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C A N A D I A N C U L T U R E A R T & D E C O R THE GROUP OF SEVEN The Group of Seven were a group of painters founded in 1920 and ended in 1933. The original Group of Seven included Franklin Carmichael Lawren Harris A.Y. Jackson Franz Johnston Arthur Lismer J.E.H. MacDonald and F.H. Varley. They painted brightly coloured landscape paintings of the Canadian Shield and the boreal forest. They used simple forms, and presented themselves as Canada's firs tnational school of painters, which made many of the current artists of the day angry. Today, their images are used to represent Canada's strength and independence and helped establish a national vision of Canada. THE INDIAN GROUP OF SEVEN The Indian Group of Seven was made up of Jackson Beardy, Eddy Cobiness, Alex Janvier, Norval Morrisseau, Daphne Odjig, Carl Ray and Joseph Sanchez. They originally started meeting in the early 1970s where they would discuss issues related to prejudice in the art community. In 1974 they formally joined together to work for inclusion. Together, they helped bring Indignous art to the general Canadian population. Where we are TODAY 2020 | JUNE RESTAURANT WARS PROPOSAL C A N A D I A N C U L T U R E M U S I C & C A N A D I A N L I F E NEIL YOUNG Neil Young was born in 1945 in Toronto and is one of Canada's most famous musicians. In the 1960s he started the band Buffalo Springfield and also worked as a member of Crosby, Stills, Nash & Young and as a solo artist. His greatest hits include Cinnamon Girl, Southern Man, Old Man, and Rickin' In The Free World. Early in life, Neil Young suffered from epilepsy, type 1 diabetes and polio and was unable to walk by 1951. His solo career begain in 1970 with the album After the Gold Rush which included the song Southern Man which inspired Lynyrd Skynyrd's Sweet Home Alabama. His music combines rock and role music with his roots in Canadian folk music. Please see https://www.youtube.com/watch? v=X3IA6pIVank for an example of Neil Young's music. CANADIAN HOLIDAYS Important Canadian holidays include Canada Day (July 1), Victoria Day (to celebrate Queen Victoria's birthday - the Monday before May 25th), Labour Day (First Monday in September), Remembrance Day (November 11) and Boxing Day (December 26th) The Moose and Bison will be closed on Labour Day to help celebrate and reward our employees who work har dall year. On Canada Day, we will be offering 18% off all entres, and drinks for 67 cents in honour of the year 1867 when Canada became a country. CANADIAN FAMILIES In Canada the average family size was 2.5 people in 2011. Because families are smaller, The Moose & Bison will include many tables with 4 chairs instead of bigger. These can also be re-organized and connected for larger gatherings. CANADIAN RECREATION HoWckey hmoest propeula r win Caena da anrde it is Canada's official winter sport. Our Restaurant will include a big screen and projector and play hockey games regularly. We will also be offering a discount for hockey teams to use the restaurant for wind-ups or TODAYget togethers.... 2020 | JUNE RESTAURANT WARS PROPOSAL.

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Analyse D'œuvres Du Style Artistique Woodland
TRACES DE PEINTURE ARTIDAVI_VF1_Fiche1 Analyse d’œuvres du style artistique Woodland Norval Morrisseau est considéré comme le père du style artistique Woodland. Au cours des années 1970, il s’est affilié à une coopérative d’artistes, desquels certains ont adopté des aspects de ce langage artistique du style Woodland. Par la suite, il y a eu une relève formée d’une nouvelle génération de peintres qui ont trouvé leur inspiration dans ce style, et ce courant se poursuit encore aujourd’hui. Dans cet exercice, tu exploreras des œuvres de ces deux groupes d’artistes : ceux qui étaient à l’origine, et ceux de la relève. Citation de Daphne Odjig : « Nous sommes un peuple vivant et une culture vivante. Je suis convaincue que notre destin est de progresser, d’expérimenter et de développer de nouveaux modes d’expression, comme le font tous les peuples. Je n’ai pas l’intention de rester figée dans le passé. Je n’suis pas une pièce de musée. » Source : Les dessins et peintures de Daphne Odjig : Une exposition rétrospective, Bonnie Devine, Robert Houle et Duke Redbird, 2007. Consigne Tu analyseras deux œuvres, une de chaque groupe. Les œuvres du premier groupe sont celles d’artistes qui ont côtoyé Norval Morrisseau et comme lui, ont adopté un langage artistique similaire. Leurs couleurs plutôt ternes avec l’ocre très présent rappellent celles des pictogrammes et peintures rupestres sur les rochers dans la région des Grands Lacs où ce style est né. Bien que ces œuvres présentent des ressemblances, le style de plusieurs de ces artistes se transformera dans une forme personnelle, surtout à partir des années 1980, quand on verra émerger l’usage de couleurs éclatantes.
