DOCSLIB.ORG

1 CATHERINE WIDGERY PO Box 400452, Cambridge, MA 02140 Cell (508) 237-1660 [email protected] EDUCATION 1975

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 CATHERINE WIDGERY PO Box 400452, Cambridge, MA 02140 Cell (508) 237-1660 Catwidgery@Gmail.Com EDUCATION 1975 CATHERINE WIDGERY PO Box 400452, Cambridge, MA 02140 Cell (508) 237-1660 [email protected] www.widgery.com EDUCATION 1975: Yale University, B.A. Cum Laude & Special Distinction in Fine Arts, Walker Prize, Fine Arts Faculty, Yale University 1974: Tyler School of Art in Rome, Temple University. SELECTED PUBLIC COMMISSIONS 2019: THE GATHERING PLACE in Tulsa, OK dichroic glasswork in Lodge (in progress) 2019: STUDENT INNOVATION CENTER, Iowa State University, (in progress) integrated artwork, $400,000 2018: LIGHTSCAPE, Blair LRT Station Ottawa, Ontario, $465,000 (In progress) Thirty-seven screens of dichroic glass “flags” flutter in the breeze as trains enter and exit the station, catching the light and color of the surroundings. Interactive lighting programs animate the environment at night. Project in partnership with cj fleury and BBB Architects. 2018: URBAN FABRIC, YC Condo Building, Toronto, ON $410,000 (In progress) Using a language of repeated horizontals that are woven together with subtle contrasting colors and depths lines of glass wrap the building in a ‘fabric’ of syncopated patterns. The colors also provide a counterpoint to the current muted colors of the building to suggest a lively interior life within the complex, reflecting the animation of the surrounding urban environment. 2017: TRACES OF TIME AND AIR, Tate Science Building, University of Minnesota. Interior and exterior screens of moving squares reflect and project color and light animating the spaces around them. The works exist beyond their physical boundaries. 2017: LEADING LIGHTS, K Street Gateway Project, Washington, DC, $480,000 (In progress) LEADING LIGHTS brings color, light and animation to the full length of the 2100 block of K St. Commissioned by the Golden Triangle District, the 34 triangular dichroic columns turn in the wind, reflecting the surroundings and projecting color throughout the area, becoming lantern beacons at night. 2017: WOVEN LIGHT, Northfield Uplands Park, Stapleton, CO, $360,000 (in progress) WOVEN LIGHT is an outdoor room; the shadows, light and projected color make you more conscious of the sun and the breeze. From the outside, the dichroic glass between the slats reflects the sky and surrounding trees. Inside is like being in a kaleidoscope of moving colored lights as the sun shifts angle. Endlessly changing patterns of crisscrossing shadows and reflected light extend the impact of the art beyond its physical boundaries to create a shady refuge from the intensity of the prairie light. 2017: SKY CYCLES, BART Station at Warm Springs, Fremont, CA., $984,000 Sky Cycles weaves images from different times of day, different times of year and different points of view into single images that are in turn woven into the present moment, the actual sky from the point of each viewer. 1 2016: TIME’S SHADOW, Rideau Centre- Ottawa, ON., $675,000 Three enormous glass boxes with a total area of 11,000 square feet on the façades of the Centre. Etched images of trees and leaves alternate with stripes of clear glass in front of hybrid images of sky and forests throughout the seasons also cut into alternating stripes. As the viewer moves past and the etched lines alternately reveal and obscure one of the images, there is the perception of sky and forest fading in and out of view, creating the illusion of both depth and 2016: ARBOR WINDS, Stadium Bridge and State Street, Ann Arbor, MI, $360,000 Art elements on three separate sites create a gateway to the town. Etched glass and stone works with images of trees at two moments in time, blown by the wind. They are a metaphor for the energy and beauty of the town filled with mature trees planted by the founders and protected by the residents. 2016: FOREST LIGHTS, Oregon Zoo - Portland, OR, $200,000 A façade treatment and five towers 30’ tall with dichroic glass “leaves” that move in the wind refer to light coming through the bamboo forests of Asia for the new Asian elephant area of the zoo. 2015: PASSING STORMS, Oregon State Hospital Junction City, OR, $320,000 Two large courtyard installations Rain and Cloud that move with the wind and use weather as a metaphor for the complex and intangible workings of the mind. Working on the design team with mental health patients as well as architects, landscape architects and all the stakeholders. 