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Game of Thrones
OF MONSTERS Best looks on the small screen By Joe Nazzaro hoto by Jordin Althaus/AMC AND MEN P elevision really has become the new frontier as far as high-quality drama is concerned. Not only have numerous filmmakers made the increasingly effortless jump from big to small screen, but with the growing influence of on-demand programming, Tpay (and basic) cable and new means of content delivery popping up all the time, the quality gap between film and television is virtually imperceptible. With that in mind, Make-Up Artist catches up with a handful of today’s top small-screen series, from a departing favorite to a surprise streaming sensation. GAME OF THRONES ith Season Five of the fantasy series airing on HBO, and Season Six headed into production, it’s a busy time for prosthetic supervisor WBarrie Gower, who won an Emmy for the fourth-season episode “The Children” with make-up department head Jane Walker. “Going into Season Five, we felt much more confident about whatever they could throw at us, but it was probably double the amount of work as Season Four,” Gower says. “Episode eight, which is called ‘Hardhome,’ was on the scale of a huge movie, so this season has been a massive undertaking. “Our main returning character this season was the king of the White Walkers, called the Night’s King, played by Richard Brake, as well as three new White Walkers, all played by stuntmen, each wearing bespoke silicone prosthetics and lace wigs. We also had a new giant this season called Wun Wun, played by Ian Whyte, a major character in episode eight. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
Behind Every Mad Man There Is a Mad Woman
Behind Every Mad Man There Is a Mad Woman On Male and Female Representations and Sexuality in AMC’s Mad Men Ana Serediuc Supervisor: Paper submitted in partial fulfilment of the Prof. dr. Gert Buelens requirements for the degree of “Master in de Taal- en letterkunde: Italiaans-Engels” 2016 – 2017 Serediuc 2 Acknowledgements When I first started watching Mad Men it had never occurred to me that one day, I would write my dissertation about the show in order to obtain my master’s degree at the University of Ghent – and yet here we are a few years later. This pop-cultural topic of my choice did not always facilitate my research nor my writing process, but it did to a large extent made me greatly enjoy this entire journey. After experiencing some difficulties in finding a suitable subject matter, it was my supervisor who pointed me in the right direction. Therefore, I would like to express my gratitude to prof. dr. Gert Buelens, who not only helped me define my subject, but who has also put a lot of work in giving me thorough and supportive feedback. Furthermore, I would like to thank my friends and family for their amazing support not only during the realization of this master thesis, but throughout the entire duration of my academic studies. A special thanks to Kessy Cottegnie and Marjolein Schollaert for being such dedicated proof-readers and supporters. Serediuc 3 Table of Contents Acknowledgements……………………………………………………………………….. 2 Table of Contents …………………………………………………..…………………….. 3 List of Figures ………………………………………………………………………….… 4 Introduction ……………………………………………………………………………... 5 I - Male and Female Roles………………………………………………………………. 10 Chapter 1 • Traditional and Modern Women ……………………………………...... -
Liberal Arts & The
The McDANIEL COLLEGE | Spring 2020 LIBERAL ARTS & THE LAW The McDaniel College Spring 2020 Vol. 35, Number 1 The Hill is published three times yearly by: FEATURES McDaniel College 2 College Hill Westminster, MD 21157-4390 Special Section www.mcdaniel.edu 2 Community Connections Editor: Lindsay Sherman Letter from the President Design: Aldeia / Lilly Pereira A message from President Roger Casey. Alumni correspondence to: A new kind of face time [email protected] or Students, faculty and staff stay connected The Office of Alumni Relations during a global pandemic. McDaniel College 2 College Hill Making an impact Westminster, MD 21157-4390 Alumni step up to serve their communities All other correspondence to: during COVID-19 crisis. [email protected] 410-857-2290 or 14 The Office of Communications Liberal Arts and the Law and Marketing Jennifer Wuamett and Jemar Daniel share how broad McDaniel College experiences led them to success in the legal profession. 