Take My Camel: the Disappearing Camels of Jerusalem and Jaffa
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Planning and Injustice in Tel-Aviv/Jaffa Urban Segregation in Tel-Aviv’S First Decades
Planning and Injustice in Tel-Aviv/Jaffa Urban Segregation in Tel-Aviv’s First Decades Rotem Erez June 7th, 2016 Supervisor: Dr. Stefan Kipfer A Major Paper submitted to the Faculty of Environmental Studies in partial fulfillment of the requirements for the degree of Master in Environmental Studies, York University, Toronto, Ontario, Canada Student Signature: _____________________ Supervisor Signature:_____________________ Contents Contents .................................................................................................................................................... 1 Table of Figures ......................................................................................................................................... 3 Abstract .............................................................................................................................................4 Foreword ...........................................................................................................................................6 Introduction ......................................................................................................................................9 Chapter 1: A Comparative Study of the Early Years of Colonial Casablanca and Tel-Aviv ..................... 19 Introduction ............................................................................................................................................ 19 Historical Background ............................................................................................................................ -
An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
University of Bath PHD the Grief of Nations
University of Bath PHD The Grief of Nations: An analysis of how nations behave in the wake of loss: does it constitute grief? Malamah-Thomas, Ann Award date: 2011 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Grief of Nations An Analysis of How Nations Behave in the Wake of Loss: Does it Constitute Grief? Ann Malamah-Thomas A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences July 2011 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
Geography Around the Great Wall
University of Northern Iowa UNI ScholarWorks Open Educational Resources Open Educational Resources 2012 Geography around the Great Wall Bob Gilbertson Miller Middle School Let us know how access to this document benefits ouy Copyright ©[2012?] Bob Gilbertson This work is licensed under a Creative Commons Attribution 4.0 License. Follow this and additional works at: https://scholarworks.uni.edu/oermaterials Part of the Geography Commons Recommended Citation Gilbertson, Bob, "Geography around the Great Wall" (2012). Open Educational Resources. 119. https://scholarworks.uni.edu/oermaterials/119 This Lesson Plans is brought to you for free and open access by the Open Educational Resources at UNI ScholarWorks. It has been accepted for inclusion in Open Educational Resources by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Geography Around the Great Wall Background on the MISIC project that produced this model lesson: This model lesson was developed as part of a collaboration between MISIC, the Library of Congress, Teaching with Primary Sources program at Illinois State University, and the Geographical Alliance of Iowa at UNI to provide model lessons for Geography and the CCSS Literacy Standards. The lessons are part of a unit taught by a secondary teacher from a MISIC member district. The learning activities and assessments were designed after reflection about the learning targets (standards), student development (whole child concepts), how students retain and retrieve learning, and common misunderstandings of the content in the lessons. The lessons model the two pillars of the Iowa Core literacy standards: standard 1dealing with evidence and standard 10 dealing with text complexity and varied text sources. -
The Palestinian People