2015: SKY VEIL, Ogden Juvenile Courthouse, Ogden, UT, $180,000 All the mullions of the façade of the building have panels of dichroic glass on the inside faces so that the visitors who enter the spaces will see the reflection of the sky and mountains behind and to the east through a veil of color. Boundaries are removed making the view limitless. The structure of the curtain wall is dematerialized leaving nothing between you and the sky. 2014: LEAVES OF WIND Collaborative design team work on 22 transit shelters and integrated art on the Mesa Corridor Rapid Transit System El Paso, TX., $240,000 Each station has images of local flora woven through the sun screens grating in such a way that the images appear and disappear as one moves by. The works play with the notion of time and movement through space where the art has no mass and dissolves as an illusion. 2014: RIVER DRAGON Metropolitan Council/Metro Transit commission for the Western Transit Station, $187,000 Created for the Asian community who think of this as the “Little Mekong” area, the art reflects aspects of their culture using the image of the river and the dragon woven into the station architecture. Stainless steel. St. Paul MN 2014: RIPPLES - Raleigh Durham Airport, NC A glass wall 50’ long is transformed into a moving image of rain falling on the surface of water. Working with Rufus Butler Seder using his patented technique in a way never used before, depth and movement of light and color, expanding rings of water delight the visitors to the airport. 2012: CRYSTAL LIGHT for the Airport Transfer Station Salt Lake City, Utah, $589.000 The artwork engages all the glass in the station with laser etched images of water in its various states. The glass elevator tower is 60’ high and treated on all sides. Stainless steel discs in the pavement catch the light as if flowing water. Programmed LED lighting creates 2 shifting patterns and color throughout the station. Budget including glass and lighting credits $589.000 2012: HALO exterior courtyard installation dichroic glass College Bourget, Rigaud, Quebec 8 x 6 x 6’ stainless steel and dichroic glass. $85,000 Interactive work with moving dichroic glass panels. 2012: MINDSHADOWS, for the New Republic and North Toronto Collegiate Designed for The New Republic development in Toronto. 20 x 10 x 10’ North Toronto Collegiate Institute, $294,000 It is a metaphor for the human brain where words are the form of thought. Made of perforated aluminum, this work is an engineering feat with no massive supporting structure despite it 20’ height. It is dematerialized form that glows from the inside out with programmed lighting at night. 2010: CLOUDBREAK, commissioned by the City of Denver, 14 x 41 x 2’ glass tubes, steel, stained glass and lights, $250,000 The glass cloud form bulges through a metal grid as if pushing into the room with light and color. The wall is back lit by the sun and at night is luminous from the outside. Selected as one of the outstanding works of 2010 at the PAN Americans for the Arts conference. 2009: TIDAL SONG, Commissioned by the City of New Rochelle, New York. 120' x 14' x 10', blown glass, programmable lights, speakers and sound system with sensors. $200,000. Akin to a wave of energy, Tidal Song creates an immersive, interactive environment for everyone. Pulses of light and color sweep across the bridge and curl up to the new Plaza. Tidal Song links New Rochelle’s traditional connection to coastal waters with dynamic energies of ‘now’. Nature’s forms are woven in a language of technology. Water as a metaphor comes alive, inspiring life and energy. Pedestrians play the space of the bridge like a musical instrument, as they move through triggering sensors that create varying patterns of light and sound. At night the movement of pedestrians is visible to the world outside. 2012 Winner of the TGK “All You Need is Glass” competition in Europe. 2008: SHADOW PLAY, Commissioned by the City of Tempe and Valley Metro Rail at Lightrail station at 3rd and Mill in Tempe, Arizona. 20 x 40 x 120’, etched glass and silk screened images, $254,000. Ghost shadows printed on the shade canopies overhead are revealed by the sunlight as it one were standing beneath desert trees that are no longer there. Two mesquite trees are etched onto vertical planes of glass. The ghostly image is dissolving light both with the sun in the day time with the lighting at night that shifts color subtly. 2007: HEAD IN THE CLOUDS, Global Arts Village, New Delhi, India. 34 x 16 x 20’ Painted chiffon, steel. Cubes of translucent sky painting were first worn for a performance and then installed in the tall atrium of the main campus building. They tumble through space as if the sky had taken on form and entered the building. 2005: LIGHT STORM, Commissioned by Mesa Arts Center in Mesa, Arizona. Work covers an area of 27,000 square feet, stainless steel. $120,000. In this environmental work over 30,000 stainless discs are set into the stone paving as if they had fallen from the metal shade screens and a desert wind sent them swirling throughout the complex. The discs have no mass and the spiral and wave patterns are revealed through reflected light and color as the viewer moves through the space.