2 College Hill Westminster, MD 21157-4390 McDaniel College, in compliance with federal and state laws and regulations governing affirmative action and nondiscrimination, does not discriminate in the recruitment, admission and employment of DEPARTMENTS students, faculty and staff in the operation of any of its educational programs and activities as defined by law. The diverse views presented in this magazine do not necessarily reflect the opinions of the editors 6 Mail 24 Invested or official policies of the College. ©2020 McDaniel College Missives to and from The Hill Advancing the vision On the cover: 8 Carpe Diem 28 Alumni Updates Jemar Daniel ’07 is a History News around campus Life since college grad turned entertainment and beyond lawyer for ViacomCBS. -
Women and Work in Mad Men Maria Korhon
“You can’t be a man. Be a woman, it’s a powerful business when done correctly:” Women and Work in Mad Men Maria Korhonen Master’s Thesis English Philology Faculty of Humanities University of Oulu Spring 2016 Contents 1. Introduction ................................................................................................................................................... 3 1.1. History of Working Women .................................................................................................................... 5 2. Appearance .................................................................................................................................................. 10 2.1. Appearance bias ................................................................................................................................... 10 2.1.1 Weight ................................................................................................................................................ 12 2.1.2. Beauty ideals ..................................................................................................................................... 15 2.1.3. 1960s Work Attire ............................................................................................................................. 18 2.1.4. Clothing and external image in the workplace .................................................................................. 20 2.1.5. Gender and clothing ......................................................................................................................... -
Universidade Federal Fluminense Programa De Pós-Graduação Em Comunicação Mídia, Cultura E Produção De Sentido Gabriel C
UNIVERSIDADE FEDERAL FLUMINENSE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MÍDIA, CULTURA E PRODUÇÃO DE SENTIDO GABRIEL C. R. FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Niterói 2020 GABRIEL FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Dissertação apresentada ao Programa de Pós- graduação em Comunicação da Universidade Federal Fluminense como requisito parcial para obtenção do Título de Mestre em Comunicação. Área de Concentração: Mídia, Cultura e Produção de Sentido. Orientadora: Profa. Dra. Mayka Castellano Niterói 2020 GABRIEL FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Dissertação apresentada ao Programa de Pós- graduação em Comunicação da Universidade Federal Fluminense como requisito parcial para obtenção do Título de Mestre em Comunicação. Área de Concentração: Mídia, Cultura e Produção de Sentido. BANCA EXAMINADORA Profa. Dra. Mayka Castellano Universidade Federal Fluminense - PPGCOM Profa. Dra. Ariane Holzbach Universidade Federal Fluminense - PPGCOM Profa. Dra. Juliana Gutmann Universidade Federal da Bahia - PósCom Niterói 2020 Para todas as pessoas que não se conformam com as ordens de gênero e buscam em suas individualidades e coletividades modos de abalar as estruturas do mundo e liberdade para existir. Agradecimentos Nada disso (e de todo o resto) seria possível sem a existência de uma das mulheres mais incríveis das quais já tive a oportunidade de dialogar, por isso, agradeço primeiramente à Viviane Canecchio, minha mãe. Por me ensinar tudo o que sei, meus diversos modos de olhar para o mundo, por ter instigado e continuar instigando em mim diversos debates e reflexões, por ter me permitido enquanto criança explorar o mundo dos gêneros sem tanto da dicotomia na qual as pessoas não cansam de insistir. -