The Palestinian People The Palestinian People ❖ A HISTORY Baruch Kimmerling Joel S. Migdal HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, England 2003 Copyright © 1994, 2003 by Baruch Kimmerling and Joel S. Migdal All rights reserved Printed in the United States of America An earlier version of this book was published in 1994 as Palestinians: The Making of a People Cataloging-in-Publication data available from the Library of Congress ISBN 0-674-01131-7 (cloth) ISBN 0-674-01129-5 (paper) To the Palestinians and Israelis working and hoping for a mutually acceptable, negotiated settlement to their century-long conflict CONTENTS Maps ix Preface xi Acknowledgments xxi Note on Transliteration xxiii Introduction xxv Part One FROM REVOLT TO REVOLT: THE ENCOUNTER WITH THE EUROPEAN WORLD AND ZIONISM 1. The Revolt of 1834 and the Making of Modern Palestine 3 2. The City: Between Nablus and Jaffa 38 3. Jerusalem: Notables and Nationalism 67 4. The Arab Revolt, 1936–1939 102 vii Contents Part Two DISPERSAL 5. The Meaning of Disaster 135 Part Three RECONSTITUTING THE PALESTINIAN NATION 6. Odd Man Out: Arabs in Israel 169 7. Dispersal, 1948–1967 214 8. The Feday: Rebirth and Resistance 240 9. Steering a Path under Occupation 274 Part Four ABORTIVE RECONCILIATION 10. The Oslo Process: What Went Right? 315 11. The Oslo Process: What Went Wrong? 355 Conclusion 398 Chronological List of Major Events 419 Notes 457 Index 547 viii MAPS 1. Palestine under Ottoman Rule 39 2. Two Partitions of Palestine (1921, 1949) 148 3. United Nations Recommendation for Two-States Solution in Palestine (1947) 149 4. -
Wool and Other Animal Fibers
WOOL AND OTHER ANIMAL FIBERS 251 it was introduced into India in the fourth century under the romantic circumstances of a marriage between Chinese and Indian royal families. At the request of Byzantine Emper- or Justinian in A.D. 552, two monks Wool and Other made the perilous journey and risked smuggling silkworm eggs out of China in the hollow of their bamboo canes, and so the secret finally left Asia. Animal Fibers Constantinople remained the center of Western silk culture for more than 600 years, although raw silk was also HORACE G. PORTER and produced in Sicily, southern Spain, BERNICE M. HORNBECK northern Africa, and Greece. As a result of military victories in the early 13 th century, Venetians obtained some silk districts in Greece. By the 14th century, the knowledge of seri- ANIMAL FIBERS are the hair, wool, culture reached England, but despite feathers, fur, or filaments from sheep, determined efforts it was not particu- goats, camels, horses, cattle, llamas, larly successful. Nor was it successful birds, fur-bearing animals, and silk- in the British colonies in the Western worms. Hemisphere. Let us consider silk first. There are three main, distinct A legend is that in China in 2640 species of silkworms—Japanese, Chi- B.C. the Empress Si-Ling Chi noticed nese, and European. Hybrids have been a beautiful cocoon in her garden and developed by crossing different com- accidentally dropped it into a basin of binations of the three. warm water. She caught the loose end The production of silk for textile of the filament that made up the co- purposes involves two operations: coon and unwound the long, lustrous Sericulture, or the raising of the silk- strand. -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
Hani Zurob: the Painting As Real
32 Profiles The Painting as Real: Hani Zurob By Adania Shibli References to photographs as a reflection or a Zurob continues to describe how he eventually found representation of the real, or even as hyperreal, are quite a refuge during these prolonged days of curfew in the common. Visual theorists, such as Martin Jay, explain furthest corner of their house which was full of his such references not only to photographs but also to father’s books and magazines, with several of them paintings that are a produce of perspectival gaze, by the containing drawings in them. These drawings, in their fact that the camera obscura model, assigns a place for turn, prompted the young Zurob to copy them using a viewer who is disconnected from the viewed scene; transparent paper; and as he got better and better, he for example, an objective viewer of the world. Other started adding his personal touch to them. It is this theorists, namely Norman Bryson, explain that such type personal touch then, one can hold accountable for the of images, generate this sense of resemblance to the real deformed bodies and faces, composed of thick dark world, based on the ratio of the depicted objects in the lines of bitumen piled in the centre of the frame. And frame. this personal touch is again nothing but a personal experience of a deformation, or to be more precise, a Still it never occurred to me that paintings, which are deliberate destruction of bodies in the real world of the not even generated based on perspectivalism, could also artist. -
World Deserts
HISTORY AND GEOGRAPHY World Deserts Reader Frog in the Australian Outback Joshua tree in the Mojave Desert South American sheepherder Camel train across the Sahara Desert THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. World Deserts Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
HKUST Israel Study Tour 2019 (Sample Schedule)