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Knowledge Organiser: How Do Artists Represent Their Environment
Knowledge Organiser: How do Artists represent their environment through painting? Timeline of key events 1972 – Three First Nations artists did a joint exhibition in Winnipeg 1973 – Following the success of the exhibition, three artists plus four more, created Indian Group Of Seven to represent Indian art and give it value and recognition. 1975 – Group disbanded Key Information Artists choose to work in a particular medium and style. They represent the world as they see it. Key Places Winnipeg, Manitoba, Ontario, British Columbia, Alberta Key Figures Daphne Odjig 1919 – 2016 Woodland style, Ontario; moved to British Columbia Alex Janvier 1935 – present Abstract, represent hide-painting, quill work and bead work; Alberta Jackson Beardy 1944 - 1984, Scenes from Ojibwe and Cree oral traditions, focusing on relationships between humans and nature. Manitoba. Eddy Cobiness 1933 – 1996 Life outdoors and nature; born USA moved to winnipeg Norval Morrisseau 1931 – 2007 Woodland stlye; Ontario, also known as Copper Thunderbird Carl Ray 1943 – 1978 Woodland style, electrifying colour (founder member); Ontario Joseph Sanchez 1948 – present Spritual Surrealist; Born USA moved to Manitoba Christi Belcourt 1966 – present Metis visual artist, often paints with dots in the style of Indian beading – Natural World; Ontario Key Skills Drawing and designing: Research First Nations artists. Identify which provinces of Canada they come from. Compare and contrast the works of the different artists. Take inspiration from the seven artists to plan an independent piece of art based on the relevant artist: • Give details (including own sketches) about the style of some notable artists, artisans and designers. • type of paint, brush strokes, tools Symbolic representation • Create original pieces that show a range of influences and styles based on the Indian Group of Seven and their work.
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Overlapping Violent Histories: a Curatorial Investigation Into Difficult Knowledge Curated by Noor Bhangu
Overlapping Violent Histories: A Curatorial Investigation into Difficult Knowledge Curated By Noor Bhangu February 9 - March 9, 2018 Kitchen-Table Discussion: March 8, 12:30-1:30 PM Winnipeg is no stranger to violence or violent histo- heels of such projects, Overlapping Violent Histories: general audience that happens to encounter the work ries. Its geographical position at the heart of Canada A Curatorial Investigation into Difficult Knowledge in the oft-decontextualized setting of the art gallery. and its cultural position as a meeting ground be- brings together the work of Jackson Beardy, Caroline Of course, as a curator of this exhibition I, too, plead tween diverse communities have pushed it to play Dukes, Takao Tanabe, and KC Adams to consider the guilty on counts of decontextualisation by favouring host to the darkest of local, national, and international place of historical trauma in each artist’s practice. In specific elements of a work and leaving out others. currents, including the ongoing colonization of Indig- deliberately drawing on the cross-cultural intersection I take refuge in Luis Camnitzer’s theorization of the enous people, Japanese internment, the settlement between the artists, I aim to build on the potential for curatorial order: “The discourse or thesis of the curator of Icelandic immigrants in Gimli, the influx of Russian visual art and exhibition spaces to function as sites for may contradict the discourse of the artist, because Mennonites and Jewish holocaust survivors in the social-engaged dialogues. the curator extrapolates from the presentation of twentieth century, and the marginalization of Euro- artworks in a way that is not necessarily determined pean immigrants and immigrants of colour.
