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Forschungsbericht 2008.Pdf Forschungsbericht Herbst 2006 N WINTER 2008 Kunsthistorisches Institut in Florenz Max-Planck-Institut Copyright 2009 Kunsthistorisches Institut in Florenz Max-Planck-Institut Via Giuseppe Giusti 44 I-50121 Firenze Telefon +39 055 249 111 Telefax +39 055 249 1155 http://www.khi.fi.it Herausgeber: Alessandro Nova, Gerhard Wolf Redaktion: Astrid B. Mller (verantwortlich), Eva Mu%otter (stellvertretend) Lektorat: Anna Schreurs, Nicola Suthor Studentische Hilfskraft: Daniela Nerlich Layout und Satz: Rebecca Milner Titelbild Alphonse Bernoud, Piazza della Signoria mit Loggia dei Lanzi in Florenz , Aufnahme 1860N62, Photothek des Kunsthistorischen Instituts in Florenz INHALT 17 Einleitung 23 Fachbeirat 24 Kuratorium / Direktoren 27 Direktion Prof. Dr. Alessandro Nova Italienische Kunstgeschichte der Neuzeit im Europischen Kontext 29 Reprsentationen unsichtbarer Welten .......................................................... 31 Leonardo da Vinci und die Anatomie ............................................................. 31 ZLa dolce morte[: i disegni anatomici di Leonardo e il valore cognitivo delle immagini (Alessandro Nova) .................................................................................... 32 Piazza e monumento (mit Cornelia Jchner) ................................................ 33 Il monumento e il centro della piazza: lo spazio della citt e le sue presenze fantasmatiche (Alessandro Nova) .................................................................................... 34 Der Platz als Eingang in die Stadt. Eine urbane Form des Klassizismus (Cornelia Jchner) 35 Campanili e piazze : the Sonic Construction of Urban Space (Niall Atkinson) ............... 36 Platzmangel: Der stdtische Au%enraum in Genua im 16. und 17. Jahrhundert (Stephanie Hanke) .................................................................................................. 36 Die Piazza im Due- und Trecento. Zur ikonografischen Gestaltung frher ffentlicher Rume (Frithjof Schwartz) .......................................................................... 37 Der Frst, das Forum und das Territorium (Brigitte Slch) ................................... 39 Deutsche kommentierte Ausgabe der Vite Vasaris in der Edition von 1550 und 1568 (mit Sabine Feser, Jana Graul, Katja Lemelsen) ................................ 40 Vasari und die Gattung des Portrts (Alessandro Nova) ........................................ 40 Vasari e le metodologie della storia dellSarte (Alessandro Nova) ............................. 41 Die literarische Selbstkonstruktion Vasaris in den Vite (Sabine Feser) ........................ 42 Vasari und der Neid (Jana Graul) ................................................................... 42 berlegungen zum Topos der Melancholie und zum Begriff des Erhabenen in Vasaris Vite (Hana Grndler) ...................................................................................... 43 Kunst und Religion bei Vasari (Katja Lemelsen) .................................................. 44 Sandrarts Teutsche Academie und die Iconologia Deorum (1675N80) als Nucleus fr eine netzbasierte, interdisziplinre Forschungsplattform zur Kunst und Kulturgeschichte im 17. Jahrhundert (Anna Schreurs) .................................. 45 Sandrarts aBibliothekP N Zu den Quellen der Teutschen Academie (Anna Schreurs) ........... 47 Le edizioni latine di Joachim von Sandrart (1680N1684) (Lucia Simonato) ................. 48 Antike Kunstwerke in den Vite Vasaris und in der Teutschen Academie Joachim von Sandrarts (Carolin Ott) .............................................................................. 51 Direktion Prof. Dr. Gerhard Wolf Forschungen zur Kunstgeschichte Italiens und des Mittelmeerraumes von der Sptantike bis zur Renaissance: Bild, Ding, Kunst 53 Rothko / Giotto N Tactility in Painting N Die Berhrbarkeit des Bildes (mit Stefan Weppelmann) ....................................................................................... 55 aImages et Paroles en ExilP. Avignon und Italien in der ersten Hlfte des 14. Jahrhunderts .................................................................................................. 57 Herrschaftskultur, Zirkulation von Artefakten und knstlerischer Aus- tausch im Mittelmeerraum ............................................................................. 58 Herrschaftskultur und Kunst in Sizilien (12.N14. Jahrhundert) (Gerhard Wolf, Henrike Haug) ................................................................................................... 59 Kulturelle Prgungen des Kunsthandwerks im Mittelmeerraum seit dem spten 11. Jahrhundert (Kathrin Mller) ....................................................................... 60 Le periferie bizantine nel Mediterraneo medievale (Manuela De Giorgi) ................... 