HKUST Israel Study Tour 2019 Day 2 (Sample schedule) Time Activity Note: This is a sample schedule and the actual schedule will be announced in due course. 07:30 Breakfast at the hotel Day 1 09:00-10:00 ArtSpace Tel Aviv This tour is all about innovation - and how it comes to life in different Time Activity fields, such as Communities, tech, art and different techniques. The 07:55 Tour of Old Jaffa Port guide is Rei Dishon, founder of ArtSpace foundation, entrepreneur and tech product designer, one of the founders of CommAgain (a Discover the history and stories at the root of Tel-Aviv’s Start-up identity. community for community managers and a research center for 13:00 Lunch at a local restaurant community culture) and a representative of the Israeli Burning Man 15:00 Check-in to the hotel society. 19:00 Dinner at the hotel 11:00-12:00 A unique visit to GOOGLE Israel , including insider’s view of its Accommodation: Ruth Daniel Residence Hotel Tel Aviv-Yafo flagship program, WAZE. 12:30 Lunch on own 13:30 Porter School of Environmental Studies Capsule Building The Capsule Building is recognized by World Architecture News for ecological architectural design as the first LEED Platinum certified project in Israel, with 92 points. The facility houses working laboratories, including a water-efficient greenhouse on its roof, algae- fuel generators, and smart mobility facilities, create its own electricity utilizing solar panels, and using the same system for shading and screening out noise. 16:00 Visit “Tech & The City” in Haifa Residential Ulpan for Young High-Tech Professionals is a 5-month absorption program geared specifically for young, motivated hi-tech students and professionals with academic degrees. -
RECOMMENDED RESTAURANTS in TEL AVIV Restaurantsda’AT EDUCATIONAL EXPEDITIONS
restaurants RECOMMENDED RESTAURANTS IN TEL AVIV restaurantsDA’AT EDUCATIONAL EXPEDITIONS A B R A X A S N O R T H BRASSERIE COFFEE BAR 40 Lilenblum St. 70 Ibn Gvirol St. 13 Yad Harutzim St. 03-516-6660 03-696-7111 03-688-9696 By Chef Eyal Shani Israeli/French style bistro Bistro Not Kosher Better than Paris, you really Not Kosher feel the best of Tel Aviv AGADAIR Not Kosher DALLAL 3 Hatarucha Tel Aviv Port 1 Kol Israel Haverim St. 03-516-8050 CAFÉ EUROPA Corner of 10 Shabazi St., American food 9 Rothschild St. Neve Zedek Not Kosher 03-525-9987 03-510-9292 Local Israeli Cuisine B A R B U N I A Not Kosher Superb food designed with 192 Ben Yehuda St. utmost perfection; local cuisine 03-524-0961 CAFÉ NOIR with an international touch Fish & Seafood 43 Ahad Ha'am St. Not Kosher Not Kosher 03-566-3018 European DECA BELLINI Not Kosher 10 Industry St. 6 Yechieli St. (next to Suzanne 03-562-9900 Dellal Center in Neve Tzedek) CATIT Fish 03-517-8486 57 Nachalat Binyamin Intimate atmosphere Italian 03-510-7001 Kosher Great location; trendy Seafood & Meat Dishes Not Kosher Dishes served with fresh D I N I N G S ingredients purchased from 25 Nahmani St. The Norman Hotel BLUE SKY boutique sellers 03-543-5444 On the rooftop of the Carlton Hotel. Not Kosher Japanese Tapas 10 Eliezer Perl St. Not Kosher 03-520-1830 CHEDER OCHEL The amazing view of this rooftop 23 Shaul Hamelech Blvd. -
Railway Crossings: Encounters in Ottoman Lands
RAILWAY CROSSINGS: ENCOUNTERS IN OTTOMAN LANDS A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Elvan Cobb August 2018 © 2018 Elvan Cobb RAILWAY CROSSINGS: ENCOUNTERS IN OTTOMAN LANDS Elvan Cobb, Ph. D. Cornell University 2018 Railway Crossings: Encounters in Ottoman Lands focuses on the production of railway spaces in western Anatolia during the second half of the 19th century, with an emphasis on how spatial practices were altered with the advent of railways in the region. Understanding the railroads as a cultural as well as a material phenomenon, this work approaches the western Anatolian railways through a series of interdisciplinary vignettes that juxtapose the histories of the built environment with histories of technology, archaeology, travel, and the senses. In an effort to modernize its transportation infrastructure, the Ottoman government granted the first railway concessions in Anatolia to two British companies. The Izmir-Aydın and Izmir-Kasaba lines connected the port city of Izmir to the fertile river valleys of the Gediz, Küçük and Büyük Menderes rivers. The construction of railways was an intensely material act, requiring not only the laying of tracks and the construction of station buildings, but the alteration of a whole landscape. Beyond this physicality, the railroads were harbingers of new modes of interaction with space. They altered the commercial transportation networks of the region that had depended for centuries on camel caravans traveling along well-established but flexible pathways. People also found a new mobility in the train.