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Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 400 143 RC 020 735 AUTHOR Bagworth, Ruth, Comp. TITLE Native Peoples: Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1305-6 PUB DATE 95 NOTE 261p.; Supersedes fourth edition, ED 350 116. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC11 Plus Postage. DESCRIPTORS American Indian Culture; American Indian Education; American Indian History; American Indian Languages; American Indian Literature; American Indian Studies; Annotated Bibliographies; Audiovisual Aids; *Canada Natives; Elementary Secondary Education; *Eskimos; Foreign Countries; Instructional Material Evaluation; *Instructional Materials; *Library Collections; *Metis (People); *Resource Materials; Tribes IDENTIFIERS *Canada; Native Americans ABSTRACT This bibliography lists materials on Native peoples available through the library at the Manitoba Department of Education and Training (Canada). All materials are loanable except the periodicals collection, which is available for in-house use only. Materials are categorized under the headings of First Nations, Inuit, and Metis and include both print and audiovisual resources. Print materials include books, research studies, essays, theses, bibliographies, and journals; audiovisual materials include kits, pictures, jackdaws, phonodiscs, phonotapes, compact discs, videorecordings, and films. The approximately 2,000 listings include author, title, publisher, a brief description, library
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Windspeaker February 1996
--.11., QUOTABLE QUOTE "National Chief Mercredi's actions and statements are an insult to the chiefs." - Manitoba Grand Chief Phil Fontaine '2 00 where applicable PUBLICATION MAIL REGISTRATION k2177 13 No. IO FEBRUARY 1996 Canada's National Aboriginal News Publication Volume POSTAGE PAID AT EDMONTON Thumbs up for treaties VANCOUVER Negotiation is the only acceptable and civilized way for Native people and the government to deal with the complex issues of Abo- riginal title and rights in the province of British Columbia, said Chief Joe Mathias. He was responding to a new study, conducted by ARA Con- sulting Group of Vancouver, which found land claim treaties have a positive effect in regards to economic opportunity, community development and improved relations between Aboriginal and non- Aboriginal people. "The strength of this report is that it provides an independent and balanced perspective of the issues, challenges and opportuni- ties of treaty- making," said Mathias. "It is a critically important and timely document, one we expect will generate constructive public debate in the months ahead." The study found that modern day treaties have not caused the kind of disruption and disharmony their critics contend they do, but neither do they offer instant solutions. A summary report pre- pared by Ken Coates of the University of Northern British Colum- bia said the resolution of long- standing disagreements, through negotiation rather than through legal or politically imposed con- ditions, will liberate people from the contentious and difficult de- bates of the past. "These often heated discussions - about colonialism, disloca- tion, sovereignty, ownership, and the legitimacy of Native land claims - generate a great deal of rhetoric and anger but rarely pro- vide lasting solutions," concludes the summary.
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Turtle Island Education Guide
The Alberta Foundation for the Arts Travelling Exhibition Program Interpretive Guide & Hands-on Activities Turtle Island The Alberta Foundation for the Arts Travelling Exhibition Program The Interpretive Guide The Art Gallery of Alberta is pleased to present your community with a selection from its Travelling Exhibition Program. This is one of several exhibitions distributed by The Art Gallery of Alberta as part of the Alberta Foundation for the Arts Travelling Exhibition Program. This Interpretive Guide has been specifically designed to complement the exhibition you are now hosting. The suggested topics for discussion and accompanying activities can act as a guide to increase your viewers’ enjoyment and to assist you in developing programs to complement the exhibition. Questions and activities have been included at both elementary and advanced levels for younger and older visitors. At the Elementary School Level the Alberta Art Curriculum includes four components to provide students with a variety of experiences. These are: Reflection: Responses to visual forms in nature, designed objects and artworks Depiction: Development of imagery based on notions of realism Composition: Organization of images and their qualities in the creation of visual art Expression: Use of art materials as a vehicle for expressing statements The Secondary Level focuses on three major components of visual learning. These are: Drawings: Examining the ways we record visual information and discoveries Encounters: Meeting and responding to visual imagery Composition: Analyzing the ways images are put together to create meaning The activities in the Interpretive Guide address one or more of the above components and are generally suited for adaptation to a range of grade levels.
