Alanis Obomsawin 2020 Glenn Gould Prize Laureate
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Erkki-Sven Tüür
© Kaupo Kikkas Erkki-Sven Tüür Contemporary BIOGRAPHIE Erkki-Sven Tüür Mit einem breit gefächerten musikalischen Hintergrund und einer Vielzahl von Interessen und Einflüssen ist Erkki- Sven Tüür einer der einzigartigsten Komponisten der Zeitgenössischen Musik. Tüür hat 1979 die Rockgruppe In Spe gegründet und bis 1983 für die Gruppe als Komponist, Flötist, Keyboarder und Sänger gearbeitet. Als Teil der lebhaften Szene der Zeitgenössischen Musik Estlands unternahm er instrumentale Studien an der Tallinn Music School, studierte Komposition mit Jaan Rääts an der Estonian Academy of Music und erhielt Unterricht bei Lepo Sumera. Intensive energiereiche Transformationen bilden den Hauptcharakter von Tüürs Werken, wobei instrumentale Musik im Vordergrund seiner Arbeit steht. Bis heute hat er neun Sinfonien, Stücke für Sinfonie- und Streichorchester, neun Instrumentalkonzerte, ein breites Spektrum an Kammermusikwerken und eine Oper komponiert. Tüür möchte mit seiner Musik existenzielle Fragen aufwerfen, vor allem die Frage: „Was ist unsere Aufgabe?“ beschäftigt ihn. Er stellte fest, dass dies eine wiederkehrende Frage von Denkern und Philosophen verschiedener Länder ist. Eins seiner Ziele ist es, die kreative Energie des Hörers zu erreichen. Tüür meint, die Musik als eine abstrakte Form von Kunst ist dazu fähig, verschiedene Visionen für jeden von uns und jedes individuelle Wesen zu erzeugen, denn wir sind alle einzigartig. Sein Kompositionsansatz ähnelt der Art und Weise, mit der ein Architekt ein mächtiges Gebäude wie eine Kathedrale, ein Theater oder einen anderen öffentlichen Ort entwirft. Er meint dennoch, dass die Verantwortung eines Komponisten über die eines Architekten hinausgeht, weil er Drama innerhalb des Raums mit verschiedenen Charakteren und Kräften konstruiert und dabei eine bestimmte, lebende Form von Energie kreiert. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Sasquan Convention Guide
Sasquan Convention Guide The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19–23, 2015 See inside back cover for Doubletree map. CONTENTS 1 Sasquan The 73rd World Science Fiction Convention Spokane, Washington, USA, Earth • August 19-23, 2015 2 ...................... Quick Reference 27 ......................... Wednesday 39 ...........................Thursday 67 ............................. Friday 96 ........................... Saturday 124 ...........................Sunday 136 ...............Participant Schedules Credits: Chair: Sally Woehrle Program Division Head: Laurie Mann Convention Guide Editor: Paul Selkirk Proofreader: Kaye Tornbrugh Content Organizers: Phyllis Eide, Laurie Mann Cover: Brad W. Foster “World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” and the distinctive design of the Hugo Award rocket are service marks of the World Science Fiction Society, an unin- corporated literary society. 2 QUICK REFERENCE Greetings from the Chair Greetings and Welcome to Sasquan! All the staff and I are happy that you have made the trek to beautiful Spokane. We are working on making this an experience that you will remember for years. Inside this book is most everything that you need to know about Sas- quan. Tere are policies so that you know what is expected. Tere are lists of where everything in the Convention Center and Hotels are located. By everything I mean items such as: t Where are the Exhibits and specific exhibits? t Where is the Art Show, Dealers Room, Programming Rooms, and the Office? t Where and when are certain Events? t What are the hours of operation for all of these places? So please take a few minutes to look through this book. Ten go out and have a wonderful exciting and informative time. -
Gould's Notes on Bach's Goldberg Variations by Glenn Gould Copyright/Source