Where Does a Woman Fit in a Mad Man's World? a Textual Analysis of Feminist Motifs Determined by the Production Values in Mad Men
Where Does a Woman Fit in a Mad Man's World? A Textual Analysis of Feminist Motifs Determined by the Production Values in Mad Men Author: Courtney Allessio Persistent link: http://hdl.handle.net/2345/2014 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2011 Copyright is held by the author, with all rights reserved, unless otherwise noted. WHERE DOES A WOMAN FIT IN A MAD MAN’S WORLD? A TEXTUAL ANALYSIS OF FEMINIST MOTIFS DETERMINED BY PRODUCTION VALUES IN MAD MEN By COURTNEY ALLESSIO A Senior Honors Thesis Submitted to the Department of Communication of Boston College Thesis Advisor: Dr. William E. Stanwood May 2011 ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my advisor, Dr. William Stanwood, who was with me for every step of this process. His dedication and unending support in this endeavor gave me the confidence to pursue and complete my work. I thank my friends who have helped me to work harder, stay calmer, and feel good when it was all over. To the creators of Mad Men, thank you. You are responsible for my Sunday primetime addiction and a good reason to write a thesis. And finally, I express my deepest gratitude to my family. You have always encouraged me to push myself to my outermost limits on with my quest for knowledge. iii ABSTRACT The textual analysis of season four, episode one of Mad Men entitled “Public Relations” study the productions values in terms of feminist motifs. By using social codes developed by Leed-Hurwitz and Barthes’ five systems of meaning in semiotics, observations are made about the elements of the mise-en-scène in relation to the gender roles present in the narrative. -
Mad Men, Episode 10, "Hands & Knees" Tim Anderson Old Dominion University, [email protected]
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 9-29-2010 "Listen. Do You Want to Know a Secret?": Mad Men, Episode 10, "Hands & Knees" Tim Anderson Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Television Commons Repository Citation Anderson, Tim, ""Listen. Do You Want to Know a Secret?": Mad Men, Episode 10, "Hands & Knees"" (2010). Communication & Theatre Arts Faculty Publications. 27. https://digitalcommons.odu.edu/communication_fac_pubs/27 Original Publication Citation Anderson, T. (2010, September 29). "Listen. Do you want to know a secret?": Mad Men, episode 10, "Hands & Knees" [Blog post]. Retrieved from http://blog.commarts.wisc.edu/2010/09/29/listen-do-you-want-to-know-a-secret-mad-men-episode-10-hands- knees/ This Blog is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. “Listen. Do You Want to Know a Secret?”: Mad Men, Episode 10, “Hands & Knees” September 29, 2010 By Tim Anderson | The most striking use of pop music in this season of Mad Men appears at the beginning of episode eight, “The Summer Man”. Opening with a montage of Don Draper after he has begun to reclaim his life we hear The Rolling Stones 1965 summer release, “(I can’t get no) Satisfaction”. Arguably their signature song of the 1960s, the Stones’ three minutes and forty four seconds of audible discontent is layered onto a somewhat rehabilitated Draper who swims and takes on writing exercises. -
THE CIRCUITRY of MEMORY: TIME and SPACE in MAD MEN by Molly Elizabeth Lewis B.A., Honours, the University of British Columbia, 2
THE CIRCUITRY OF MEMORY: TIME AND SPACE IN MAD MEN by Molly Elizabeth Lewis B.A., Honours, The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2015 © Molly Elizabeth Lewis, 2015 Abstract Memory is central to Mad Men (Matthew Weiner 2007-15) as a period piece set in the 1960s that activates the memories of its viewers while also depicting the subjective memory processes of its protagonist Donald Draper (Jon Hamm). Narratively, as much as Don may try to move forward and forget his past, he ultimately cannot because the memories will always remain. Utilizing the philosophy of Henri Bergson, I reveal that the series effectively renders Bergson’s notion of the coexistence of past and present in sequences that journey into the past without ever leaving the present. Mad Men ushers in a new era of philosophical television that is not just perceived, but also remembered. As a long-form serial narrative that intricately layers past upon present, Mad Men is itself an evolving memory that can be revisited by the viewer who gains new insight upon each viewing. Mad Men is the ideal intersection of Bergson’s philosophy of the mind and memory and Gilles Deleuze’s cinematic philosophy of time. The first chapter simply titled “Time,” examines the series’ first flashback sequence from the episode “Babylon,” in it finding the Deleuzian time- image. The last chapter “Space,” seeks to identify the spatial structure of the series as a whole and how it relates to its slow-burning pace. -