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Cree Family Works Trapline
CANADA c _ J/ ry, of rloo, -15 of Indian Affairs and Northern Development des AfJaires indiennes el du Nord Canadien Vol. Eleven, No. One Ottawa, Ontario April, 1968 CREE FAMILY J WORKS TRAPLINE A chance trip into a snow The Diamond's trapline covers a canvas covered wigwam out of "Only a fool would work in the covered lake some 11 0 miles north- about 150 square miles of wilder- the top of which a small trail of summer if he didn't have to," said west of Gogama in Northern ness and nets them between $5,000 smoke curled hospitably. Mrs. Diamond. "Summer is for Ontario last winter brought me and $6,000 per year. fun." into a world few people are privi- We all moved into the wigwam I looked around the- campsite. (Continued on page 4) leged to see, and showed me a way and sat down on the spruce bough of life in which contentment is the There was nearby, a pot bubbling merrily -a tin stove with a floor to talk. Grandma Josephine, theme. - on h . moosehead in it for the noon meal. with the rest of the family listen- I had joined a friend in the Ontario Department of Lands and Forests on a routine trip to visit a family of Cree Indians from Rupert Sanitation House who came every winter into the Gogama district to trap beaver. Committee Everything glistened like bril- liants in the morning sun as our Formed plane touched down and taxied to the campsite. About 50 feet above the lake edge, waiting for us, were A Health Committee was formed the whole family.
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Download Curriculum Vitae
Dr. DAPHNE ODJIG C.M., O.B.C., R.C.A., L.L.B. Governor General’s Laureate, Visual & Media Arts 2007 Daphne Odjig is a Canadian artist of Aboriginal ancestry. She was born September 11,1919 and raised on the Wikwemikong Unceded Indian Reserve on Manitoulin Island (Lake Huron), Ontario. Daphne Odjig is the daughter of Dominic Odjig and Joyce Peachey. Her father and her grandfather, Chief Jonas Odjig, were Potawatomi, descended from the great chief Black Partridge. Her mother was an English war bride. The Odjig family was among the Potawatomi who migrated north and settled in Wikwemikong after the War of 1812. The Potawatomi (Keepers of the Fire) were members with the Ojibwa and Odawa, of the Three Fires Confederacy of the Great Lakes. Daphne passed away at age 97 in Kelowna, BC on October 1, 2016. Art Media: Oils, Acrylics, Silkscreen Prints, Murals, Pen and Ink, Pastels, Watercolours, Coloured Pencils Recent and Upcoming Exhibitions: Daphne Odjig: Four Decades of Prints Touring exhibition of limited edition prints organized by the Kamloops Art Gallery ❖ Kamloops Art Gallery, Kamloops BC, June 8 – Aug 31, 2005 ❖ Winnipeg Art Gallery, Winnipeg MN April 22 – July 16, 2006 ❖ Canadian Museum of Civilization , Ottawa January 18 – April 20, 2008 The Drawings and Paintings of Daphne Odjig: A Retrospective Exhibition Touring exhibition organized by Art Gallery of Sudbury and National Gallery of Canada ❖ Art Gallery of Sudbury, Sudbury ON September 15 – November 11, 2007 ❖ Kamloops Art Gallery, Kamloops BC June 8 – August 31, 2008 ❖ McMichael Canadian Art Collection, Kleinberg ON Oct. 4 , 2008 – Jan 4, 2009 ❖ Institute of American Indian Arts Museum, Santa Fe NM, June 26 – Sept.
