosenfeld, Institute of Fine Arts, New York University The Mo"is and Company Design Firm: Brotherhood or Room 7148 Business? Printmaking: Above and Below the Amy Bingaman, University of Chicago Surface Acad€mie and Fraternite: Michael Krueger, University of Kansas Constructing Masculinities in the Education of French America Dreams in Colors Artists Steve Murakishi, Cranbrook Academy of Art Susan Waller, Northwestern University Global Collaborative Printmaking Examining the Visionists as an Artistic Brotherhood Sue Golliter, University of Brighton Sarah Gillespie, George Washington University Site of Contestation: The State of the Contemporary Political Poster Charles Cohan, University of Hawaii Room 7168 Room 7188 The Visual Representation of Child Abstraction and Meaning: An Experien­ Sexuality tial Approach to Abstract Painting George Dimock, University of North Carolina, Power Boothe, College of Art, Maryland Institute Greensboro OBSTRUCT/ON/ABSTRACTION: abstraction/obstruction Sex Education and the Child: Gendering Erotic Clarence Morgan, University of Minnesota Response in Eighteenth-Century France AS IS: Abstraction as Resemblance Jennifer Milam, Department of Art, University of Rochelle Feinstein, Yale University A View of Meaning Picturing the Child: Lewis Carroll, Photography, and (Liddell) Girls Martin W. Ball, Kent State University Diane Waggoner Empowering the Sand-Blasted Image Sam Gilliam, artist The Role of Images in Establishing Sexual Stereotypes Ellen Handler Spitz, Center for Advanced Study in the Behavioral Sciences Discussant [s:30-7:00pm Anne Higonnet, Wellesley College Room 705 Association for Latin American Art Room 717 + {Post-)Colonialism in World Exposi­ Picturing the Local Ilona Katzew, Institute of Fine Arts, New York tions: Framing the Subaltern in the University Popular Consciousness Jan Newstrom Thompson, San Jose State University Abstraction in the Indian's Self-Image in Sixteenth Marilyn Wyman, San Jose State University Century Monastic Decoration in New Spain Elena Isabel Estrada de Gerlero, Universidad Auton6ma Nostalgic Islam: Bud a under the Turks and the 1896 de Mexico Hungarian Millennia/ Exhibition Samuel D. Albert, Yale University The Indian Donor of Religious Works of Art in New Spain Primitivism, Art Nouveau, and the 1897 Congo Elisa Vargaslugo, Universidad Auton6ma de Mexico Exhibition at the Brussels World's Fair Amy F. Ogata, Cleveland Institute of Art Local Devotions in New Spain: Textual Affirmations and Visual Associations World's Fair People: Jessie Tarbox Beals' Photographs Luisa Elena Alcala, Institute of Fine Arts, New York from the St. Louis Exposition, 1904 University Barbara Mather, Metropolitan Museum of Art, New York Room 707 (Anti) Colonial Expositions 1931 Jody Blake, Bucknell University International Survey of Jewish Monuments New Documentation of Historic Discussant Erica Kubic, independent scholar Synagogues Samuel Gruber, Jewish Heritage Research Center, Syracuse Room 718A Robert Lyons, Seattle Forecasting Memory and Desire The Synagogues of , Canada Carol Laing, Ontario College of Art and Design Hagit Hadaya, Heritage Canada, Ottawa Materializing Memory: The Clothing Works of Fay "Famed for Fairness and Antiquity": the Synagogues HeavyShield of Syria Renee Baert, University of Rochester Samuel Gruber Robert Lyons Gazes from the Past: Harnessing Lesbian Nostalgia Nina Levitt, artist, Chicago Please Kill Me: I'm a Faggot Nigger Jew Room 709 Rachel Schrieber, Indiana University Student Committee Open Forum Memory, the Reconfiguration of (My) History Buseje Bailey, Ontario College of Art and Design Room 711 Conceptualism in Japan: Theory and Practice of Bikyoto (Artists Joint-Struggle Council) Art Safety Seminar Reiko Tomii, independent scholar, New York Ted Rickard, Manager of Health, Safety, and Security, Ontario College of Art and Design David Lame/as: Media Concepts Eric de Bruyn, independent scholar, New York

Room 713 Conceptual Art in the Former Yugoslavia Vesela Sretenovic, independent scholar, New York American Society for Hispanic Art Historical Studies Business Meeting Discussant Anne Rorimer, independent scholar

Room 714A Educational Testing Service Room 7018 Wider Horizons: New Strategies for How to Make Prints to Die for without Teaching a College-Level Survey of Art Killing Yourself: A Demonstration and History in the High School Hands-On Workshop of New Nontoxic Susan Benforado Bakewell, Kennesaw State University Printmaking Techniques Joseph lamb, Ohio University Keith Howard, Canadian School for Non-Toxic Jacqueline Chanda, Ohio State University Printmaking Yu Bong Ko, Tappan Zee High School Room 705 Arthur Haberman, York University ·~Artistic Agency in the Colonial/Post-Colonial Pacific Room 7148 Anne E. Guernsey-Allen, Fine Arts Department, Indiana Magic Classroom-Part University Pioneering the Digital Future: Studio Art Carol S. Ivory, Fine Arts Center, Washington State University Carol Flax, University of Arizona The Writing of Hawaiian Art History: The Finding Meaning in a World Overpowered by Drop Colonialization of Knowledge? Shadows Christin J. Mamiya, University of Nebraska, lincoln Suzanne Bloom, University of Houston Mutuaga and Charles Abel: New Guinea Master Carver Alan Dunning, Alberta College of Art and Design and His Missionary Patron PART II-SEE SATURDAY, 12:30-2:00PM Harry Beran, University of Wollongong, Australia Killing Time: The Massacre of the Warmun Room 715 School Town Meeting on Fair Use of Digital Eric P. Kjellgren, Metropolitan Museum of Art Images-Part II Shifting Spiritual Borders: The Body, Art, and Religion The Art Museum Image Consortium (AMICO)-A Debate in Nineteenth-Century Hawaii Teri Sowell, San Diego State University leila W. Kinney, Massachusetts Institute of Technology Demolishing Dots: Urban Aboriginal Art Bursts into the Maxwell L. Anderson, Director, Art Gallery of Ontario Global Art World Howard Besser, School of Information Management Susan Kennedy Zeller, Metropolitan Museum of Art and Systems, University of California, Berkeley Room 707 Design and Social Change: Changing the [8:00-1 0:30pm Objectives of Design Education Joan Dobkin, Carnegie Mellon University Room 701A Ludic Design Education-A Swedish Model Conceptualism: International Style or William Easton, Forsbergs Reklam Skala, Stockholm Local Strategy? On Making Meaning and Making Sense: A Case for luis Camnitzer, State University of New York, Design Education That Is Responsive to Society Old Westbury Maria Rogal, Department of Art, University of Florida Pop Art in and around Conceptualism Arlyn Simon, Ohio University Rhea Anastas, Graduate Center, City University of New York Discussant Beth Tauke, State University of New York, Buffalo Room 709 New Perspectives on the Figurative Sculpture of 0 Urban Fictions: Artists Re-Presenting Magdalena Abakanowicz the City Joanna lnglot, C_o!lege of St. Catherine Janet Jones, Department of Visual Arts, York University Pressa: The Soviet Pavilion at the International Exhibition of the Press, Cologne REPOhistory: Site vs.History~New York, Atlanta, Erika Wolf, University of Michigan Houston James Costanzo, Pratt Institute From Sacre Coeur to Saratov: Aleksei Bogolyubov's Patronage of European Painting and Its Significance for Fortifications f/ the Russian Emigre Community Blaise Tobia, Drexel University Polly Gray, Queen's College, Oxford University Nowhere, Capital of the Twentieth Century Fossilized and Fetishized: Feminine Presence in Toyen's James Gillespie, University of Guelph Drawings and Paintings The Times Square Photography Project Katja Zigerlig, American University Karen Furth, artist Room 7148 Room 711 Association of Art Editors 0 Exchanging Currency: Artists Cross the Publishing in the Fine Arts: Untangling Canadian/U.S. Border the Web Lynn Hughes, Concordia University, Montreal Craig Houser, Solomon R. Guggenheim Museum Barbara layne, Concordia University, Montreal Johanna Drucker, Yale University The Virtually Itinerant Artist Leila Kinney, Massachusetts Institute of Technology Catherine Richards, University of Ottawa Jon McKenzie, New York University Subverting Customs Robert Repinski, University of Minnesota, Duluth Beth Morris, independent consultant Meme Me: Identity in the Replication Age Darren Wersh!er-Henry, Coach House Louise McKissick, Robert Morris College Andrea Polli, Robert Morris College Room 715 Bodies and Vessels: Fluid Exchange Art and Alterity: The Pictorial Paul Mathieu, Emily Carr Institute of Art and Design Expression of Social Outcasts Webcasting through Digital Communities Debra Hassig, Institute for Advanced Studies in the Kathy Kennedy, Studio XX, Montreal Humanities, University of Edinburgh Pedagogy of Fear: Making Marginalization Visible in Room 713 the Public Auto de Fe of the Royal Spanish Inquisition •:• Facing the Surface II: Writing a Theory Marvin lunenfeld, State University of New York, of Practices in the Frame of Cultural Fredonia Interaction Antichrist(s): A Special Problem in Picturing Otherness Claire Farago, University of Colorado, Boulder Margaret A. Sullivan, independent scholar Patrick Frank, University of Colorado, Boulder Alterity and Expulsion: Santiago Matamoros in Post­ 'Native' and 'Foreign' in Armenian Architecture: The Tridentine Valencia Case for a Cross-Cultural Study Keli E. Rylance, Hamline University Christina Maranci, Princeton University Defining the Stranger from Within: Woman as Other in Hybridity, Multiculturalism, and Traditional African Art Seventeenth-Century Dutch Painting John Peffer, Columbia University Nanette Salomon, College of Staten Island Respondent The Dwarf in Italian Renaissance Iconography Tony Cutler, Pennsylvania State University Robin O'Bryan, University of Virginia