61 Gift Culture in Venice and the Islam. The Symbiosis of Diplomacy and Commerce (Catarina Schmidt Arcangeli) ....................................................................... 62 Georgia Project: Photographic Survey and Study of Medieval Monuments (with Ekaterina Gedevanishvili, Dror Maayan, Emma Maayan Fanar, Annette Hoffmann, Barbara Schellewald et al.) ........................................................... 63 Loca Sancta and their Transportability between Icon and Narrative (Jerusa- lem Project) (mit Annette Hoffmann, Bianca Khnel) ................................... 64 Studies in the Making and Unmaking of Topographies/Spaces. The Medi- terranean and Beyond 400N1750 (mit Hannah Baader) .................................. 66 aImagenes en vueloP. Mexiko, Europa und die Globalisierung von Bild und Kunst in der Frhen Neuzeit ........................................................................... 67 Ordnungen der Bilder. Reprsentation von Fremdheit und Armut in Kunst und visueller Kultur Italiens (13.N16. Jahrhundert) (mit Peter Bell, Dirk Suckow, Philine Helas) .................................................................................... 71 Direktion Prof. Dr. Dr. h.c. Max Seidel, Direktor em. 73 The Power of Images, the Images of Power N Lucca as an Imperial City: Poli- tical Iconography (with Romano Silva) .......................................................... 73 Da Jacopo della Quercia a Donatello. Le arti a Siena nel primo Rinascimento 74 Studien zum Einfluss der franzsischen Gotik in Mittelitalien in der Zeit von ca. 1315-25 ................................................................................................. 74 La critica dSarte dellSOttocento: un confronto fra Italia e Francia (con Eliana Carrara, Fran ois de Vergnette) ........................................................................ 75 Studien zur zeitgenssischen Kunst ............................................................... 77 Max-Planck-Fellow Prof. Avinoam Shalem PhD 79 Crossing Boundaries, Creating Images: In Search of the Prophet Muhammad in Literary and Visual Traditions ..................................................................... 81 Crossing Boundaries, Creating Images: In Search of the Prophet Muhammad in Literary and Visual Traditions (with a focus on Representations of the Prophet Muhammad in Islamic Painting) (Christiane Gruber) ............................................................. 82 The Faces of the Prophet N Visual Representations of the Prophet Muhammad in Euro- pean QurSan-translations and Printed Material (Alberto Saviello) ............................ 83 Corpus of Medieval Latin Lives of Muhammad (Michelina Di Cesare) ....................... 83 Die Ausstellung Meisterwerke Muhammedanischer Kunst in Mnchen 1910 (Eva-Maria Troelenberg) ........................................................................................... 87 Selbstndige Nachwuchsgruppe PD Dr. Michael Thimann 89 Das wissende Bild. Epistemologische Grundlagen profaner Bildlichkeit vom 15. bis 19. Jahrhundert ............................................................................ 90 Gtter-Bilder. Die Arbeit am Mythos als europisches Projekt der Frhen Neuzeit (Michael Thimann, Ulrich Pfisterer, Frank Bttner) ............................................ 92 Profane Bilder und ihre epistemischen Konfigurationen in der frhen Neuzeit. Versuch einer Kategorisierung und Typologisierung von Formen und Funktionen epistemischer Bilder in Wissenschaft und Kunst (Claus Zittel) ................................................. 93 Katastrophenbilder. Zur Darstellung von Katastrophen als Elementarereignisse in der Kunst des 17. Jahrhunderts (Vera Koppenleitner) ............................................... 94 Kanonbildung und Wissensreprsentation in der Galleria Buonarroti (Heiko Damm) ....... 95 The Artist as Reader: Libraries, Books and Archives. On Education and Non-Education of Early Modern Artists (Heiko Damm, Vera Koppenleitner, Michael Thimann, Claus Zittel) ................................................................................................... 96 Musikallegorien in der Kunst des 16. bis 19. Jahrhunderts (Volker Scherliess) ............. 97 Visualisierung von politischer Geschichte des 13. und 14. Jahrhunderts im Medium illus- trierter Stdtechroniken (Olaf B. Rader) .......................................................... 98 Forschungen zum `BildR-Begriff in der Frhen Neuzeit im confinium von Philosophie, Kunst und Wissenschaft (Thomas Leinkauf) ...................................................... 101 MINERVA Programm Dr. Hannah Baader 103 Kunst und die Kultivierung der Natur ........................................................... 103 Maria. Das Bild des Meeres und seine
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