Load more

Recommended publications
  • CATHERINE WIDGERY EDUCATION 1975 Yale University, B.A. Cum
    CATHERINE WIDGERY Widgery Studio PO Box 400452 Cambridge, MA 02140 (508) 237-1660 [email protected] www.widgery.com EDUCATION 1975 Yale University, B.A. Cum Laude Special Distinction in Fine Arts Walker Prize, Fine Arts Faculty 1974 Tyler School of Art in Rome SELECTED PUBLIC 1999 – the present. Widgery has created over 50 public works in all, COMMISSIONS see a complete list at www.widgery.com 2016 Urban Fabric (In progress) Using a language of repeated horizontals that are woven together with YC Condo subtle contrasting colours and depths lines of glass wrap the building in a ‘fabric’ of Toronto, Canada syncopated patterns.The colours also provide a counterpoint to the current muted colors of the building to suggest a lively interior life within the complex. 2016 Lightscape (In progress) Thirty seven screens of dichroic glass “flags” flutter in the breeze Blair LRT Station as trains enter and exit the station, catching the light and color of the surroundings. Ottawa, Ontario Interactive lighting programs animate the environment at night. Project in $465,000 partnership with cj fleury and BBB Architects. 2016 Time’s Shadow (in progress) Three enormous glass boxes with a total area of 11,000 square feet Rideau Centre, on the façades of the Centre. Etched images of trees and leaves alternate with Ottawa, ON. stripes of clear glass in front of hybrid images of sky and forests throughout the $675,000 seasons also cut into alternating stripes. As the viewer moves past and the etched lines alternately reveal and obscure one of the images, there is the perception of sky and forest fading in and out of view, creating the illusion of both depth and movement.
    [Show full text]
  • Media Coverage
    Teaching the Life of Music MEDIA COVERAGE Filmblanc, 1121 Bay St., Suite 1901- Toronto, Ontario- Canada –M5S 3L9, www.filmblanc.com Five Worth Watching on Sunday The Toronto Star/ thestar.com Debra Yeo January 20, 2012 Print/Online Mention Link: http://www.thestar.com/article/1118955--five-worth-watching-on-sunday Music to the Soul: El Sistema has reached more than 350,000 children since it was founded 36 years ago in Venezuela as a way to counteract poverty and violence through music education. The documentary Teaching the Life of Music looks at the program’s impact in Canada, the U.S. and Scotland, where El Sistema’s goals have been applied to local kids and communities. Calgary-born, Victoria-raised Cory Monteith (Finn on Glee) narrates (OMNI at 9). Documentary brings music to the masses Insidetoronto.com Justin Skinner January 21, 2012 Online Interviews/photo Link: http://www.insidetoronto.com/what_s%20on/article/1283121--documentary-brings- music-to-the-masses Documentary brings music to the masses Downtown residents turn camera on El Sistema Teaching for Life. Founder of El Sistema, Maestro Jose Antonio Abreu is joined by the three kids – Peter, left, Pegless and Daniella – featured in the documentary film Teaching the Life of Music. From its humble roots in Venezuela to its latest incarnation in Toronto, El Sistema has helped hundreds of thousands of children enrich their lives through music. The organization, founded in 1975 by Maestro Jose Antonio Abreu, helps at-risk children find a positive outlet and uses music to help them develop in various ways.