Room 714A Room 716A Society of Historians of Eastern European and Representational Painting Today, Russian Art and Architecture Addressing Social, Political, Confronting the Past: Recent Research Psychological, and Cultural Issues: on Visual Culture of Russia, Eastern Are These the Proper Concerns for Europe, and the NIS Painting and Representation Today? Pamela Kachurin, Indiana University Leopolda Fuentes, City College of New York, CUNY Reconstructing a Feminist Figuration Room 718A Diane Sophrin, artist, Montpelier, Vermont Renaissance Society of America Painting after Modernism/Painting after Photography Renaissance Masculinities Matthew Girson, School of the Art Institute of Chicago Rona Geffen, Rutgers University, New Brunswick Concerns in Perceptual Realism and Hybrid Realism Disciplining the Male Gaze: Violence, Masculinities, Peter Roos, Keene State College and the Visible in Christine de Asan's Epistre Othea Internal Dialogues: The Disturbing Hypnotic Figures in Pamela Sheingorn, Baruch College, City University of the Paintings of Paul Fenniak New York April Paul, City College of New York, Chaim Gross Marilyn Desmond, State University of New York, Studio Museum Binghamton Why Is Everybody Always Picking on Me? Mark Tansey's Hercules and Antaeus: Gendered Oppositions, Homo­ Illustrational Style: Questions of Representation and erotic Encounters, and Unstable Masculinity in Italian Self-Criticism Renaissance Art James W. Rhodes, Virginia Commonwealth University Patricia Simons, University of Michigan Mary Quite Contrary: The Doni rondo and the Shaping Room 7168 of Masculinity Charlotte Houghton, Duke University Rereading Chinese Art (History) Katharine P. Burnett, University of Southern California Gendering Canons: The Representation of Effeminacy Charles Lachman, University of Oregon Peter Lynch, Randolph-Mason Women's College Sanctifying Power: The Written Word and Ritual Art of The Burden of the Father: Michelangelo, Bernini, and Proto- and Early Historic China Aeneas and Anchises Elizabeth Childs Johnson, New York University Laura Camille Agoston, State University of New York at Geneseo The Value of Writing Stanley K. Abe, Duke University Room 7188 Explicit and Implicit Texts in Chinese Painting Dora J. Levy, Brown University Dandies: Sartorial Finesse and Cultural We Said They Said Identity Katherine Burnett Susan Fi!lin-Yeh, Reed College Wu? and Wen?: Li Fang's Record of Bannerman "The Dandy in Me": Romaine Brooks' 1923 Portraits Painters and the Performance of Lesbian Identity Nixi Cura, Institute of Fine Arts, New York University Joe Lucchesi, University of North Carolina "Multiculturalism" and the Semiotics of Sartorial Finesse on the Frontier: Incipient Dandyism on the Room 717 Columbia River, 1790-1855 Ut architectura pictura: Architecture, Robert E. Moore, Department of Anthropology, Pictures, and the Significance of the New York University Exchange Twiggy & Trotsky: Or, What the Soviet Dandy will be Christy Anderson, Yale University Wearing This Five- Year Plan Karen Koehler, University of Massachusetts, Amherst Mark Svede, Ohio State University College Hasiography Andrea Pozzo's Perspective Pictorum et Architectorum: Michael Lobel, Yale University Architecture as a System of Representation John Pinto, Princeton University Runway Rag: Becoming the Object of One's Own Desire Duston Spear, artist Piranesi and the Image of Infinite Confinement Erika Naginski, Harvard University Discussant Richard Martin, Costume Institute, Metropolitan The Mythic Mediterranean in 1930's Murals Museum of Art Romy Golan, Yale University Visions of Metropolis in Science Fiction Illustration Haim Finkelstein, Ben-Gurion University, Israel Architecture and Painting: The Neurobiological Connection John Onians, University of East Ang!ia friday [7:30-9:00pm 317 Dundas Street West Art Gallery of Ontario Post~convocation _s_pac_LaLe_\Lents__ Reception [J:30-9:00am Shuttle bus service will be available from the Metro Toronto Convention Centre beginning at 7:00pm. Imperial Room, Royal York Hotel last bus will return to the Royal York Hotel at 9:00pm. Committee on Women in the Arts Recognition Award Breakfast Art historian Linda Nochlin will be presented the annual Committee on Women in the Arts Recognition Award by Elizabeth Baker. frid?Y ADMISSION BY PRE-PURCHASED TICKET ONLY S_eS£LQ_O_S__&m_e_etin_g_s_ [12:30-2:00pm [ 7:30-9:00am

