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Hints from Horace
HINTS FROM HORACE INTRODUCTION BYRON AND HORACE: “the great little poet’s wrong”1 Byron refers to Horace more often than he does any other poet except Shakespeare. There is at once characteristic aptness and characteristic irony in this, for Horace was a kind of Roman Southey – with genius. Where Byron is far from scared about giving political offence to the establishment, Horace never even thinks of doing so – one of his longest verse-letters,2 and several of his Odes, are addressed in terms of respect, nay reverence, to the Emperor Augustus, and his Carmen Seculare (a title appropriated by Byron for The Age of Bronze, a poem the reverse of Caesarist) was commissioned by the Emperor himself. Horace is committed to the political status quo of his time and place. Byron would never write the English equivalent of Caelo tonantem credidimus Iovem Regnare; praesens divus habebitur Augustus adiectis Britannis Imperio gravibusque Persis.3 [We believe that Jove is king in heaven because we hear his thunders peal; Augustus shall be deemed a god on earth for adding to our empire the Britons and dread Parthians.] or, … ego nec tumultum nec mori per vim metuam tenente Caesare terras.4 [Neither civil strife nor death by violence will I fear, while Caesar holds the earth.] 1: Don Juan XIV, 77, 2. 2: Hor. Epis. II, i. 3: Hor. Od. III, v, 1-4. 4: Hor. Od. III, xiv , 14-16. Many more examples could be adduced, of Horace’s intense patriotism and Caesarism,5 a Caesarism all the more intense for being, like Southey’s conservatism, that of a turncoat, a renegado: for Horace had fought at Philippi on the side of Brutus and Cassius. -
Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Lien Khuc Nhac Remix Root Folder
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6 Steps to a Radio-Ready Song by Graham Cochrane
RecordingRevolution.com 6 Steps To A Radio-Ready Song by Graham Cochrane Thank you for downloading this guide! As a singer/songwriter myself, I know the goal of every musician in the home studio is to start creating killer songs - songs that sound so good they could be played on the radio, TV, or just about anywhere. You probably have great song ideas already but simply aren’t able to get your recordings to translate from your head to the real world and sound professional. I’m here to help you with that. In this brief guide I’m going to walk you through the 6 steps that every radio-ready song must go through in order to sound its best. Even if your music will never be heard on the radio, you still want it to sound good enough to hang with “the big boys and girls”. My promise to you is that after reading this guide, you’ll know exactly what it takes to get the best sounding recordings in your home studio and you’ll be motivated to get back to work and start creating your best music yet. Ready to get started? Let’s dive in Graham Cochrane (Founder, RecordingRevolution.com) RecordingRevolution.com STEP 1: Lyrics & Melody The best recordings in the world start long before the recording phase. They begin with great lyrics and killer melodies. The best vocal microphone in the world is useless if the song you’re singing has a boring or hard to remember melody, cumbersome lyrics, and overall bad flow. -
181109 Bush Writers Portfolio
Bush Writers, 1940 - 2012 Witness Seminar November 23rd 2009 0930-1400 The Open University, Hawley Crescent, Camden Town, London Bush Writers Seminar November 23rd 2009 Contents 1. Seminar aims 2. Timetable 3. Seminar questions 4. Participants biographies 5. Project outline 6. Ideas for website material 7. Extracts from writers work 8. Other contributions 2 Bush Writers Seminar November 23rd 2009 The purpose of this seminar is to bring together Bush Writers (former and current, published and aspiring) to share their experiences of and memories as “secret agents” of literature amongst broadcasters in and