Nomination Press Release
Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros. -
Reading List Collection of 25 Books Read by Characters Throughout the Series
READING LIST COLLECTION OF 25 BOOKS READ BY CHARACTERS THROUGHOUT THE SERIES DON DRAPER’S PICKS EXODUS by Leon Uris THE CHRYSANTHEMUM AND ODDS AGAINST by Dick Francis (Episode 106 “Babylon”) THE SWORD by Ruth Benedict (Episode 509 “Dark Shadows”) (Episode 405 “The Chrysanthemum THE BEST OF EVERYTHING by Rona Jaffe THE INFERNO by Dante Alighieri and the Sword”) (Episode 106 “Babylon”) (Episode 601-2 “The Doorway”) THE SPY WHO CAME IN FROM MEDITATIONS IN AN EMERGENCY THE LAST PICTURE SHOW by John Le Carre by Frank O’Hara THE COLD by Larry McMurtry (Episode 413 “Tomorrowland”) (Episode 201 “For Those Who Think Young”) (Episode 607 “Man With a Plan”) THE FIXER by Bernard Malamud THE SOUND AND THE FURY by William PORTNOY’S COMPLAINT by Philip Roth (Episode 507 “At the Codfish Ball”) Faulkner (Episode 211 “The Jet Set”) (Episode 704 “The Monolith”) ROGER STERLING’S PICK JOAN HARRIS’S PICK BERT COOPER’S PICK CONFESSIONS OF AN ADVERTISING MAN LADY CHATTERLEY’S LOVER ATLAS SHRUGGED by David Ogilvy D. H. Lawrence by Ayn Rand (Episode 307 “Seven Twenty Three”) (Episode 103 "Marriage of Figaro") (Episode 108 “The Hobo Code”) SALLY DRAPER’S PICKS BETTY DRAPER’S PICKS PETE CAMPBELL’S PICKS THE HISTORY OF THE DECLINE BABYLON REVISITED AND OTHER THE CRYING OF LOT 49 AND FALL OF THE ROMAN EMPIRE STORIES by F. Scott Fitzgerald by Thomas Pynchon by Edward Gibbon (Episode 204 “Three Sundays”) (Episode 508 “Lady Lazarus”) (Episode 303 “My Old Kentucky Home”) GOODNIGHT MOON TWENTY ONE BALLOONS THE GROUP by Mary McCarthy by Margaret Wise Brown by William Pene -
Amazon Prime Video Sets October 12 Debut for the Romanoffs an Original Anthology Series from Nine-Time Emmy Winner Matthew Weiner
AMAZON PRIME VIDEO SETS OCTOBER 12 DEBUT FOR THE ROMANOFFS AN ORIGINAL ANTHOLOGY SERIES FROM NINE-TIME EMMY WINNER MATTHEW WEINER THE ROMANOFFS WILL BE AVAILABLE INITIALLY IN THE ORIGINAL VERSION IN OVER 200 COUNTRIES AND TERRITORIES, WITH DUBBED FOREIGN LANGUAGE VERSIONS COMING IN EARLY 2019 KERRY BISHE, CARA BUONO, CLEA DUVALL, GRIFFIN DUNNE, JAY R. FERGUSON, KATHRYN HAHN, RON LIVINGSTON, BEN MILES, RADHA MITCHELL, MICHAEL 0’NEIL, MARY KAY PLACE, JON TENNEY, NOAH WYLE, AND MORE JOIN INTERNATIONALLY RENOWNED AND PREVIOUSLY ANNOUNCED CAST INCLUDING AARON ECKHART, JJ FIELD, CHRISTINA HENDRICKS, ISABELLE HUPPERT, JACK HUSTON, MARTHE KELLER, DIANE LANE, JANET MONTGOMERY, AMANDA PEET, ANDREW RANNELLS, PAUL REISER, JOHN SLATTERY AND COREY STOLL View Teaser Trailer Here: https://youtu.be/LHJ1jOGnBYI BEVERLY HILLS, Calif., July 28, 2018 – Today at the Television Critics Association (TCA) Summer 2018 Press Tour, Amazon Prime Video announced The Romanoffs - the highly anticipated original anthology series, is set to premiere on Friday, October 12. In addition, a new teaser was released revealing the extraordinary line-up of guest stars featured in the series created, written, directed and executive produced by nine-time Emmy award winner Matthew Weiner (Mad Men). The Romanoffs is a contemporary anthology series, set around the globe, featuring eight separate stories about people who believe themselves to be descendants of the Russian royal family. The Romanoffs was shot on location in three continents and seven countries collaborating with local productions and creative talent across Europe, the Americas, and the Far East. Each story takes place in a new location with a new cast. Guest stars announced today are: Noah Wyle (Falling Skies), Kathryn Hahn (Transparent), Kerry Bishé (Halt and Catch Fire), Jay R.