111 Queen's Park Room 705 George R. Gardiner Museum of Veterans in the Visual Arts Ceramic Art Open House Business Meeting

Room 707 PADAC Member Galleries Open House Association for latin American Art SEE THURSDAY, 12:30-2:00 PM Business Meeting

Room 713 [s:30-7:00pm Art Museum Image Consortium The Seeds of Revolution: Room 718, Metro Toronto Convention Centre New Technologies and the Art Museum Convocation Image Consortium

Welcome Participants: Maxwell Anderson, Director, Art Gallery of Ontario Susan Chun, Asia Society Galleries Remarks leslie King~Hammond, CAA President Stephanie Stebich, The Cleveland Museum of Art Presentation of Awards Peter Walsh, Davis Art Museum, Wellesley College Introduction of Keynote Speaker John R. Clarke, CAA President Elect Keynote Address: "Dispatches from Turtle Island and [9:00-1 0:30am the Dogs of Free Speech" Tom Hill, Woodland Cultural Centre Algonquin Room Royal York Hotel Museum Task Force Roundtable Discussions "Marketing, Development, Education: Where Does the Curator Fit in Now?" "How Can University Museums Collaborate More Effectively with Their Academic Communities?" The third table will be left open for participants to discuss issues they found most pressing. The Academics of Art [9:30am-noon Debbie Sparrow, Museum of the Coast Salish Art and Part Room 701A Ki-Ke-ln, Ron Hamilton, Nuu-Cha-Nulth Creator ~:~ 1 Am You? Colonial Encounters and the Amateurs Copy, Professionals Steal: Contemporary European Subject, 1700-1850 Northwest Coast Art and the Modernist Value MaryS. Sheriff, University of North Carolina, Continuum Chapel Hill Judith Ostrowitz, Getty Post-Doctoral Fellow Inhabiting Hybridity: Colonial Architecture in "Or Shall We Search as the Indian Did?": Dilemmas of Nineteenth~Century Calcutta a Colonial Woman Artist in British Columbia Swati Chattopadhyay, University of California, Berkeley Gerta Moray, University of Guelph Mixed Bloods, Mixed Colors: Fecundity and Degenera­ Discussant tion in Delacroix's Massacre at Chios Charlotte Townsend-Gault Darcy Grimaldo Grigsby, University of California, Berkeley The Diasporic Mirror: African/Jewish Cross-Cultural Room 707 Imaging and the Fashioning of Camille Pissarro Time as Place Nicholas Mirzoeff, University of Wisconsin, Madison Thomas Rose, University of Minnesota Imperial Picturesque: Transplantation, Transculturation Post-Modern Primitive or Cultural Broker and Jean-Joseph Laborde's Landscape Garden at Robin Frunklin Nigh, Florida State Museum of Art Mereville Cape Town to Cairo: My Colonial Fa ther(s) Jill H. Casid, Harvard University leon Johnson, University of Oregon African Rococo: House and Portrait on Goree and Time and Seriality in Barnett Newman's Stations of the Saint-Louis Cross Mark Hinchman, University of Chicago Sarah K. Rich, Yale University Accessing Time through Space in the lndic Tradition: Room 7018 Does the "Chronotope" Apply to Ajanta's Cave 17? Italian Art Society lee Ia Aditi Wood, University of Michigan Italian Art of the Nineteenth and Discussant Twentieth Centuries: A Legacy of Emilio Cruz, artist, New York Continuity and Dissonance Irina D. Costache, Loyola University Room 709 Regionalism, Cultural Nationalism and the Archaism and the Politics of Cultural Risorgimento: Antonio Canova and Italian Unification Christopher M. S. Johns, University of Virginia Memory Alexander Nagel, University of Toronto Medardo Rosso and the Subversion of the Nineteenth­ Century Italian Funerary Monument The "Archaism" of Classicism in Greco-Roman Sharon Hecker, University of California, Berkeley Sculpture Mark Fullerton, Ohio State University Symbols of Justice in Early Modern Italian Art: An Assessment of the Classical Tradition in the Making of The Unorthodoxy of the Orthodox: Archaism and National Institutions Strangeness in U Gong/in Terry Rossi Kirk, American University of Rome Elizabeth Brotherton, State University of New York, New Paltz Mussolini and Maiolica: The Revival of Renaissance '' Childbirth Wares in Fascist Italy Renaissance Archaism? The Example of the Capuchins ' Jacqueline Marie Musacchio, Walters Art Gallery Stuart lingo, Duke University "La Real Casa dei Matti": Bruno Caruso's Studies of Lives Reconstructed: The Nazarene Brotherhood and the Insane Some Origins of Art Historiography Vivien Greene, Solomon R. Guggenheim Museum Johannes Nathan, University of Bern Archaism, Benjamin, and the Resistance to Narrativizing Art History in Selected Works by Jackson \ Room 705 Pollock and Jasper Johns Modernism, Aboriginality, and the Daniel A. Adler, City University of New York Northwest Coast Charlotte Townsend Gault, University of British Columbia Room 711 Modernism and Resistance in Late Nineteenth-Century Women's Caucus for Art Oaxacan Painting: Urban Olivera's 1890 Painted History of a Zapotec Rebellion Crossing Borders, Mapping Boundaries: Kellen Mcintyre, University of Texas, San Antonio Exploring Issues of Culture and Context New Images, New Ways of Seeing: Mexican Photojour­ in Women's Art nalism, A Contribution to Modernism Gail Tremblay, Evergreen State College Rebeca Monroy Nasr, Universidad Nacional Aut6noma A Jewish American Woman Artist's Perspectives de Mexico on Egypt Marius De Zayas (1880-1961): The Geography of Mira Cantor, Northeastern University his Art Cross Cultural Currants Antonio Saborit Garcia-Peria, Universidad Nacional Sheri Fafunwa, Central Connecticut State University Aut6noma de Mexico Baya Mahieddene: An Arab Woman Artist Sana Makhoul, San Jose State University Room 7148 Investigations of Identity: A Third Generation Finnish~ Critical Taste: Rethinking Aesthetics and American Artist Cultural Studies Joyce Koskenmaki, University of Wisconsin-LaCrosse Susan E. McKenna, University of Massachusetts, Art that Leaves the Reserve/Reservation: Amherst Culture, Continuity, and Vision in Contemporary Disappeared Aesthetics: AIDS, Historicity, and First Nation Women's Art Representation Gail Trembly John Paul Ricco, University of Chicago The Performative Moment: Room 713 Theatricality, Mimesis and Photographic Subversion + The Artistic Response to the Dutch Dore Bowen, University of Rochester Revolt (1589-1648) What Are We Queering For? Alan Chong, Art Gallery of Ontario Strategies of Self-in-Evidence Maria DeGuzman, Harvard University The Death of William the Silent and the Birth of the National Movement Untitled: Disjuncture and Difference Ethan Matt Kavaler, Department of Fine Art, University Todd Ayoung, Yale University of Toronto Lesbian Representation: Reframing the Aesthetics of The Discourse of Women at War Transgression Martha Moffitt Peacock, Brigham Young University Jennie Klein, Berea College Danielle Abrams, University of California, Irvine Prints and the Changing Face of the Dutch Revolt Nadine Orenstein, Metropolitan Museum of Art Rembrandt, Lievens, and the Cultural Politics of the Room 715A Divine Body Visual Expressions and Glenn Harcourt, University of Southern California Aspects of Identity in the Middle Ages Things Dutch: Still Life and Post-Colonia/Identity in Lynn Jones, independent scholar the United Republic Ida Sinkevic, Lafayette College Julie Berger Hochstrasser, Sonoma State University Piety and Politics: Multivalency of a Constantine Statue at the Convent of Notre-Dame, Saintes Virginia Stotz, Kean College of New Jersey Room 714A The Transfer to America: Urban Cowboys: Romanesque Artists in Feudal + Acquitaine The Contribution of Mexican Art to Robert Maxwell, Yale University International Modernism, 1820-1950 Flora Clancy, University of New Mexico Royal Penitence: Images of Intercession in the Amy Winter, independent scholar, New York Winchester Psalter Dorothy Shepard, Pratt Institute Anita Brenner: An Art Critic with an Agenda Susannah Glusker Firing the Vanities: Ceramic Caricature and Byzantine Tradition Jose Vasconselos's "Rasa Cosmica" and the Building for Eunice Daughterman Maguire, Krannert Museum, the Secreta ria de Educaci6n PUblica University of Illinois, Urbana-Champaign Luis Carranza, Harvard University