32 Short Films About Glenn Gould (1993), a film directed by François GIRARD and written by Girard with Don MCKELLAR, offers 32 biographical insights into the life of Canadian pianist Glenn GOULD. Non-linear in its construction, the film is made up of 32 segments, each of which explains a facet of Gould's complex interior life (the title refers to the number of the Goldberg Variations, Gould's most famous interpretation). Gould's odd relationships with friends, his obsession with long phone calls, his ideas about music and the human voice are just a few of the themes dealt with in the film. Several segments deal with his celebrated 1967 radio documentary, The Idea of the North. Another sequence attempts to reconstruct the abstract symphony of human and mechanical sound as it might have struck Gould when he entered a truck stop on the edge of Toronto, a concept of sound and music that was central to Gould's radio work. One of the "short films" is an animated piece by Norman MCLAREN with Gould's piano playing on the soundtrack. 32 Short Films marked a shift in style for Canada's semi-commercial cinema. Although Canadian filmmakers David CRONENBERG, Atom EGOYAN and Patricia ROZEMA had gained significant international attention during the 1980s and early 1990s, 32 Short Films departed from the narrative strategy of these filmmakers and turned instead to Canada's rich tradition of EXPERIMENTAL FILM and video for its inspiration. Experimental filmmaker Arthur Lipsett's innovative assembly of film fragments may have influenced the structure of Girard's film, while Michael SNOW's minimalism could have inspired the sequence in 32 Short Films composed only of extreme close-ups of piano hammers hitting the strings. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Toronto Has No History!’
‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY By Victoria Jane Freeman A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto ©Copyright by Victoria Jane Freeman 2010 ABSTRACT ‘TORONTO HAS NO HISTORY!’ ABSTRACT ‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY Doctor of Philosophy 2010 Victoria Jane Freeman Graduate Department of History University of Toronto The Indigenous past is largely absent from settler representations of the history of the city of Toronto, Canada. Nineteenth and twentieth century historical chroniclers often downplayed the historic presence of the Mississaugas and their Indigenous predecessors by drawing on doctrines of terra nullius , ignoring the significance of the Toronto Purchase, and changing the city’s foundational story from the establishment of York in 1793 to the incorporation of the City of Toronto in 1834. These chroniclers usually assumed that “real Indians” and urban life were inimical. Often their representations implied that local Indigenous peoples had no significant history and thus the region had little or no history before the arrival of Europeans. Alternatively, narratives of ethical settler indigenization positioned the Indigenous past as the uncivilized starting point in a monological European theory of historical development. i i iii In many civic discourses, the city stood in for the nation as a symbol of its future, and national history stood in for the region’s local history. The national replaced ‘the Indigenous’ in an ideological process that peaked between the 1880s and the 1930s. -
Ode Info Sheet
Ode (World Premiere – 2019) Choreography: Jamar Roberts Rehearsal Associate: Marion-Skye Brooke Logan Music: Don Pullen Costume design: Jamar Roberts Lighting design: Brandon Stirling Baker Set design: Libby Stadstad A meditation on the beauty and fragility of life in a time of growing gun violence, Ode is the first in a series of three new dance works that company member Jamar Roberts is creating in his role as Ailey’s first-ever Resident Choreographer. Like his critically-acclaimed Members Don’t Get Weary (2017), this work for six dancers will feature a jazz score – Don Pullen’s “Suite (Sweet) Malcolm (Part 1 Memories and Gunshots)” – and Roberts’ own costume designs. “… a powerful and poetic exploration of the effects of gun violence…” Alvin Ailey American Dance Theater in The New York Times Jamar Roberts’ Ode. Photo by Paul Kolnik. “’Ode’ feels like another revelation for Ailey. [Robert] Battle is smart to give Roberts a platform to develop… Works such as “Ode” constitute a powerful new direction for the company.” The Washington Post “It’s delicate, daring, and heartbreaking… says something hopeful about the present and future of this company. It now has a resident choreographer with talent and guts.” The New York Times Jamar Roberts Miami native Jamar Roberts graduated from the New World School of the Arts after beginning his studies at the Dance Empire of Miami, where he continues to teach and mentor students each year. He received a fellowship to The Ailey School before becoming a member of Ailey II, Complexions Contemporary Ballet and Alvin Ailey American Dance Theater in 2002. -
