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Document generated on 09/25/2021 2:58 a.m. Vie des Arts English section / Toronto Les 50 ans du Refus global Volume 42, Number 170, Spring 1998 URI: https://id.erudit.org/iderudit/53233ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this document (1998). English section / Toronto. Vie des Arts, 42(170), 92–95. Tous droits réservés © La Société La Vie des Arts, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Josue Demarche both YorkvUle and Kingston A Prophet, 1997 Oil on canvas venues with his Ufe size ethe­ 74 x 68,5 cm real, outstretched, arms yet firmly rooted figurative Leo Kamen, Wynick Tuck, bronze sculptures. Lori Moore, Ryerson and the Richards, Derik Shapton, Cameron WaUace are there QJ headquarters of PADAC (The Professional Art from April 28 to May 17, Dealers Association of followed by Bernard Clark's Canada) and Toronto Pho­ "Tatoo Portrait" photographs tographers Workshop. from May 1-23. Sable April 30 to May 30, TPW CasteUi Gallery and the re­ presents photographers cendy opened Artcore are Carole Condé and Carl at the same corner in Beveridge in a three nar­ Yorkville, where ArtCore Cu­ rative photo series depict­ rator Jessica Wyman's pro­ ing episodes of labour unrest in gram includes Dennis Op­ Canadian history: the demise of the penheim: Works on paper TORONTO Newfoundland Cod fishery; the 1946 Bernard Clark and project models in Benoit, frame ft p. 1997 April, foUowed by Montreal photog­ TENDENCIES Hamilton strike at Stelco; and recent 41 x 51 cm resistance to the Ontario right wing rapher Michael Flomen Starfields in SPRING '98 May, and Mallorca-based Argentine conservative corporate agenda. Pro­ and Su Rynard Eight Men Called Eu­ duced in consultation with the FFAW, artist Horacio Sapere May 30 to June gene and other works (film and 20. GaUery Gevik is presenting 49 The Toronto gallery scene is CAW and USWA, this exhibition is ac­ video). Gallery Moos relocated to attractive for both coUectors and for companied by a catalogue with essay year Aklavik, North West Territories Richmond St. at Bathurst, (Jean-Paul native Rick Rivet's first ever Toronto Quebec artists who are increasingly by Clive Robertson and a concurrent Riopelle's Toronto gaUery) shows exhibiting there. Toronto's Gallery lecture May 7 at Ryerson Polytechnic solo exhibition Journeys/Mounds, work by Josue Demarche's this May. exploring shamanic traditions and District, bounded by King , Queen, by American photographer Allan Galleries nearby include Susan Spadina and Richmond Streets, Sekula, author of Against the Grain, contemporary reinterpretations of Hobbs, Cold City artist-centre and aboriginal iconography. Rivet will continues to flourish with a great subtided «Dismal Science: Photogra­ S.L. Simpson, which recendy pre­ concentration of private galleries, phy and Imaginary Economies», sented Laurie Simmons exotic pho­ artist studio spaces, photography and concerned with the social impact of tographs as its final exhibition. To­ printmaking facilities. The DeLeon industrial economies. Mercer Union, wards Harbourfront, at 20 Lower White GaUery, 455 King St. W. is an at 778 King St. W, continues to show Spadina Rd., Galerie Céline Allard eco-art exhibition space represent­ ground-breaking work by new con­ and the Centre francophone du ing Montreal-based artists Doug temporary Canadian artists and the Toronto métropolitain featured works by six Franco-Ontarian artists in Tous azimuts/Common ground to April 30. The Power Plant at Har­ bourfront Centre celebrates its 10th anniversary with Threshold (April 3-June 14) curated by Louise Dom- pierre, a roUercoaster of contem­ porary art that includes a hall of mirrors by American Teresita Fer­ nandez, Torontonians Ian Carr-Har­ ris, Judith Schwartz and Lyla Rye, along with Japanese artist Masato Horacio Sapere Nakamura and German artist Mischa 1/2 con botella y mensaje, 1997 Acier, verre et plastique Kuball. Uptown the Art GaUery of 40 x 11,5 x 4 cm Ontario exhibits the Courtauld Col­ lection of Impressionist and Post-Impressionist Art (June 10- September 20), Victorian Fairy open a solo exhibit at the Canadian Painting (June 23- Sept. 13) and Cultural Centre in Paris in 1999. Sit­ Displacements, an exhibition by uated next to the Four Seasons at 45 three internationally recognized Avenue Rd., GaUery Teodora repre­ Jock Sturges sents Montreal artists Trevor Goring Arianne et François, 1991 sculptors: Columbian Doris Salcedo, Montalivet (France) Ydessa Hendeles Art Foundation is Poland's Miroslav Balka and British and Denis Malo . Teodora Pica's am­ open by appointment. The Open Stu­ sculptress Rachel Whiteread (April 8 bitious spring offerings include Hugo dio artist-run centre at 468 King St. -July 26). Frones' Surface