Annemarie W. Carr, Southern Methodist University Room 716A Some Meanings of Multiples Gender and Architecture: Julia K. Murray, University of Wisconsin, Madison Institutionalized Bodies Duozi Duosun: The Wish for Sons in the Art of the Helen Hills, University of North Carolina, Chapel Hill Folk, the Court, and the Literati Ann Barratt Wicks, Miami University The Architecture of Institutionalization Eunice Howe, University of Southern California Appreciating the Antique: The Flower Vase Motif and the Embroideries of Rural Sichuan Form Misrepresents Function: Enclosure at the Catherine Pagani, Department of Art, University of Florentine Convent of Le Murate During the Alabama Renaissance Saundra Weddle, independent scholar Claustration and Innovation in the Nuns' Church of Room 718A San Maurizio in Annual Artists Interviews: Vera Frenkel Mary-Ann Winkelmes, Harvard University and Michael Snow Women in the Charterhouse: The Legibility and Vera Frenkel, Toronto-based film and video artist, Liminality of Cloistered Spaces will be interviewed by Clive Robertson, independent Sherry lindquist, Saint Louis University curator and critic, Montreal, and Dot Tuer, independent writer and artist, Toronto. Marginal Resistance: Gender and Architecture Pedagogy Michael Snow, Toronto-based multimedia artist, will Sharon Haar, University of Illinois, Chicago be interviewed by Dennis Reid, Senior Curator of Canadian Art, Art Gallery of Ontario.

Room 7168 Room 7188 -li( Advancing NeomColonialism: Emerging Theory and the Changing Work Who Writes the 60s? David McCarthy, Rhodes College of Art in the Age of Information Technology Who Stole the Orgone from the Orgone-Box? Caro/ee Mary leigh Morbey, Brock University Schneeman, Sexual Liberation, and the Avant-Garde of the 1960's Moores Law, Systems Theory, and the Aesthetics of Anette Kubitza, University of Interactive Art Simon Penny, Carnegie Mellon University Pop Art at the 1964165 New York World's Fair Kristin Fedders, University of Pennsylvania Techno@ fetish. tribe!Techno-gardism- A Time Released Diaspora Greenberg in the '60's Gregory Patrick Garvey, Concordia University James Meyer, Emory University New Canons, Old Histories, Neo-Colonial Strategies, Liberation/Decoration: Robert Mapplethorpe and the and Electronic Art Aesthetics of Gay Power Maria Fernandez, University of Connecticut Richard Meyer, University of Southern California Cyberfeminism: Cultural Theory, and the Convergence Discussant of Feminism, Technology, and Art Michael Plante, Tulane University Nancy Paterson, Ontario College of Art and Design Discussant Carol Gigliotti, Ohio State University [12:30-2:00pm

Room 717 Room 705 Community College Professors of Art and Common Culture/Elite Culture: Chinese Art History Practices in the Song through Qing Dynasties Issues in the Community College: Kathlyn liscomb, University of Victoria, British Working With a Select Student Body Columbia in a Unique Situation Thomas F. Morrissey, Community College of The Heroic and Religious Dimensions of Li Bai for Rhode Island Different Segments of Chinese Society Kathlyn Liscomb Distance Learning Environments: Some Observations and Critical Issues Looking/Reading/Writing: Using Letter Papers in Late Alan Petersen, Coconino Community College Ming China Suzanne E. Wright, Stanford University Beyond the Studio: Community Involvement, Distance Amorphous Orders: The Arrangement of Ideas and Education, and Service Learning Images in the Practice of Art History Thomas F. Morrissey Debra Schafter, Trinity University Economical Finding, Filing, and Classification of Images Room 709 luraine Tansey, University of California Arts Council of the African Studies Association Discussant Categories in Flux: The Arts of Africa Jenni Rodda, Institute of Fine Arts, New York University and the Diaspora Robert Soppelsa, Mulvane Art Museum, Washburn Room 7148 University Association for Textual Scholarship in Old Africa/New Africa/Africa Observed Art History Robert Soppelsa Artist's Poems and Poems About Art Home is Where the Art Is: Venda Sculptors and the Thomas Frangenberg, University of Leister Urban Art Market Robert J. Williams, University of California, Santa Anitra Nettleton, University of Witwatersrand Barbara Ouattara: Bearing Across ADDITIONAl SPEAKERS TO BE ANNOUNCED Dana Self, Kemper Museum of Contemporary Art and Design Room 715 Room 711 Association of Historians of American Art Historians of German and Central European Art What's for Sale? American Art History Shifting Borders: Defining the Param­ and the Market for American Art eters of the Visual Art and Culture in Michele Bogart, State University of New York, Northern and Central Europe Stony Brook Ann Gibson, State University of New York, Stony Brook Steven Mansbach, Center for Advanced Studies in the Visual Arts, Washington D.C. Sarah Burns, Indiana University Rose-Carol Washton Long, Graduate Center, City Dewey Mosby, Picker Art Gallery, Colgate University University of New York Grey Sweeney, Arizona State University The Making of Central Europe Thomas DaCosta Kaufmann, Princeton University Eric Rosenberg, Tufts University From "Kulturnation" to "Nationalstaat:" Germany's Shift to the Center Room 716A Franc;oise Foster-Hahn, University of California, National Support Structures for the Arts: Riverside How Best to Administer Public Funding Politics and Emnity in Austro-Hungarian Architecture for the Arts and Humanities Samuel Albert, Yale University Panelists will address themes relevant to the future of Post-War Central Europe: Towards a New Geography national funding for the arts and humanities in the of Art United States and Canada. Topics to be addressed Piotr Piotrowski, Adam Mickiewicz University, Poland include: National Endowment for the Arts funding categories; block grant funding to states; the proposed merger of the NEA and the NEH; the future of indi­ Room 713 vidual fellowships for artists and scholars; and how Gay and lesbian Caucus public funding can be used to influence the content of Business Meeting art. Attendees will gain insight about how systems of Room 714A national funding affect them and the organizations Visual Resources Association with which they are affiliated, and will learn what role Re-training our Sights: Art Historians, they might play in influencing future decisions. Visual Resources Curators, and their Moderators Collections Jeffrey P. Cunard, Debevoise & Plimpton Susan Shifrin, Curator, Visual Resources, Swarthmore Katie Hollander, CAA Manager of Governance and College Advocacy Speakers Teaching Slides With Art History T. Kaori Kitao, Swarthmore College Roberto Bedoya, National Association of Artists' Organizations John Hammer, National Humanities Alliance Room 7018 Gwenlyn Setterfield, Ontario Arts Council Fleshing It Out: The Body as Metropolis Barbara Bernstein, California State University, Fresno ADDITIONAL SPEAKERS TO BE ANNOUNCED Carolyn Angleton, Fresno City College At the Outer Limits of the City Limits: The Voluptuous Room 7168 African American Woman: A City Unto Herself Diversity Issues in Canada/U.S.: Jontyle Theresa Robinson, Spelman College Advances/Problems/Possible So I uti ons The Baroness' Flesh: Traversing/Transgressing New York Michl ltami, City College of New York Amelia Jones, University of California, Riverside Leopolda Fuentes, City College of New York Mean Streets, Mean Space: What Bodies Lurk Beyond Millie Chen, artist, Toronto Neighborhood Watch? Leslie Sharpe, Pratt Institute Vertical Schism and She Looked Back Room 717 Suzanne Kosmalski, lntermedia Arts, Minneapolis Italian Art Society Continuity and Change in Italian Art Transgressing Dualities Maureen Wong, artist, New York Jeryldene M. Wood, University of Illinois, Urbana~ Chamapign The Florentine Cathedral Facade: An Aborted Room 705 Project of 1476 The Making of the Discourse on Islamic Shelley E. Zuraw, University of Georgia Architecture The Florentine Academy and the Early Modern State Nasser 0. Rabbat, Massachusetts Institute of Karen Edis Barzman, Cornell University Technology The Music of Devotion The Asiatic Mode of Architectural Production Andrew Ladis, University of Georgia Zainab Bahrani, State University of New York, Stony Brook