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Witnesswitness
Title Page WitnessWitness Edited by Bonnie Devine Selected Proceedings of Witness A Symposium on the Woodland School of Painters Sudbury Ontario, October 12, 13, 14, 2007 Edited by Bonnie Devine A joint publication by the Aboriginal Curatorial Collective and Witness Book design Red Willow Designs Red Willow Designs Copyright © 2009 Aboriginal Curatorial Collective and Witness www.aboriginalcuratorialcollective.org All rights reserved under international copyright conventions. Published in conjunction with the symposium of the same title, October 12 through 15, 2007. Photographs have been provided by the owners or custodians of the works reproduced. Photographs of the event provided by Paul Gardner, Margo Little and Wanda Nanibush. For Tom Peltier, Jomin The Aboriginal Curatorial Collective and Witness gratefully acknowledge the financial support of the Canada Council for the Arts and the Ontario Arts Council Cover: Red Road Rebecca Belmore October 12 2007 Image: Paul Gardner Red Willow Designs Aboriginal Curatorial Collective / Witness iii Acknowledgements This symposium would not have been possible without the tremendous effort and support of the Art Gallery of Sudbury. Celeste Scopelites championed the proposal to include a symposium as a component of the Daphne Odjig retrospective exhibition and it was her determination and vision that sustained the project through many months of preparation. Under her leadership the gallery staff provided superb administrative assistance in handling the myriad details an undertaking such as this requires. My thanks in particular to Krysta Telenko, Nancy Gareh- Coulombe, Krista Young, Mary Lou Thomson and Greg Baiden, chair of the Art Gallery of Sudbury board of directors, for their enthusiasm and support.
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Breaking Barriers the Artist Inside
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Woodlands the Alberta Foundation for the Arts Travelling Exhibition Program the Interpretive Guide
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August 2018 Preview-Art.Com
GUIDE TO GALLERIES + MUSEUMS ALBERTA BRITISH COLUMBIA OREGON WASHINGTON June - August 2018 preview-art.com 2018_JJA_document_Final.indd 1 2018-05-23 9:37 AM Appearance New Works by Jianjun An August 20 – Sept 7, 2018 Opening Reception: Aug 23rd, 18:00 pm Panel Discussion: Aug 23rd, 19:00 pm Pendulum Gallery HSBC Building Atrium, 885 West Georgia, Vancouver, BC V6C 3E8 Monday, Tuesday, Wednesday: 9:00am–5:00pm Thursday, Friday: 9:00am–9:00pm Saturday: 9:00am–5:00pm Sundays and Stat Holidays: Closed e: [email protected] www.jianjunan.com T: 778.8952283 778.8595298 Blue Heron & Fisherman’s Wharf diptych 96” x 120” Presented by : New Primary Color Art Foundation R Space Art Development Foundation bscottfinearts.ca Advised by Shengtian Zheng | Liu, Yi 2227 Granville Street, Vancouver BC Curated by Sen Wong Co-ordinated by Li Feng 8269 North Island Highway, Black Creek 2018_JJA_document_Tue_1115.indd 2 2018-05-22 9:02 PM Appearance New Works by Jianjun An August 20 – Sept 7, 2018 Opening Reception: Aug 23rd, 18:00 pm Panel Discussion: Aug 23rd, 19:00 pm Pendulum Gallery HSBC Building Atrium, 885 West Georgia, Vancouver, BC V6C 3E8 Monday, Tuesday, Wednesday: 9:00am–5:00pm Thursday, Friday: 9:00am–9:00pm Saturday: 9:00am–5:00pm Sundays and Stat Holidays: Closed e: [email protected] www.jianjunan.com T: 778.8952283 778.8595298 Blue Heron & Fisherman’s Wharf diptych 96” x 120” Presented by : New Primary Color Art Foundation R Space Art Development Foundation bscottfinearts.ca Advised by Shengtian Zheng | Liu, Yi 2227 Granville Street, Vancouver BC Curated by Sen Wong Co-ordinated by Li Feng 8269 North Island Highway, Black Creek BC BrianScottAd.indd2018_JJA_document_Final.indd 1 3 2018-05-23 3:323:34 PM Installation Storage Shipping Transport Framing Poly Culture Art Center 100 - 905 West Pender Street Vancouver, BC V6C 1L6 展览地点温哥华保利艺术馆主办单位保利文化集团股份有限公司承办单位保利文化北美投资有限公司北京保利艺术中心有限公司 Venue Providing expert Poly Culture Art Center handling of your fine art Organizer Poly Culture Group for over thirty years.
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