    [Show full text]
  • English Section / Toronto
    Document generated on 09/25/2021 2:58 a.m. Vie des Arts English section / Toronto Les 50 ans du Refus global Volume 42, Number 170, Spring 1998 URI: https://id.erudit.org/iderudit/53233ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this document (1998). English section / Toronto. Vie des Arts, 42(170), 92–95. Tous droits réservés © La Société La Vie des Arts, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Josue Demarche both YorkvUle and Kingston A Prophet, 1997 Oil on canvas venues with his Ufe size ethe­ 74 x 68,5 cm real, outstretched, arms yet firmly rooted figurative Leo Kamen, Wynick Tuck, bronze sculptures. Lori Moore, Ryerson and the Richards, Derik Shapton, Cameron WaUace are there QJ headquarters of PADAC (The Professional Art from April 28 to May 17, Dealers Association of followed by Bernard Clark's Canada) and Toronto Pho­ "Tatoo Portrait" photographs tographers Workshop. from May 1-23. Sable April 30 to May 30, TPW CasteUi Gallery and the re­ presents photographers cendy opened Artcore are Carole Condé and Carl at the same corner in Beveridge in a three nar­ Yorkville, where ArtCore Cu­ rative photo series depict­ rator Jessica Wyman's pro­ ing episodes of labour unrest in gram includes Dennis Op­ Canadian history: the demise of the penheim: Works on paper TORONTO Newfoundland Cod fishery; the 1946 Bernard Clark and project models in Benoit, frame ft p.
    [Show full text]
  • Orchestrating Communities: an Investigation of El Sistema and Its
    Orchestrating Communities: An InvestigationE of l Sistema and its Global Influences by Austin Lui A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In School for Studies in Art and Culture Carleton University Ottawa, Ontario ©2012 Austin Lui Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94649-7 Our file Notre reference ISBN: 978-0-494-94649-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • GENIUS WITHIN the Inner Life of Glenn Gould a DOCUMENTARY FILM by MICHÈLE HOZER & PETER RAYMONT
    GENIUS WITHIN The Inner Life of Glenn Gould A DOCUMENTARY FILM BY MICHÈLE HOZER & PETER RAYMONT “I’m very much the anti-hero in real life, but I compensate madly in my dreams.” Glenn Gould “A must see film.” - John Anderson, VARIETY “A stunning array of archival footage highlighted by personal anecdotes from close friends…” - Steve Gow, Metro “...Even those of us who don’t know about Gould’s work will appreciate this film.” - Steve McLean, MSN.ca DIRECTORS MICHÈLE HOZER & PETER RAYMONT PRODUCER PETER RAYMONT EDITOR MICHÈLE HOZER PHOTOGRAPHY WALTER CORBETT SOUND BRUCE CAMERON MUSIC PERFORMED BY GLENN GOULD PRODUCED BY WHITE PINE PICTURES glenngouldmovie.com GENIUS WITHIN The Inner Life of Glenn Gould A DOCUMENTARY FILM BY MICHÈLE HOZER & PETER RAYMONT An enigmatic musical poet, world-renowned pianist Glenn Gould continues to captivate twenty-seven years after his untimely death. His inimitable music and writing reveal an insightful worldview that we are still unraveling – his use of complex recording technologies, including manipulating recordings over dubbing, was unprecedented. Though there have been many documentaries about Gould, most are distracted by his eccentricities, focusing on the pills, gloves, and scarves while missing the man and message behind the music. Genius Within: The Inner Life of Glenn Gould pierces through the myths, revealing the man beneath the icon. Genius Within: The Inner Life of Glenn Gould weaves together an unprecedented array of never-before seen footage of Gould, photographs and excerpts from his private home recordings and diaries plus personal interviews with Gould’s most intimate friends and lovers, some who have never spoken about him publicly before, to reconstruct his thoughts on music, art, society, love, and life.