Art Gallery of Ontario 317 Dundas Street West Defining the Islamic Discourse: The Perspective Offered by Christian Ada Julia Margaret Cameron: The Strategies Mickey Abel-Turby, University of Texas, Austin of a Victorian Woman Artist Maia-Mani Sutnick, moderator Racial Theories and the Historiography of Islamic Architecture Renata Wickens, Faculty of Fine Arts, York University Mehrangiz Nikou, Columbia University Ron Silvers, Faculty of Education, University of Toronto Historicizing Pedagogy: A Critique of Spiro Kostof's Carol Mavor, Art Department, University of North Architectural History Textbook Pani Pyla, Massachusetts Institute of Technology Carolina, Chapel Hill Discussant Annabel Wharton, Duke' University [2:30-S:OOpm Room 707 Room 701A Printed Matter: Rethinking "the Exactly * International New Media and Repeatable Pictorial Statement" Installation Claudia Swan, Pennsylvania State University Barbara london, Elizabeth Wyckoff, New York Public Library Peggy Gale, writer and curator, Toronto Everyman and Everywoman: Use and Re~Use of The Praxis of Internet Installations Woodcuts in Sixteenth-Century England Kathy Huffman, writer and freelance media art curator Martha W. Driver, Pace University Database Politics and Social Stimulation Replication Technology and the Forms of the Gods Natalie Jaramejeinko, Stanford University Christopher S. Wood, Yale University Cyborg Gender-Based Art: The Same Old Sex Kittens "Teaching Eyes to See": Replication and Representation and Esquire Dons? in Dutch Anatomical Illustrations Jennifer Gonzalez, Rhode Island School of Design Julie V. Hansen, independent scholar Respondent The Authority of Prints: An Early Modern Perspective Sara Diamond, Director, Electronic Imaging, Banff William B. MacGregor, University of British Columbia Center for the Arts Discussant Landscape as History: News, Historical Representation, Peter Parshall, Reed College and Local Identity in the Early Dutch Republic lisa De Boer, Valaparaiso University Room 709 Viewing a Landscape-Painting-in-a-Painting: William In the Realm of the Ephemeral: Buytewech's Merry Company in H. Rodney Nevitt, Jr., University of Houston Festivals in Early Modern Europe Alice Jarrard, Harvard University Rembrandt's Metaphysical Wit: The Three Trees and John E. Moore, Smith College The Omva/ David R. Smith, University of New Hampshire Fishmongers Address Duke Charles: Message and Memory in Bruges, 1515 Anne Simonson, San Jose State University Room 714A The "Triumphal Funeral" of Antonio Ne Vunda: Modernity and Tradition in Spain, The Congolese Ambassador and the Versalitity of 1898-1945 Ephemera in the Rome of Pope Paul V Jordana Mendelson, Yale University James G. Harper, University of Pennsylvania Miriam Basilio, Institute of Fine Arts, New York University The European Dimension of Early Modern Festivals: The Birth of the Prince of Wales in 1688 Jose Gutierrez-Solana (1886-1945) and the Christoph Frank, Forschungszentrum Europa·ische Embodiment of La Espafla Negra Aufklarung Deborah l. Roldan, Institute of Fine Arts, New York University The Edible Monument: Architecture to Taste Marcia Reed, Getty Research Institute for the History Tradition, Modernity, and Catalan Nationalism in of Art and the Humanities Gaudinista Theory and Practice Judith C. Rohrer, Emory University Constructing the Arabesque: Cochin, Watteau, and French Festival Design in 1735 Challenging Painting: Joan Mir6 and Collage in France Carter Foster, Cleveland Museum of Art and Catalonia, 1929-30 Anne Umland, Museum of Modern Art Room 711 Make them Laugh: Spanish Comedy of the 1940's and the Hollywood Model 0 The City Mouse Revisits the Country Gerard Dapena, Graduate Center, City University of Mouse: Artists in the City and the New York Country Paul lee, Washington State University Discussant Robert lubar, Institute of Fine Arts, New York Growing Up Montanan: Making Art from a Western University Perspective Mary Frisbee Johnson, Indiana State University Room 7148 Out of City, Out of Mind Creighton Michael, artist 0 The Global Metropolis: Re(De-)Signing the Non-Site Living Work, Working Life Douglas Chismar, Ashland University Mara Adamitz Scrupe, artist, Virginia Give and Take in Waikiki Unplugged: Creating High Culture in Low Tech Settings Andrea Feeser, University of Hawaii, Manoa Paul Walde, artist, Ontario Gaye Chan, University of Hawaii, Manoa Re-Membering, Re-Presenting Erased Space: The Room 713 African Burial Ground Historians of Netherlandish Art Andrea Frohne, State University of New York, The Experience of Place: Binghamton landscape in Northern Europe 1540-1650 Olympic Dash: A Non-Happening in a Non-Place Catherine Levesque, College of William and Mary Ruth Dusseault, independent scholar Nature's Wealth in Met de Bles and Bruegel: Humanism, Renaissance, Landscape, and the Room 715 Naturalization of Money Arctic Boundaries: Rethinking the North Robert Baldwin, Connecticut College Peter White, Concordia University New Conventions of Naturalistic Landscape and Severnyi Polius: Picturing the Soviet Arctic in the 1930s Modifications of Painting Technique Karen l. Kettering, University of Dayton Melanie Gifford, , Washington, D.C. Placing Inuit Art: Space, Place and Representations of Room 717 the North in the Tourist Art Market Michele Dupuis, Queen's University Censorship: For Shame Bailey Doogan, University of Arizona Constructing "the Arctic" in Popular Imagination Giving a Fuck Sherrill Grace, University of British Columbia Joanna Frueh, University of Nevada, Reno Inuit Video: Authorship and Audience I Have No Shame (Because I Am a Goddamn Laura U. Marks, Carleton University Fucking Saint) Anthony Peter Gorny, University of Arizona Room 716A Censorship and the Arts: Reasons for It and Strategies '.• Hybridity and Other Tropes of Change: to Combat It Reconceptualizing Mixing for a Post· Mary Dorman, Esq., New York Colonial Art History Balancing Interests: Speech, Equality and Harm Ruth B. Phillips, University of British Columbia Kathleen Elizabeth Mahoney Hybrid Histories: Locating Assyria in the Nineteenth· Censorship: Confusing Representations and Acts Century Andy Fabo, independent artist, Toronto Frederick Bohrer, Hood College