around Bush House. The seminar is part of a larger research project and partnership between The Open University and the BBC World Service.1 It examines cosmopolitan and diasporic cultures at Bush House, 1940 to 2012 which will mark the moving out and end of the Bush House era (see page 10). Presentations by contributors will be followed by audience participation and discussion. We expect the style of the event to simulate and emulate a live feature broadcast. The presentations will be recorded and the material may be represented on BBC and/or Open University websites (see page 11). We hope to plug a gap in public and academic knowledge about Bush House and the remarkably polyglot and cosmopolitan cultures that have contributed to making it a globally respected institution that can speak in many tongues to audiences around the world. With a few notable exceptions (for example Modern Poetry in Translation, Special Issue, No 22, 2003 edited by Daniel Weissbort) very little work has been done on the subject of writers of and at Bush House. -
Wreaths to Remember Page 8
=VS5V Thursday, December 21, 2017 WHNL 1HZV)HDWXUHVSDJH >YLH[OZ[VYLTLTILY &UHZFKLHIVNHHS¶HPÁ\LQJ 1HZV)HDWXUHVSDJH 5DUHWDQNHU·VQHZKRPH :HHNLQSKRWRVSDJH ,PDJHVIURPWKHZHHN 1HZV)HDWXUHVSDJH 2SHUDWLRQ&KULVWPDV'URS 7OV[VI`(PYTHUZ[*SHZZ(ZOSL`7LYK\L <: (PY -VYJL :LUPVY (PYTHU 9HJOLS *HJOV HU HPYJYHM[ LSLJ[YPJHS HUK LU]PYVUTLU[HS Z`Z[LTZ HWWYLU[PJL ^P[O [OL [O (PYJYHM[4HPU[LUHUJL:X\HKYVUWSHJLZH^YLH[OVUHNYH]LZP[LK\YPUN[OL>YLH[OZ(JYVZZ(TLYPJH>YLH[O3H`PUNHUK &RPPXQLW\SDJH 9LTLTIYHUJL*LYLTVU`H[[OL-SVYPKH5H[PVUHS*LTL[LY`PU)\ZOULSS-SH+LJ>YLH[OZ(JYVZZ(TLYPJHPZHUVU (YHQWV&KDSHOPRUH WYVMP[VYNHUPaH[PVUKLKPJH[LK[VOVUVYPUNHUK[OHURPUN]L[LYHUZMVY[OLPYZLY]PJLHUKZHJYPMPJL>OH[Z[HY[LKV\[PU(YSPUN[VU 5H[PVUHS*LTL[LY`>HZOPUN[VU+*[OLJLYLTVU`UV^[HRLZWSHJLPUV]LYSVJH[PVUZHJYVZZ[OL^VYSK COMMENTARY (4*JVTTHUKJOPLMYLMSLJ[ZVU`LHYJHYLLY I`*OPLM4HZ[LY:N[:OLSPUH-YL` "JS.PCJMJUZ$PNNBOEDPNNBOEDIJFG SCOTT AIR FORCE BASE, Ill. — Happy holidays! It is a great honor to serve as your command chief. At the end of each year, I take time to re- flect on all Air Mobility Command accomplishments over the year – and this command never ceases to amaze me! This year is no different. AMC enjoyed an extremely successful year be- cause of our Mobility Airmen. With that, I offer you and your families my sincerest thanks. Because of your unwavering commitment to the mission and the support and sacrifices your families make, we are able to generate Rapid Global Mobility for America. As this year comes to a close, I’m especially reflective because this may be my last holiday season on active duty. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
When You Text Me It Makes Me Smile
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Open Mueller Thesis Final.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF MUSIC PRETTY OPHELIA: THE DESTRUCTIVE NATURE OF OBJECTIFICATION THROUGH MUSIC AND PROSE LEAH W. MUELLER Spring 2012 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Music Education with honors in Music Reviewed and approved* by the following: Ted Christopher Assistant Professor of Music Thesis Supervisor Joanne Rutkowski Professor of Music Education Honors Adviser * Signatures are on file in the Schreyer Honors College i ABSTRACT Shakespeare’s Ophelia has long fascinated composers, painters, poets, and scholars alike. She is at first beautiful and pure, but descends into utter madness filled with dark coded phrases that leave plenty of room for mystery and interpretation. In this thesis I investigated the lack of personal identity and tragic circumstances that lead to Ophelia’s demise. All who surround her, Hamlet, Polonius, Laertes, and even Shakespeare himself, constantly objectify her. The successive composers who have interpreted Ophelia diminish this objectification by giving her, her own voice. As part of this thesis project, a recital featuring the Brahms’ and Strauss