    [Show full text]
  • THE GLENN GOULD FOUNDATION 69 Yonge Street, Suite 1401 Toronto, on M5E 1K4 (416) 962-6200 FACT SHEET MEDIA
    THE GLENN GOULD FOUNDATION 69 Yonge Street, Suite 1401 Toronto, ON M5E 1K4 www.glenngould.ca (416) 962-6200 FACT SHEET MEDIA CONTACT Brian Levine Executive Director (416) 962-6200 [email protected] THE GLENN GOULD PRIZE The Glenn Gould Prize • One of the world’s most exclusive and prestigious arts awards, deemed “The Nobel Prize of the Arts” • Presented only once every second year. (First through Eighth Prizes were every three years.) • Awarded to a living individual for a unique lifetime contribution that has enriched the human condition through the arts • Nine Glenn Gould Prizes have been awarded since 1987 • Cash award of C$50,000 and The Glenn Gould Prize Sculpture by Canadian artist Ruth Abernethy • Laureates are charged with selecting the recipient of The City of Toronto Glenn Gould Protégé Prize, awarded to an outstanding young artist • Honorary events including the Prize presentation ceremony and gala concert are held in Toronto • Portrait of each Laureate is added to a permanent collection of photographs on display in the lower lobby of the Glenn Gould Studio at the Canadian Broadcasting Centre in Toronto Laureates • 2011 Leonard Cohen • 2008 José Antonio Abreu • 2005 André Previn • 2002 Pierre Boulez • 1999 Yo-Yo Ma • 1996 Toru Takemitsu • 1993 Oscar Peterson • 1990 Yehudi Menuhin • 1987 R. Murray Schafer (more) The City of Toronto Glenn Gould Protégé Prize • The Foundation expanded The Glenn Gould Prize to include The City of Toronto Glenn Gould Protégé Prize in 1993 • Laureates of The Glenn Gould Prize selects the recipient—an
    [Show full text]
  • The Glenn Gould Prize Celebration of Music
    The SOCAN Foundation and OFFICIAL The Glenn Gould Foundation in partnership with PROGRAM The Royal Conservatory of Music PRESENT A ONE-DAY SYMPOSIUM ON MUSIC EDUCATION Part of The Glenn Gould Prize Celebration of Music Venezuela’s revolutionary music education program, Wednesday, El Sistema, founded under OctOber 28, 2009 the leadership and vision of Dr. José Antonio Abreu, has ThE Royal transformed the futures of COnservatory millions of young people Of MuSiC through the power of music and has produced one 273 Bloor Street of the world’s foremost orchestras. Just west of the ROM We welcome you to join Dr. Abreu, recipient of Morning Mainstage program: this year’s Glenn Gould Prize, members of the Simón 8:30am-12noon, $45 Bolívar Youth Orchestra and other international and The inside Track full-day Canadian leaders in music and education. program: 8:30am-5pm, $75 Discover with us what can be done to make the (light lunch included) Promise of Music part of every child’s life in Canada. thepromiseofmusic.ca hosted by Murray Mclauchlan Murray Mclauchlan is one of Canada’s best songwriting performers. To experience him perform is to enjoy creative storytelling, social commentary and wit with a man who clearly enjoys sharing his music and experiences with an audience. THE PROMISE OF MUSIC MADE POSSIBLE BY: THE GLENN GOULD PRIZE CELEBRATION OF MUSIC SPONSORS: The SOCAN Foundation and OFFICIAL Morning Mainstage Presentation The Glenn Gould Foundation in partnership with PROGRAM The Royal Conservatory of Music PRESENT in Koerner Hall schedule at a glance Estimated TiME SessiOn 8:30am Simón Bolívar Youth Orchestra Pentacorde folk ensemble host Murray Mclauchlan welcomes guests 9:00am Greetings from The honourable Kathleen Wynne, Minister of Education, Government of Ontario linda Ronstadt introduces Dr.