Why Warburg? Why Now? Troping Hybridity in/as Room 718A Cultural Studies Association of Historians of Mario Caro, University of Rochester Nineteenth·Century Art Goldwater's Primitivism Redux: Or Finally, an Examination of the Ur-Form New Narratives, New Readings: W. Jackson Rushing Ill, University of Missouri, St. Louis Reclaiming the Nineteenth-Century Sally Webster, Lehman College and Graduate Center, Thinking the Body-Nation Hybrid: Translations of City University of New York Nationness and Performative Corporealities in Recent Gabriel Weisberg, University of Minnesota Media Arts Christine Ross, McGill University George Frederic Watts: A Victorian Feminist in the Royal Academy Discussant David Stewart, University of Alabama, Huntsville Dana leibsohn, Smith College The Pursuit of the Past: Photography and Archeology in Nineteenth-Century France Room 7168 Kathleen Howe, University Art Museum, University of New Mexico -l• Nation and Other in European Art and Visual Culture, 1900-1945 Antoine Vollon and His Smashing Pumpkin: Matthew Biro, University of Michigan On Media-Hype and the Meanings of Still-Life Carol Forman Tabler, long Island University, C. W. Post Nation and Region: Arthur lilies, Alfred Lichtwark, and Campus the Collection of 'Pictures from Hamburg,' 1894-1914 Jennifer Jenkins, Washington University The Carmon Atelier and Emerging Symbolism Barbara Larson, Syracuse University A 'National' Style for a Dependent State: The Case of Balkan Modernism in Slovenia The Adams Monument and the Incompetent Spectator Steven Mansbach, Center for Advanced Study in the Cynthia Mills, University of Maryland, College Park Visual Arts, National Gallery of Art Abstraction as Other Room 7188 Jenny Anger, Center for Advanced Study in the Visual Arts, National Gallery of Art Open Session-Trecento/Q uattroce nto/ c \ Photomontage Between East and West, National and Cinquecento Italian Art International Andrew La dis, University of Georgia Myroslava M. Mudrak, Ohio State University Duccio's Madonna of the Franciscans: New Proposals A Multicultural Nation's Search for Identity: Swiss Art for Its Iconography and Function from 1935-1945 Victor M. Schmidt, Nederlands lnteruiversitair Matthias Vogel, independent scholar Kunsthistorisch lnstitut, Florence \ A French King and a Magic Ring: The Giro/ami and a I Relic of St. Zenobius in Renaissance Florence Sally J. Cornelison, Courtauld Institute Michelangelo's Florentine Pieta in Rome and Its Impact Sarah Kellner, Hallwalls Contemporary Arts Center, on Counter Reformation Imagery and Garden Ideology Buffalo Franca Trinchieri Camiz, Temple University Craig Centrie, State University of New York, Buffalo Ambrogio Lorenzetti, Science, and Connoisseurship Constructions of Cultural Space in Los Angeles: Hayden B. J. Maginnis, McMaster University A Comparison of MOCA and Watts Towers Arts Center Kathryn E. Tubbs, independent scholar Franciscan Ideology and Civic Imagery in the Cloister of santa Croce, Florence Up against the Wall: Opposition Philip Jacks, George Washington University and Reception in Contemporary Canadian Art Melissa K. Rambout, National Archives, Ottowa Towards a Social Discourse Analysis: Formations of Depiction and Delegation within the Canada-Quebec Artist-Run Centre Movement saturday Clive Robertson Room 7018 ~-p_e_c_La 1 e v e n_ts__ International Association of Art Critics, United States Section L12:30-2:00 pm The Critic as Curator, the Curator as Critic PADAC Member Galleries Open House Klaus Ottmann, American Federation of the Arts SEE THURSDAY, 12:30-2:00 PM David Pagel, independent curator and critic Karen Wilkin, independent curator and critic

