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An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
P Age1 Monthly Report Executive Summary Press and Cultural
Monthly Report Executive Summary Press and Cultural Freedom Violations May, June 2013 LEBANON, SYRIA, JORDAN, PALESTINE Ten journalists and citizen journalists were killed in Syria in May 2013. In June, the body of Aleppo’s popular singer Abdel-Rahman Rustom was found in the Quwayq River; also, six citizen journalists lost their lives. Abductions, arrests and enforced disappearances flared up; in May, the regime’s army arrested German journalist Armin Wertz and in June, French journalists Didier François and Edouard Elias went missing in Aleppo. In Lebanon, violations against journalists increased in scale, especially during the coverage of clashes between the Army and Islamist militants in Sidon, and against civic activists, during the protests against the extension of the Parliament’s term. In Jordan, the Press and Publication Department (PPD) blocked 213 news website, which raised a storm of protest, and the Israeli authorities continued their violations against Palestinian journalists and artists in the West Bank and the 1948 Territories. Below is a detailed summary of the violations compiled by the SKeyes Center in the four countries it monitors: Lebanon, Syria, Jordan, and Palestine. In Lebanon, several journalists were physically assaulted in May 2013. Journalist Habib Battah was beaten and forced to delete photos he had taken of demolition of ruins in Beirut (05/14). In Tripoli, armed gunmen beat the AFP photographer, Ghassan Sweidan, who was taken to hospital in critical condition. Also, a group of armed men ambushed writer Rami Ollaik, at the entrance of his home town, Yuhmor (05/30). Unknown people had previously tried to set fire to his family house in the village (05/21), before threatening his cousin, Marwa Ollaik, a journalism student. -
The Democratic Ideals Among the Palestinian Journalists by Mats Tiborn
University of Gothenburg Dept. of Journalism, Media and Communication Master essay in Media and Communication Spring 2011 The democratic ideals among the Palestinian journalists by Mats Tiborn Mats Tiborn 800411-4933 Tutor: Jenny Wiik 1 Abstract Title: The democratic ideals among the Palestinian journalists Number of pages: 72+4 (appendix) Author: Mats Tiborn Tutor: Jenny Wiik Course: Master essay, Media and Communication Period: Spring 2011 University: Dept. of Journalism, Media and Communication, University of Gothenburg Purpose/ Aim: This essay studies the democracy-supportive journalistic ideals among the Palestinian journalists and compare them with earlier studies on journalistic ideals. The essay also studies what shapes these ideals and what holds them back in the journalist's work. Material/ Method: The essay is based upon semi-structured deep-interviews with twelve Palestinian journalists that work for different kinds of media, with different background and in different ages. The interviews are based on theories about journalistic ideals and the relationship between democracy and journalism. Main results: The journalists have great knowledge about the democratic functions within journalism. They are driven by idealism and they work for change in the society. The Palestinian cause weighs the most when the ideal of objectivity is put to the test. A well spread self-censorship is inhibiting the democracy-supportive journalistic ideals from fully work. Though the journalists show an impressive strength to keep up the work in a very dangerous situation. Keywords: Palestine, journalism, journalistic ideals, democracy, the West Bank, Israel, Fatah, Hamas, objectivity, independence, scrutinizing, watchdog-effect, autonomy, self-censorship, Palestinian media landscape, Arab press systems. -
University of Bath PHD the Grief of Nations
University of Bath PHD The Grief of Nations: An analysis of how nations behave in the wake of loss: does it constitute grief? Malamah-Thomas, Ann Award date: 2011 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Grief of Nations An Analysis of How Nations Behave in the Wake of Loss: Does it Constitute Grief? Ann Malamah-Thomas A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences July 2011 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
Hani Zurob: the Painting As Real
