Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
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Still on the Road 2000 Us Summer Tour
STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2. -
Tell Tale Signs
I don't know anybody who's made a record that sounds decent in the past 20 years, really. You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing,… remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway. Bob Dylan 2006 A compilation of bits and Bobs from last 30 years? That'll be $129.99. Sony 2008 --- Introduction: I wrote this very soon after the release of Tell Tale Signs. Although I was presuming ISIS would be delayed in order to allow a more considered take on the release, my own work commitments demanded an early response in any case. I have presented it as a dialogue that highlights – if not exaggerates – trends I have felt in myself and in discussions amongst Dylan fans at large. I have taken the liberty of framing the dialogue in a setting plagiarised brazenly from a classic as Bob does with many an out of copyright source as Dylan Cynic would say or, if you are aligned to Dylan Enthusiast rather than Dylan Cynic, the framework of the dialogue alludes intriguingly to a past literary master in much the same way Dylan binds his own work artistically to Ovid in Modern Times. I won’t mention the play it comes from as the fun is surely always in the searching and then deciding if it is just rip-off or a deeply thought allusion that adds to the whole. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020
AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020 Monday September 21, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Plain Spoken: John Mellencamp TrunkFest with Eddie Trunk This stunning, cinematic concert film captures John with his full band, along with special guest Sturgis Motorycycle Rally - Eddie heads to South Dakota for the Sturgis Motorcycle Rally at the Carlene Carter, performing his most cherished songs. “Small Town,” “Minutes to Memories,” “Pop Buffalo Chip. Special guests George Thorogood and Jesse James Dupree join Eddie as he explores Singer,” “Longest Days,” “The Full Catastrophe,” “Rain on the Scarecrow,” “Paper in Fire,” “Authority one of America’s largest gatherings of motorcycle enthusiasts. Song,” “Pink Houses” and “Cherry Bomb” are some of the gems found on this spectacular concert film. 8:30 AM ET / 5:30 AM PT Rock & Roll Road Trip With Sammy Hagar 6:40 PM ET / 3:40 PM PT Livin’ Live - The season 2 Best of Rock and Roll Road Trip with Sammy Hagar brings you never- AXS TV Insider before-seen performances featuring Sammy and various season 2 guests. Featuring highlights and interviews with the biggest names in music. 9:00 AM ET / 6:00 AM PT 6:50 PM ET / 3:50 PM PT The Big Interview Cat Stevens: A Cat’s Attic Joan Baez - Dan Rather sits down with folk trailblazer and human rights activist Joan Baez to Filmed in London, “A Cat’s Attic” celebrates the illustrious career of one of the most important discuss her music, past loves, and recent decision to step away from the stage. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
JAKOB DYLAN Chasing New Sounds with an Old Friend
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM Q&A James Minchin JAKOB DYLAN Chasing new sounds with an old friend WOMEN AND COUNTRY, THE SECOND or what the particular instrumentation was. Did you work out the harmonies on solo album from Wallfl owers frontman Jakob I’ve spent a lot of time in the studio making the spot? Dylan, came together in the studio within things go backwards and forwards and going The two of them had worked on their days. But that doesn’t worry him. “I’ve done through different amplifi ers, and I don’t think stuff beforehand. So a lot of it was records that have taken eight months, and we got too hung up on that. very prepared, but a lot happened in the I don’t know what happened in all that studio on the fl y. What they did was very time,” he says with a laugh. Perhaps credit Did the songs evolve much once you surprising to my ears. for that effi ciency should go to the crack got into the studio? team of professionals he assembled for There’s always a natural process—as soon What guitars did you play on the record, including producer T Bone as you put a drum or a bass in, something the album? Burnett—back in the studio with Dylan for the different happens. But that’s the exciting I only brought my Martin 000-42. I’ve gone fi rst time since the Wallfl owers’ multiplatinum part. I enjoy bringing a song that’s hopefully through phases of collecting guitars, but I Bringing Down the Horse—and alt-country as fully formed as possible into a room with don’t much anymore. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
GESAMTTEXT Final2vati Korrpdfi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit Bob Dylan - Never Ending Tour - Werk eines 'Performing Artist' Verfasser Michael Gizicki Angestrebter Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl lt. Studienblatt: A316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Mag. Dr. August Schmidhofer Konzert Nr.1800 der Never Ending Tour am 12.11.2005, Mailand, Italien (li. Stu Kimball, re. Bob Dylan) 1 Inhaltsverzeichnis Danksagung 5 Einleitung 6 1.Kapitel: Historische Vorbedingungen und Kontext 9 1.1 Bob Dylans "Gospel-Phase" 9 1.2 Die Achtziger Jahre 10 1.3 Das Jahr 1988 13 1.4 Dylans Studiowerk ab 1989 14 1.4.1 "Oh Mercy" 1989 14 1.4.2 "Under The Red Sky" 1990 15 1.4.3 "Good as I Been To You" 1992 und "World Gone Wrong" 1993 15 1.4.4 1997: "Time Out Of Mind" - Rückkehr eines großen Künstlers 16 1.4.5 "Things Have Changed" 2000 und "Love and Theft" 2001 17 1.4.6 "Modern Times" 2006 17 1.4.7 "Together Through Life" 2009 18 2.Kapitel: Die Never Ending Tour 20 2.1. Der Name und seine Entstehung 20 2.2. Vorbedingungen: Das Jahr '87 im Detail 22 2.3. Zahlen und Fakten zur NET 30 2.4. Die Chronologie: Das Geschehen der Tourjahre : Repertoire, Format, Setlisten, Bands 33 2.4.1 Die Touren '88 bis '90 33 2.4.2 1991 bis Herbst '92 38 2.4.3 Die Jahre 1993 bis 1996 39 2.4.4 Die Zeit 1997 - 1999 43 2.2.5 2000 / 2001 / 2002 / 2003 47 2.4.6 2004 bis 2009 53 2 3.Kapitel: Dylans "performing art" in den Konzerten der NET 55 3.1. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Freewheelin-On-Line Take Twenty Two
Freewheelin-on-line Take Twenty Two Freewheelin’ 220 There can be no question: it is a cinematic masterpiece; a milestone in the history of moving images. I am talking about Peter Jackson’s ‘Lord of the Rings’ trilogy , and, despite the multiple endings to the final part of the trilogy - ‘The Return of the King’ - nothing is lost when you consider the totality of the project. I couldn’t thus resist from having that half-man, half-beast and totally schizophrenic creature Gollum in the fore ground of this month’s cover. It seems that another king is going to return in 2004. It will be 50 years ago next year, in 1954, that Elvis sauntered into the studio and recorded ‘That’s All Right’ which many consider to be the big bang of rock and roll. So expect the usual anniversary celebrations and reports of sightings of the King by shepherds on hillsides and wise men from the north. My sighting of Elvis is taken from the famous 1963 screen print of the legend by Andy Warhol. For every king there must be a queen and who else but Marilyn could equal the iconic status of Elvis? This collage is taken from a study by the artist Mimmo Rotella, completed in 1962, a year of Marilyn’s death. Whilst Elvis is trying to gun Gollum down and Dylan looks inquisitively at the unheavenly creature, Marilyn just wants to take him home and cover him in kisses. Diamonds may be easily had and they may be a girl’s best friend but, for a Steptoe Senior loookalike who prefers thongs to Y-fronts, there’s nothing quite like a search of middle-earth for a golden ring to complete your set.