sat~rday Room 705 + lmag(in)ing Race and Place in Colonialist Photography and Film £eS5_LQlli_&m_aating_5_ Eleanor M. Hight, University of New Hampshire Gary D. Sampson, independent scholar [8:00-9:00am Imperial Rhetoric in Felice Beato's 1860 Photographs of the Second Opium War in China Room 705 David Harris, independent scholar Italian Art Society Business Meeting Race and Representation in the Age of Positivism: Photographs of Ottoman Types in English Markets Room 707 Ayshe Erdogdu, independent scholar Annual CAA Members Business Meeting Germaine Krull and L' Amitie noire: World War II and Leslie King-Hammond, CAA President, presiding French Colonialist Film Kim Sichel, Boston University Advertising Paradise: Picturing Hawaii before Pearl Harbor [9:30am-noon Patricia Johnston, Salem State College Capturing Race: Anthropology and Photography in Room 701A German Prisoner of War Camps During World War I Still Practicing Difference? Artist Andrew Evans, Indiana University Spaces, Museums, and Contemporary Art Clive Robertson, media artist and independent Room 707 curator-critic, Montreal Beyond Vision: Art, Aesthetics, and the As Alternative as You Want Me to Be: Dysfunctionalities in the Canadian Artist-Run System "Other" Senses Jim Drobnick, Concordia University, Montreal Susan Kealy, artist and independent curator, Toronto Brewing Up a Feminist Aesthetic: Leonora Carrington's Sylvie Fortin, Ottowa Art Gallery Myths of Sensory Power Free Spaces and Alternative Culture: Hal/wafts Constance Classen, independent scholar, Montreal Contemporary Arts Center and MollyO/ga Neighborhood Art Classes Haptic Resonances in Aesthetic Experience Room 7148 Jennifer Fisher, Cornell University .:.. Japan and Cultural Imperialism: Sensuous Rites: Aesthetics, Performance, and Healing Colonized and Colonizer David Howes, Concordia University, Montreal Christine Guth, University of Pennsylvania Scent of a Sculpture: Body Memory in the Work of Gennifer S. Weisenfeld, Reischauer Institute of Joseph Beuys and Laurie Palmer Japanese Studies, Harvard University Claudia Mesch, University of Chicago The Sole Guardians of the Art Inheritance of Asia: "Le Plaisir Stereoscopique": Matif!risme's Evocation of Japan at the 1904 St. Louis World's Fair the Senses Carol Ann Christ, Washington University, St. louis Rachel Perry, Harvard University Was Meiji Taste in Interiors "Orientalist"? Jordan Sand, Georgetown University Room 709 Pan-Asianism and the Pure Japanese Thing 0 Cultural Identity in a Global Village Cherie Wendelken, Harvard University Garrison Roots, University of Colorado Japan's Willing Accomplice: Chinese Participation in "Orienta list" Exhibitions The Politics of Ml?tissage in Art of the New World Aida Yuen Wong, Columbia University Barbara Nesin, Front Range Community College Our Creative Diversity Ann elise V. Hansen, independent scholar Room 715 Community and Belonging '.• The Art of Healing: Cults, Hospitals, I Tonia Yowson, University of Hawaii, Manoa and Their Images Julia I. Miller, California State University, long Beach Anne Derbes, Hood College Room 713 Merovingian Crystal Shells: Amulets for Healing * Art, Technology, and Collaboration: Genevra Kornbluth, Youngstown State University A Conversation An Image of Charity and Twelfth-Century Hospital Carol Flax, University of Arizona Decoration in Le Puy Annals of Late 20th-Century Cultural Production laura Good Morelli, Yale University Adriene Jenik, University of California, San Diego Loggias of Charity in Early-Modern Tuscany Ed Hill, University of Houston William R. levin, Centre College Jon Tupper, Banff Center for the Arts Hans Mem/ing's Altarpiece of the Two Saint Johns in its Hospital Context Barbara G. lane, Queens College Room 714A Take Me to the Waters: Hydrotherapy, Decoration, and Art History Open Session: Medieval Nymph Mania in Fin-de-Siecle France Mediterranean and European Art and Joyce Henri Robinson, Pennsylvania State University Architecture D. Fairchild Ruggles, independent scholar Room 716A Discordant Tables of Concordance: Problems of Transmission? Beyond Genre Barbara Apelian Beall, Brown University Michael Koortbojian, University of Toronto Coptic vs. Hellenizing-Roman: The Kells Virgin The Limits of Culture: Portraits of Barbarians in and Child Roman Art Douglas Mac lean, independent scholar Elizabeth Bartman, independent scholar Venus and the Christians at Carthage Mrs. Whatsit and Mrs. Witch: Sorting out Lo Stregezzo Guy Metraux, York University Patricia Emison, University of New Hampshire The Reception of the Crown of Thomes at the Sainte­ Bernini's "Portrait" of Medusa: Seeing is Believing Chape/le in Steven Ostrow, University of California, Riverside Elizabeth Carson Pastan, Emory University Genre and the Function of Dialogue Architecture and the Liturgies: Chancel Arrangements Raquet DaRosa, independent scholar, New York in Early Medieval Spain The Body of Eros and the Paradoxes of a Victorian Elena Quevedo-( higas, independent scholar Public Monument Alex Potts, University of Reading, England Room 7168 Narrative Abstraction Over the River and Through the Woods: Ronald Morosan, independent artist Pilgrimage, Contemplative Object, and Resurrecting Content: Biblical Themes in Abstract Transcendence in the Visual Arts Expressionism Hilary Braysmith, University of Southern Indiana Kirsten H. Powell, Middlebury College The Healing Light of Darkness: Ritual Devotion to the Black Madonna Room 7188 Diane Apostolos-Cappadona, Center for Muslim­ War and Cultural Representations Christian Understanding, liberal Studies Program, Georgetown University Elizabeth Louise Kahn, St. Lawrence University Melissa Hall, independent scholar Into the Bowels of the Earth: Architecture, Art, and Pilgrimage in Royal Ethiopia Representing the Poilu: Experience, Memory, and the Tania C. Tribe, School of Oriental and African Studies, Visual Culture of World War I in France University of London Daniel J. Sherman, Rice University Pilgrimage and Transcendence at the Eighteenth­ Ocular Rape: American Photography, World War II, and Century Garden Hermitage the Ritual Inscription of Gender Edward Harwood, Department of Fine Arts, Bates Patricia Vette! Tom, Washington University, St. Louis College The Awakening Flame: Thich Quang Due's Self­ Nineteenth-Century Virginia's Shrines, Relics, and Immolation and His Impact on the Pilgrimages: Whose Transcendence Is It? Trian Nguyen, University of California, Berkeley, and Belle Lawson Pendelton, Art Department, Christopher Center for Advanced Study in the Visual Arts, National Newport University Gallery of Art Structuring Transcendence: The Retrospective "War Is Over! If You Want It": John and Yoko's Exhibition as Contemporary Pilgrimage Media War Donna Gustasson, American Federation of the Arts Louis Kaplan, Tufts University Being British: Art and the Documentation of National Character Room 717 Brian Foss, Concordia University, Montreal Modernist Architecture and the Discourse on Ornament Alina Payne, Department of Fine Art. University of Toronto [12:30-2:00pm Structure/Ornament and the Figuration of Historical Room 705 Architecture: The Case of Saint-Eustache in Paris Japanese Art History Forum Anne-Marie Sankovitch, architectural historian, Paris Business Meeting Vitalism and Wagnerism in Louis Sullivan's Ornament Richard Etlin, University of Maryland, College Park Room 709 Doctors, Bankers and Simple Buildings in Turn-of-the­ Open Forum: A New Intellectual Space Century Vienna John Onians, Clark Art Institute, Williamstown Leslie Topp, Bryn Mawr College A discussion of the launching of a new visiting Architecture's Abject: The Rejection of Ornament in scholars program by the Clark Art Institute in Le Corbusier's The Decorative Art of Today Williamstown, Massachusetts intended to create an Patricia Morton, University of California, Riverside exciting new resource and intellectual space in the Fetish or Function: Bernard Rudofsky at the Museum field of research in the visual arts. Suggestions are of Modern Art welcome on how such a program might respond to the Felicity Scott, Princeton University needs of the new millennium