32 Profiles The Painting as Real: Hani Zurob By Adania Shibli References to photographs as a reflection or a Zurob continues to describe how he eventually found representation of the real, or even as hyperreal, are quite a refuge during these prolonged days of curfew in the common. Visual theorists, such as Martin Jay, explain furthest corner of their house which was full of his such references not only to photographs but also to father’s books and magazines, with several of them paintings that are a produce of perspectival gaze, by the containing drawings in them. These drawings, in their fact that the camera obscura model, assigns a place for turn, prompted the young Zurob to copy them using a viewer who is disconnected from the viewed scene; transparent paper; and as he got better and better, he for example, an objective viewer of the world. Other started adding his personal touch to them. It is this theorists, namely Norman Bryson, explain that such type personal touch then, one can hold accountable for the of images, generate this sense of resemblance to the real deformed bodies and faces, composed of thick dark world, based on the ratio of the depicted objects in the lines of bitumen piled in the centre of the frame. And frame. this personal touch is again nothing but a personal experience of a deformation, or to be more precise, a Still it never occurred to me that paintings, which are deliberate destruction of bodies in the real world of the not even generated based on perspectivalism, could also artist. -
Specialisation Capacity Building for Local Legal, Justice and Security
Curriculum Vitae DR HANI ALBASOOS CURRICULUM VITAE DR HANI ALBASOOS Associate Professor of Political Science Mailing address: Department of Economics & Political Science, Islamic University – Gaza, Palestine Email address: [email protected] Mobile Phone No.: 00970 (0) 599565907 Date of Birth: 27/08/1975 EDUCATION 2005 PhD in International Relations University of Bradford, United Kingdom 2003 Postgraduate Diploma in Research Methods University of Bradford, United Kingdom 2000 Postgraduate Diploma in Police Studies High School for Police, Algeria 1998 Bachelor Degree in Law (LLB) (Hons) Al-Azhar University, Palestine LANGUAGES Arabic: Mother tongue English: Fluent COUNTRIES VISITED Work & Professional Experience: Palestine, Algeria, United Kingdom, Belgium Short Visits Turkey, Lebanon Norway, Malta, Netherland, Denmark, KSA, Egypt PROFESSIONAL EXPERIENCE Academic Experience: 2006 - Present ISLAMIC UNIVERSITY OF GAZA Palestine (Full-Time) Associate Professor Dec. 2013 – Present, ------ Assistant Professor 2006 – Nov. 2013 The Islamic University is an independent academic institution located in Gaza. It is a home to the well-planned programmes, a way to the different community levels and a place for researchers and good teachers. IUG is a member of four associations: International Association of Universities, Community of Mediterranean Universities, Association of Arab Universities and Association of Islamic Universities. The Islamic University endeavours to advance learning, foster the expansion of knowledge through teaching and research -
Fadwa Tuqan the Poet of Love and Pain (1917 - 2003)
FADWA TUQAN THE POET OF LOVE AND PAIN (1917 - 2003) “Enough for Me Enough for me to die on her earth Be buried in her To melt and vanish into her soil Then sprout forth as a flower Played with by a child from my country” Excerpt from Enough For Me, 1969 The poet Fadwa Tuqan witnessed so much. Born in 1917 in Palestine under British rule, she lived through Britain’s issuance of the Balfour Declaration, the Nakba in 1948, the 1967 war and beginning of the Israeli occupation, the 1993 Oslo Accords and the formation of the Palestinian Authority, the initial construction of Israel’s Apartheid Wall, and two Intifadas. Born into a deeply conservative household in the city of Nablus, Fadwa rejected any customs she felt stifled her pursuit of knowledge. She learned to write poetry at an early age from her talented brother Ibrahim, a famous poet himself. Her early work reflects a pioneering bravery in its candid accounts of femininity, love, and emotion. After the 1967 war and Israel’s occupation of the West Bank and Gaza, her poetry adopted a more overtly political tone, emphasizing anti-colonial resistance and the role of women in social protest. Israeli army general Moshe Dayan is known to have said that reading a poem by Tuqan was like facing 20 enemy commandos. [1] In 2003, Tuqan died of natural causes in her hometown as it was under Israeli siege. Today, she is considered to be among the most distinguished figures of modern Arabic literature, an indomitable writer and poet who defied patriarchy, colonization, and occupation to give voice to Palestinian national loss and resistance. -