    [Show full text]
  • News Release
    NEWS RELEASE Toronto celebrates the artistry of Jessye Norman, Winner of the Twelfth Glenn Gould Prize, with a series of events starting February 11th January 16, 2019 – TORONTO – Toronto celebrates the life, art and works of Twelfth Glenn Gould Prize Laureate Jessye Norman, the iconic American opera star, humanitarian and civil rights activist, through a series of events starting Monday, February 11th, 2019. Visit www.glenngould.ca for details on all the events. Divine: A Jessye Norman Tribute TIFF Bell Lightbox, 350 King Street West Monday, February 11 to Wednesday, February 13 Presented in partnership with the Toronto International Film Festival, this special tribute features three screenings and a candid live conversation with Jessye Norman. Film screenings include: The Tales of Hoffman (1951), directed by Michael Powell & Emeric Pressburger (February 11 at 6:30 PM); Jessye Norman Sings Carmen (1989), a behind-the-scenes documentary directed by Albert Maysles of Norman’s recording of Bizet’s opera with conductor Seiji Ozawa; Oedipus Rex (1993), director Julie Taymor’s theatrical adaptation of Stravinsky’s opera-oratorio featuring Jessye Norman as Jocasta (February 12 at 8:30 PM); Diva (1981), an exhilarating fusion of high culture and pulp thriller directed by Jean-Jacques Beineix (February 13 at 6:30 PM ). Tickets are $14 Adult, $11.50 student/senior and $10 Child/Youth. In Conversation With…Jessye Norman Tuesday, February 12 at 6:30 PM This in-depth conversation between Jessye Norman and Canadian Opera Company General Director Alexander Neef will focus on Ms. Norman’s tremendous career in opera, her own experience in film, and the ability of gifted filmmakers to translate the operatic art form into the medium of cinema.
    [Show full text]
  • Wednesday S~Pecial Events [12:00-7:30 Pm
    wednesday s~pecial events [12:00-7:30 pm 111 Queen's Park George Gardiner Museum of Ceramic Art Open House Hart House, University of Toronto 1:30-3:00 pm and 3:30·5:00 pm Architecture of the University of Toronto: Douglas Richardson will lead a tour of five renowned 19th and 20th century campus buildings. Art Centre, University College, University of Toronto 1:30, 2:30 and 3:30 pm Guided tours of the Malcove Collection of Medieval Art by Sheila Campbell, curator. Art Gallery, Hart House, University of Toronto 5:30 pm Guided tour of the Hart House permanent collection of Canadian art by Hart House curator Judi Schwartz. PRE-REGISTRATION REQUIRED [4:00-6:00pm Kleinberg, Ontario McMichael Gallery of Canadian Art Open House and Reception Buses will depart from the Royal York Hotel, 100 Front Street, at 3:00pm for a reception and exhibition viewing. Buses depart McMichael Gallery at 6:00pm for the Royal York Hotel PRE-REGISTRATION REQUIRED [s:00-7:30pm Harbourfront Centre, 231 Queen's Quay West Power Plant Contemporary Art Gallery Open flouse and Reception: "Evidence: Photography and Sight"; "Catherine Richards: Charged Hearts/Coeurs electrises" Harbourfront Centre, Room 7018 235 Queens Quay West Anarchism and Visual Culture Craft Studio Open House Mark Antliff, Queen's University Artist-in-Residency Programme: Hot Glass, Ceramics, Patricia Leighten, Queen's University Textiles, and Jewelry Modernism and Anti-Bolshevik Communism: The Cologne Progressives Paul Mattick, Department of Philosophy, 55 Centre Avenue Adelphi University Museum for Textiles Open House and The Abstract Expressionists' Critique of Unnatural Reception Society; Or, the Intersection of Anarchism, and the Sublime in Colorfield Painting David Craven, University of New Mexico [6: 0 0-7:30pm John Cage: The Possibility of an Anarchist Avant-Garde Branden W.
    [Show full text]
  • 2004 Catalog
    2004 The 7th Annual Exhibition Exchange – Changing the Landscape September 1 to October 31, 2004 Site-specific installations by E.J LIGHTMAN RYSZARD LITWINIUK CATHERINE WIDGERY Site-specific installation and performance by SIMON FRANK Performance by RYSZARD LITWINIUK Exhibition curated by Anne O'Callaghan Essays by Daniel Baird and John Grande The Tree Museum • Doe Lake Road • Muskoka Contents PREFACE 3 WATER, WOOD AND LIGHT: RYSZARD LITWINIUK AND CATHERINE WIDGERY AT THE TREE MUSEUM 5 by Daniel Baird SIMON FRANK: EXCHANGE - CHANGING THE LANDSCAPE by John Grande 11 E.J. LIGHTMAN: A REGENERATIVE ART IN NATURE'S LANDSCAPE by John Grande 15 BIOGRAPHICAL NOTES 21 2 ACKNOWLEDGEMENTS 23 THE TREE M USEU M Preface: Exchange – Changing the Landscape FALL IS SLIPPING AWAY, AND WINTER IS STARTING TO MAKE ITS PRESENCE FELT. THE hoarfrost has formed a white blanket over the land. The trees have shed their covering and you can clearly see their structure. The moss, bright green, is plumped up gathering strength for the coming winter. It is November in this quiet spot in the Muskokas called the Tree Museum. We are constantly dissecting the essence/idea of landscape, but landscape is a concept that is infinitely variable. Landscape, like beauty and art, is in the eye of the beholder. Experience, his- tory and cultural background all play a part in how we experience and or perceive landscape. Yet what never ceases to amaze me is how, each year, as another group of artists install their works, they open up new possibilities and new ways of seeing the land/scape.