Room 718A Room 7148 Narrative Aspects of Abstract Art The Magic Classroom-Part II: Art History Sylvia Netzer, City College of New York Ellen Schiferl, University of Southern Maine Ursula Von Rydingsvard, artist, New York Distorting Pictures in Order to Clarify Them William Allen, Arkansas State University Judy Pfaff, Bard College Websites for Student Research Projects: Is it Worth It? Dissociation and Discontinuity as a Philosophy of Jacqueline Spafford, Royal Ontario Museum The Web of Art and Culture Room 709 Kathy Cohen, San Jose State University 0 Portraits in the Global Metropolis: Who's Who and Whose Who? Room 715 Michael l. Aurbach, Vanderbilt University Fashion History Association lisa Farrington, Parsons School of Design, New School Extreme Measures: Fashion in Excess and for Social Research Expression "We and 'the Others"': A Case Study of American Richard Martin, Costume Institute, Metropolitan Political Cartoons of the Bosnian Conflict Museum of Art ljubica Popovich, Vanderbilt University SPEAKERS TO BE ANNOUNCED Betty Bivins Edwards: The Old 'New South' Dorothy Joiner, State University of West Georgia Identity, Power. Photography, and Native Americans: A Means of Surveillance [2:30-S:OOpm Holly Elizabeth Anderson, independent scholar Discussant Room 701A Amy Helen Kirschke, Department of Fine Arts, Horror Beheld Vanderbilt University Ruth Liberman, New York University Connie Jill O'Bryan, New York University Room 711 Sol y Sombra: The Corrida and the Erotics of the Art Libraries Society of North America Wounded Male I Jose Gabriel Fernandez, independent scholar The History of the Book and the Visual Arts: Contributions to "The History of Horror and Corporeality Before the Camera: Dead the Book" Projects in Canada and the Bodies in American Photography from the Civil War to the Present United States Ellen Handy, International Center of Photography, Mary F. Williamson, York University New York American Emblem Books The Double Vision of Horror Sarah Scott Gibson, Clark Art Institute Kyo Maclear, independent scholar, Toronto Envisioning a Nation: William Notman's Portraits of Trans-Fixed British Americans (1865) Frazer Ward, independent scholar Gillian Poulter, Department of History, York University A Delicate Balance: The Postmodern Modernism of That "Old Craze of Buying Books": The Libraries of Contemporary Holocaust Art Edward & W. S. Maxwell Andrew Weinstein, New York University Irena S. Murray, McGill University 3-D and 4-D Investigations into the Physical and Conceptual Nature of the Book Room 705 lain Machell, West Virginia University College of Art History Open Session: Creative Arts Pre-Columbian Art Elizabeth Boone, Tulane University Room 713 Palaces of the Lords of Chimor *The Future Past: Visualizing History Joanne Pillsbury, Center for Advanced Study in the Visual Arts, National Gallery of Art with New Technologies Rene Paul Baril!eaux, Mississippi Museum of Art Ancient West Mexico: Shaping an Exhibition Judith Yourman, St. Olaf College Richard F. Townsend, Art Institute of Chicago From "Eventless" to "Uneventful": A Curatorial Type: Variety Analysis and the Role of Stylistic Investi­ Perspective on New Media Investigations of History and gations in the Study of Classic Maya Painted Pottery Memory Dorie Reents-Budet, Duke University Brian Wallace, independent curator Understanding the North Wall of the Bonampak Collected Visions: http://cvisions.cat.nyu.edu Paintings Lorie Novak, New York University Mary E. Miller, Yale University Space/R a c e: An Interactive Superimposition of the New Blood from an Old Stone: The Tizoc Stone and the and Space Program from 1961- Aztec Temple Rebuilding of 1487 1969 Emily Umberger, Arizona State University Colette Gaiter, Minneapolis College of Art and Design Discussant Oriented, Computer Language for Artists Geoffrey Batchen, University of New Mexico Jamy Sheridan, University of Michigan Reality Virtually Perceived: Hapticism, a Dyslexic's Room 714A Approach to Technology in the Arts Tammy Knipp, Florida Atlantic University Arts Council of the African Studies Association Africa and the Diaspora: Shaping Discourse about Art in a Post-Colonial Room 716A World New Approaches to Eighteenth-Century Kathleen E. Bickford, Art Institute of Chicago Portraiture Defining the Black Artist: Visual Culture and Africanism Mark A. Cheetham, University of Western Ontario in Black Art Alison Conway, University of Western Ontario Dele Jegede, Indiana State University Costume, Politics, and Identity in John Singleton Charting the Course for a New Internationalism: Copley's Mrs. Thomas Gale Africa's Global Artists Isabel Breskin, University of California, Berkeley Elizabeth Ann Harney, New York University Criminal Likenesses: The Art of Portraiture and the Straddling the Divide: Multiple Frames in Contempo­ Laws of Copyright in France in the Early Modern Period rary Bushman Art and Craft Katie Scott, Courtauld Institute of Art Jessica Taplin, Emory University The Portrait as Gift Everything is Separated by Water Including My Brain, Marcia Pointon, University of Manchester My Heart My Sex, My House ... or Maria Magdalena Angelica Kauffman and the Reframing of Portraiture Campos-Pons and the Representation of Afro-Cuban, Alison Conway Female Diasporic Identity lisa Freiman, Emory University The Life and Death of a Royal Portrait: Bouchardon's Louis XV Beta Foly: A Collaborative Group Environment with Andrew McClellan, Tufts University African and "Western" Musicians Lukas ligeti, independent scholar Room 7168 Deaccessioning: Who Makes the Rules? Room 7148 Gwendolyn Owens, Canadian Centre for Architecture •!• The Self and the Other: The History of Deaccessioning as a Collections Strategy: Glenbow Art in a Post-Colonial Environment Case Study Judith A. Stubbs, University of Utah Patricia Ainslie, Glenbow Museum, Alberta Thomas Kass, University of Utah Deaccessioning: A Guide and Caution Japan's Cultural Colonization in the Early Twentieth Thomas W. Bower, National M ··¥ Making Art Electronically: Problems, Progress, Practice Kevin McCoy, The City College of New York Room 717 Origins, Investments, Extensions: Real- Time Sonic/ Constructions of Public versus Private Video Collage in the Digital Context Space Andrew Deutsch, New York State College of Ceramics, Lucy l. Bowditch, College of St. Rose Alfred University Pieter De Hooch and the Invention of Private Space in Computing as Craft Seventeenth-Century Dutch Interiors Joan Truckenbrod, School of the Art Institute of Martha Hollander, Hofstra University Chicago Neutral Ground in Ideological Territory: The Froilt Designing and Using Wonk, a Real-Time, Performance Porch of the Family Photograph Album Kathleen MacQueen, New York University Men without Women and Women without Men: Georgia O'Keeffe and Stuart Davis' Mural Projects for the Lounges of the Radio City Music Hall sunday Jonathan Weinberg, Department of the History of Art. Yale University r-:pecial events Skateboarders, Public Art, and Post-Modern Space: Access or Defacement of Ribbon Promenade, San LY :30a m-5: 3 0 p m Francisco M. Joel N. Var!and, State University of New York, Woodland Cultural Centre, Brantford, Ontario Buffalo Aboriginal Art Awareness Tour Discussant Martha Ward, University of Chicago Sponsored by Woodland Cultural Centre, a art center, and V-tape, this trip includes a full day of activities including the Snow Snake Tournament Room 718A (weather permitting), demonstrations, exhibitions, and performances. Trauma and Representation lisa Saltzman, Bryn Mawr College Buses depart Royal York Hotel at 9:30am; at 3:00pm buses depart Woodland Cultural Centre and will make The Question of Measure: Gillian Rose and Andre a stop at Pearson International Airport at approxi­ Breton on the Movement of the City mately 5:00 pm before returning to the Royal York Michael Stone-Richards, Northwestern University Hotel at 6:00 pm. Walker Evans' Depression Era Photographs: The PRE-REGISTRATION REQUIRED Economy of Trauma I Eric Rosenberg, Tufts University Curing Trauma through the Invention of Memory: Femininity and the Death Drive in the Work of [12:30-2:30pm Charlotte Solomon, 1940-42 Griselda Pollock, University of Leeds 470 Keele Street, North York Car Crash: Imagining Disaster Art Gallery of York University Judith Rodenbeck, Columbia University Tour and Reception: The Strangeness of the Cadaver, the Strangeness Sculpture by British artist Alison Wilding of the Image Buses depart from the Royal York Hotel at 12:30 pm; Isabelle Wallace, Bryn Mawr College buses return to the Royal York Hotel from York University at 2:30pm. PRE-REGISTRATION REQUIRED

: I