Ophelia lieder as well as a performance of the original Shakespeare text was given on November 15th, 2011. The recital program, program notes, script, and video are included in this thesis. ii TABLE OF CONTENTS ABSTRACT i TABLE OF CONTENTS ii ACKNOWLEDGEMENTS iii CHAPTER 1: OPHELIA IN PROSE Introduction 1 Ophelia and the Play 2 A Symbol of Purity 5 Ophelia Through the Feminist Gaze 8 CHAPTER 2: OPHELIA IN MUSIC Ophelia and the French 13 Ophelia and the Germans 16 CHAPTER 3: OPHELIA ONSTAGE Performance Planning 22 Rehearsing for the Performance 25 CHAPTER 4: SUMMARY, DISCUSSION, & CONCLUSION Summary 27 Discussion 28 Conclusion 29 BIBLIOGRAPHY 30 APPENDICES APPENDIX A: Performance Script 32 APPENDIX B: Recital Program 40 APPENDIX C: Recital Program Notes 42 APPENDIX D: Video of Performance Project 45 Academic Vita iii ACKNOWLEGMENTS I would like to thank Dr. -
Michel Montecrossa Sings Bob Dylan and Related Artists
ETERNAL CIRLCE CD-PLUS AUDIO-TRACKS: 1. Eternal Circle 4:09 2. Knockinʻ On Heavenʻs Door 3:58 3. Sitting On A Barbed Wire Fence 6:59 4. Blowinʻ In The Wind 6:35 5. Mixed Up Confusion 4:25 6. Tomorrow Is A Long Time 4:58 7. Love Minus Zero / No Limit 4:19 8. On The Road Again 4:33 9. All Along The Watchtower 4:17 10. Bob Dylanʻs Dream 5:22 11. Couple More Years (From the movie Hearts of Fire) 1:53 MPEG-VIDEO 1. Quinn, The Eskimo (The Mighty Quinn) 4:14 (All songs Bob Dylan except Track 11) PICTURE-EVENTS INTERNETDATA P 1998 © Mira Sound Germany / MCD-266 BORN IN TIME CD-PLUS AUDIO-TRACKS: 1. Born In Time 5:41 2. The Groomʻs Still Waiting At The Altar 3:52 3. Quinn, The Eskimo (The Mighty Quinn) 3:48 4. Forever Young 2:55 5. Paths Of Victory 4:04 6. I And I 4:36 7. Dark Eyes 2:59 8. Political World 3:19 9. Can You Please Crawl Out Of Your Window 4:12 10. Angelina 3:58 11. Donʻt Think Twice Itʻs All Right 2:23 12. Like A Rolling Stone 5:50 13. Most Of The Time 3:28 14. Man In The Long Black Coat 3:55 15. Series Of Dreams 5:54 16. Lone Pilgrim (Traditional) 2:29 17. Abandoned Love 2:54 MPEG-VIDEO: 1. I Shall Be Released 2:43 (All songs Bob Dylan except Track 16) PICTURE-EVENTS INTERNETDATA P 1999 © Mira Sound Germany / MCD-301 Michel Montecrossa sings other Artists / Bob Dylan and related Artists – 1 E1 JET PILOT CD-PLUS AUDIO-TRACKS: 1. -
No. 502 • April 10, 2014 • Outwordmagazine.Com COLOR COLOR
No. 502 • April 10, 2014 • outwordmagazine.com COLOR COLOR $ . COLOR Our agents have extensive knowledge of the Sacramento market, with expertise in Short Sales, Bank Owned, Residential Resale, New Homes, Investment Properties, Land and Land Development, Apartments, Commercial Space for Sale & or Lease. Visit us online at: www.BHGhome.com/Midtown Located at: 1819 K Street in Midtown Sacramento | (916) 491-1516 | BRE#00834597 Joan Dunn Brian McMartin Kristina McBurney Luis Sumpter Clyde Brown & Michael Triglia Rich Wilks Bridget Davis Jose Rodriguez Cheryl Rouse 916.716.5584 916.402.4160 916.212.9211 916.455.2188 916.616.1391 916.826.8449 916.706.4663 916.207.1428 916.705.7144 BRE#: 01372320 BRE#: 00997069 BRE#: 01365631 BRE#: 01256900 BRE#: 01434049; 01493778 BRE#: 01257104 BRE#: 01171026 BRE#: 01857562 BRE#: 01467945 4 Outword Magazine April 10, 2014 - April 24, 2014 • Volume 27 • Issue 7 • No. 502 outwordmagazine.com City Launches Food Waste to Fuel Pilot Program in Elmhurst Letters hearts. Please join our circle. Space is limited. nder the leadership of Councilmember Kevin McCarty, Get Discovered at the 2014 Pre-registration required. Sacramento County Fair Facilitated by Jehfree Spirit, the Circle will be the City of Sacramento has begun a one-year pilot project The 2014 Sacramento County Fair is now held for eight weeks from 7 - 9 p.m., May 1 to collect food scraps from residents in the Elmhurst accepting applications for entertainers of all ages – June 26, at One Yoga Life, in Midtown U interested in performing at the 2014 Fair. This is Sacramento. For more information, email: jehfree.