    [Show full text]
  • GGF Protégé Prize Winner 2021
    MEDIA ADVISORY – FOR IMMEDIATE RELEASE Victoria Anderson-Gardner wins the Protégé Prize – selected by Alanis Obomsawin, winner of The Glenn Gould Prize TORONTO – 29 January 2021. The Glenn Gould Foundation is delighted to announce the winner of the $15,000 Protégé Prize, Victoria Anderson-Gardner. The winner of the Protégé Prize was chosen by distinguished Abenaki filmmaker Alanis Obomsawin, the winner of this year’s Glenn Gould Prize. Victoria Anderson-Gardner is an award winning Ojibwe filmmaker from Eagle Lake First Nation, Ontario. They completed their thesis film for a Bachelor of Fine Arts degree under the School of Image Arts at Ryerson University. Victoria is focused on creating Indigenous content, showcasing underrepresented communities and using their skills as a filmmaker to educate and inspire. Victoria is a director and producer who has worked on a variety of productions, including “Tenaya” (TIFF’s Big Pitch Audience Choice Award 2020), “Becoming Nakuset” (CBC Gem and Loud Roar Productions short doc, which won the Best Short Film, Audience Choice Award at imagineNATIVE 2020), “The Hurt That Binds Us” (Voices With Impact short doc; won Best Documentary at the Ryerson University Film Festival), and “In Search of a Perfect World” (CBC Docs POV, hosted by Peter Mansbridge, credited as additional director). Alanis Obomsawin noted her pleasure at being able to celebrate and assist the creative career of a young and talented filmmaker: "Upon watching the work, I was very moved and impressed with how professional and serious Victoria was. I was touched and happy to see the responsibility in such a young person, and how Victoria was really listening to Nakuset in ‘Becoming Nakuset.’ This is work that is worth being recognized and encouraged.” "To have this recognition bestowed upon me by Alanis Obomsawin is something I will take with me for the rest of my life,” said Victoria.
    [Show full text]
  • Philip Glass Awarded the Eleventh Glenn Gould Prize
    ! Philip Glass awarded the Eleventh Glenn Gould Prize A fearlessly innovative, collaborative and prolific composer Toronto, ON (April 14, 2015) – American composer Philip Glass has been chosen as the Eleventh Glenn Gould Prize Laureate. Through his operas, symphonies, film scores, compositions for ensembles, and wide-ranging collaborations with artists from many disciplines, Philip Glass has had an extraordinary impact on the musical, artistic and intellectual life of his times. “Our jury has made a brilliant choice in selecting Philip Glass,” said Brian Levine, Executive Director of The Glenn Gould Foundation. “At the start of his career his music was seen as radical and even derided for being contrary to the prevailing musical current, but his work advanced solidly until it permeated our cultural consciousness; it has exerted a profound influence on a whole generation of composers, filmmakers, dramatists and operatic directors. In his work and life, he reveals himself to be a man of deep spirituality and conscience as reflected in the themes of his operatic creations and film scores. We are honoured to present the Prize to an artist of such originality, conviction and vision.” “I am very pleased to be the winner of the Eleventh Glenn Gould Prize. It is for me a special honor as I am one of the many musicians who have been inspired by him. Glenn Gould’s name is associated with a lifetime of excellence in music interpretation and performance. Also I am aware that this award places me in the company of some of the most celebrated names in the broad spectrum of the music of our time.
    [Show full text]