Media Coverage
Teaching the Life of Music MEDIA COVERAGE Filmblanc, 1121 Bay St., Suite 1901- Toronto, Ontario- Canada –M5S 3L9, www.filmblanc.com Five Worth Watching on Sunday The Toronto Star/ thestar.com Debra Yeo January 20, 2012 Print/Online Mention Link: http://www.thestar.com/article/1118955--five-worth-watching-on-sunday Music to the Soul: El Sistema has reached more than 350,000 children since it was founded 36 years ago in Venezuela as a way to counteract poverty and violence through music education. The documentary Teaching the Life of Music looks at the program’s impact in Canada, the U.S. and Scotland, where El Sistema’s goals have been applied to local kids and communities. Calgary-born, Victoria-raised Cory Monteith (Finn on Glee) narrates (OMNI at 9). Documentary brings music to the masses Insidetoronto.com Justin Skinner January 21, 2012 Online Interviews/photo Link: http://www.insidetoronto.com/what_s%20on/article/1283121--documentary-brings- music-to-the-masses Documentary brings music to the masses Downtown residents turn camera on El Sistema Teaching for Life. Founder of El Sistema, Maestro Jose Antonio Abreu is joined by the three kids – Peter, left, Pegless and Daniella – featured in the documentary film Teaching the Life of Music. From its humble roots in Venezuela to its latest incarnation in Toronto, El Sistema has helped hundreds of thousands of children enrich their lives through music. The organization, founded in 1975 by Maestro Jose Antonio Abreu, helps at-risk children find a positive outlet and uses music to help them develop in various ways. -
Orchestrating Communities: an Investigation of El Sistema and Its
Orchestrating Communities: An InvestigationE of l Sistema and its Global Influences by Austin Lui A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In School for Studies in Art and Culture Carleton University Ottawa, Ontario ©2012 Austin Lui Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94649-7 Our file Notre reference ISBN: 978-0-494-94649-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
AIDS/ART/WORK Conference at CLAGS, CUNY, New York City
The Newsletter of the Queer Caucus for Art Vol. 21, No. 1 January 2009 The Lesbian, Gay, Bisexual, Transgender Caucus for Art, Artists & Historians AIDS/ART/WORK the Graduate Center of CUNY (CLAGS), Visual AIDS, and the Australian Conference at CLAGS, Research Council. The short synopsis CUNY, New York City, above does no justice to the value of the conference. I would personally like to May 30, 2008 thank the conference sponsors for a day The AIDS/ART/WORK conference that was not only informative, but well held Friday, May 30, brought together organized (plus the food was good!). a distinguished group of pro fessionals The important work of AIDS awareness from the art world, queer world, and and prevention, much of which has been AIDS activist/prevention world. a result of AIDS art, must go on. The first session presented a historical Larry Schulte, NYC artist overview of AIDS, including art that was made in response to the AIDS crises. As Tee A. Corinne Exhibition one who lived in NYC in the 80s, the history was not only thoroughly presented, and Celebration at but was also a moving remembrance of University of Oregon “Beverly”, 2006, SCARS Project, © Tee Corinne those years. There is a Tee Corinne Exhibition/ Papers, University of Oregon Libraries The second session dealt with art and Celebration at the University of Oregon University faculty and graduate students activism in the age of AIDS ranging Libraries in Eugene! I know she would and others on the topic of lesbian culture from militant art to art that expresses have been profoundly happy about the and representation. -
Late Fall 2020 Classics & Jazz
Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................