and Symbol (April Buis, Monique Crépault and Daniel W. offers printmaking facUities and 4 -16), foUowed by Carol Rath's Still Toronto's near equivalent to Corbeil, as weU as internationally courses. At 401 Richmond St. W, arts Lives (April 18-30) and Jim Stewart's Sherbrooke St. W in Montreal, the reknowned artists Alan Sonfist and facilities include A Space, Area recent oUs Alignment (May 2-15). Yorkville District, is an area where Nils-Udo. Japanese artist Akira Ko­ Gallery, CARO and CARFAC, GaUery A brief stroU from Yorkville brings the estabUshment galleries increas­ moto's large scale colour nature 44 (contemporary photography), you to Catherine Widgery's lost sense ingly successfully ply their trade. Mira photos can be seen there from GaUery 401, the Women's Art Re­ instaUation at the Institute of Con­ Godard's recent shows by New York May 2nd. At 96 Spadina, the iUumi- source Centre and YYZ Artists' Out­ temporary Culture at die Royal On­ based Irish photographer Sean ScuUy nary GaUery presents Montreal artists let and PubUshers. From April 8 - tario Museum which runs to Sep­ and Joe Fafard's bronze and glass Noëlle Mailloux and Nathalie May 23, YYZ presents Germain Koh's tember 20th. The University of Tables are case in point. This May, Maranda in Body Talk (April 28-May Notices - four projects on the poetry Toronto's Hart House GaUery, or to Tom Hopkins presents an exhibition 21) and Jane Burns'landscapes of commonplace objects in urban the Design Exchange Gallery at the of recent prints. The Edward Day (June). 80 Spadina galleries include space (postcards, instaUation, video) TD Tower Building on Bloor St., GaUery represents David PeUettier at where this April 25 through May a 92 VIE DES ARTS N°170 and First Nations perspective (May 8- 25) and Goodridge Roberts Re­ vealed highlights 116 works in still Ufe, landscape and figurative work by this Quebec artist (until June 14). The Oakville GaUeries exhibits Paul Kipps Separation and Observation, l\ imphcations of landscape curated by Martha Fleming, and Robert Fones Basket works & related objects. Contact 98 May = Photogra­ phy in Toronto co-organized by di­ rectors Stephen Bulger (Stephen Bulger GaUery), Linda Book (Lons­ Jane Corkin Herb Ritts. Karen. Los Angeles, 1989 dale Gallery) and Darren Alexander Gelatin sytver print, 51 x 40,5 cm (Tater-Alexander Gallery) is Toronto's 2nd annual photo festival HE' (Canada's largest festival devoted 1-30, consisting of over 90 photo ^•1 to fine art photography) from May exhibitions throughout Greater Toronto including the outrageously personal work of L.A. photographer vwk Carol Rath Still Life no 2,1998 Nan Goldin at the Jane Corkin Gallery Acrylic on canvas and Carole Condé and Carl 91,5 x 102 cm Beveridge's three part photo narrative depicting labour unrest in Canadian history at the Toronto Photographers' Workshop, at 80 Spadina. ••••• \mk 1 \ The Stephen Bulger GaUery, Murray Favro dedicated to young photog­ Air Compressor and Turbine. 1996-1998 silized forms (May 30-July 11). raphers' work, shows Bill Mixed media Christopher Cutts presents Murray 71 x 128 x 41 cm Owens' Suburbia, Our kind Favro's fabuhstic and inventive ma­ of People & Working (I do chines and instruments May 2-27, it for the money) andjock group show, The Greening of functionless reproductions belong­ Sturges through May. Toronto, focusses on the urban en­ ing to industrial production, func­ vironment. In nearby Foresthill, tioning as véhicules for knowledge Lonsdale Gallery presents Ronald and imagination, and of which die Michael J. Molter Boaks Discovered, paintings, col­ joy and discovery of making these lages, sculptures and prints incor­ objects becomes the function of the porating photographic imagery and work. various found materials. Art Gallery of North York be­ STEVEN WHITE Art at Morrow. Wave Contem­ gan 1998 with New York - North porary Art, Christopher Cutts and York: Canadian artists in the Big KIRK MECHAR DAVID BLATHERWICK Olga Korper GaUery are situated on Apple including René-Pierre AUain, March 30-April 27 Morrow Avenue in an artist studio Don Bonham, David Clarkson, David and residential district west of Craven, Karin Davie, Christian Toronto's downtown. The vast studio Eckart, Graham Gilmore, Glen and gaUery exhibition spaces acco­ Hamilton, Susanah HeUer, Michael modate large scale work in a wide Krondi, Carter Kustera, Steven Lack, LORI RICHARDS range of media. Olga Korper's spring Ardele Lister, Attila Richard Lukacs, DEREK SHAPTON BERNARD CLARK schedule includes solo shows by Stan Medrie McPhee, Bobbie Oliver, Denniston (large scale photographic CAMERON WALLACE Claude Simard, Denyse Thomasos April 28-May 17 diptychs), Toronto sculptress Chris- and Martha Townsend.
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